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Evaluation

I believe my project of Creationism vs Evolution has taken me on a journey where I have learnt to appreciate nature and its beauty even more than I did previously.  I originally started by looking at freedoms in nature and the processes for life and death.  It was only after I reflected on my previous project of faith, I had decided to apply my own personal relationship with spirituality and try and document this in my book.  In doing this I believe I have achieved my aims of exploring the contrasts and similarities within nature between science and fiction as I can conclude at the end of my project that in my opinion the two are strongly linked.  I din’t however realize this for most of my project, it was only really whilst designing my book and exploring the layout, is where the science apparent within my images appeared very visual and I liked how this combined spiritual elements.  Although through my shoots I took images of both sides of the coin, they were always separate in my mind. This therefore explains how (much like my project) my aims have changed and evolved in looking at how rather than the two theories being different, I have shown somehow the ways in which both are connected through their relationship.  By basing most of my project on Genesis within the Bible, I have explored the freedoms of how the depths of spirituality exist within this world and out of this world but also through looking at evolution, I have also looked at the freedoms that exist with Science and how we have an understanding of what is happening.  Conversely,  the limitations of spirituality are that we don’t know why change occurs or why we are here, the closest we can get to is that we were created by God and that we have to be at one with nature to know our purpose better but yet not fully as only God knows this.  Also the limitations of evolution and science is that we obviously cannot explain the purpose and reasons for change in nature, other than that we are aware that it exists.  In looking at these comparisons, I believe I have made a balanced conclusion within my book of the freedom and limitations of both these concepts.  I believe that overall I am happy with my project and that it went successfully.  I wanted to explore spirituality further after my previous project, and that I believe because of my faith as well as my awareness to opposing and contrasting theories, I am in a good place to observe and explore both arguments.

Below are my final prints that work alongside and support my book.  I have mainly chosen to focus on light and humans as I couldn’t use images from all my chapters as there are too many for just prints – this is one reason why I chose to create a book.  Overall I am happy with my final prints, I chose the most spiritual looking shots (in my opinion) to display.

These three images I especially like as they depict not only light, but the role, purpose and significance of light within this world.  I believe the sequence as presented within the display above is important because it almost represents the stages of light entering the world – firstly the emergence of light, the presence of light and finally the disappearance of light as it fades away.  This triptych shows therefore the stages and process of this change from a spiritual and yet scientific viewpoint.

These 6 images are arranged so that compliment one another’s textures of bodily tissue.  The textures appear particularly sharp, detailed and refined and I believe that by having six, thinner strips, this helps emphasize whats in the image through the style of framing.  Furthermore, I arranged each image so that the darker tones would be simultaneously reveal-ant at having a balanced shade, whilst also maintaining strong lines of symmetry within the image.

 

I particularly like these two images sequenced together.  On the left are the fingers – the external, on the right is the palm – the internal.  This contrast allows us to see the creationist, distinctive qualities that occur on different sections of the same body parts.  I chose to have a strong, black border because I believe that this coincides effectively with the strong contrasting levels within both images – almost as if we as humans are curious to find out the depths and mysteries of what is beneath the skin.

These images I put together because of how they reflect the distinctive qualities from organism to organism.  I have captured very distinct markings that act as evidence for each person whose skin it belongs to, adding symbolism to the creationsit story that it still occurs today.  In doing this I am linking creationism and evolution together.

I particularly like these images.  I found the white photo frame not only brings out the white tones, but also is very effective at proving stronger depth to the contrasting darker tones.   As this happens, I like how the flow of white acts almost as like a circle within the squared photoframe that is important as it not only shows the relationship of light, but also furthermore the cycle of light as it changes.

Evaluation

Link to my Book: Baptism

The exam brief was to create photos around the words Freedom and Limitations. I made a book with the name Baptism. The reason for this is because when a person is baptized it is a symbolic representation of what God has done in their life. In this we believe God has washed away the old life and this person has started a new life with god. ‘Old’ and ‘New’ are keys words in the context of my book. By using software I was able to change the original colors and intensify them. Giving these photos New Life with New Colors.

Previously I have been studying the spiritual link between color and the soul. I read the book ‘Concerning the Spiritual in Art’ by Wassily Kandinsky, in this he writes about how certain colors can effect human emotions differently. I wanted this to be the case with my book. Baptism is a very spiritual thing and I found calling my book that linked everything together nicely. When a person is baptized the person has the Freedom to start over to begin a new life. Before these photos were Limited by the colors that they were captured in. But I have given these photos the Freedom to change, to be something new, with new colors that effect the soul differently to when the photos were initially taken.

I personally have had the Freedom to work with different colors and saturation levels than I would when using the photos the way they were taken. Being able to experiment and dramatically change these photos has very Freeing. Personally I think I have met the brief as I have felt Freedom making these photos and have showed how Limitations have been broken, Freeing these photos.

James Welling has the freedom to explore using different techniques and mediums. He has used color filters. overlay techniques and many others that create these beautiful abstract photos. One of the works of James Welling that inspired me the most is the one you can see below this. This is one of the photos from the Glass house project. In these photos colors have been split and changed. In this photo only the sky has changed to orange and the snow has stayed white. However, other photos there are often two of more colors. Like red and yellow and in some cases Welling used a diffraction filter that split the light into the spectrum. Throughout my work I have used digital filters. I have changed the hue, white balance and have used the Split Toning tool. All these to heighten these colors and make them pop out. I I often used the brush tool is I wanted to give something  else a different color. Welling has been one of the largest inspirations in the project.

James Welling- Glass house

Another inspiration of mine when decided how to take photos was Jessica Backhaus. It was her Symphony of Shadows (as seen above) that caught my attention as it was full of color, so simplistic yet so fascinating. This inspired me to take more simple photos. Instead of a wall I often used the sky as a backdrop but changed the colors in Lightroom, giving the freedom to make these different abstract and simplistic photos. Backhaus’ composition of these shadows and shapes on the wall is very cleverly done to make the photo much more interesting. It makes you look at something you wouldn’t think twice about looking at in normal day life. That’s what I wanted to do, I wanted to bring new life to these mundane objects. The photo below is one of my own and inspired by Backhaus’ work. I have used the sky as a backdrop, it’s so simplistic yet so effective.

This is my favorite photo of mine from this project. It was captured in the moment. I saw the bird sitting there and it stayed there long enough for me to frame up and take the photo before flying away. I also like the colors in the photo. The wide open space of just purple, with a bird almost like a silhouette to right of the photo on top of this deep orange rock. I like this photo because it links well to narrative. I wanted the photos to have a spiritually feeling to them which often people feel when looking a nature. This photo shows nature and the colors work together very well. People often see nature a freeing as it does not answer to anybody it just happens. Also people often relate birds to freedom as they are able to fly where ever they want. The phrase that comes to mind is “Free as a Bird” again showing another form of spiritual freedom.  I think I like this image so much because it was such a tense photo to take, any quick movement would have startled the bird and it would have flown away. But I took my time and got the shot I was looking for.

This project was very enjoyable. The project was about freedom and I really felt like I had that when creating these photos. To explore color and discover it’s link between human emotion was very interesting. Showing how color can change a photo completely. The time given gave me time to make mistakes and create photos I really liked. I was challenged to make photos that were interesting, full of color and had a spiritual connection.

Book Layout

When designing my book I wanted to make sure photos with similar colors were split in a sequence where it would be enjoyable to read. I also used close up photos of people in between these landscapes to try and break rhythm. I also placed more simple abstract photos after more complex, full photos. I placed the yellows in between purples as they are complementary colors. Also yellow is a very harsh color on the eyes as it reflects more light where as purple is a darker color and relaxes the eyes, this is why these colors go well together. I placed the portraits next to landscapes that looked similar to each other. This is because I wanted these close images of people to  look more like a landscape and less like a part of a human being.

Photo Layout

I have laid out my photos in such a way that shows off each photo individually. I stuck each landscape photo on some foam board and stuck each one to the wall individually. I then grouped my close up portraits together with my ghostly like photos that I took in the early stages of this project.

I placed these photos on top and used the close up portraits as backgrounds. I did this as you will be able to see the uncovered versions in the book. I liked this because it gave me an idea and a meaning. The way the photos have been laid out show how humanity often ruins photos, builds on top of landscapes and ruin the identity of a place or a person. I made a window mount and placed this inside as well as foam board and it made it stand out better.

Final Evaluation

link to my magazine, Boys Will Be Boys


my magazine back cover (left) and front cover (right)

 

From reviewing my exam project which looks at the fashion of teenage boys on Jersey and how this can provide a means of expression, I feel a sense of satisfaction because the whole project project has been very rewarding. I had never produced work as I have done in this project before and because of this, the completion of the project has been very rewarding because of the effort gone into approaching models to photograph and the success of the majority of the shoots. This project has been a very collaborative project and relied heavily on the cooperation of my subjects that I was attempting to tell the stories of. Therefore, the relationship between my subjects and myself was vital in allowing for a true representation for their “story” – a story that explored the way they dress and the reasons behind why they dress in the style they do. On top of this primary focus on fashion, I also made it may aim to relate this to how teenage boys, who are often so caught up in portraying a masculine persona, can lose a sense of security and identity in themselves if they didn’t have fashion as a means to express themselves. This is how I related the whole project to freedom and limitations – my focus on revealing a certain sensitiveness behind the mask of masculinity allowed me to explore the theme of freedom.

Furthermore, my study into several artists allowed me to understanding the history of fashion photography as well as street fashion photography and the allowed me to see how this differed to the much more conceptual and socially-aware portraits of young people to tell a narrative. Having studied how such successful photographers such as David Bailey of the 20th century who captured a model’s features in a single image allowed me to understand where to start in terms of portraiture. In addition, looking at the work of young photographer, James Greenhalgh allowed me to gather a sense of understanding into how to tell a story of a subject through a use of careful body and facial expressions.

After completing five different photoshoots, I have managed to collate around 25 images, about 5 for each character and these edits are images I can be proud of because I believe this project has challenged me and challenged my ability to interact with people in order to create meaningful imagery. In conclusion, I believe I fulfilled the exam brief to my full potential and the images I have at the end of this project, all coincide with one another to create a cohesive project that follows the story of five different characters and their attempts to feel a sense of acceptance.

FINAL EVALUATION // EVERYTHING

I am very happy with the final outcome of my exam project. The ideas that I began with have been fully explored and developed throughout. My initial ideas to explore the concept of freedom was to focus on the freedom of how we view the world in our unique perspectives. I started my researching and exploring spiritual concepts within photography and how everyday situations can be a thing of beauty. My idea was to fragment certain scenes and to capture them in an abstract way. I looked at the artist Laura El-Tantawy and her own unique persepctives. I really liked her abstract, artistic images full of colour and I used her ideas as inspiration for my shoot.  Here are some of the outcomes of that shoot. 

After looking at the photographer Laura El-Tantawy I came across the photographer Rinko Kawauchi who I used as inspiration for the rest of my project. Her images are very spiritual and pure and have a sense of freedom within them. I looked at many of her series and focused a lot on her ideas and way of viewing the world. I used Kawuchi as inspiration to create an experimentation video focusing on nature. I wanted to do this to create a starting point for my art film that I wanted to create based on this concept of making insignificant things beautiful.

Since I was looking at the concept of freedom of expression and the freedom of viewing the world in our own way I researched a project called the Disposable Camera Project.The disposable camera project draws in on the idea of freedom of expression because it allows people to express themselves and show their own unique outlook of the world thorough photography. A disposable camera allows people who may not be use to using a camera to be able to very simply capture a scene or a scenario they find beautiful or interesting. It gives them an easy way of expressing themselves. After researching the disposable camera project, I wanted to use the idea myself and I did a shoot using a disposable camera. Here are some of outcomes of that shoot.

After doing the disposable camera shoot I did a shoot using Rinko Kawauchi as inspiration.  I tried to create images containing a spiritual meaning and things with purity and beauty. I was very happy with the outcome of that shoot because It linked closely to my main idea of portraying insignificant things in a beautiful, unique way. Here are my favorite outcomes from that shoot. 

After doing the experimentation shoot using Rinko Kawauchi as inspiration I started focusing more closely on certain scenes and objects to capture such as the sea, plants, the sky and the body. For each scene and object I focused closely and fragmented particular areas that I wanted to focus on. I kept linking my work to Rinko Kawauchi’s images to compare my viewpoint to hers. As well as focusing on nature and the body, I started to combine the two areas to capture unusual and interesting images such as the one below. After doing all my photo shoots and collecting my images I started creating my photo book and experimenting with different layouts and proportions of images. I looked closely at examples of Rinko Kawauchi’s books such as Amersuchi and Illuminance because the images and meaning relates well with my project. Whilst developing my photo book more I started focusing more closely on my art film based on the same concept as my photo book. After watching the film The Tree of Life, I researched more about the ideas behind it and began developing my own ideas for my own film. I started by collecting short clips of certain scenes that were insignificant yet beautiful. Here are some of the short clips that I collected. After collecting a substantial amount of clips I collaborated them together to create the film I had imagined.

After looking closely at and evaluating Rinko Kawauchi’s book more called Illuminance I finaly finished the layout of my photobook Wabi Sabi which I was very happy with.  I then decided on which final images to display as sets based on what images worked well together and represented my project best.

Water Research

In this blog post, I want to look at the distinctive properties that water holds itself.  In doing this,I want to establish the scientific properties that are found which I can relate and compare to spiritual properties pf water based on my observations with a viewpoint from someone who is also trying to translate his faith in his work by finding not just the beauty, but also the dynamics of why change in nature occurs which from  a creationist point of view, is all linked back to the book of Genesis.  Therefore in this post, I also hope to contrast this by providing factual information on water properties, but also to give you the viewer a viewpoint on the alternative side of water.  Within my images of water, I have wanted to include elements that relate to both the scientific but also the spiritual depths of the realms of this world which include close up elements, showing how they function.  Then by comparison, I have taken a wider spread, zoomed out landscape to show and explore how these elements make up the whole environment as one which allows us to compare each elements role within the natural cycle of life.  This relates to evolution because it explores how the process of change occurs whereas from a spiritual/creationist point of view, these underwater images are also a clear demonstration that by observing the beauty, magnificence, awe and wonder that is surrounded engulfs nature, this could mean that change in nature occurs because the Earth is going somewhere, somewhere similar to where its been before which could be why evolution occurs – linking both theories together.

Water is a transparent, tasteless, odorless, and nearly colorless chemical substance is crucial in providing and ensuring life on earth through survival.  It is interesting how scientific properties of water provide life which in itself is hard to be scientifically defined as life is arguably something on the border of the spiritual realms.  This is backed up by the fact that all life has water contained in their biological cells which allows for chemical reactions to take place, that are part of the processes for change within nature.  These chemical reactions include within animal bodies of metabolism and anabolism, catabolism – all processes that break down, distribute and regulate the amount of molecules and acids within the body as one.  This here is the argument for creationism that every individual element is so well coordinated that the creator is still in action to this moment.  Water is also essential for the photosynthesis and respiration to occur – where the sun’s energy combined with the water allows for plant life to multiply.  Therefore it appears that all the chemical elements (representing the how) are all working towards a common place (representing the why).  Although we don’t the specific reasons for why, by examining the beauty and power of nature, can we understand that we are not an accident but have our purpose to be spiritually connected and in tune with nature and if we do that, we can also have greater involvement for the process for change in nature for the better.

The sea’s force is overwhelmingly powerful, how is it that chemical bonds all acting in coordination, can be so lethal?  I believe that many humans are unaware of the power and dynamism of the sea.  As it is one of the most powerful forces in the world, the sea plays a great role in the process of change within the natural environment on this Earth – breeding and also ending lives.  Floods and Tsunamis have killed countless lives throughout the history of mankind.  The randomness and chaos that evolves around free moving particles are very interesting as despite the idea that all particles are coordinated, there are arguments that the randomness of the seas reflect how evolution itself is the why in which change occurs and that is that.  The sheer range from sharp, crystal whites to plunging dark depths of the deep sea, I have also tried to include in my work as well which highlight the endless power of the sea.  However also in doing this I wanted to show the importance of the sea as well, symbolizing as humans are increasingly reliant on it, the rules of the sea will always dictate and influence the way nature occurs whether that is by spiritual reasons or by accident.

Image result for water

Image result for water

Image result for water

For centuries humans have held suspicions of what the sea actually accommodates in terms of myths, exploring the facts vs the fiction.  71% of the Earth’s surface is made up of water, allowing for unknown life to exist.  This is important to recognize and note within my project because the spiritual realm doesn’t have boundaries, and as nature is so well connected with the spiritual forces dictating how change occurs, this reflects not only the endless power of nature, but also most importantly how we will never know the reasons for change and thus shall never be able to fully as humans influence nature as much as spiritualism does.  This sense of mystery and the unknown is strongly linked to the title “Freedoms and Limitations” because we don’t know the depths of spirituality, but we do know its power and intervention within nature.  Likewise we know how change occurs, but contrastingly we don’t know what the purpose for change to occur is in the end.

 

final evaluation // photo book

My book Wabi Sabi is about the freedom of viewing the world in our own unique way. Its about capturing the insignificant details that we would usually ignore or not notice, and appreciating the pure and spiritual elements of the imperfect details of our lives. The Japanese term, Wabi Sabi fully explains what the series is about in a simple way. The definition of the term, “a way of living that focuses on finding beauty within the imperfections of life and accepting peacefully the natural cycle of growth and decay” concludes the project well. Throughout the book I focus closely on the tiny details of objects and scenes that we witness all the time. An example of scenes that I’ve included is the Sky at evening time, and the movement of the sea. Within these scenes Ive  focused on and framed particular elements that interested me. My aim was to fragment specific details that were insignificant yet beautiful.

I wanted my book to be simple yet powerful. I wanted the images to make the viewer think about what they are looking at. My aim was to create a thought process in the viewers mind to make them reflect more on the imperfect and insignificant details of our day to day lives.

For the front and back cover I wanted an image that would draw the viewer in. Something that wasn’t too busy but had an appealing aesthetic. I am very happy with the cover that I choose because the warm colour is calming and links with my theme of spiritual connotations within tiny details. I choose to use a small font size for the title because I didn’t want it to over power the image. The image was meant to be the focus point and I believe I have achieved this.

I wanted the style and genre of my book to be in a similar style to Rinko Kawauchi’s book Illuminance. Her book is simple and flows really well from image to image. Although her images don’t link immediately, the colour, texture and form of each image leads onto the next in some way.  This is what I wanted to achieve within my photo book. I wanted to create a narrative within the book using the sequence of images as the story line. The aspects that I linked from image to image are colour, shape, tone and subject. I didn’t want images placed next to each other to be too similar, but I also didn’t want them to have no connection at all.

Most of my images are colorful because I wanted the viewer to be drawn in by the use of bright, pale colours. Although I wanted to stick with an overall aesthetic throughout the series of images, I also wanted the book to contain some contrast. I did this by also including black and white images to change the sequence and flow slightly. I choose specific images to be presented in black and white because they contained a lot of detail, such as the close up image of the skin. Since the image had a lot of detail, it was interesting enough without the use of colour to draw the viewer in.

The images above and bellow are examples of different connections I made between images. The image above contains an unusual perspective of a foot which contains wrinkles and decaying skin. I choose this image because it represents my project well because I’ve captured the beauty of an imperfect thing. The other image is a close up of water. The movement, reflection and shape is what I aimed to capture within the image. I decided to place these two images next to each other because of the texture and shape. The structure of the skin, and the shape of the wrinkles on the foot connect well with the shape of the water.

The image below is another example of a connection I made between two images to create a flow and narrative. Both images are close ups of particular objects that we see everyday. The image on the left is a close up of a flower, and the image on the right is a close up of a hand. Although the objects a completely different as subjects, I managed to make a connection between the two images by linking the shape, colour and texture.

I am very happy with the final outcome of my photo book because I have managed to portray and represent my ideas and way of thinking very well. My main aim was to create a book that made the viewer reflect on each image and make connections with what they see in the image in their own lives. I wanted to focus on the tiny details which I have managed to do very well. I also aimed to express the beauty of things that we viewed to be imperfect.

Final evaluation // print images

Here are the Final displays of my printed images for my project based on Freedom. When choosing what images to display I went through all my final edits to pick the best ones that worked as a group. I decided to focus on two separate, contrasting displays.

The first one is based on the theme of how we see the world. I’ve focused and fragmented different scenes that are simple, unique and normally not noticed or ignored. I’ve photographed them to make them look beautiful and visually pleasing. I’ve used bright, pale colours to draw the viewer in. I wanted to display a set of six images size A3 for this series. I choose these images because they work really well as a group with the contrasting colours and shapes. Ive positioned the images with warm colours in a zig-zag, and the images with cool colours in the same way. I really like how this set of images have turned out, and they compliment my book really well.

For the second set of images I decided to use size A5 to print the images out because it caused the viewer to focus more closely on the images. I wanted to stick with a certain theme for my second display, so I decided to focus more on the body and the tiny, insignificant details within it. I again choose to display the images as a set of six because they complimented each other really well. I made sure I choose a set that were contrasting, containing different angles, fragments of the body and tones.

Overall, I am very happy with my final set of images and displays because they compliment and show a variation of images that are in my photo-book, Wabi Sabi.

Starting Production of Magazine using Bookwright

At home, I downloaded the software called Bookwright which is a similar software to Blurb and is of thew same organisation as Blurb but a different piece of software with a different interface. I downloaded this as it will allow me to create my magazine better than I could do on Blurb as Blurb does not provide this option.

However, because I have downloaded it at home, I can only produce my magazine at home in my spare time, however, I will work around this and make sure it is completed in time for me to produce other work in class on exam days.

Before I began creating other cover pages with different text graphics and a different layout, I only had my primary draft version using the handwriting text I had originally produced. Therefore, I could only insert these covers as experiments for how a cover may look but I had the intention of crating other drafts – which I have done and will publish this as a blog post soon.

This have me an opportunity to begin becoming comfortable with the Bookwright software and its tools and how to navigate and there are also video tutorials on how to create magazines using the software and I intend to watch these also.

I inserted JPEG images of my front and back cover an this is shown below in the first screenshot.

Screenshot of primary front and back cover experiments in Bookwright

 

Screenshot of same page on Bookwright, however, with a different back cover but the same front cover as previous. This back cover eliminates the use of imagery and concentrates on the title graphics and the slogan I also created for the magazine as this is a common convention of fashion magazines that look at gender and expression

 

This screenshot shows the the inside pages of the cover pages an I had made them both yellow, on the back and front to create a colour theme and the yellow used is the same as that of the title colour

 

A screenshot of the first page where I have inserted an image of the same slogan that was present on the second back draft