Laura El- Tantawy

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Laura El-Tantawy is an Egyptian photojournalist and artist based in London, England. She was born in Worcestershire, England, in 1980 and grew up between Saudi Arabia and Cairo, Egypt. Given her multicultural background, she has found solace in photography not just as an artistic form of expression, but also as an inner voice to reflect upon her own identity and how it relates to the world around her.

Laura  El-Tantawy recently did a project called Beyond here is nothing at all. She described the project as ‘Beyond Here Is Nothing’ is a photographic meditation on the notion of home. ‘To be home is to feel a strong connection to a land and a grounding to its roots’. The image below is taken from this project, many of the images in this project have a sense of dream like and fantasy to them.

This image is taken from the project ‘Beyond here there is nothing’ in this project Laira is exploring the meaning of home and the connection to home. As Laura is living in a different country to where she is originally from this image might be a reelection of how she is dreaming of what her home is like. The tree in the bottom right is a palm tree which are typically found in warm countries, not in England. To create this image Laura has used the technique of double exposure and layering to the sense of all the images being together as one. So this is something that I want to experiment with in this project.

El-Tantawy studied journalism and political science at the University of Georgia in Athens, Georgia. In 2009, she received a research fellowship from the University of Oxford, where she researched the impact that Internet blogging and independent newspapers were having on pushing the boundaries of free speech in Egyptian media.

“My photographic interest in a project typically stems from having some personal connection with the subject matter,” she said. “Having lived between East and West much of my life, I have often felt lost between the traditional ideologies instilled in my upbringing and the extremely liberal practices of the West. I had to find a defining balance for myself as an individual, and my work as a documentary photographer has helped me do that. Dealing with who I am as a person and my position on the critical social issues facing the world today—particularly those pertaining to my background—is at the heart of all the themes I take on in my work.”

In 2002, El-Tantawy started her career as a newspaper photographer with the Milwaukee Journal Sentinel and Sarasota Herald-Tribune. In 2006, she became a freelancer so she could focus on pursuing personal projects. Her work has been published and exhibited in the United States, Europe, Asia, and the Middle East. She lives between the U.K,  her country of birth, and Egypt, with which she associates most of her childhood memories.

Laura recently produced a project entitled ‘ The Veil’. The images in this project has been made to be ‘bad’ on purpose, she was trying to capture the movement and the hustle and bustle of the city that she lives in, the project was focusing on how most women wear veils to  cover up as part of their religion and how this might clashing in the 21th century.

One thought on “Laura El- Tantawy”

  1. Extend your artists reference on Laura El Tantawy or better still make a new blog post where your deconstruct her photobook in detail following these steps here.

    Do the same for one of Rinko’ book too to achieve more marks for contextual and critical studies.

    I have both copies here in class.

    If you have made a photobook – write a book specification and describe in detail what your book is about in terms of narrative, concept and design. Produce a mood-board of design ideas and consider the following:

    – How you want your book to look and feel
    – Paper and ink: use of different paper/ textures/ colour or B&W or both.
    – Format, size and orientation: portraiture/ landscape/ square/ A5, A4, A3 / number of pages.
    – Binding: soft/hard cover. Image wrap/dust jacket. Saddle stitch/swiss binding/ Japanese stab-binding/ leperello
    – Cover: linen/ card. graphic/ printed image. embossed/ debossed. letterpress/ silkscreen/hot-stamping.
    – Title: literal or poetic / relevant or intriguing.
    – Narrative: what is the story/ subject-matter. How is it told?
    – Structure and architecture: how design/ repeating motifs/ or specific features develops a concept or construct a narrative.
    – Design and layout: image size on pages/ single page, double-spread/ images/ grid, fold- outs/ inserts.
    – Editing and sequencing: selection of images/ juxtaposition of photographs/ editing process
    – Images and text: are they linked? Introduction/ statement / use of captions (if any.)

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