All posts by Adam Seal

Filters

Author:
Category:

Evaluation

I believe my project of Creationism vs Evolution has taken me on a journey where I have learnt to appreciate nature and its beauty even more than I did previously.  I originally started by looking at freedoms in nature and the processes for life and death.  It was only after I reflected on my previous project of faith, I had decided to apply my own personal relationship with spirituality and try and document this in my book.  In doing this I believe I have achieved my aims of exploring the contrasts and similarities within nature between science and fiction as I can conclude at the end of my project that in my opinion the two are strongly linked.  I din’t however realize this for most of my project, it was only really whilst designing my book and exploring the layout, is where the science apparent within my images appeared very visual and I liked how this combined spiritual elements.  Although through my shoots I took images of both sides of the coin, they were always separate in my mind. This therefore explains how (much like my project) my aims have changed and evolved in looking at how rather than the two theories being different, I have shown somehow the ways in which both are connected through their relationship.  By basing most of my project on Genesis within the Bible, I have explored the freedoms of how the depths of spirituality exist within this world and out of this world but also through looking at evolution, I have also looked at the freedoms that exist with Science and how we have an understanding of what is happening.  Conversely,  the limitations of spirituality are that we don’t know why change occurs or why we are here, the closest we can get to is that we were created by God and that we have to be at one with nature to know our purpose better but yet not fully as only God knows this.  Also the limitations of evolution and science is that we obviously cannot explain the purpose and reasons for change in nature, other than that we are aware that it exists.  In looking at these comparisons, I believe I have made a balanced conclusion within my book of the freedom and limitations of both these concepts.  I believe that overall I am happy with my project and that it went successfully.  I wanted to explore spirituality further after my previous project, and that I believe because of my faith as well as my awareness to opposing and contrasting theories, I am in a good place to observe and explore both arguments.

Below are my final prints that work alongside and support my book.  I have mainly chosen to focus on light and humans as I couldn’t use images from all my chapters as there are too many for just prints – this is one reason why I chose to create a book.  Overall I am happy with my final prints, I chose the most spiritual looking shots (in my opinion) to display.

These three images I especially like as they depict not only light, but the role, purpose and significance of light within this world.  I believe the sequence as presented within the display above is important because it almost represents the stages of light entering the world – firstly the emergence of light, the presence of light and finally the disappearance of light as it fades away.  This triptych shows therefore the stages and process of this change from a spiritual and yet scientific viewpoint.

These 6 images are arranged so that compliment one another’s textures of bodily tissue.  The textures appear particularly sharp, detailed and refined and I believe that by having six, thinner strips, this helps emphasize whats in the image through the style of framing.  Furthermore, I arranged each image so that the darker tones would be simultaneously reveal-ant at having a balanced shade, whilst also maintaining strong lines of symmetry within the image.

 

I particularly like these two images sequenced together.  On the left are the fingers – the external, on the right is the palm – the internal.  This contrast allows us to see the creationist, distinctive qualities that occur on different sections of the same body parts.  I chose to have a strong, black border because I believe that this coincides effectively with the strong contrasting levels within both images – almost as if we as humans are curious to find out the depths and mysteries of what is beneath the skin.

These images I put together because of how they reflect the distinctive qualities from organism to organism.  I have captured very distinct markings that act as evidence for each person whose skin it belongs to, adding symbolism to the creationsit story that it still occurs today.  In doing this I am linking creationism and evolution together.

I particularly like these images.  I found the white photo frame not only brings out the white tones, but also is very effective at proving stronger depth to the contrasting darker tones.   As this happens, I like how the flow of white acts almost as like a circle within the squared photoframe that is important as it not only shows the relationship of light, but also furthermore the cycle of light as it changes.

Artist Styles and Inspirations

Wassily Kandinsky

Image result for wassily kandinsky - concerning the spirituality in art

The book published in 1912: “Concerning the Spiritual in Art” explores improvisations and compositions as an alternative to impressions which are based in external reality, improvisations and compositions are images that encapsulate images that arise from unconscious viewpoint of life and the world.  Kandinsky associates the spiritual life of humanity to a pyramid with various levels of spiritual hierarchy that emerge before one can be fully connected to the surroundings of the unconscious.  During low periods, the soul sinks to the bottom as humanity searches for external success ignoring soiritual forces.  This has been a long term key concept for my work, as within my spiritual images, I have tried to reconnect people’s relationship with nature by looking at how and why we are here.  I have therefore used this concept to explore the origins of life and being.

Furthermore, Kandinsky has further influenced me because his strong emphasis on colors is a method he uses to invoke the spiritualism that art creates.  However there is a very fine line between spiritualism and fantasy/fiction, therefore its important to not use spiritualism as a name for exploring fantasy, spiritualism must be about capturing spirituality that comes from experience.  Kandinsky’s colors evoke a double effect: Firstly a physical effect which is charmed by the beauty of colors. However secondly this effect can be deeper, causing a stirring of the soul as Kandinsky calls it: “inner resonance”— which is essentially a spiritual effect in which the color touches the soul.  This is called “Inner resonance” because it is art that directly communicates with the soul. This has also been my ambition particularly in my shots where creationism was mostly established with plants etc, I have tried to use color that can communicate to the soul.

“In the first place one receives a purely physical impression, one of pleasure and contentment at the varied and beautiful colors. The eye is either warmed or else soothed and cooled. But these physical sensations can only be of short duration. They are merely superficial and leave no lasting impression, for the soul is unaffected. But although the effect of the colors is forgotten when the eye is turned away, the superficial impression of varied color may be the starting point of a whole chain of related sensations.”

Gary Fabian Millar

Image result for illumine book

I recently came across this book which has also further inspired me.  From page 152-167, Gary Millar explores taking images from photo paper against a church window, which captures the light from the moonlight over night.  The dark blue of the Petworth windows correlate successfully with Johann Wolfgang Von Goethe’s color wheel which was designed to symbolize the life of the human soul and spirit.  Millar relates his images to ” The idea of thought or spirit as matter, and vice versa, is underpinned by the doctrine of monism – the thesis that all of reality is of one kind”.

Related image Related image

Fabian Millar isn’t someone who specifically sees himself as religious, however his work clearly relates to spiritual thinking.    Unlike his work “The Sea Horizon“, the locations were to be imagined as Utopia as within these images, there is a sense of having no boundaries.  Through Millar’s work, there is a strong sense of abstraction as well as surrealism which building from Kandinsky, “communicates universal spiritual values”.  This means that there are underlying spiritual features that unite everyone within the world, regardless of whether they are religious or not.  It is therefore the role of artists to bring this to attention.  Millar has captured images of spirit, for example ” the blue circle indicated the realm of the spirit, the yellow triangle its earthly, intellectual opposite”.  This is done in response to Kandinsky who established representational and the non representational imagery who was in turn response the Theosophist (focusing on the attainment of direct, unmediated knowledge of the nature of divinity and the origin and purpose of the universe)Rudolf Steiner.  It was these 2 coherent theses that Millar was able to produce his images that directly relate to the spirit.

In terms of method and also theory, Millar like Kandinsky has also been very influential to me in this project as both have helped me to create images that aren’t just physically nice, but from a spiritual point of view have a meaning that ensures the viewer can recognize that spirituality does have an impact within this world and its process of creationism and evolution.

 

 

 

 

Photo Book Layout

Link to my photo book:

IN THE BEGINNING

This is my book cover.  The title “IN THE BEGINNING” is important because these are the very first words that are written in Genesis and the viewer also opens up to Genesis 1:1.  The title is also symbolic as to what I am representing within my book in terms of the story of creationism and how this includes contrasting elements of evolutionist factors.

Throughout the book, I have divided my book into 7 chapters, each relating to the order of how the Earth was created, element by element.  This structure was important to me as it not only is a visual attempt to record spirituality, but also is symbolic as the idea of evolution is continuous change and adaptations and I feel that by as well as documenting pirituality, including these chapters in chronograph  also represents the how succesfully as well – relating to evolution.

I chose this image as a double page spread to start the book off after the Bible quote because for me it shows not only the expanse of the Earth, but retells the story accurately of how all the elements began forming as the Earth was being molded together.

I put these images into 4 squares as a sequence because I like how it shows that order was being installed in each element of the Earth to reflect how it was created for its specific purpose. The sequence shows the haste and speed of creation as well. 

This was part of my second chapter as part of light.  Within the sky, it appears as if there is an explosion with light rays branching out in all directions.  I believe that by having no border reflects how the light is never ending.  This is almost presented as light having no limits and that is a basis for all evolutionist change since.

This is also a double page spread as it shows the after effects of the first big explosion and strongly acts as a metaphor the evolutionism’s very existence to exist.  Contrastingly, we have change occurring from the previous double page spread and my message for this is that evolution is a natural part of God’s plan for the world and evolution also can have spiritual links as well.  

This double page spread depicts how the water was formed from the sky and forms a basis for chapter 3 for water.  I have consistently used the idea of emphasisng infinite power and wonder within my images to reflect the power of change is direct evidence that there was a creator at the beginning of the universe and there is the same creator still creating today.  

I went for a 3/4 page for this underwater image because the image was quite grainy due to the environment in which I shot in.  Although I like the grainyness as it brings out the individual elements, I wanted to ensure a smoother relationship between the two.

This chapter replicates how land and the sea had been separated after the sky and the sea was separated.  I believe up to this point, I have showed gradually the very evolution of the process of creationism as gradually my images in the book have started as showing elements that aren’t Earthly and eventually have started to appear more Earthly as we go further into the book.

This chapter focuses more on the idea of plants and vegetation.  In these images I am focusing more and more on scientific, individual elements to show the very detail, advanced sophistication that creation covers.  I put these images together.  The layout appears almost as if both branches are connected, although they aren’t.  This is symbolic as it shows how everything in nature is so well connected, despite differences in each smaller individual element and larger being , and how everything is in sync which is how ot was created to be.  Thus this allows for change and evolutionary advances to occur.   

These images I put together as they show the individual element that live off the tree from an up close point of view but also to view the tree as a whole, showing how all these scientific elements make up a being that is beautiful and pure 

This image is part of my animals chapter where I look how life is becoming more potent within the world.  I took an image of a bird flying over and within the bottom right corner, a bird is flying through.  I like this because it communicates the idea that change and evolution is happening at a faster rate, however it is driven by spirituality.  

This is part of my chapter of humans.  I put these images together as a sequence because I like how the line of the hands are joined, although they aren’t joined because they are two separate images.  I am trying to communicate here, that when you biologically link up the dots, then you have a wider picture that makes you surprised  and curious of further wonders and mysteries of the Earth.   

Likewise with my plant images, I believe these images appear quite scientific, almost as something microscopic.  Although these are macro shots, I believe they appear strongly spiritual as there is a sense that although they appear human, it is hard to distinguish what they are.  Therefore in a sense towards the end of my book, I have started to go back to depicting strong levels of spirituality within my images.  Although I have done this throughout my book, by going further in taking spiritual shots towards the end of my book is significant because it shows life and change as a cycle, with one of where change and creationism, fueled by spirituality is at the very center.

 

Interpretations of Genesis

There are many differing interpretations of the story of creation and more specifically the book of Genesis.  I have tried to base my own interpretation of the book of Genesis that is going to be reflected within my book.  However the number of different interpretations often vary because they are based on a number of factors whether it be differing religions, differing times and various other factors.  In this blog post my aim is to highlight these and compare them to my own interpretation as a young Christian with very little life experience on the book of Genesis.

Cosmology is the study of the universe, and humanity’s place in it.  Cosmologists are people who argue for the Big bang’s existence which occurred around 15 billion years ago.  At this point, is where the universe, space and time began which eventually bred human and plant life.  This theory is accepted by many as to the origins of the universe, whereby it justifies the concept how the Earth just happened accidentally.  However for some, it is used as a focal point to argue as a basis that this goes hand in hand with Genesis rather than in contradiction to it.  Marcus Aurelius, someone who explores the metaphysical cosmology (the placing of man in the universe in relationship to all other entities) observes that a man’s place in that relationship: “He who does not know what the world is does not know where he is, and he who does not know for what purpose the world exists, does not know who he is, nor what the world is.”  However, in modern use metaphysical cosmology addresses questions about the Universe which are beyond the scope of science.  Physical cosmology is the branch of physics that deals with the study of the physical origins and evolution of the Universe. It also includes the study of the nature of the Universe on a large scale.  By exploring the origins from a standpoint that goes further than science, and by linking spiritual relationships with the world, cosmology clearly references creation within this subject however from a potentially further viewpoint than other theories.   

https://en.wikipedia.org/wiki/Cosmology

Image result for the garden of eden

Religious) There are many interpretations from a religious pint of view that is inclusive to Jews and Muslims as well as Christians.  Although I have fixed my journey on the Christian viewpoint, Islam and Jews share links to the story as told in Genesis.  For example, the Quran, Torah and Bible all reference the first man on Earth as a man called Adam, and all have similer steps of process to the creation of world, element by element.  Because of these striking similarities on the interpretations of Genesis from all three religions, there are also differences.  For example Islam doesn’t mention the early of creation of women (Eve), and unlike Christian traditions, which sees Satan as a rebelling angel, Islamic tradition identifies Shaitan’s disobedience as an result of his superior nature out of fire, in contrast to the nature of humans, since angels in Islam do not rebel against God.  In Judaism also, there are differences as to the interpretation of creation such as the age of the Earth and also how the Torah came into existence at the beginning of time.  These beliefs will impact each Jew, Muslim and Christian’s viewpoint from an individual point from the doctrine of their religious views, but also collectively among each group.  Whilst these have been established, the current attitudes to these beliefs are impacted by the main beliefs of the specific religion.  

https://en.wikipedia.org/wiki/Islamic_mythology#Islamic_creation_narrative

Image result for creation painting

Allegorical interpretations of thr book of Genesis are ones that believe that the the story of creationism is symbolic.  For example, Allegorists hold that the purpose for Genesis is to describe humanity’s relationship to creation and God – that creation wasn’t a single event but rather creation represents a long period of time.  For example this includes the idea that the Serpeant tempting Eve is Satan in disguise, – and that the purpose for creation was to be at one with God – focusing mre on the why than most Christians who also consider possible explanations as to the how in contrast  to science and evolution.  Rowan Williams said “[For] most of the history of Christianity there’s been an awareness that a belief that everything depends on the creative act of God, is quite compatible with a degree of uncertainty or latitude about how precisely that unfolds in creative time.”  This quote is instigating the fact that for centuries Christians haven’t examined the how of creation, but only done so really in response to the growth of science.

Bible Literalists believe that the word of creation should be taken literally, as as told and nothing more and nothing less.  A 2011 survey by Gallup found that 3/10 Americans interpret the bible literally.  Literalists unlike Allegorists refer to the teachings of the bible, focusing on it as more of an explanation of how we got here as oppose to the process of interpretation in itslef.  However the only allegory that is taken note of, is when the writer clealry intended for the story to be allegorical.  In saying this, there is much dispute as to whether the story of creation is allegorical or is meant to be taken literally.    Literalism doesn’t deny metaphors and intended allegories but sees biblical and creationist events as history.  As part of the Chicago on Biblical Inerrancy, conservative Christian scholarship the following: “We affirm the necessity of interpreting the Bible according to its literal, or normal, sense.  The literal sense is the grammatical-historical sesne, that is, the meaning which the writer expressed.  Interpretation according to the literal sense will take account of all figures of speech and literary forms found in text.  We deny the legitimacy of any approach to scripture that attributes to it meaning which the liberal sense does not support”

 

Image result for creation painting

 

Overall my interpretation, from a visual point of view I believe is clearly outlined within my book.  However from an academic point of view, my interpretaion of the book of Genesis is one which highlights the very real presence of God, however it is also one that is inclusive to science and recognizes the role science has in further uncovering the mysterious of the complexities of God’s creation.  However this interpretaion is influenced by the influences that have existed around me throughout my life.  In this blog post I have not only compared the differing interpretations of Genesis, but have looked at how the general conception of this creationist story has changed and evolved through the years so that one day we would hold the view that we hold today.  Interestingly, the fact that our views and opinions change and evolve are symbolically similar to the very scientific process of evolution that examines how we change.  For change and process, I believe the reason for us to exist and created for is to acknowledge the spiritual presences within this world, and although the real for existence isn’t something that man is meant to know otherwise life wouldn’t be worth living.  Evolution is simply the process that takes us to wherever our creator has destined for us and for that reason I believe that although I agree with literalists that the earth was created within 6 days, I believe constant updates are existent to this very moment.

why done it, succesful, why presented it, how has my thoughts chasnged, how does link to freedom/limitations

Plants

These are my images that I took that covers the last verses of the book of Genesis:

11 Then God said, “Let the land produce vegetation: seed-bearing plants and trees on the land that bear fruit with seed in it, according to their various kinds.” And it was so. 12 The land produced vegetation: plants bearing seed according to their kinds and trees bearing fruit with seed in it according to their kinds. And God saw that it was good. 13 And there was evening, and there was morning—the third day.

In this shoot I had a particuler consideration towards lighting which I wanted to use in order to bring the colour, “life” and “spirit” out of plants and nature.  Because stereo typically, plants are generally first referred to when someone mentions nature, I wanted in my images to capture the beauty of the spirit whilst also showing this as a natural powerful force.  This can be seen through my use of bright lighting and exposures that are effective as they almost replicate angelic activity.  Furthermore I wanted to also capture the abstraction found within shapes of nature that show and highlight the individuality of each element, but also the similarities as well.  Below is a link that I found useful when researching before I embarked on this shoot.

https://en.wikipedia.org/wiki/Patterns_in_nature#Trees,_fractals

Overall, I believe my images were largely successful at capturing spirituality.  This is because up to this point I have explored the “how” in terms of evolutionist/scientific theories.  However in this shoot I believe I have successfully captured the “how” in spirituality as well as the “why” in which the processes of change dictated by time, exist.

 

I really like how the colors are quite washed out in this image.  For this reason, it almost appears similar to a watercolor painting.  Furthermore the lighting is bright, yet also quite dim whilst the focus is very soft.  In doing this, I believe how I have captured a sense of spirituality as these techniques convey a sense of warmth to the image.  In doing this, along with the very detailed textures of the plants, this combined shows a strong variety of elements that describe the features of the spirit.  I particularly like how there is a sense of wonder that causes for us to be curious, yet also feel a sense of calm as we immerse ourselves into the image.

I like this image as it depicts flowers arising from the Earth.  The light also shows the idea of new light.  From this there is a strong sense of purity, much like the birth of the world in how everything is new, delicate and pure.  The use of colour among the flowers particularly stands out because as, colour is starting to blossom, it shows what potentially could be created out of this.  This links to change in nature as it shows that change is yet to come.  However spirituality which Ive tried to depict such as the golden lighting also show elements of creationism such as that that God is specifically causing for change to occur.  I took this particuler image from a low, close up angle to show how cretionism occurs at the smallest as well as the larges of levels, and how small elemets can imapct larger ones – as all part of the purpose of God’s plan for humanity as he imposes change onto humanity.

 

Human Design

This is my shoot that covers the human element of my exploration of the story of creationism told in the book of Genesis in the bible.  I wanted in this shoot, likewise with previous shoots to depict humanly features that are not obviously human.  In doing this i wanted to uncover features about the skin and body that are not usually noticed but highlight these.  I did this as I wanted to uncover not only the pure truth of human design, but I wanted to take images that emphasize the idea that humans were made in the image of their creater – thus allowing us to explore why the process of change occurs as in theory, it is linked to the idea of being at one (spiritually) with our creator.

Water Research

In this blog post, I want to look at the distinctive properties that water holds itself.  In doing this,I want to establish the scientific properties that are found which I can relate and compare to spiritual properties pf water based on my observations with a viewpoint from someone who is also trying to translate his faith in his work by finding not just the beauty, but also the dynamics of why change in nature occurs which from  a creationist point of view, is all linked back to the book of Genesis.  Therefore in this post, I also hope to contrast this by providing factual information on water properties, but also to give you the viewer a viewpoint on the alternative side of water.  Within my images of water, I have wanted to include elements that relate to both the scientific but also the spiritual depths of the realms of this world which include close up elements, showing how they function.  Then by comparison, I have taken a wider spread, zoomed out landscape to show and explore how these elements make up the whole environment as one which allows us to compare each elements role within the natural cycle of life.  This relates to evolution because it explores how the process of change occurs whereas from a spiritual/creationist point of view, these underwater images are also a clear demonstration that by observing the beauty, magnificence, awe and wonder that is surrounded engulfs nature, this could mean that change in nature occurs because the Earth is going somewhere, somewhere similar to where its been before which could be why evolution occurs – linking both theories together.

Water is a transparent, tasteless, odorless, and nearly colorless chemical substance is crucial in providing and ensuring life on earth through survival.  It is interesting how scientific properties of water provide life which in itself is hard to be scientifically defined as life is arguably something on the border of the spiritual realms.  This is backed up by the fact that all life has water contained in their biological cells which allows for chemical reactions to take place, that are part of the processes for change within nature.  These chemical reactions include within animal bodies of metabolism and anabolism, catabolism – all processes that break down, distribute and regulate the amount of molecules and acids within the body as one.  This here is the argument for creationism that every individual element is so well coordinated that the creator is still in action to this moment.  Water is also essential for the photosynthesis and respiration to occur – where the sun’s energy combined with the water allows for plant life to multiply.  Therefore it appears that all the chemical elements (representing the how) are all working towards a common place (representing the why).  Although we don’t the specific reasons for why, by examining the beauty and power of nature, can we understand that we are not an accident but have our purpose to be spiritually connected and in tune with nature and if we do that, we can also have greater involvement for the process for change in nature for the better.

The sea’s force is overwhelmingly powerful, how is it that chemical bonds all acting in coordination, can be so lethal?  I believe that many humans are unaware of the power and dynamism of the sea.  As it is one of the most powerful forces in the world, the sea plays a great role in the process of change within the natural environment on this Earth – breeding and also ending lives.  Floods and Tsunamis have killed countless lives throughout the history of mankind.  The randomness and chaos that evolves around free moving particles are very interesting as despite the idea that all particles are coordinated, there are arguments that the randomness of the seas reflect how evolution itself is the why in which change occurs and that is that.  The sheer range from sharp, crystal whites to plunging dark depths of the deep sea, I have also tried to include in my work as well which highlight the endless power of the sea.  However also in doing this I wanted to show the importance of the sea as well, symbolizing as humans are increasingly reliant on it, the rules of the sea will always dictate and influence the way nature occurs whether that is by spiritual reasons or by accident.

Image result for water

Image result for water

Image result for water

For centuries humans have held suspicions of what the sea actually accommodates in terms of myths, exploring the facts vs the fiction.  71% of the Earth’s surface is made up of water, allowing for unknown life to exist.  This is important to recognize and note within my project because the spiritual realm doesn’t have boundaries, and as nature is so well connected with the spiritual forces dictating how change occurs, this reflects not only the endless power of nature, but also most importantly how we will never know the reasons for change and thus shall never be able to fully as humans influence nature as much as spiritualism does.  This sense of mystery and the unknown is strongly linked to the title “Freedoms and Limitations” because we don’t know the depths of spirituality, but we do know its power and intervention within nature.  Likewise we know how change occurs, but contrastingly we don’t know what the purpose for change to occur is in the end.

 

Underwater

These are my underwater shots that I took in response to Tanja Deman’s images.  In this shoot, I wanted to follow up on the idea of photographing nature in a way that isn’t normally looked at by other people.  This is because I wanted to capture elements that are considered invisible or irrelevant but really have not only a spiritual significance, but also scientific evidence as well.  By taking images of elements that arn’t always seen by people, this also further explores the how and evolutionist stance as by identifying the nature of individual elements we learn more about their charectistics.  Therefore by learning more about these charecteristics this can also be related to the spiritual creationist side of the story as because we are continoulsy learning about the nature of change, we can essentially use the scientific side in order to understand the spiritual creationist side.

Digital Camera
Digital Camera
Digital Camera
Digital Camera
Digital Camera
Digital Camera
Digital Camera

Tanja Deman

Tanja Deman is an artist who creates art that is heavily influenced by her desire in exploring the “perception of space and her relationship to nature”.  This photography’s purpose through by examining built legacy or natural sites, is to highlight the development, structure, and functions of human society by exploring the idea of space.  In exploring space, Tanja Deman reflects “dynmamics hidden under the surface of both the built and natural environment”.  This theology is of great interest to me because I am personally looking at the idea of creationist values being apparent within nature, showing that despite, despite what man has made of nature, their are natural properties that were designed by a creator that still exist in coercion with their relationship with other forms of nature.  This links back to the theory of creationism vs the theory of evolution because it reverts back to the idea that nature operates as one movement through all the various forms and elements.  This also links back to the idea of freedoms and limitations in exploring creationism which explores why the elements are why they are and how the elements exist.  In doing this I am comparing and contrasting the relationship science has between spirituality.  Because Tanja Deman is exploring the features under the surface of natural environments, her work is also similar to mine in that she is suggesting that there is a reason and a cause for why change in nature occurs.  Observing how legacy has impacted modernism within the natural landscape, Tanja Deman’s images reflect also the idea of how humans have lost their connection with nature as people forget often that they are part of it. These images are a collection that Tanja Deman worked in whilst being Archisle International artist in residence called “Sunken Garden”.  These images reflect the hidden perceptions of underwater life, with the inclusion of landscapes offering a wide variety of different geomorphology, flora and fauna.  This alongside with the creative use of sunlight, illuminating up these elements brings a sense of spiritual intimacy that relates and connects with our own human spiritual senses.  However Tanja’s images depict a foreign and unfamiliar environment that really emphasises the idea of experience.  As she explores the idea of man’s impact on the land, arguably contributing as a major factor as to why so many humans have lost their connection with the spiritual world within nature, Timothy Morton who describes the idea of hyperobjects as an example of global warming within the environment, change our experience of reality and force us to reconsider our relationship with nature and why we have such a particular one.  Therefore Tanja Deman is visualizing the aesthetic experience whilst also highlighting how continued human activity causes us to be isolated from nature which isn’t what was necessarily intended for us.

 

Image result for tanja deman archisle

I particularly like this image because of the light features but also as well how the composition has included an abundance and wealth of variety in terms of natural elements found within the sea.  In a sense Tanja Deman is photographing natural elements, in their natural environment, fulfilling their natural purposes that all work in cohesion as one movement of nature.  I particularly like the strong contrast levels that help distinguish and evoke the differing roles an importance of these individual roles in sustaining the whole habitat within the image.  From a scientific point Tanja Deman is clearly documenting these elements and their roles, however from a religious/creationist point of view, I believe Tanja Deman has documented the very process of life that is intangible and can’t necessarily be physically described.  For example I like how she has captured what appears to be looking like the depth of the environment is endless, symbolizing the power of nature but also posing the question of how we don’t specifically know the reason we are here.  Furthermore the lighting features, shining light on all areas I also find particularly interesting because it further displays a strong sense of spirituality in that life is engaging with other life forms within the environment.  Overall I believe this image is fascinating as it succesfully includes the how in nature, but also the why, which links heavily to my project of creationsim vs evolution as I am interested in why we are here vs how we got here.

Image result for tanja deman archisle

I like this image a lot because because of how it represents the idea of the source of life.  For example this is represented in how the light source is a single, natural light source.  I like how elegantly simple this is as it invokes how everything is reliant of this but also how everthing and how it changes, can all trace back to the one same simple process.  This is interesting as it links to the idea that change can only occur if it is given the natural substance to do so which in turn is originally by some creator.  Furthermore, the significance of this light source is symbolic because as light is shining through the dark depths of the sea,  it reaches everything, emphasizing the idea that everything has been created by and for a creator.  I also particularly like how the photographer has included the surface of the water, appearing almost as if light is coming through a mirrorless surface, but we cannot necessarily see what is through it.  I believe this is successful because  it is further sombolic of the depths of the reaswons for change and how we don’t necessarily understand it – as a limitation, but as a freedom we are part of it as we are one with nature ourselves and likewise with the environment we dont have to understand it, but we can make use of nature and the spiritual relationships that coexist between each element.

 

 

 

Abstract Forces

These are Photoshop edits of my previous wave shots.  I like these images because I wanted to create edits that blow up the idea of light, and therefore represent accurately the spiritual forces that are working within nature that is beyond human comprehension.  These images are almost blowing up and highlighting what can’t be seen and what is beneath the surface of ordinary comprehension.  I believe these edits link well to spirituality and the idea of action beyond our realm which however directly affects us as humans living on this planet.