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Burkina Faso

Burkina Faso is a country in the west of Africa which is landlocked by surround by 6 other countries including Mali and Niger. It covers an area of around 270,000 square kilometres with its captial being Ouagadougou. it has an estimated 18.9 million people living in it with the official language of the government and the majority of the people being french, this was due to the migration of french americans in the post colonial times. During the early 16th century the Songhai conducted many slave raids into what is today Burkina Faso. During the 18th century the Gwiriko Empire was established at Bobo Dioulasso and ethnic groups such as the Dyan, Lobi, and Birifor settled along the Black Volta.

In the late 1800’s military officers fron britain, france and germany made attempts to claim parts of burkina faso. After a complex series of events Burkina faso in 1896 became a French protectortate however french control remained uncertain between the end of the 1890’s.

The Franco-British Convention of 14 June 1898 created the country’s modern borders. In the French territory, a war of conquest against local communities and political powers continued for about five years. In 1904, the largely pacified territories of the Volta basin were integrated into the Upper Senegal and Niger colony of French West Africa as part of the reorganization of the French West African colonial empire. The colony had its capital in Bamako. The language of colonial administration and schooling became French. The public education system started from humble origins. Advanced education was provided for many years during the colonial period in Dakar.

Modern day

Political freedoms are extremely restricted in Burkina Faso and human rights organisations have criticized the compaore administration (a structure which decentralized power by devolving soem of its powers to regions and municipal authorities) for numerous acts of state spnsored violence against journalists and other members of society. I think that this is important to know before i land in this country, that in some areas taking images can be seen as an offence, and as it is on the border of Mali, a terrorist active country, high security is inforced in areas near the border where armed guards patrol the area and if you get a phone or camera out they are likely to consider it a terrorist threat and may arrest and contain you until they can prove otherwise.

There has recently been terorist attacks, one around a year ago and then again a couple of months back in the capital which means that military control is extremely tight and i do need to be careful about when i take images.

Another factor to be aware of is that around 60% of the countries population are muslims and due to their religion may not want to be photographed as they do not know what the purpose of the images are. Statistics on relig

ion in Burkina Faso are inexact because Islam and Christianity are often practiced in tandem with indigenous religious beliefs. The Government of Burkina Faso 2006 census reported that 60.5% of the population practice Islam, and that the majority of this group belong to the Sunni branch,]while a small minority adheres to Shia Islam.There are also large concentrations of the Ahmadiyya Muslims.

Burkina Faso’s 18 million people belong to two major West African ethnic cultural groups—the Voltaicand the Mande (whose common language is Dioula). The Voltaic Mossi make up about one-half of the population. The Mossi claim descent from warriors who migrated to present-day Burkina Faso from northern Ghana around 1100 AD. They established an empire that lasted more than 800 years. Predominantly farmers, the Mossi kingdom is led by the Mogho Naba, whose court is in Ouagadougou.

PERSONAL INVESTIGATION // IDEAS & INSPIRATION

After completing my review and reflection of the projects i completed in September looking at both documentary photography and tableaux images, i have decided that i really enjoyed the documenting side of photography and would like to continue this type of photography in my personal investigation. I have been inspired by charity work and a project i will be taking part in africa on an aid trip. The images below are just a few of the images which i found inspired me too want to take similar images over there, however i am going to link it to a wider story and make it specific to the locals and community where i am going.

There are a variety of styles of images below and i would like to keep my options open in this project to capture a variety of images and look at how documentary photography can come in lots of different styles. One of my biggest inspirations is photojournalist Steve McCurry, as i love the intense vibrant coloured portraits that he captures. Although i think it’d be a challenge i definitely want to attempt to capture these story telling portraits.

My personal investigation is going to be based around environmental photography as well as photojournalism. On 27th-13th of November i am taking part in an Africa aid trip to Burkina Faso with a non government charitable organisation, linked with freedom church. The community over there is lively and energetic even though it is in the top five poorest countries in the world. In my photography i want to document the local communities lives focusing on third world countries issues, focusing on truthful portraits and environmental images of the communities daily life, jobs, family etc. Therefore the main focus of the story i am trying to tell through my photographs will be the community, linking into family and looking at similar family styled photographers and how community to them is much closer in their rural villages then it is in our big cities in the modern world where people tend to stick to the blood related families. I would also  like to link into it the story of whether chariable organisation really help these communities or if they just disrupt their local way and try to modernise what shouldn’t be because it has a negative impact.

Burkina Faso Project Info

The Burkina Faso charity project started back in 1999 when Pasteur of Freedom church jersey, met Samuel the Pastor of Temple Elim, Burkina Faso at bible college. The friendship that grew between these individuals has been long lasting and in 2007 the project which linked jersey with Burkina Faso was started. A team has gone out to Africa every year since building toilet blocks, primary school classrooms, a pharmacy and a playground. The impact that this small based charity has made is incredible and nearly 500 of the local children attend primary school. This year the team return to Burkina Faso and i am extremely excited to be one of the twelve members which will be going out there this year to build a nursery. I’m extremely excited to help reduce poverty and illness in the area as well as experience their way of life but also document the community and share some of the locals stories of their past and what family and community really means to them.

Linking to previous work i have done envolving family and looking at family archives and how they tell a story of the past. i have spoken to previous team members who have gathered images of the project in Burkina over the past 8 years. These can now be seen as archival images and i think it is important to know the background of where am going and what to expect to be photographing. Therefore i have also done background research on the country to get a general knowledge of the location and areas history.

Archives & Documentary Further experimentation

As further experimentation to the idea of family photography and the difference between documentary and tableaux and the links with family and archives, i decided to do a mini project. When i think of archives i think of my mums photo albums that she used to make when i was younger and they were full of images of the most important events and celebrations of that specific year. As these were also printed out images i wanted to replicate this as much as possible and therefore got a disposable camera because then they will have that old style film camera look. Linking again to family photography i am going to focus on capturing the most important events and celebrations that i experience in the month of september with my family and friends(which is like another family). the challenge of the film camera is that it has a set number of exposures therefore i have to make sure to only take a few good photos at each event. I feel this will extend my photographic ability as i will be having to think about the images that i want to capture and the placement of these images.

The photographs will become a mixture of archival images which are both documentary and tableaux because i am assuming that some will be taking very much in the moment and some i may get a group of people to gather round to get a ‘family style’ photograph.

These are the final outcomes of my shoot i had them developed at the end of September and found that i was being so careful with what images i captured that i didn’t even use all of the exposures. I really enjoyed doing a shoot/ mini project in this style because it has left me with archival images of my family and friends which are pictures of important and significant events but only a few key images. The shoot links back to the idea of family archives as these images will now become my archives of September 2017 which i will keep and be able to look back on similarly to what my mum had created when i was younger.

In my opinion this style of archive focuses more on tableaux photography as the images have had to be staged in a way to get a group of my family/friends to stand together and look at the camera. This is a true representation of what most family albums (archives) are created from and brings a real sense of family to my images.

Laia Abril VS Rita Puig-Serra Costa

Laia Abril

http://www.laiaabril.com/

Laia Abril (Barcelona, 1986) is a multi-disciplinary artist working in photography, text, video and sound. After graduating in Journalism she moved to New York to attend ICP photography courses, where she decided to focus her projects in telling intimate stories which raises uneasy and hidden realities related with sexuality, eating disorders and gender equality. Was then in 2009 when she enrolled for 5 years at FABRICA – the Artist Residency of the Benetton Research Centre in Italy; where she worked at COLORS Magazine as a creative editor and staff photographer for 5 years; where she started a book making team with Art Director Ramon Pez.

Her projects – including several platforms as installations, books, web docs, and films; have been shown internationally including the United States, Canada, UK, China, Poland, Germany, Holland, Switzerland, Turkey, Greece, France, Italy or Spain. Her work is held in private and public collections as Musée de l’Elysée, Winterthur Museum in Switzerland or MNAC in Barcelona. Over the last years her work has been highlighted getting nominated for grants and awards as Magnum Foundation, Prix Piktet, Foam Paul Huf and selected as a jury choice award at Santa Fe Center or Plat(f)orm PhotoMuseum. More recently she has been awardered with the Revelación Photo España Award, the Fotopress Grant and the Madame Figaro – Rencontres Arles award for her exhibition A History of Misogyny, chapter one: On Abortion.

She self-published Thinspiration in 2012, Tediousphilia (Musée de l’Elysée, 2014) and The Epilogue (Dewi Lewis, 2014), which was highly acclaimed and shortlisted for the ParisPhoto-Aperture First Book Award, Kassel PhotoBook Festival and Photo España Best Book Award and appointed by critic Jorg Cölberg like “A masterpiece of a photobook“. Her new book-project Lobismuller(RM, 2016) — holder of the Images Book Award, on the reconstruction of the story of the most enigmatic and bloodthirsty serial killer of the Spanish history, was presented in Paris Photo 2016.

After working for 5 years on her long-term project On Eating Disorders, Abril started her new project A History of Misogyny – which first chapter On Abortion will be published by Dewi Lewis on 2017; and she is currently developing her second chapter On Hysteria.

Here is some images of her book ‘The Epilogue’

video link –

Image Analysis

Laia Abril’s book, The Epilogue,  gives a voice to the suffering members of her family after losing her 26 year old daughter, Cammy. Through this set of memories, pieces of text, diary entries and objects the Robinson family reconstruct the memory of Cammy, after losing her to Bulimia, a serious eating disorder. Although Abril produces the book in memory of Cammy, it has a deeper meaning of showing the struggle many young people have when dealing with being bulimic and the daily struggles they go through. The book also shows the impact of this illness on the family members which it hugely impacts especially when it comes to such a devastating end, showing the grieves of the family members wishing they new so that she could of done more to help Cammy.

Throughout the book sections of text are included next to portraits of family members, friends and loved ones that knew Cammy and spent time with her through her illness. You can sense the frustration of people that were close to her and how they wish they could have done things differently. The inclusion of text gives more depth to the photograph and provides explanations of life events and some of the symptoms of effects this deadly illness has, spreading awareness to readers. I also think that text was included to provide closure to the families, the words they speak which are illustrated in the book is a way of them saying their final goodbyes to a loved one.

I chose the above image to analyse as i felt it was a simplistic image but alongside the context of Cammys story, it is a very hard hitting image which has a huge impact on the audience. The image is of scales which plays a significant part of the victims life as  a key part of the illness bulimia is weighting yourself to check on your weight to make sure that you aren’t putting on weight. For Cammy as her illness was so serious she probable weighed herself at least twice a day. I found that this image was emotionally very powerful and stood out to me because it represents her daily routine and a key symptom of the illness, it is also the actual scales that she used which is even more powerful because this object has a memory to the family. The image begins to make you really think about what Cammy went through and the family. Although the image seems to be simple as it is on a white background and placed in the center of the image, the angles have been considered as the shot is looking down onto the scales and therefore the audience feels like they are looking down at the scales which is the view Cammy would have been looking at a lot, having a big emotional impact of the audience.

Rita Puig-Serra Costa

http://www.30y3.com/rita-puig-serra-costa-where-mimosa-bloom-en/

Rita Puig-Serra Costa is a photographer living and working in Barcelona. Costa is an editor for Perdiz Magazine and whilst working for this publisher she combines her commercial assignments with personal projects which she does in her own time to produce her own works. For example her first book, ‘published in 2014, ‘Where Mimosa Bloom’ is a photographic memory series to show her honour and respect for her mother.  Costa is currently working with Salvi Danés and David Bestué on a new project.

“Where Mimosa Bloom traces a walk across the memory. It tries to remember a mother who is no longer here through objects, persons, and moments, which take us directly to her person. That’s an homage of Rita to her mother Yolanda. An attempt to assemble in a book her familiar universe.”

Where Mimosa Bloom, was a project very close to Costas heart and shows key links to family as it is a book in memory of who her mother was, using old memories, photographs and objects which had significance to her mother and  family. Through her book she creates a meaningful story of who she is and childhood memories. This links to our family assignment as she really looks into personal archives to find out about her mother and then document it to create a photographic narrative of her mothers existence.

Tableaux in relation to a childhood memory shoot

Aim: My aim for this shoot is to create a series of tableux portraits which show the memory of my bestfriend where we first met and first became friends but now 14 years on looking back at the environment.

Photo Shoot Plan:

Genre Location subject lighting Composition Settings Colours
-tableaux photography

-environmental portraiture

 

– St Marys primary school

-explore locations around the nursery as  there are stories here aswell.

-outside the school has the biggest significance.

 

-Friend Naomi to be the protagonist of the portraits (focal point)

-Background subject = the school and environment surrounding it

-message of the images is friendship and how growing up hasn’t stopped us from being friends

 

  • i am planning to go on this shoot on a cloudy day so that there isnt much bright harsh sunlight – im hoping that this will mean the colors of the image will be bolder and more dramatic because the light wont be taking attention away from the image
– main composition element that i want to focus on is breaking the rule of thirds

  • i want to have a running theme throughout this short series of the subject being directly in the centre of the image

 

No flash setting

  • wide angle lens
bold colours

  • colours that will contrast with the subjects purple hair.
  • Bold colours = to symbolise happy and big memories and events in or lives

Contact Sheets:

Shoot Evaluation: i think that altogether the shoot was successful. There were some outcomes which i really liked and captured the story that i wanted to tell. The bold colours of the Blue which symbolizes St Marys has a powerful message and i like the constant story which now runs throughout the images because they all contain the same blue shade in terms of the background and then linking the subject to the environment is the same shade of blue in her outfit as she is purposely wearing blue jeans to match this. i also thing that strong portraits have been captured. Another message i have tried to capture in these images is the differences between the person who used to go to this school when we were younger to the mature adult that the subject is now. This is highlighted in the stance and posture and sophisticated facial expressions in the images.

Best Images:

ANNA GASKELL VS HANNAH STARKEY

Anna Gaskell

Anna Gaskell is most well known for producing works similar to Cindy Sherman. The American art photographer Elliptical narratives are photo series which have been influenced by paintings and film rather than the typical norms of photography. Now living and working in new york she has produced many tableaux photo series, including ‘Alice’s Adventures in Wonderland’ and hide. There is a basic theme of young girls running throughout her photo series and her ideas are usually drawn from her own imagination.

Gaskell usually has a deeper meaning that is portrayed through her images and the techniques she uses. For example in her photo series ‘Half Life’ she uses dynamic camera angles and decorates the location that she is using to create a claustrophobic sense to the images as well as interesting lighting to build a sense of vertigo.

Her narrative images through staged and planned photo shops creates tableaux which after portray deep and meaningful messages in the way that she wants them to convey. Here are a few of her images from her book which include most of her photo series’ from ‘wonder’ to override’

Photo Analysis

This image is of a young girl jumping in the air. It is hard to decipher whether she got into this position from just standing and then jumping up or what i think probably happened is that she was on a trampoline and the image has been captured hen she was mid bounce. in the image we do not see the young girls face but we can tell that i is a girl and probably of a young age because of the shape and form of the subject. She is captured in a garden and is surrounded by trees. We also when first looking at the image see that the subject is in unusual clothing, relation to what Alice would wear in Alice in wonderland and this is the main link in the photo to the the photo series title ‘Alice’s adventures in wonderland’. From what we see we can begin to build up an image in our mind of what the meaning is behind the image and how the photographer, Anna Gaskell, wanted us to feel when looking at the image. I think that the message behind the image might be Gaskell trying to convey her childhood memories of enjoying watching Alice in wonder or her dressing up as Alice wanting to be her. So this image may be showing connotations to family and childhood memories. As her typical style as a tablx photographer i feel like she has staged and created this seen from her own childhood imagination and it is her telling the audience about her childhood and the memories she has but may also be relate able to many other young girls. However i then think  that the image has a darker message that comes across as, like in all her other photos in the series of photos, the girls head/face is being kept out of the image. This could be because she wants to hide that its not actually Anna and wants us as the audience to picture that it is her as a young girl or be able to relate it to be ourselves or any young girl it remind us of. Or it could mean that it is a distance memory which is blurred and not all is remember and the girl that once wanted to be Alice has been left behind and forgotten.

The genre of this image is portrait through the meanings of tableaux photography so it aims to have a meaning, message or tell a story.  Gaskell must have used a range of photographical techniques to ensure that this photo was not blurred due to the moving subject at the time. She has caught a freeze frame image which means she probably used a tri-pod to keep the camera as still and steady as possible and then the camera would have been set on a very fast shutter of about 1/60 second and then the ISO on the higher settings of maybe 2600 so that as much light was captured as possible because the aperture would of had to be closed for the fast shutter speed letting in a small amount of light. Therefore i think this took a lot of technical work and would have taken a few attempts hence it is tableaux photography which is staged rather than documentary which would of meant she just took the photo in the moment of a random girl bouncing on a trampoline which wouldn’t of conveyed the story that she wanted to get across.

It has already been  discussed why the girl being photographed is in the position that she is in as the head may be purposely not in shot for a specific message in the photograph. When considering the rule of thirds is think that this image breaks the rules in a modern way as she is using the subjects body to take up a significant amount of the image however still leaving a gap. however she may have still considered the rules grid when photographing her image as the subject is along the right axis of the photo sticking to the rule slightly but then breaking it with the limbs spreading across the image. When looking at this image i notice that there is one significant leading line which my eyes where drawn to and this is the tree trunk in the background running behind the girl. As it is the darkest area of the photo it is the section which my eyes are drawn to the most and because it runs from the bottom of the image to the top just behind the subject it focus out eye on that focal point of the image where the girl is and the main message of the image can be considered. another aspect to notice is that symmetry is created in the image through the subject body position. the right side of her body is a reflection to the left this brings a sense of art and beauty to the image making it nice to look at. The photograph has been taken at a eye level angel from the ground and i think this has been used to make it as obvious as possible that she is playing on something like a trampoline as she is high in the air and moved out of eye level sight because she is jumping up. The shot is also a wide angle portrait to fit in most of the subjects body but also a significant amount of the background which creates a frame around the subject. The colours used in this image are also a crucial element to what makes the image. the use of bright bold colours (green,yellow and blue) all together works really well in this image at keeping all the elements seperate and stand out. The image is almost striking because of these colours but they work well together because the yellow and blue of the dress counters the dark green which could have been over powering. Furthermore the image has been taken on a partially cloudy day as there is no specific direction of a hard harsh light. The lighting in the image is soft and quite dark and this could be due to not much natural light as well as the sheltered location the image has been taken in creating a soft lighting with no shadows in the image.

Hannah Starkey

The British photographer, Hannah Starkey, creates scenes through her photography which resembles everyday life, she captures images of women usually partaking in regular daily activities such as sitting in a restaurant or coffee shop, chatting in the street and so on. Starkey focuses on capturing these ‘in between moments’, which i find is a really interesting concept, she doesn’t document them at work or home, she captures them maybe on their way to work and the smaller elements of these women’s routines that you wouldn’t usually photograph.

Her in the moment freeze frame images have a narrative and often focus on the isolated problems in society such as gender, class and social status, which are problems which women may encounter in there day to day experiences. The Saatchi gallery says that “Starkey often uses composition to heighten this sense of personal and emotional disconnection, with arrangements of lone figures separated from a group, or segregated with metaphoric physical divides such as tables or mirrors.” This emphasizes her use of planning to create these stage photographs (tableaux photography) which have this deeper meaning which she wants to convey through her photography.

Born in Ireland in 1971 and now living and working in England she has produced a vast amount of images and exhibited her works in a variety of exhibitions all over the world, including solo exhibitions in the Tanya Bonakdar Gallery in New York on various occasions.

Photo Analysis

This image by Hannah Starkey was taken in May 1997 and takes her typical approach of photographing woman. This particular image is a two women sitting in maybe a coffee shop or cafe in England. The protagonist is the woman in the blue top sitting at the table looking into the mirror. As i have already research Starkey’s work i have a basic knowledge and understanding of the concepts which she tries to capture in her images. Therefore i am going to use this knowledge and try to understand what might being going on in this image. The woman in blue is the subject and she is on a normal day maybe in a break at work or on her lunch break, so Starkey is continuing her stylist form of capturing women in their daily routine but then she builds on this creating a narrative with a meaning and message behind it. For example in this image the woman is looking into the mirror at herself touching her reflection, this could symbolize that she is reflecting on her life or on her self image. A big problem in today’s society is the stereo types and exceptions of women’s image. There is a stigmatization that women should look and act a certain way and for most women they are conscious about there self image and feel like they need to fit in with the social norms. Therefore i think that this image could symbolize the woman looking at herself and judging herself, she could also be thinking that she doesn’t recognize herself anymore due to trying to change to fit in with what she has been made to think is socially accepted. Furthermore in the back of the image is another woman also looking at the subject through the mirror, this can be seen as woman always looking at each other judging them seeing if they are fitting in with what society stereotypes the typical woman as.

Starkey’s image is a narrative creating a story with meaning about problems in society but she has also had to consider photographical techniques and composition to make this image work and be effective. I don’t think that Starkey uses any specific techniques in her image as it seems to be a simplistic image taken in the moment and therefore not much setting up has been done before this image was taking. She will have considered the ISO levels and aperture to ensure she has the correct amount of lighting in the image. However we can assume that a tri-pod was not used to capture this image as it has been taken at an angle not just a straight on shot. The purpose to this may have been to make sure that the mirror reflection was included in the image with the second women in the background showing her almost face of judgment as this is key to the narrative of the photograph. i consider the rule of thirds to have been followed in this image because each aspect of the image seems to belong to a different sector of the rule of thirds grid. For example the subject (woman) is in the right third of the image and the the second woman is in the left side of the photograph and then the mirror runs throughout the image as the main story telling aspect of the image. this therefore fills the whole frame of the image making it an interesting image with lots going on, so i think that the photo has also been framed well as she has got everything needed in  the image for the narrative included as well as having nearly an even amount of gap both below and above the wall giving the image a small sense of symmetry and pattern. I specifically find this image interesting as leading lines is created through this image through the use of the rectangular image running throughout the center of the image which draws your eye to this central part of the image. This is effective because your eye is immediately drawn to the biggest sector of the image and i find it interesting that you look at the reflection first before the real people in the image. The mirror has multiple purposes in this image and another example is that it creates depth in the image as it is almost a three dimensional image because of the reflection we are seeing the room in double making the image possible look deeper than it actual is because of the illusion of the mirror. The lighting is the image creates the atmosphere that it is a natural moment because of the natural use of lighting coming in the window from behind the subject, which illuminates the narrative in a natural non intentional way. The lighting is soft keeping it a calm, mellow image where nothing is striking taking away from the calmness of the image created through the warm tones of colour.

 

Documentary Photography

Make one environmental portrait using a family member.

When considering capturing a family portrait, i think about the members of my family and what represents them. To me, other than my mum and sister who i live with, My grandparents are my closest family. As documentary photography captures portrait style images in individuals natural environment, i am going to take images of my grandparents at their home because neither of them work anymore and spend most of their time at home. I plan to tell a story with my images as i want to show the relationship i have with my grandparents through natural image, i go around to their house on Tuesdays and Thursdays nearly every week and just spend time with them, not particularly doing anything special. Therefore through myimages i want to use creative and innovative camera angles aswell as natural lighting which turn there everyday lives into somewhat beautiful images.

Genre Location subject lighting Composition Settings
– Documentary photography

  • Portraiture
  • shots that show my grandparents natural environment  but including them

 

– Grandparents house as it is what reminds me of them the most because i go to there house a couple times a week to spend time with them so its the location which reminds me most of them but also tells the best story about who they are – grandparents

  • try to get portraits of them from a front angle so you can see facial features as this tells a lot about their age
  • however subject to also be their home in the background of the images

 

– strong lighting, creating dramatic portraits

-experiment with lighting coming from behind the images

 

– experime nt with breaking rule of thirds: grandma in the centre of the image

  • follow rule by having grandparents in the sides of the image with home as background for the rest of the image

 

  • no flash
  • fast shutter speed
  • medium aperture
  • auto white balance(adjust when editing if it needs)

I think that the shoot went well as i managed to capture a couple of good portrait images of my Grandma which tells us a bit about her and what she likes to do. However i think that the shoot could have gone better if i had planned more and considered the small rooms and where i needed to position myself in relation to where my grandparents where to get a good angle as i was trying to capture the most natural images of them possible. Therefore in my next shoots i will focus on taking more images focusing on capturing the same image but from a variety of angles, changing the lighting so i can get the best image possible. Nonetheless the images did capture my grandparents in their natural environment and show from start to finish what a normal visit to their house would be like and how spending time with them is what family means to me. Here are a few of my favourite images:

This is my favourite image from my documentary shoot because it captured the documentation of my grandma which i had planned and i would also considered the image a strong portrait as she is looking directly at the camera so we can see her face clearly. However it is also a good documentary portrait as it contains a lot of the environment and this gives a greater clue to the activities and the type of character that my grandma might be. The image is of my grandmother doing a puzzle. i think that the rule of thirds in this image has been followed, the subject is in the top axis of the image and sticking to one particular side (right) of the image. This helps to keep the image spaced out and allow for the puzzle to be included in the image which is the main documentation part of the image because the photograph is capturing her doing one of her hobbies in her own home. I also think it is crucial to highlight the use of lighting in this image. The strong direction of lighting onto the face makes the portrait almost bold and over dramatic for what is actually being captured but this was the effect i was going for. The harsh lighting created from a sunny day through the blinds adds a really interesting look to the image. But i also feel like the blinds and lighting may highlight a further message which has a deeper meaning. The blinds which are not allowing much light in and are covering the outside world could symbolize that the older generation are more limited in their movement and may feel like they are trapped inside there homes as they are unable to walk around as much as they used to be able to

 

 

CONTEXTUAL STUDY: DOCUMENTARY VS TABLEAUX

Documentary usually means that something is occurring naturally and is being captured purely for recording purposes.Documentary photography is one of the most popular forms of photography and occurs all over the world environmental, social and chronicle events which have a certain relevance to history.During the first world war when documentary photography properly emerged it was used purely for ‘gathering a creative education about actuality, life itself’ says David Bate in ‘documentary and storytelling’ . the photographer wanted the images they took to be records of everyday life.

There are many different views of what documentary photography really is and is you look at it from a now modern perspective and the opinion of Tate they describe documentary as ‘a style of photography that provides a straightforward and accurate representation of people, places, objects and events, and is often used in reportage’. However there was a very different view of this before the middle of the twentieth century were documentary photography was vital for capturing key events.

Greer and Robert on the bed, NYC 1982 Nan Goldin born 1953 Purchased 1997 http://www.tate.org.uk/art/work/P78044

Nowadays documentary photography follows the lines that it shows a story through a series of photographs in depth which can be seen as different to photojournalism which is more what is happening in reality ( similar to documentary photography when it was first set up). Documentary photography gives us a deeper understanding and sense of meaning to critical events, public connections, stories of political justices, and human rights issues which are all very relevant to the audience of the photographs.

Documentary photography is very important in today’s open society as they have the ability to highlight stories and are one of this generations best chances of making people understand that change does need to happen. I think that this is why i really like documentary photography because it has the power to maybe make a difference and change the society with live in today to a better more peaceful place, and this is the type of photography which i would like to achieve this year ( something with a bigger meaning.

former combat medic with the Us army and his grandmother – Eugene Richards, War is Personal

I think that documentary photography does have different meanings to it but what interpret it as is a way of showing social, political and environmental issues which are going on around the world that our society needs to know about and a photographer which i have found really influential when researching is Marcus Bleasdale who documents natural disasters in the Congo. He photographs show true stories of real life tragedies and although his work is spreading awareness of some issues going on around the world ‘Open society foundations’  “believe that photographers can be more effective when connecting to those who are already working towards change in an ongoing way.”

French for ‘Living picture’ Tableaux photography is what it means. it is a style of artist presentation which tends to ‘describe a group of suitably costumed actors, carefully posed and often theatrically lit.’ – wikipedia. The idea of Tableau has been around since before photography when people from the middle and lower class liked to recreate scenes from paintings of famous parties. Photographic experimentation began to appear more regularly during the 1970’s were it became more known of performance art and photography among women. Cindy Sherman is an example of woman photographers immerging in tableaux photography. Brighthub state that “Cindy Sherman’s “Film Stills” series dating from the late 1970’s to early 1980’s are all narrative tableau constructions that create archetypal women from B movies – posed, staged and lit to convey meaning and message. Sherman starred in every image, making herself into art.”

 

Cindy Sherman – ‘film stills’

Susan brights opinion on what Tableaux and narrative photography is shows that she thinks that you can create exciting staged images which still tell a story but have been created in a specific. she states ” narrative is crucial to photography, as is artificial and contemporary artists realise this and use these as strategies to tell stories”.  Similar to Documentary photography narrative/Tableaux images have a deeper meaning behind them and are often telling the story of a social situation or issue.

Therefore the difference between tableaux photography and documentary photography becomes clear as tableaux photography is staged, artificial photographs which act on the before of telling either fantasy or real life situations but are not actual in the real environment/ situation. Whereas documentary photography capture real life in the moment image which have been less staged or not staged at all however still tell a very relevant and real story/ message about current social situations.

 

Sam Harris vs Sian Davey

Sian Davey

Sian Davey is a photographer from Britain who focuses on taking documentary photographs of her family including her older daughter and her friends creating series of images as well as a series called ‘looking for Alice’ based on her youngest daughter who is diagnosed with down syndrome. the photos series shows her daughter experiencing and enjoying everyday life and was a huge success when it was released in 2015.

Sian spoke about in an interview with ‘Lensculture’ how she has always had an interest in photographer ever since a young age but really began taking documentary photos around four years ago and had her main inspiration from her daughter Martha which is the main theme which runs throughout the images above. she also intertwines her photography with her psychotherapy works which she feels helps her emphasise both her inside and outside worlds.

Website – Sian Davey

Michael Hoppen Gallery – Artist information

“…presents an idyllic scene that is layered with underlying tensions.  It is named after the artist’s stepdaughter and grew as a response to the question ‘why don’t you photograph me anymore?” –  https://www.michaelhoppengallery.com/artists/211-sin-davey/overview/#/artworks/10509

Analysis

I chose this image from Sian Davey because i think the image is a clear reflection of family through documentary photography. If you know what Sian Daveys photographs or have research her works you know that this is an image of her daughter Martha and her friend. Daveys started photographing her stepdaughter as a project when the question came up in their family ‘why don’t you photograph me anymore?”. when researching this i interpreted this as a question asked by Martha because generally parents and family member take the most photographs of general family life or events when their children are at a young age and then less photographs are taken when they because teenagers because they don’t like there photograph being taken anymore. I think therefore Daveys ‘Martha’ project shows clear links of family because she is photographing her daughter growing up with her friends, which can also be seen as another form of family for many. I chose this image in particular to analyse showing links with family and documentary photograhy because of the background. You can see that they are in the family garden with their home in the background so the images is not only capturing Sian Daveys family members but also one of the biggest family momentum is the family home because it is usually where the most family memories are created and has a lot of family connotations.

The photograph shows Sian Daveys stepdaughter and her friend therefore they are the subject and the focal point of the image. they are stood outside there family home in the garden showing clear links to family and although documentary photography can been seen a lot of the time as spontaneous images of people in the moment it can also be staged and i think that this image was a mixture of both. The image is natural in the form it is their natural environment and a casual photograph of her and her friend but it has been slightly staged like family photograph would be when you decide to capture a photo of a family event and the photographer say stand over there. As i stated above i think that there has been some planning and staging for this photograph and that Daveys would have wanted the two girls to be stood central in the image breaking the rule of friends as the are in the center axis of the grid, although this works for the image as they have a balanced ratio of the girls and the background making it a symmetrical image as there is equal background to the proportion of the girls as it is taken as a long shot. that means that this image has some symmetry to it making it a nice/ aesthetically pleasing image to look at.

I don’t consider this image to have leading lines either on purpose or accidental as there are no striking lines which lead your eyes around the image. The main technique which is focusing where you look in this image is the use of depth of field through adjusting her ISO settings which has had the effect on the image that the subject is in clear focus and the background is slightly blurred and out of focus which has helped to create a natural frame as if the background was purposely framing the two girls so Daveys daughter, the subject of the whole project stands out the most. The rest of the image almost comes across as simplistic in technical terms because it is a straight on viewpoint, however i think this has been purposely done as i said before because she is trying to capture image which all families would of their children. Therefore to make it realistic Daveys probably didn’t want too much technical aspects to the image apart from i clear, good quality, well thought out image.

The lighting in all of her images are similar to the image above where they all contain and dark green background making the images themselves dark, from the trees and woodland setting that they are usually taken in. i think that this could have a deeper meaning in that Daveys is portraying what family means to them and what kind of family they are as it seems like they are earthy people and out doors spending time together a lot.

Sam Harris

Sam Harris has been a photographer since around 1990 when he started his career in london taking photographs for recording artists and also photographing editorial portraits. Further into his photographic career he went onto photographing international assignments for leading Uk publications.

Around 2000 he decided to turn his career around from looking at images that didn’t really have much sentimental meaning to him to flipping the camera and looking inwards and began to focus his photography and his loved ones, family and friends. He now has an on-going project of photographing his family and doing workshops in southwestern Australia, where he has won numerous awards for his creative documentary work.

Website – Sam Harris

Wikipedia – Sam Harris

Analysis

The image above, photographed by Sam Harris, is an image of his daughter from his on-going project in southwestern Australia called ‘the middle of somewhere’. The image is a close up of his daughter and possibly their family pet along with a necklace which could have some kind of sentimental meaning to the family. I chose this image because i think that it shows links to the topic of family through the use of documentry photography. The first link is that it is a photograph of his daughter which is clearly a huge part of his family and everyday family life. I also see the image as being a close up because he sees himself close with his family. She may be holding a family heirloom in the image or a precious necklace which means something to the family which only those close to them would understand the real meaning of it. But i also find the inclusion of the bird a really interesting aspect because it not only tells you they have a family pet but it begins to tell you about the family and what kind of people they are. Therefore from this i get that the Sam Harris family love animals, family means a lot to them, and they are a close family.

The subject of the image is his daughter, but she is not necessarily the focal point of the image. i see the focal point of the image being the hand because this is the clearest most in focus section of the image which my eyes are immediately drawn to so i think this was the focal point that Sam Harris wanted to be focused on when looking at his image. The depth of field is a key aspect in this photograph due to it highlighting the areas of the photo that he wants to be focused on but also in my view makes this image a technically well thought out image and well photographed as the use of ISO and aperture settings have been successfully used to capture a creative image where both the foreground and background have been blurred and there is a main focal point. I think that the meaning that is trying to be portrayed in this image has been well worked into the image through the techniques used as well as the use of colour in the image. The image has a strong bold background colour of orange/red, which tends to have the effect of an images mood of making them feel warm and calm. This image definitely looks calm and peaceful in my eyes and i think this is down the the colour in the image as well as the soft, natural lighting being directed on the young girls face.

Everything in the image seems to have been thoroughly though out and as if everything has been placed in the specific position for a reason. For example the girls face runs throughout the left axis of the image following the rule of thirds keep the image balanced between portraiture and the background, however it begins to break the ordinary rules of photography when the bird and the hand are included making the image slightly abstract because the image now seems to be half full in a diagonal way which is not seen a lot in photography. i think that leading lines does occur in this photograph through the lines of Sam Harris daughter face. Framing can also be seen to be used in this image through the strong block coloured background which almost frames the face bird and hand making this aspects the subject and focal point of the image.

Inspiration

What inspires me?

Inspiration is the process of being mentally stimulated to do or feel something, especially to do something creative. In photography being inspired by something is key because otherwise you would take boring meaningless photos that have no significance or real meaning to why you have captured them. Most people don’t realise when they are really inspired because it is easy to be inspired without really knowing, for example just seeing a photographers working and having and thinking you like it and then subconsciously creating a piece of work similar not even meaning to. or you can look for inspiration and search for artists and things that have meaning to you and want to look more into that and this tends to be how we start a project in photography by finding general inspiration of things/artists/objects which may capture our personal interests and make us want to explore this specific area further.

I find being properly inspired by things really rare because i have to be passionate about the topic, really interested in it and for it to have meaning and significance that is going to capture my interests. In the past i have found inspiration off pinterest and the internet of artists that i liked there work. But i have also always been inspired by social matters and what is going on in our environment and others environment. I based a photography project last year on the idea of ‘self reflection’ and how other view themselves through editing mirror reflections showing in the foreground who they are and then in the background was there mirror reflection with the words of what they saw themselves as. I was inspired by this idea because i thought it had true meaning of how no one is really happy with themselves, their image, or who they are as a person. So i felt it portrayed a strong message which would impact a lot of people.

This year i have been inspired by a trip that i found out about a couple of years ago, where a group of people from jersey go on an aid trip to Burkina Faso, Africa and build schools, pharmacies and help out in the local area. After researching a bit about this location i have become really passionate about helping out as much as i can when i go over there in October 2017. I have been inspired by the people there and how well they cope with the tough realities of life that i am going to make a project about them and when i go over capture documentary portraiture images of the people of Burkina Faso in their natural environment and hope to portray the message of their lives through my images and how you don’t always need lots of money to be happy.