mock// Display format

ARTIST STATEMENT

ESCAPE

The reality of life is that there’s always a time when we distant ourselves from the world. Especially as a child, we try to distort the truth to create a perceived form of what is real. My project ‘Escape’ is based on what reality was like as a child. I decided to take certain aspects of my own childhood to create this collaboration of images. One of the factors that I decided to focus on was the book Alice in Wonderland. The story was told regularly to me, and eventually became burned into my memory. As a child, I always perceived the book as nothing more than a fairy tale, with the character Alice going on Adventures in Wonderland. However, many people started creating their own interpretation on the story, including some aspects of sex and love. What I perceive the story to be about now, is the Character Alice running away from the world. Although Wonderland is part of Alice’s imagination, she sees it to be a physical place where she can escape from reality. As a child, I too often wanted to escape, or disappear. I have focused on this feeling of escaping, and have used the character the Mad Hatter from the Alice in Wonderland book to convey what I wanted to symbolize through the shoot.

EVALUATION

The main aim for the exhibition on Monday 27th November is to  choose a selection of images from the personal project that we are doing at the moment. The project that I am doing is based on the theme of body image. However, I decided to choose a set of images that I had collected from a childhood memory theme. I did this because I hadn’t yet achieved a wide range of images that I would be happy to display to represent my project so far. I was very happy with the collection of images from my childhood memory shoot though, and was happy with the representation that they displayed.

The images that I have chosen for the exhibition are from a project based on Childhood memory. The shoot was inspired by a book that I had read as a child called Alice in Wonderland. The way the images represented the book, and childhood memories worked really well. The images themselves were inspired by tableaux and fashion photography, which I believe can be clearly seen through the set of images. The atmosphere and the hidden story line behind the images create a sense of mystery which is what I wanted to convey. I love the tones and colors clearly shown through the set of images, with the constant theme of wonder and mystery. I am very happy with the way the images are going to be displayed because they flow well together. I have also chosen a wide variation of images, some close up and some full of the wild environment. There is also a wide variation of poses and angles that help to tell the story that I aimed to convey.

The images are set in a distorted form of reality because the main theme for the project is escaping. I am very happy with the outcome of my display for the exhibition because I believe it conveys my idea really well.

mock// experiment

Once I had edited and decided on the images that I wanted to use to display in the exhibition, I needed to choose a way to display them. I’ve chosen Severn images from a series to show as a collection. I printed the images out in the certain size that I wanted them to be represented in. I then experimented in different formations the images could be displayed in. I had to think about certain aspects that would effect how I would be able ti display my images. Each student has a certain amount if space, so I needed to think about collecting my images together so that they take up the least amount of space. I am happy with each of my outcomes because they all work well in terms of space, and which images work best together.In terms of shaping and angles, I decided that the best way to display the images would be the third one because it looks professional and pleasing to the eye.

The image below is the final chosen layout.

Interviews

I conducted phone interviews with various family members, we discussed my granddad’s physical and mental state, this is to get other peoples point of view of his current situation and how this has affected them personally. I also discussed with them the change in my granddad and what they feel has significantly changed and also their favorite memory of my granddad before the stroke. I had  compiled several structured questions before conducting the interviews , which I asked all family members as well as asking questions in response to their answers to my original questions. His first stroke was in December 2006 and his second stroke was in January in 2008.

I also interviewed my granddad about how he felt about his current situation and how he himself feels it has changed his life. What he felt was the hardest part of his illness and how he feels about having to adapt his life.

These were the results of my interviews, I interviewed 5 people including my Granddad himself.  Of course I asked if this was okay and if they were happy to talk about this with me to then use this for my photography project and all agreed they were happy for me to do so.


My original questions were:

How do you feel the strokes have affected granddad, both physically and mentally?

What are your thoughts on his current situation?

How has this affected you personally?

What was your favourite memory of Granddad and how would you describe him before his strokes?

If you could have summed him up in one word what would it have been?


Results:

MY MUM- Elaine Sutcliffe (his daughter)

How do you feel the strokes have affected granddad, both physically and mentally?

Well, physically he is unable to drive anymore, he doesn’t read as much because of his poor eye sight and although mentally he is still sharp, he struggles with his speech.

What are your thoughts on his current situation?

I feel sorry for him, as he doesn’t live the life he used to. He used to enjoy walking the dog for miles every day and also enjoyed cooking. But can’t do any of these now.

How has this affected you personally?

It has affected me personally in that dad and I had to help financially to buy a bungalow as he couldn’t cope with stairs anymore. However, this was something I was more than happy to do as I knew this would help him and my mum.

What was your favourite memory of Granddad and how would you describe him before his strokes?

Christmas morning- making christmas special even as a  teenager and adult. Getting everyone to wait upstairs to wait to make sure santa had been and gone.

If you could have summed him up in one word what would it have been?

Hero

"HERO"

Physically he is unable to drive anymore, he doesn't read as much because of his poor eye sight and although mentally he is still sharp, he struggles with his speech. I feel sorry for him, as he doesn't live the life he used to. He used to enjoy walking the dog for miles every day and also enjoyed cooking. But can't do any of these now. 

It has affected me personally in that my husband and I had to help financially to buy a bungalow as he couldn't cope with stairs anymore. However, this was something I was more than happy to do as I knew this would help him and my mum.

I can always remember him making christmas mornings so special even as a  teenager and adult. Getting everyone to wait upstairs to wait to make sure santa had been and gone. That is one of my favourite memories.

(Small photo of Christmas)


MY UNCLE– Scott Jackson (his son)

How do you feel the strokes have affected granddad, both physically and mentally?

He struggles to walk long distances and is always in fear of falling, which makes him grip tightly onto banisters. Mentally, he is not as happy as he once was as he had to give up things he used to love.

What are your thoughts on his current situation?

I mean he would never moan about a thing but his current situation is upsetting to see as he is not the person he once was. He used to be the life and soul of the party.

How has this affected you personally?

I used to have a strong bond with my dad, all three of us did. He would always be laughing and joking, messing around. So I guess what I am trying to say is our relationship is a lot more serious and calm, the laughter is what I miss.

What was your favourite memory of Granddad and how would you describe him before his strokes?

My dad used to help run my junior football team, it was something I looked forward to every week and I enjoyed my dad supporting me as well as showing us new skills to use in the football game. He was always so active with all of us, we used to play in the snow in the winter and build snowmen, this is what comes to mind when I think of my childhood.

If you could have summed him up in one word what would it have been?

Legend

"LEGEND"

My dad struggles to walk long distances and is always in fear of falling, which makes him grip tightly onto banisters. Mentally, he is not as happy as he once was as he had to give up things he used to love. I mean he would never moan about a thing but his current situation is upsetting to see as he is not the person he once was. He used to be the life and soul of the party.

I used to have a strong bond with my dad, all three of us did. He would always be laughing and joking, messing around. So I guess our relationship is a lot more serious now after his strokes, the laughter is what I miss.

My dad used to help run my junior football team, it was something I looked forward to every week and I enjoyed my dad supporting me as well as showing us new skills to use in the football game. He was always so active with all of us, we used to play in the snow in the winter and build snowmen, this is what comes to mind when I think of my childhood.

(Small photo of him in the snow)


MY UNCLE- Graeme Jackson (his son)

How do you feel the strokes have affected granddad, both physically and mentally?

Mentally, he has given up. He does make me laugh because he’s been saying for years that he hasn’t got long left but will have reached 80 in a few weeks.

What are your thoughts on his current situation?

As I said before he’s given up, he is ready to go now even though everyone around him doesn’t want to let him go, he doesn’t want to be here anymore. I know he feels all my mum does is care for him and feels that has become her life.

How has this affected you personally?

I mean, its heartbreaking seeing him living the way he is, he can’t do anything he used to love doing and its devastating watching him deteriorate.

What was your favourite memory of Granddad and how would you describe him before his strokes?

My Favourite memory of my dad has got to be when he brought our childhood dog home, Bess. We begged for a dog for so long and this one day he came home with a dog, Bess was a huge part of his life and she brought the family a lot of happiness.

If you could have summed him up in one word what would it have been?

Brave

"BRAVE"

Mentally, he has given up. He does make me laugh because he's been saying for years that he hasn't got long left but will have reached eighty in a few weeks. But, he is ready to go now even though everyone around him doesn't want to let him go, he doesn't want to be here anymore. I know he feels all my mum does is care for him and feels that has become her life.

Its heartbreaking seeing him living the way he is, he can't do anything he used to love doing and its devastating watching him deteriorate.

My Favourite memory of my dad has got to be when he brought our childhood dog home, Bess. We begged for a dog for so long and this one day he came home with a dog, Bess was a huge part of his life and she brought the family a lot of happiness. 

(Small photo of him and bess)


MY GRAN- Andreina  Jackson (his wife)

How do you feel the strokes have affected granddad, both physically and mentally?

Oh gosh, it’s changed him dramatically! Physically he can hardly move or do anything for himself anymore, which is painful to witness as he used to be so independent. Mentally, he gets confused often and forgets a lot, which is something he would never have done before.

What are your thoughts on his current situation?

It’s hard to watch him fade away, I find it hard to talk to him about the past as I feel it upsets him to think about how he used to be and comparing it to how he is now. This shouldn’t have happened to my Jim, he is too good.

How has this affected you personally?

Personally, I have to care for him now, almost acting like his nurse and have been for almost 12 years. I don’t mind looking after him, but I feel like I have lost my freedom to do things for myself, without worrying about Jim.

What was your favourite memory of Granddad and how would you describe him before his strokes?

My favourite memory, umm there is so many! But it has to be our wedding definitely. Seeing my husband to be look at me with pure love, he looked gorgeous I can’t explain how excited I was to spend the rest of my life with this man. I was and still am in love with this man.

If you could have summed him up in one word what would it have been?

Precious

"PRECIOUS"

It's changed him dramatically! Physically he can hardly move or do anything for himself anymore, which is painful to witness as he used to be so independent. Mentally, he gets confused often and forgets a lot, which is something he would never have done before.It's hard to watch him fade away, I find it hard to talk to him about the past as I feel it upsets him to think about how he used to be and comparing it to how he is now. This shouldn't have happened to my Jim, he is too good. 

Personally, I have to care for him now, almost acting like his nurse and have been for almost 12 years. I don't mind looking after him, but I feel like I have lost my freedom to do things for myself, without worrying about Jim. 

My favourite memory, there is so many! But it has to be our wedding definitely. Seeing my husband to be look at me with pure love, he looked gorgeous I can't explain how excited I was to spend the rest of my life with this man. I was and still am in love with this man.

MY GRANDDAD- Jimmy Jackson

How do you feel the strokes have affected you, both physically and mentally?

Honestly, I can hardly move. I’m in so much pain all the time and this drains me mentally. I have my low days, where I wish it would all just go away but I’ve lived a great life and I can never forget that.

What would you say the hardest part of all of this has been?

The hardest part for me, would have to be losing my eye. It was taken out as I had lost sight in it and I had regular pain behind my eye socket. This was supposed to stop the pain but it didn’t… now I get infections in my eye, which is extremely painful. Not being able to see is sometimes terrifying.

I understand you have lost some aspects of your left, What do you miss the most?

I miss being independent, I used to do everything for myself and my family. This was when I was at my happiest. I miss being capable to do things for myself, now I don’t feel I am living, depending on Andreina, which is something I never really used to do.

What gets you through the hard times?

The fact I have a good life before all of this is what gets me through my hard times, having all the family support is overwhelming.

What made you so determined to walk, talk and feel again as you lost all of these after your second stroke?

I was determined to learn to walk,talk and feel again because I couldn’t live my life in a wheelchair. I was too independent to have all of that taken away from me. I am blessed to have been able to learn to do these basic things again as many give up and don’t have the motivation to do so. This motivation came from my family.

How do you feel about getting to 80?

I should have died a long time ago, the fact I have got to eighty is mind blowing but i’m ready to go now, I feel it is my time to go.

"I should have died a long time ago, the fact I have got to eighty is mind blowing but i'm ready to go now, I feel it is my time to go."

I can hardly move. I'm in so much pain all the time and this drains me mentally. I have my low days, where I wish it would all just go away but I've lived a great life and I can never forget that.

The hardest part for me, would have to be losing my eye. It was taken out as I had lost sight in it and I had regular pain behind my eye socket. This was supposed to stop the pain but it didn't... now I get infections in my eye, which is extremely painful. Not being able to see is sometimes terrifying. 

I miss being independent, I used to do everything for myself and my family. This was when I was at my happiest. I miss being capable to do things for myself, now I don't feel I am living, depending on Andreina, which is something I never really used to do. But, the fact I have a good life before all of this is what gets me through my hard times, having all the family support is overwhelming.

I was determined to learn to walk,talk and feel again when I lost the ability to do so because I couldn't live my life in a wheelchair. I was too independent to have all of that taken away from me. I am blessed to have been able to learn to do these basic things again as many give up and don't have the motivation to do so. This motivation came from my family.

These are to go along side a portrait of each of these family members to express what they think and feel about his illness. This will be presented in my final book. I also interviewed some of my cousins but they did not take the topic seriously and therefore, I did not use it. For these portraits, I will take them on a plain background- Making them all the same. A studio-based portrait is what I will be going for. They will be framed the same, just photographing the head and shoulders, keeping this consistent throughout each shoot. I will be exploring different angles of the subjects face to see what works and is successful in each portrait.

Archival Photos///Edited

Here is a selection of old family photos I have manipulated by using different mediums such as pastels, pencils and other objects such as plastic. Each photograph has different meaning usually relating to faith or something else I felt was relevant. I then chose the three I liked the most and put them large below. Making these photos I was trying to showing a spiritual aspect to the world we live in that we can’t always see. The shadow people represent the devil and/or demons. The red crucifix represents Jesus and/or the word (bible) basically the thing that protects us from the things that are trying to bring the worst out of us. The reason I made it red to represent the blood spilled by Jesus that we, as Christians believe that he did. This is all very metaphorical which is what I was trying to achieve. I could tell you what it means to me however I would also like the viewer to take their meanings away from it. This is why I am not going into too much detail when describing these photos. All these are meant to look as if a child has drawn them as I feature in each photo as a young child. It’s showing a darkness contrast with an innocence of a child.

This photo is showing myself being dragged away from my mum (arm in the bottom right corner) by this shadow like figure. This was meant to represent how the devil is trying to split up families, trying to make them feel separate and alone. The devil hates unity because there is strength in the that. When the accident happened, that’s exactly what could have taken place.

For the photo above I drew a red crucifix over my great grandmother. My great grandmother is such a strong women of God and has such a unrelenting faith that has been tested throughout the years but has become stronger throughout that time. My great grandmother now has dementia and throughout the situation with my mum she still knew exactly what to say. I think is because she has such a strong faith in God, he is almost telling her what to say even when her brain can’t. She gets up everyday 5 o clock in the morning and reads her Bible. She can quote scripture off the top of her head, as well as sing hymns she hasn’t listened to in almost 10 years. She has such a deep-rooted faith. In this photo she is the only one to be seen giving thanks for her food. This is why I drew a red cross over her as it’s almost as if she is has it protecting her from anything that gets thrown at her.

This is a photo of myself and my brother standing next a sunflower. Using pastels I put a shadow figure in the background off in the distance, I also used red pencil to turn that sunflower into a red crucifix. This is showing that darkness or devil waiting to strike almost haunting us. However, we are protected by the red cross that our parents helped us plant. In other words our parents brought us to church from an early age planted a seed that later was up to us if we want to carry on with church and if we believed in God. Those little things like reading bible stories and taking us to Sunday school allowed us to understand and protect us from other things that may not have been helpful to us. It also gave us enough knowledge to make our own decision. The shadow figure is there to show that there is always something trying to drag us away from our faith.

These archival photos that capture my attention. Some of them captured my attention as some of them look as if a mistake was taken. However, this is why I like those kinds of photos as because of the “mistake” it makes the photo more interesting, I also was able to put a meaning with those images. The other image do not have mistakes however they are significant. I like this image, personally I know that the people in the photo are myself and my father. However, due to what seems to be a thumb over the lens the main thing that makes a persons identity and allows to be identified in a photo (the face) has been taken away. This made me think of how since the accident a parts of our identity has changed.

This image does not have a mistake however it is significant. As it is showing my mum, myself and my brother a long time ago before anything happened. I like this photo a lot.

Presenting & Evaluating

The purpose for producing these final images, was to present them in an exhibition, which will be taking place at The Jersey Arts Centre on the 27th of November. The exhibition is entitled ‘Constructed Realities’,  The intention of the exhibition is to:

“Bring together work by Hautlieu School A-Level Photography students including their responses to a series of inspirational workshops, masterclasses and lectures delivered by Archisle International Photographers in Residence 2017 Tanja Deman and Jonny Briggs. The classes have been hosted by Hautlieu School in partnership with the Archisle educational programme and represent a range of multi-media creative outcomes inspired by the themes of family and environment.”


I have been using the last month of my studies to construct my own personal study surrounding the ideas of loss in my Granddad’s life and also planning the photoshoots I will undertake in Scotland- which will be more recent and documentary style photographs . In my previous blog posts, I have given a justification of what my project is about, as well as its purpose.

The project is kick-started by my granddad’s first stroke, which then branches out to a much wider topic of loss – loss in that things lost in my Granddad’s life such as family members and friends but also the lost person my granddad as become. He is different to how he used to be and this is due to the strokes. From a stroke, I have experienced a conflict of knowing who he used to be and who he is now and I have had great difficulty not comparing the two version. From the stroke I have had to build a different and more serious relationship with my Granddad, which conflicts with the fun-loving relationship we had before this.  It was hard for me and the family to let the old him go, honestly I don’t think I ever can.

However, this narrative is not yet constructed enough to tell a cohesive story as I have not been working on it for a long enough for people to understand the concepts and meaning behind the project as my main part of my project is not yet been conducted, which means the audience can connect with this. When I have conducted this part of my product which will be done in a time period of 2 weeks I am hoping it all comes together and people start to understand my ideas.

However, explaining this series of work will be done more concisely and poetically in my artist statement which will be present at the exhibition for my audience to get an idea of what the work is.


When I had chosen the images I wanted to use for the exhibition I printed them out to arrange them in a format, to show how I wanted it to be set up on the exhibition wall. I first did this on a white background so I could experiment with the layout before making a final decision. These were my 3 layouts I liked the most:

 

I went for this layout and so then designed this in photoshop to make a digital version of the layout.


Here is my artist statement which will go alongside my series of work at the exhibition. I have been as descriptive as possible in order for my audience to get not only a cohesive visual narrative of this series but also a text driven perspective of the project which should complement the imagery well enough to tell a story.

ARTIST STATEMENT:
S troke challenged him
T rampled on his dreams
R earranged his relationships
O rganized his days
K idnapped his future
E xtracted hope from despair.

In this catalogue of works, I have explored my Granddad life, particularly focusing on the theme of absence and presence in his life after experiencing two strokes, one in 2006 and another in 2008. My granddad is now eighty years of age and has been affected significantly from the strokes, which resulted in his loss of eye sight, difficulty to walk and he often struggles to perform his daily routine. For this section of my project I have worked with archival images of my Granddad specifically, showing absence by using coloured overlays to remove or block things/people out of the photograph, which were originally there. This is showing things he has lost and displaying things, which are still present.

Evaluation:

For the exhibition which is beginning on Monday 27th November, I will be presenting images produced for my study into my Granddad so far. If I am honest I don’t feel happy with the work I have produced so far this is because I have not produced any new photographs as of yet, however this could have not been helped as my Granddad lives in Scotland- which restricts my access to him. However, in 2 weeks I am going over to conduct my photoshoots, which have been thoroughly planned in advance. For now, I am happy with most of the photographs produced to fit the theme of loss. I feel they were relatively successful as a collection, however, I am more excited and interested in the new work I will be developing soon for my book as it is more what I wanted my book to be about. My main inspiration for this series of work would be the photographer Liz Steketee, although she doesn’t really manipulate her images digitally covers or removes certain parts of the image, which is a technique I used in the series to show loss. Evaluating the photographs individually has been done in a previous post, to show the meaning, the concept and the subject matter around the group of images.

My Artist Statement & Evaluation of Work for Exhibition

Here is my artist statement which will go alongside my series of work at the exhibition. I have attempted to be as descriptive as possible in order for my audience to get not only a cohesive visual narrative to follow but also a text driven perspective of the project which should complement the imagery well enough to tell a strong story. I have done this by explaining my thought processes as well as my inspiration I took for the series.

3 Diptychs Representing a Childhood Memory

The brain is a magical organ of our body; it has the ability to hold limitless information, thoughts, ideas and memories from times forgotten. Taking inspiration from Rita Puig-Serra Costa, these 3 diptychs come from a series encapsulating the notion of childhood nostalgia. For most of us, our memories from childhood are a certain haze which, as we grow older, becomes more and more of a distant recollection of a time which is hard to understand the details of.

In this catalogue of works, I have explored the relationship we have with memories from our past – whether happy or upsetting, they exist and are sometimes consigned to an archive in our brain to be forgotten. Memories generate an emotion which may be difficult to describe but easier to visually portray. Using my Nan, Mum and Girlfriend, I have created a collection of juxtapositions between portraits and still-life object-imagery which represent their own childhood reminiscence.

A photograph is often a fragmentation of the truth and represents a one dimensional perspective but I have attempted to create a decryption of what is often hidden in this series. Each diptych is accompanied by a handwritten note from each subject explaining the context of their choice of memory.


Evaluation:

For the exhibition which is beginning on Monday 27th November, I will not be presenting images produced for my study into my own relationships with people around me and instead, 3 diptychs which I created for a series looking at childhood memories. I decided not to use the photographs I have made thus far for my ‘relationships’ project as I wanted to show my project used to get to the stage I am now with my coursework – being the series focusing on childhood nostalgia. As well, I wasn’t happy, after experimenting with presentations using images from my current coursework, with the images I already have because altogether when clustered as a whole, did not work poetically in the way I wanted them to and instead, found the my other photographs worked better together as it was a completed and cohesive narrative about childhood recollections. I am very happy with my selection of three diptychs and will explain why…

When I set out to produce work inspired by the tableaux vivant scene which was very prominent in theatre and art in the 1800s and 1900s, but for photographic tableaux’s, not until the late 1900s, I wanted to encapsulate the idea of tableaux but put a modern twist on it and make much more conceptual in relation to photograph techniques and styles. My intention was to present an alternative approach to tableaux work by ‘rec-crating’ a childhood memory in relation to each of my family members. To ‘recreate’ a moment which may be long forgotten from a time which is very distant, I wanted to show the memory in its physical form, and therefore asked my subjects to retrieve an object which reminded them of their childhood. I also wanted to show this relation to the owner of the object and focus on a portrait to illustrate a character which can be put with the memory. I set out to recreate the memory in a variety of ways – one was for the subjects benefit and pleasure to reminisce about a time forgotten. When they retrieved their object and brought it to me to photograph, it was a moment for them to also tell me the meaning behind it and they also were able to do this through their own articulation onto paper. As well, the discovery of the past of my family was special for me to hear because I can relate to some of the stories.

I feel like I have curated an impressive portfolio of images and I am very happy with it because it different to what I have found myself doing in previous projects – it is much more simplistic in its style and nature and does not rely on heavy post production to create a captivating image and instead, it’s much more conceptual and poetic form benefits its outcome and influence on the viewer. I feel like I have created a visual shrine for the subjects to interact with – my collaboration and inclusion of my subjects on an intimate basis has made for an emotive story about nostalgia of past times – inspired by Rita Puig-Serra Costa and her project ‘Where Mimosa Bloom’ which also uses the idea of objects from personal archives paired with portraits to tell a narrative.

My Step-Brother

In 2010, my mother entered a relationship with another man despite my birthday wishes since I can remember consisting of the reunification of my biological parents. The new man in not only my mum’s life but mine also, was David; an accountant who I had previously met due to my mum and dad’s mutual friends. He was a reasonably calm and stable guy which was a factor that was cherished in my household as we were usually quite nomadic due to moving houses on several occasions.

When the introduction of my new father figure had settled, my mother broke the news we would be moving in as a family, which as a ten year old boy upset me as I still had hoped for my parents to come together. Although I detested the idea in theory, the practice of this new family image in the home was  beneficial for everybody. However, moving house again and having a new man in the house was not the only surprise which David had brought with him as me, as an only-child had to share all my belongings and frequently my space with two of David’s children from a previous relationship. Noah and Lukah would stay for the weekend every fortnight which cause havoc for my mother and David as having three hyperactive boys was tricky, especially as two of which suffered from A.D.H.D. Another difficulty was the fact we were also separate ages for I was ten/ eleven, Noah was three/four and Lukah was two so finding an activity to occupy us all was an awkward task. I recollect playing Mario Kart numerous times over the 2010 Christmas period as it was difficult to find a suitable activity for all of us, however, keeping me and Noah inside together was catastrophic for the household.

As I started secondary school, my A.D.H.D began to level out somehow. I’m often curious over how it did so with puberty being my only reasonable solution, but either way I was grateful as I was able to focus more without the aid of my medication, I no longer felt different to those who didn’t have to take any pills to alter their behaviour, although A.D.H.D. was never a socially limiting factor for me. With the start of secondary school, I also founded my new sense of independence which combined with my birth of my little sister meant I was rarely home. Reaching twelve years old before I had a sibling came as a bit of surprise as I had always been my mother’s one and only and I liked it that way, however, now I had to share her and although Noah and Lukah were around before, I always knew and felt like the boss. As my social life consumed more of my time along with my increasing independence, I spent less and less time at home until I got a serious girlfriend at sixteen. We often go to each other’s house which would mean half of the time I would have to host, exposing her to the three other children in the household and the busy regime the children have my parents on.

By spending more time at home, I redeveloped and reconciled a relationship with Noah, who despite his disorder, wanted to play more mature games that adults played. So on the weekends he and Lukah were over, Noah would play board and card games with us and we’d often team up as the young guns against the parents, bringing us closer. However, it is important to mention my parents really struggle amusing and catering for Noah in terms of his disorder which frequently means the incorporation of me in order to find solutions to amuse him as I obviously have a first-hand account of what it is like to be in his ten year-old situation. I’ve instructed my parents to enroll Noah into something mentally stimulating and physically tiring, whilst also developing the crucial social skills that helped me overcome my disorder.

In this edit, I wanted to brighten the face of Noah in order to exploit this angelic expression to demonstrate how despite his disorder, he is an innocent and misunderstood boy. The chains which surround Noah is a representation of how his A.D.H.D. is trapping him, which combined with the tall tower implies his identity is overpowered by his disorder.

For my piece within the exhibition, I wish to show my display like so.

Going forward, I look to photograph and capture moments in which Noah is hyperactive as well as our solutions of amusing him. Another factor to consider is how demanding Noah reacts when he doesn’t get what he wants and the other children do so that’ll also be interesting to capture.

Standards in photography

Kshitij Nagar’s blog makes it clear to me that the recent criticism of the photographer Steve McCurry is not undeserved; but also it became apparent to me that he has been unfairly singled out due to his platform. Previously people criticised McCurry for displaying his manipulated photographs in the context of photo journalism as many of his photographs were published in The National Geographic magazine. However, further research has made me realise that he is not the only photographer who claims to document the truth and have their images featured on the cover of National Geographic, which have been manipulated. Another example is the cover image from the 1982s where the Pyramids of Giza are edited to appear closer together to fit the portrait orientation of the publication. It is believed that the editors of the magazine are often the ones who conduct most of the editing to the images that feature on the cover, as many photos provided by photojournalists do not conform to the exact composition of the cover. This raises questions with the authenticity of the images and perhaps even stories featured in the National Geographic, if the editors and producers are only concerned with providing the public with beautiful images and stories of the world today.

I think the line between documentary photography and photojournalism is often blurred, Steve McCurry was often considered a photojournalist as his work was featured in non-fiction publications. I believe this is why there was so much controversy when his unedited photos were presented to the public online. In an interview with Time, McCurry claimed that he is a “visual story teller, not a photojournalist” which would make more sense if what he is doing is making beautiful images that tell a story of foreign lands rather than accurately documenting life in other countries, which is what he previously stated to do. In a Ted Talks interview, McCurry talks in detail about the context and rawness of each photo and claims to document things as they are. A direct quote being ” I believe that the picture should reflect exactly what you saw and experienced when you took the picture.” It is hard to form a for or against opinion on McCurry’s work and the man as a photographer, despite his seemingly contradicting public statements; because there is no right or wrong way to be a photojournalist or a photographic story teller and there is no one who decides who is and who isn’t either of these things.
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Archival Images- Experimenting and Developing

I photographed the archival images I have of my grandad and the box I keep them in. These will be used as a comparison to what he used to be like, to what he’s like now. These images are extremely important to me as it shows him how I remember him. This was the man that inspired me to do many things and it makes me emotional to compare these to how he is now after his illnesses. I want my personal investigation to be a celebration of his life as well as documenting how the illness has changed his life and the lives of people around him.


Edits on Photoshop:

I edited these images on photoshop, I however decided that I don’t want to go down the root of editing by drawing on top of the photographs with the pen tool on photoshop. The main reason I don’t want to use these images is I don’t feel they suit the theme of my Personal Investigation as it a serious subject to explore, which I feel could be lost in these sort of edits as they could be seen as a type of animation, which is associated with children. I don’t feel this is appropriate with the theme I have taken on. Therefore I will edit these images in more of a mature way, still using shapes to show absents and presence of current things within the photograph. I will show this through shading specific parts of the image using photoshop, which is what I will be focusing on over the course of this month. I will do this subtly.

This image has been edited  in photoshop, only half of the image has been manipulated to show the loss of feeling in one side of his body due to the stroke. He finds it difficult to move this part of his body and this is represented in the photograph by a darken the right side of the body/photograph. Also when you cover one half of the photograph each part looks like a different person to show how he has changed as a person both physically and mentally.

Similarly, I picked a section of the photo to overlay with a black filter, this is over my grandad who has sadly pasted away due to him being an alcoholic for years of his life. The death of my granddad is a sensitive subject to me as for years I had never seen him sober, exactly a month before his death he promised to stop letting alcohol take over his life… but he didn’t. This shows he is gone, I chose the colour black to show he died of something immoral or sinful. I feel hurt and betrayed by him but have learnt to forgive him.

This is a photograph from the 60’s of my granddad and his friends, in this photograph is he 21. The red overlay over half the photo is to show separation between the boys as the two underneath the overlay are not here anymore as they passed away over the last 5 years, which brought a lot of emotional to my granddad as he felt this was a part of his childhood disappearing. He currently still has his brother with him but doesn’t see him due to him too being ill, he also had a stroke, which could link to my granddad as an heredity factor. These 3 photographs were made to be grouped together to show a pattern of loss, shown though overlays.

Again this is showing loss but this time it is showing a loss of sight, my granddad lost his sight as a result of his second stroke. He found this particularly hard as he enjoyed reading in his space time and felt like everything he loved to do, was taken away from him. He now reads the newspaper with a magnifying glass but can not read a book due to the pain he feels if he is straining his eye to much. He only has one working eye as one was removed to see if it would take away the pain… but it didn’t, leaving him with one glass eye and one eye, which is partially blind.

This is a photograph when my granddad was about 19 years of age. The image is of his brother, his dad and my granddad himself (on the viewers right) the middle figure, which has been removed with an overlay, 100 opacity is his father, who they lost at a fairly young age. In this photo he is painted black to show loss but is painted as a silhouette figure to show he is still there but just not present in our world. He is still spoken about by my granddad as he looked up to his father and always says this is why hes the man he is today.

These are my granddad’s childhood friends, most of his friends are now dead, he only has 2 of them who are still alive today. They are both in this picture. The two people, which are covered by a black overlay to make an almost silhouette effect to show the absence of these people in my granddad’s life as they have both sadly passed away. The other two men in the photograph, which are either side of my granddad in the image are still alive, they are both fairly ill themselves so have not seen my granddad in a long time. But are hopefully going to make an appearance for my granddad’s 80th birthday in December. This photograph is to again empathises the absence and presence in my Granddad’s life.

Overall my theme for this selection of work is showing absence and presence and in particular loss. This will be a key theme when working through this project.

Exhibition

 

We are involved in a gallery exhibition linked with Archisle called ‘ constructive narratives’. i have selected a few of my images which i think relates family and environment the most. The 6 images below that i have picked show a selection of child environmental portraits which i have captured. The images all link together showing the sense of community in third world countries and emphasise the maturity of these young people. Most of the images where taken on the building site we were working on having the meaning that they were all willing to get stuck into the project that was taking place and how they, no matter what there age wanted to be a part of developing their community and learning how to build and cook so they can transfer these skills to supporting there family and community as a whole. i refined my choice of images specifically down to images where and the subjects show strong stances and a straight facial expression and highlighting a way in which they are mature fore their age. In the top image the young girl is wearing shoes which are far too big for her, this is symbolic of how she is having to grow up quickly and step into the shoes of responsibility and look out for herself and possibly her family. In the second image we see a boy of 13 years old, he stands with his arms crossed and the low angle looking up at him implies he has become a grown up and could possibly be the man of the household if the dad is not around. This idea runs throughout all the images linking them all together to be a series of powerful portraits

Experimenting with layout:

I printed out a few different images and experimented with different sizes and different image combinations however none of the photos seemed to fit together to tell a powerful story. I decided that instead of trying to show one photo from all the different shoots i did, id just focus on one shoot and then save and the others for when i make a book which will combine all the series of photograph i have captured together. I therefore looked at my environmental portraiture shoot to experiment with layouts and combinations which worked, my final choices are shown below.

Below is how i am going to have my images layed out in the exhibition. They will all be in colour and in A3 so that you can see the images clearly. The way they have been placed has been thought through as the outer images all contain a subject which is facing slightly inwards, this has the impact that it is grouping the images together emphasising the link between the images and highlighting the community atmosphere. Although they are portraits of them standing alone looking independent the grouping of the images shows that they are not alone and that they are a community and one big family and working together to help each other out.

A State of Contentment  – Zoe Pannenborg

A State of Contentment is a series of portraits captured in Burkina Faso. In October I participated in a foreign aid project to Burkina Faso where I was surrounded by the local’s culture, natural beauty and sense of community. After spending 2 weeks photographing the children and that surrounded us on the building site every day, it was noticeable that even though they had so little every single one of them was full of energy and beaming with happiness, as if they were in a state of contentment. Inspired by the works of Gideon Mendel and Steve McCurry I have created my own photojournalistic style of capturing the community spirit the environment offered. This series of conceptual portraits show the maturity that the local children possess and that with so little they can be so content.