CHARLES JONES

Charles Jones (1866-1959) was a trained gardener who worked at several private estates between the years 1894 and 1910. He also photographed what he produced. He created a series of gelatin silver prints of vegetables, fruits, and flowers. Unusually he photographed them in isolation against a neutral backdrop so that the images highlight the distinctive features of the subject matter.  Born a year later than Blossfeldt, he worked in a similar way but with more of a focus on the horticultural detail rather than an abstract aesthetic. Jones remained completely unknown as a photographer in his lifetime. It seems that his interest was not shared with anyone outside his immediate family. He died a near recluse in Lincolnshire in 1959. Some 500 of his photographs were discovered by Sean Sexton, a collector, in Bermondsey Market in 1981 and their value recognised. He was only identified as the photographer when the photographs were displayed on the BBC and his granddaughter identified them – and promptly wrote to the producer. Sean Sexton created a monograph about the images in 1998 and Jones subsequently enjoyed wider attention as a photographer rather than a puzzle. Since then his work has been exhibited by the Howard Greenberg Gallery (10 November, 2006 – 6 January 2007)

Image analysis:

Jones’ photograph of two white roses signifies the beauty and delicacy of flowers and their natural, untouched sublime. His photographic exploration of botany and horticulture is simple; he photographs natural forms as they come against a neutral background, doing little to change their form or appearance. However, his photographs are powerful as they represent the intrinsic detail and variation within nature. This particular photograph emphasizes the tonal contrasts between the flowers and the background. The white flowers against the complimentary grey background really highlights the main subject and draws your eye to the shapes and patterns, curves and folds of the roses. His work is extremely similar to Karl Blossfeldt’s, so I aim to respond to both photographers in my second shoot based around flowers / leaves. I too will place the natural forms I find against a neutral background, along with editing my images into monochrome.

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