All posts by Lauryn Sutcliffe

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Results from Photoshoots

These were the results of my photoshoots conducted in Scotland. I then chose specific images, which I then edited to the way I would have liked them presented in my photo-book. I am happy with some of the images made and not so happy with others as they are not what I wanted and visualised them to look like, however saying that they are still successful images and show a true representation of my granddad’s life, through documentary photography.

This is my granddad’s chair, which is located in the living room of his house, this is where he would spend most of his time and will sit on that chair for hours on end. Its sad as this seems to be all he ever does anymore, he sleeps, eats and sits on the chair watching TV or reading a book until its time to go to bed again. This chair is a huge part of my granddad’s life and he would be devastated if it were to get taken from him. This image was inspired by an image made by a photographer called Phillip Tolendeo as he captures his fathers chair in a similar fashion in his book ‘days with my father’. The chair is located next to the window as occasionally you would notice that would often look out the window almost fantasising about being outside and being free to move around willingly. This chair isn’t just a chair but represents more than this. This chair almost supports my granddad and represents his loss in freedom. Specifically, his loss in quality of life, it shows his loneliness as he relies on the chair to get him through the day and to release any physical pain he may have. The patterns on the chair shows that they are more modern in their fashion and styles as this is a more up to date theme and patterned material, which suggests they are aware of how society has changed over time. The chair is a smart, upright and elegant model, which reflects accurately to what my granddad is like as a person as he is extremely smart and witty even in his old age and he is elegant and takes pride of his appearance.

This is my granddad sitting on his chair, reading the Sunday paper which he often looks forward to doing. This is a documentary style photograph as it was a photo taken in the moment, without staging, which is a theme I tried to remain consistent throughout my photoshoots. Again, my granddad does not do much during the day, for most of the time he is sitting in his chair, which is shown in this image. This image was taken to show the activities he does to pass time in the day, it also suggests that he is aware of current issues or news in the UK as he is always reading different papers and often has his own view and take on things he listens to or reads about. I feel that he reads articles to have some sort of contact with the outside world as he has lost contact with this due to his illness and ability to walk and talk. I also feel that he might read the paper to pass time as he has hours to waste and this takes up time in his day to distract himself from pain he may feel and the thoughts of his lack of quality in his life.

This is in my granddad’s garden there are two chairs with a round table in between them, this is where my gran and granddad would sit on a warm day to watch the birds fly past as they have always been big animal fans and enjoy bird watching. They used to sit and play games to see how many they could name correct, my granddad could tell you the name of almost every bird, he has phenomenal memory. He can no longer go outside as he feels the cold significantly more than he used to. In this photograph their is a owl, which sits on the table this was already their before photographing. My gran explained that she put it there to symbolises their ‘bird watching place’ I thought this was extremely thoughtful but didn’t understand why it was still there, my gran told me she could bring herself to remove it and it brings back happy memories of times where they were both happy with their quality of life. The space between the two chairs represents the distance between my gran and granddad due to his illness and his lack of independence. Although this seems like 2 chairs and a table- this represents distances and memory.

This is a snapshot image of my granddad as he walked into his 80th birthday party as he didn’t realise 40 people would be there to celebrate with him. When he got over the initial shock, he said ‘I can’t believe this many people are all here for me.’ I feel this photograph represents emotion, my granddad never cries, however, the shock and overwhelm of the outcome brought him to tears. A part of me feels that the tears were not just for this moment but a build up of emotion and fear of leaving the world, family and friends too early and the fact he got to the age of 80 is astonishing. Although, this is not a strong image technically I feel it has represented what I wanted my book to be about.

The images are of my granddad’s glass eye, this goes in his right eye socket, he hates putting it in as it causes discomfit and pain for him. He got his eye taken out after his second stroke in an attempt to remove pain he was getting behind the eye, he had already lost his sight in that eye and he was desperate to stop the pain, he agreed to have his eye taken out and replaced with a glass eye, which was matched to the original colour of his eye.  He told me that this was the hardest part of his stroke and often thinks about how he regrets making this decision as the pain is still there and the glass eye causes infections, which are again extremely painful. The box at in the bottom photograph is the box he keeps it in to protect it from damage, when in the house he takes it out and relaxes his eye, he finds this extremely soothing and relaxing, This represents the change in my granddad’s life as he has had things taken off him- his freedom, his eye, his ability to see, walk and talk as he did before.

This images shows the glass eye in, it is clear he has some sort of problem with his eye as it does not look the direction of his gaze and his head position. One eye looks at me and the other is looking down, the image is a documentary image as it was again now stages, you see my granddad sitting down , which is a common theme of his life and daily routine and will not see many times where he will be standing or walking. This image is to capture my granddad as he is- a simple portrait to show what he looks like.

The image is of a magnifying glass, which my Granddad uses when reading as he struggles to see as he currently only has one eye which he can partially see out of the other eye but not very well. He uses this to make the words bigger on page to enable him to see the words to read. Reading and learning has always been a significant element in his life, even as a young man so he does not want to give this up so therefore he uses as a way of adapting to his condition. I decided to photograph objects which were significant things in his life, this is one of them, without this he would not be able to read.

This is another image of my granddad sitting on his chair, this one he is clearly thinking about something,my Nan says he does this daily and she thinks that he is thinking about the life he used to have but whenever anyone asks him what he is thinking about he demands its nothing. Again this is demonstrating that his life is mostly him sitting on his chair. I often catch him staring into space and I am convinced he is reminiscing about how good his life used to be and how he wishes he could move. He also frequently grips his hands together, maybe to release his pain as his grip is usually tight and strong as if he is distracting his attention to other pressure instead of the pain he feels in his body.

This is my granddad’s eye patch, this is to protect his eye socket from getting infections when he is not wearing his glass eye, as this is potentially a hole or wound in his face. My granddad does not like wearing this as he finds it uncomfortable and he often calls it his pirate patch as admittedly he looks like a pirate when wearing it. He also has to get a new eye patch every few months as it gets dirty, which could result in infection this is collected from the chemist and comes with his repeat descriptions. Again, this is something he uses regularly, which is why I felt it was important to photograph this.

This is my granddad washing his eye, everyday he has to clean and wash his eye so he doesn’t get infections. This is a snapshot image and illustrates a part of his daily routine, which I wanted to capture in my photo book as this is the main theme of my book- how his life has changed due to the illness and the adaptations he has to make to his daily routine.  Although the window is seen as white in the photograph due to the light reacting with the camera, the main focus is my granddad so I feel this does not matter as much as if it was a environmental or landscape photograph.

My granddad likes to have a little bet once a week, the money put on it is a very small amount but he enjoys the thrill of winning and it also gives him an element of excitement, which he does not have very often as his daily routine consists of the same activities, which can get extremely boring. He has always loved horse racing and in particular watching the horse racing and with old age he started to enjoy placing bets on the horses- this is something that brings him a thrill. This is something he looks forward to so I felt this was significant to photograph and be in my photo-book.

In this photograph my granddad is smiling, it is not often that we see this as he is often in a lot of pain, which means he is not usually happy or feels like smiling. However, he will smile, you know deep down he is trying to hide his pain, this is a genuine smile and that is what makes this image so special. This image was taken when he walked into his 80th birthday party with all his old friends and family, which he hadn’t been able to see in ages- including his sisters, his best friend, childhood friends, aunties and uncles etc. He did not expect this and he was extremely surprised, I feel this image captures that.

Although these look like sunglasses they are glasses he wears when he needs to judge distance, which is when he is walking outside and often when watching TV. The brown lenses improve contrasts and also enhances depth perception, which helps to see 3D objects. There are different colours, which help with eye sight, you can get green, which transmits all colors evenly and dims glare while brightening shadows. This is the colour my granddad used to wear before he found the brown tinted glasses worked more efficiently for him. You can also get yellow, blue/purple, grey and pink/red.

This is a snapshot portrait of my granddad, the background is blurred to direct the attention to my granddad, making him the focal point of the image.

I decided to make a collective image of all his medication he uses for various reasons- all resulting from his strokes. Every week he puts his tablets into his container so that he remembers to take them as he regularly used to forget to take them all. This way they are all in the same place and this is kept next to his bedside table, the tablets has changed his life significantly as they are extremely strong, which results in him not being allowed to drink or take any other tablets in conjunction with them. They are also evidence that he needs medical help, which is something he never needed before his strokes. The tablets are also placed in an orderly manner, which is to show the structure in his life as he has a very structured routine when it comes to his medication and medical care.

This is my granddad and his childhood best friend, this is Rusty. He appears in some of the archival photographs with my granddad as youths. I find it inspiring that they are still very good friends after 80 years. This shows that although things have changed in his life, other important things has stayed the same such as his friendships and love for his family.

I decided to take a photograph of his 80 balloons to capture the celebration of his 80th birthday. I feel that I would like to turn this black and white- increasing the contrast as I do not think this image is strong enough without editing. I will do this later when I am choosing the final images I will be presenting in my photo book.

My granddad often scratches his head, the same specific part. I never really knew why but I researched into this as I know many older individuals, which excessively scratch their skin.  I found that the sensation of scratching at skin can be pleasurable for some, while others describe a feeling of tension release when scratching. It can also have a calming effect as the sensation can be soothing to the nervous system. The scratching may therefore be a response to feelings of anxiety, depression, nervousness or fear. These are all common emotions in the aging adult, compounded by the deterioration of other mental faculties such as memory. I found this extremely interesting how this was a common activity for elderly individuals and felt this was important to photograph as it is something he likes to do.

Although this is not a well put together photograph it shows my Granddad’s intelligence. He likes to watch quiz TV shows and will answer the questions himself as if he is on the show, most of those answers are right. He has always been extremely intelligent and knows everything about anything. He tell us he likes quizzing himself as  “it helps keep my brain ticking over.” He has every quiz show recorded and he looks forward to watching them, especially The Chase.

Again, this is an image of my granddad scratching his head. This time you see him from a side profile, which reveals his nose, which as you can see has partly deteriorated leaving him with half a right nostril. It was the whole of the right side of his body which was mostly affected by the stroke. This image shows this.

This is a night time image of there house, I decided to edit this in photoshoot to make it more contrasted and turned into black and white. This is significant as this is where he will spend the rest of his life and they also had to move after his second stroke as he could no longer walk up the stairs and they became a difficulty to move from room to room and therefore this forced them to move to a bungalow to make it easier for my Granddad to move around the house. My granddad was devastated to leave his old house as this is where his children were brought up and he felt like there were so many memories in that house.

Another snapshot of my granddad, receiving his birthday cake- I thought this is a good documentary image of the event.

I also took images of thinks I seen round where they live. These would be objects my granddad would see when he leaves the house. This tree is located outside their house and is in clear view out of the window next to my granddad’s chair. I decided to turn it black and white and add more contrast to make it a bit eerie, which is because its something my granddad can see but will never touch as its too fair of a walk for him.

A snapshot of my granddad. I enjoyed taking these snapshot portraits of my granddad as they are all similar but also extremely different and to me this shows the different sides of him.

This is a cut down tree, which is near their house. About 10 years ago my granddad fought to keep this tree, instead of it being cut down, however he lost that battle. The tree was 15 years old and it was a beautiful feature, they cut it down to give one of the houses a sufficient view. My granddad didn’t think this was a good enough reason to cut down trees and ruin out environment and nature. This image illustrates his strong beliefs in nature.

These are all of the environment around the house and their areas as well as documentary images of my granddad.

These images are to accompany the interviews I conducted, which have now been turned into a few paragraphs about my granddad. I still have one to conduct- which is my mum. I like that they have an old and pure look to them. I also have just received some doctors notes about my granddads eye, which is the part he found the hardest. I don’t know whether to take photographs of the notes or to photocopy them to then insert into the book like Laia Abril does in her photobook.

Some of these images I would like to manipulate more to maybe turn some of them black and white.

 

personal study-Preparation for essay

In preparation for writing my final essay with will marry with my photo-book, I first looked through previous essay questions, which were tackled by other students in the past to get some inspiration.

The students who tackled the theme of family had questions such as:

How do family photographers Sam Harris and Inaki Domingo capture everyday life and the decisive moment?

How does Phillip Ebeling and Pieter Hugo, express the notion of family history and relationships in their work?

How does my mum’s role as breadwinner abdicate from her culture?

How do Larry Sultan and Sam Harris’ photographs of their family represent the concept of Love?

How do Philip Toledano and Richard Billingham portray their fathers as insiders?

Can the recreation of family portraits show how relationships have developed and changed over time?

There were some people who looked into and studied the theme of Archives and Memory and there questions were slightly different:

How has Boltanski, Abril and Toroptsov represented the concept of capturing the invisible and reflecting the meaning of memory through the medium of photography?

How have concepts of family, separation and memory been explored in the photo books of Sarello, Casanova and Germain?

How are concepts of loss and memory narrativised through the works of Markosian, Toroptsov and Sarello?

How have Yury Toroptsov, Mariela Sancari and Julian Germain reflected upon the themes of memories and remembrance in the construction of their photobooks?

Finally, There were also students who looked at Documentary and Street photography, they came up with a range of questions also:

Is it possible for photography to capture moments in time objectively and truthfully?

Examining the documentary aesthetics: A photograph should not be manipulated, so that its authenticity, veracity and sense of realism can be maintained?

What is the relationship between photography and realism?

How can photography bear witness to the ways of life and events of the world?

What is the relationship between Henri Cartier-Bresson’s theory of the ‘decisive moment’ and subjectivity?

What are the differences and similarities between Henri Cartier-Bresson’s decisive moments and William Klein’s confrontational approach to street photography?

Looking at a range of titled helped me chose one of my own. I have decided to look at Phillip Toledano as a focus point- coming up with a question ‘How does Phillip Toledano explore notions of change, fate and destiny on his work?’ comparing this to my own personal work. I will explore this further to develop my knowledge into Phillip Toledano more, although I have looked at him for my artist reference. I am going to review this question and discuss this with my photography teacher to make sure I am making a clear link between my essay and photo book.

 

Review and Reflect

Overall I have learnt from the selection of work I have produced so far that it is not archival work, which I want to focus on in my photo book. Although, there will still be an element of this within my  study I would like to introduce more documentary work- this will consist of 4 mini photo shoot, which will all be conducted in Scotland. Saying that, some of my archival work I feel is successful in showing loss and these will be used in my photo book.  I feel like I will however used raw archival images in my book as well as subtly editing some more of the images in a similar way as I have up to this point. Some of the images I will be using in my book, I feel these are my most successful photographs from my exhibition work, these will be joined together with new photographs I will be making- new images made in Scotland.

This last image I have another image similar, which I did not edit. It is conducted and produced in the same way as it one I have presented as an edited image, The middle figure is their mother and this obe is their father. I would like to put these two images together in my photo book, perhaps on the same page as I feel this image was successful I will edit it in the same way I have edited this one. This images represents loss and I feel the two images would work well together as a pair. This is the original image I will be editing to link with this one.

This is the edited one:

Moving forward I am happy to stick to the original theme of loss- absence and presence. I would like to edit more archival photographs slightly and choose the photographs I will be using in my photo-book and also making sure they are all a-lined and are the way I want them to be to fit the theme of my photo-book. I will carefully choose these, making sure they link and display my idea accurately. I have about 200 archival photographs and I will have to probably narrow this done to as little as 20, as I will be including the photoshoots I will be conducting in the next few days. The 4 mini photoshoots will consist of 1 photoshoot dedicated to taking documentary images of my granddad’s daily routine, another photoshoot being documentary also as I will be taking ‘action’ photographs at his 80th birthday party, A different photoshoot being of objects and the last one being of the portraits of the individuals who conducted the interviews. For the photoshoot not yet conducted my main inspirations will be Phillip Toledano with his project entitled ‘Days with my Father’ and Laia Abril with her project called ‘The Epilogue’ research into their work was conducted previously in my blog post called Artist References, this also includes my main influence for my current work, which is Liz Steketee. Also what parts specifically I was inspired by is also identified in a previous blog post called Linking Exhibition finals to Artist Reference

Linking Exhibition Finals To Artist Reference

These are the photographs I chose to be put forward for the photography exhibition. For this part of my project I have used the title ‘Lost Souls’

For this specific group of images I took Liz Steketee as a huge inspiration when I was editing these photographs. Although she does not edit photographs digitally, she does tackle the theme of family and explores removing or blocking objects or people out of the photographs to portray a specific topic or story. This is what I tried to o in my photographs, sticking to the theme of absence and presence. Also looking at the theme of lose in particular, other artists have inspired me for other ideas for my project such as Phillip Toledano- Days with my father and Laia Abril- The Epilogue.

Comparison:

Both of these images include a person, which has been removed from the photograph by covering it in the artists image, it has been covered by white stitches- which almost makes the figure look ghost like, which could suggest the person underneath the stitches are dead or are dying. Similarly, my image uses a black colour overlay to remove my Granddad’s dad to show he is no longer there anymore- meaning he is not in my Granddad’s life. I decided to manipulate this digitally as I wanted it to give the effect of a silhouette to show although he is not here physically, he is still thought about and still remains as a memory in his life. The concept of each of the images, seem to be fairly similar. Both images are also archival images, which are manipulated. This is photographs from the past to show people how they were before- comparing this to how they are now. Liz using all archival images in her work and is known for manipulation.  This is where my initial inspiration came from to stem other ideas for my project work.

When it comes to other inspirations as I have stated before they are  Phillip Toledano- Days with my father and Laia Abril- The Epilogue.

Laia Abril

The Epilogue, follows an American family in the aftermath of losing their daughter to bulimia. She separates the work into sections allowing her to approach different aspects through different platforms, not only in the multiplicity of perspectives but also in a constantly evolving visual stimulation. The book itself is extremely inspirational for my project but in particular a technique she used throughout her project, which was interviewing and connecting this statement to the person in a picture format, which is something I will definitely explore in my project.

I really like this idea as she is voicing the opinions and thoughts of the loved ones, which were around her. This is similar to the idea I have for my photo book. I have conducted several phone interviews to get the thoughts of the people who are close to my granddad, which will be presented in a similar way to this. There will be an image of the person on the left hand side of the book and then a statement compiled from the interview. This is the way I would like it to be presented:

Laia also uses archival images in her project, which is what I will also be doing for my project. I will manipulate some on them, however not all. Laia did not manipulate any of her photographs, they were left how they were. I will include this in my own photo book as well as manipulated archival images to show the theme of loss. Laia too takes on an emotion theme of death and showing archival photographs allows the readers to compare old and new photographs to create an image of what she was like. This again is something I want to get across as I am exploring the theme of change.

Other images in her book are of objects, things that the lady would have used on a daily basis or things that are important to her. For my project I will be photographing objects which are a part of my Granddad daily routine to give people an insight to whats significant or important to my Granddad. This would be things such as his pills, magnifying glass, doctors notes, slippers, his glass eye and their old and new house. In this case she photographed weighing scales and pills etc.  These would have been objects in her life as she would have been obsessed with keeping her weight down. I feel this gives us more of an insight of her life, which I will be doing for my project also.

Phillip Toledano

The project- Days with my father was created after his mum died suddenly on the 4th of September 2006. After she died, Phillip realised how much his mother shielded him from his father’s mental state. He suffers with short-term memory and is ‘often lost.’

Phillip takes documentary photographs of his Dad, this is a photography technique I will be using in my project as I want to document my Granddad’s life, which is what Phillip did for his father. He also takes photographs of his fathers chair and objects, again this is something that he will be using daily. I like the fact the images are documentary, as it naturalistic and therefore it is real and true. I like the way he shows the different emotions of his father as it is raw and feels real, this is what I want my project to bring.

 

Interviews

I conducted phone interviews with various family members, we discussed my granddad’s physical and mental state, this is to get other peoples point of view of his current situation and how this has affected them personally. I also discussed with them the change in my granddad and what they feel has significantly changed and also their favorite memory of my granddad before the stroke. I had  compiled several structured questions before conducting the interviews , which I asked all family members as well as asking questions in response to their answers to my original questions. His first stroke was in December 2006 and his second stroke was in January in 2008.

I also interviewed my granddad about how he felt about his current situation and how he himself feels it has changed his life. What he felt was the hardest part of his illness and how he feels about having to adapt his life.

These were the results of my interviews, I interviewed 5 people including my Granddad himself.  Of course I asked if this was okay and if they were happy to talk about this with me to then use this for my photography project and all agreed they were happy for me to do so.


My original questions were:

How do you feel the strokes have affected granddad, both physically and mentally?

What are your thoughts on his current situation?

How has this affected you personally?

What was your favourite memory of Granddad and how would you describe him before his strokes?

If you could have summed him up in one word what would it have been?


Results:

MY MUM- Elaine Sutcliffe (his daughter)

How do you feel the strokes have affected granddad, both physically and mentally?

Well, physically he is unable to drive anymore, he doesn’t read as much because of his poor eye sight and although mentally he is still sharp, he struggles with his speech.

What are your thoughts on his current situation?

I feel sorry for him, as he doesn’t live the life he used to. He used to enjoy walking the dog for miles every day and also enjoyed cooking. But can’t do any of these now.

How has this affected you personally?

It has affected me personally in that dad and I had to help financially to buy a bungalow as he couldn’t cope with stairs anymore. However, this was something I was more than happy to do as I knew this would help him and my mum.

What was your favourite memory of Granddad and how would you describe him before his strokes?

Christmas morning- making christmas special even as a  teenager and adult. Getting everyone to wait upstairs to wait to make sure santa had been and gone.

If you could have summed him up in one word what would it have been?

Hero

"HERO"

Physically he is unable to drive anymore, he doesn't read as much because of his poor eye sight and although mentally he is still sharp, he struggles with his speech. I feel sorry for him, as he doesn't live the life he used to. He used to enjoy walking the dog for miles every day and also enjoyed cooking. But can't do any of these now. 

It has affected me personally in that my husband and I had to help financially to buy a bungalow as he couldn't cope with stairs anymore. However, this was something I was more than happy to do as I knew this would help him and my mum.

I can always remember him making christmas mornings so special even as a  teenager and adult. Getting everyone to wait upstairs to wait to make sure santa had been and gone. That is one of my favourite memories.

(Small photo of Christmas)


MY UNCLE– Scott Jackson (his son)

How do you feel the strokes have affected granddad, both physically and mentally?

He struggles to walk long distances and is always in fear of falling, which makes him grip tightly onto banisters. Mentally, he is not as happy as he once was as he had to give up things he used to love.

What are your thoughts on his current situation?

I mean he would never moan about a thing but his current situation is upsetting to see as he is not the person he once was. He used to be the life and soul of the party.

How has this affected you personally?

I used to have a strong bond with my dad, all three of us did. He would always be laughing and joking, messing around. So I guess what I am trying to say is our relationship is a lot more serious and calm, the laughter is what I miss.

What was your favourite memory of Granddad and how would you describe him before his strokes?

My dad used to help run my junior football team, it was something I looked forward to every week and I enjoyed my dad supporting me as well as showing us new skills to use in the football game. He was always so active with all of us, we used to play in the snow in the winter and build snowmen, this is what comes to mind when I think of my childhood.

If you could have summed him up in one word what would it have been?

Legend

"LEGEND"

My dad struggles to walk long distances and is always in fear of falling, which makes him grip tightly onto banisters. Mentally, he is not as happy as he once was as he had to give up things he used to love. I mean he would never moan about a thing but his current situation is upsetting to see as he is not the person he once was. He used to be the life and soul of the party.

I used to have a strong bond with my dad, all three of us did. He would always be laughing and joking, messing around. So I guess our relationship is a lot more serious now after his strokes, the laughter is what I miss.

My dad used to help run my junior football team, it was something I looked forward to every week and I enjoyed my dad supporting me as well as showing us new skills to use in the football game. He was always so active with all of us, we used to play in the snow in the winter and build snowmen, this is what comes to mind when I think of my childhood.

(Small photo of him in the snow)


MY UNCLE- Graeme Jackson (his son)

How do you feel the strokes have affected granddad, both physically and mentally?

Mentally, he has given up. He does make me laugh because he’s been saying for years that he hasn’t got long left but will have reached 80 in a few weeks.

What are your thoughts on his current situation?

As I said before he’s given up, he is ready to go now even though everyone around him doesn’t want to let him go, he doesn’t want to be here anymore. I know he feels all my mum does is care for him and feels that has become her life.

How has this affected you personally?

I mean, its heartbreaking seeing him living the way he is, he can’t do anything he used to love doing and its devastating watching him deteriorate.

What was your favourite memory of Granddad and how would you describe him before his strokes?

My Favourite memory of my dad has got to be when he brought our childhood dog home, Bess. We begged for a dog for so long and this one day he came home with a dog, Bess was a huge part of his life and she brought the family a lot of happiness.

If you could have summed him up in one word what would it have been?

Brave

"BRAVE"

Mentally, he has given up. He does make me laugh because he's been saying for years that he hasn't got long left but will have reached eighty in a few weeks. But, he is ready to go now even though everyone around him doesn't want to let him go, he doesn't want to be here anymore. I know he feels all my mum does is care for him and feels that has become her life.

Its heartbreaking seeing him living the way he is, he can't do anything he used to love doing and its devastating watching him deteriorate.

My Favourite memory of my dad has got to be when he brought our childhood dog home, Bess. We begged for a dog for so long and this one day he came home with a dog, Bess was a huge part of his life and she brought the family a lot of happiness. 

(Small photo of him and bess)


MY GRAN- Andreina  Jackson (his wife)

How do you feel the strokes have affected granddad, both physically and mentally?

Oh gosh, it’s changed him dramatically! Physically he can hardly move or do anything for himself anymore, which is painful to witness as he used to be so independent. Mentally, he gets confused often and forgets a lot, which is something he would never have done before.

What are your thoughts on his current situation?

It’s hard to watch him fade away, I find it hard to talk to him about the past as I feel it upsets him to think about how he used to be and comparing it to how he is now. This shouldn’t have happened to my Jim, he is too good.

How has this affected you personally?

Personally, I have to care for him now, almost acting like his nurse and have been for almost 12 years. I don’t mind looking after him, but I feel like I have lost my freedom to do things for myself, without worrying about Jim.

What was your favourite memory of Granddad and how would you describe him before his strokes?

My favourite memory, umm there is so many! But it has to be our wedding definitely. Seeing my husband to be look at me with pure love, he looked gorgeous I can’t explain how excited I was to spend the rest of my life with this man. I was and still am in love with this man.

If you could have summed him up in one word what would it have been?

Precious

"PRECIOUS"

It's changed him dramatically! Physically he can hardly move or do anything for himself anymore, which is painful to witness as he used to be so independent. Mentally, he gets confused often and forgets a lot, which is something he would never have done before.It's hard to watch him fade away, I find it hard to talk to him about the past as I feel it upsets him to think about how he used to be and comparing it to how he is now. This shouldn't have happened to my Jim, he is too good. 

Personally, I have to care for him now, almost acting like his nurse and have been for almost 12 years. I don't mind looking after him, but I feel like I have lost my freedom to do things for myself, without worrying about Jim. 

My favourite memory, there is so many! But it has to be our wedding definitely. Seeing my husband to be look at me with pure love, he looked gorgeous I can't explain how excited I was to spend the rest of my life with this man. I was and still am in love with this man.

MY GRANDDAD- Jimmy Jackson

How do you feel the strokes have affected you, both physically and mentally?

Honestly, I can hardly move. I’m in so much pain all the time and this drains me mentally. I have my low days, where I wish it would all just go away but I’ve lived a great life and I can never forget that.

What would you say the hardest part of all of this has been?

The hardest part for me, would have to be losing my eye. It was taken out as I had lost sight in it and I had regular pain behind my eye socket. This was supposed to stop the pain but it didn’t… now I get infections in my eye, which is extremely painful. Not being able to see is sometimes terrifying.

I understand you have lost some aspects of your left, What do you miss the most?

I miss being independent, I used to do everything for myself and my family. This was when I was at my happiest. I miss being capable to do things for myself, now I don’t feel I am living, depending on Andreina, which is something I never really used to do.

What gets you through the hard times?

The fact I have a good life before all of this is what gets me through my hard times, having all the family support is overwhelming.

What made you so determined to walk, talk and feel again as you lost all of these after your second stroke?

I was determined to learn to walk,talk and feel again because I couldn’t live my life in a wheelchair. I was too independent to have all of that taken away from me. I am blessed to have been able to learn to do these basic things again as many give up and don’t have the motivation to do so. This motivation came from my family.

How do you feel about getting to 80?

I should have died a long time ago, the fact I have got to eighty is mind blowing but i’m ready to go now, I feel it is my time to go.

"I should have died a long time ago, the fact I have got to eighty is mind blowing but i'm ready to go now, I feel it is my time to go."

I can hardly move. I'm in so much pain all the time and this drains me mentally. I have my low days, where I wish it would all just go away but I've lived a great life and I can never forget that.

The hardest part for me, would have to be losing my eye. It was taken out as I had lost sight in it and I had regular pain behind my eye socket. This was supposed to stop the pain but it didn't... now I get infections in my eye, which is extremely painful. Not being able to see is sometimes terrifying. 

I miss being independent, I used to do everything for myself and my family. This was when I was at my happiest. I miss being capable to do things for myself, now I don't feel I am living, depending on Andreina, which is something I never really used to do. But, the fact I have a good life before all of this is what gets me through my hard times, having all the family support is overwhelming.

I was determined to learn to walk,talk and feel again when I lost the ability to do so because I couldn't live my life in a wheelchair. I was too independent to have all of that taken away from me. I am blessed to have been able to learn to do these basic things again as many give up and don't have the motivation to do so. This motivation came from my family.

These are to go along side a portrait of each of these family members to express what they think and feel about his illness. This will be presented in my final book. I also interviewed some of my cousins but they did not take the topic seriously and therefore, I did not use it. For these portraits, I will take them on a plain background- Making them all the same. A studio-based portrait is what I will be going for. They will be framed the same, just photographing the head and shoulders, keeping this consistent throughout each shoot. I will be exploring different angles of the subjects face to see what works and is successful in each portrait.

Presenting & Evaluating

The purpose for producing these final images, was to present them in an exhibition, which will be taking place at The Jersey Arts Centre on the 27th of November. The exhibition is entitled ‘Constructed Realities’,  The intention of the exhibition is to:

“Bring together work by Hautlieu School A-Level Photography students including their responses to a series of inspirational workshops, masterclasses and lectures delivered by Archisle International Photographers in Residence 2017 Tanja Deman and Jonny Briggs. The classes have been hosted by Hautlieu School in partnership with the Archisle educational programme and represent a range of multi-media creative outcomes inspired by the themes of family and environment.”


I have been using the last month of my studies to construct my own personal study surrounding the ideas of loss in my Granddad’s life and also planning the photoshoots I will undertake in Scotland- which will be more recent and documentary style photographs . In my previous blog posts, I have given a justification of what my project is about, as well as its purpose.

The project is kick-started by my granddad’s first stroke, which then branches out to a much wider topic of loss – loss in that things lost in my Granddad’s life such as family members and friends but also the lost person my granddad as become. He is different to how he used to be and this is due to the strokes. From a stroke, I have experienced a conflict of knowing who he used to be and who he is now and I have had great difficulty not comparing the two version. From the stroke I have had to build a different and more serious relationship with my Granddad, which conflicts with the fun-loving relationship we had before this.  It was hard for me and the family to let the old him go, honestly I don’t think I ever can.

However, this narrative is not yet constructed enough to tell a cohesive story as I have not been working on it for a long enough for people to understand the concepts and meaning behind the project as my main part of my project is not yet been conducted, which means the audience can connect with this. When I have conducted this part of my product which will be done in a time period of 2 weeks I am hoping it all comes together and people start to understand my ideas.

However, explaining this series of work will be done more concisely and poetically in my artist statement which will be present at the exhibition for my audience to get an idea of what the work is.


When I had chosen the images I wanted to use for the exhibition I printed them out to arrange them in a format, to show how I wanted it to be set up on the exhibition wall. I first did this on a white background so I could experiment with the layout before making a final decision. These were my 3 layouts I liked the most:

 

I went for this layout and so then designed this in photoshop to make a digital version of the layout.


Here is my artist statement which will go alongside my series of work at the exhibition. I have been as descriptive as possible in order for my audience to get not only a cohesive visual narrative of this series but also a text driven perspective of the project which should complement the imagery well enough to tell a story.

ARTIST STATEMENT:
S troke challenged him
T rampled on his dreams
R earranged his relationships
O rganized his days
K idnapped his future
E xtracted hope from despair.

In this catalogue of works, I have explored my Granddad life, particularly focusing on the theme of absence and presence in his life after experiencing two strokes, one in 2006 and another in 2008. My granddad is now eighty years of age and has been affected significantly from the strokes, which resulted in his loss of eye sight, difficulty to walk and he often struggles to perform his daily routine. For this section of my project I have worked with archival images of my Granddad specifically, showing absence by using coloured overlays to remove or block things/people out of the photograph, which were originally there. This is showing things he has lost and displaying things, which are still present.

Evaluation:

For the exhibition which is beginning on Monday 27th November, I will be presenting images produced for my study into my Granddad so far. If I am honest I don’t feel happy with the work I have produced so far this is because I have not produced any new photographs as of yet, however this could have not been helped as my Granddad lives in Scotland- which restricts my access to him. However, in 2 weeks I am going over to conduct my photoshoots, which have been thoroughly planned in advance. For now, I am happy with most of the photographs produced to fit the theme of loss. I feel they were relatively successful as a collection, however, I am more excited and interested in the new work I will be developing soon for my book as it is more what I wanted my book to be about. My main inspiration for this series of work would be the photographer Liz Steketee, although she doesn’t really manipulate her images digitally covers or removes certain parts of the image, which is a technique I used in the series to show loss. Evaluating the photographs individually has been done in a previous post, to show the meaning, the concept and the subject matter around the group of images.

Standards in photography

Kshitij Nagar’s blog makes it clear to me that the recent criticism of the photographer Steve McCurry is not undeserved; but also it became apparent to me that he has been unfairly singled out due to his platform. Previously people criticised McCurry for displaying his manipulated photographs in the context of photo journalism as many of his photographs were published in The National Geographic magazine. However, further research has made me realise that he is not the only photographer who claims to document the truth and have their images featured on the cover of National Geographic, which have been manipulated. Another example is the cover image from the 1982s where the Pyramids of Giza are edited to appear closer together to fit the portrait orientation of the publication. It is believed that the editors of the magazine are often the ones who conduct most of the editing to the images that feature on the cover, as many photos provided by photojournalists do not conform to the exact composition of the cover. This raises questions with the authenticity of the images and perhaps even stories featured in the National Geographic, if the editors and producers are only concerned with providing the public with beautiful images and stories of the world today.

I think the line between documentary photography and photojournalism is often blurred, Steve McCurry was often considered a photojournalist as his work was featured in non-fiction publications. I believe this is why there was so much controversy when his unedited photos were presented to the public online. In an interview with Time, McCurry claimed that he is a “visual story teller, not a photojournalist” which would make more sense if what he is doing is making beautiful images that tell a story of foreign lands rather than accurately documenting life in other countries, which is what he previously stated to do. In a Ted Talks interview, McCurry talks in detail about the context and rawness of each photo and claims to document things as they are. A direct quote being ” I believe that the picture should reflect exactly what you saw and experienced when you took the picture.” It is hard to form a for or against opinion on McCurry’s work and the man as a photographer, despite his seemingly contradicting public statements; because there is no right or wrong way to be a photojournalist or a photographic story teller and there is no one who decides who is and who isn’t either of these things.
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Archival Images- Experimenting and Developing

I photographed the archival images I have of my grandad and the box I keep them in. These will be used as a comparison to what he used to be like, to what he’s like now. These images are extremely important to me as it shows him how I remember him. This was the man that inspired me to do many things and it makes me emotional to compare these to how he is now after his illnesses. I want my personal investigation to be a celebration of his life as well as documenting how the illness has changed his life and the lives of people around him.


Edits on Photoshop:

I edited these images on photoshop, I however decided that I don’t want to go down the root of editing by drawing on top of the photographs with the pen tool on photoshop. The main reason I don’t want to use these images is I don’t feel they suit the theme of my Personal Investigation as it a serious subject to explore, which I feel could be lost in these sort of edits as they could be seen as a type of animation, which is associated with children. I don’t feel this is appropriate with the theme I have taken on. Therefore I will edit these images in more of a mature way, still using shapes to show absents and presence of current things within the photograph. I will show this through shading specific parts of the image using photoshop, which is what I will be focusing on over the course of this month. I will do this subtly.

This image has been edited  in photoshop, only half of the image has been manipulated to show the loss of feeling in one side of his body due to the stroke. He finds it difficult to move this part of his body and this is represented in the photograph by a darken the right side of the body/photograph. Also when you cover one half of the photograph each part looks like a different person to show how he has changed as a person both physically and mentally.

Similarly, I picked a section of the photo to overlay with a black filter, this is over my grandad who has sadly pasted away due to him being an alcoholic for years of his life. The death of my granddad is a sensitive subject to me as for years I had never seen him sober, exactly a month before his death he promised to stop letting alcohol take over his life… but he didn’t. This shows he is gone, I chose the colour black to show he died of something immoral or sinful. I feel hurt and betrayed by him but have learnt to forgive him.

This is a photograph from the 60’s of my granddad and his friends, in this photograph is he 21. The red overlay over half the photo is to show separation between the boys as the two underneath the overlay are not here anymore as they passed away over the last 5 years, which brought a lot of emotional to my granddad as he felt this was a part of his childhood disappearing. He currently still has his brother with him but doesn’t see him due to him too being ill, he also had a stroke, which could link to my granddad as an heredity factor. These 3 photographs were made to be grouped together to show a pattern of loss, shown though overlays.

Again this is showing loss but this time it is showing a loss of sight, my granddad lost his sight as a result of his second stroke. He found this particularly hard as he enjoyed reading in his space time and felt like everything he loved to do, was taken away from him. He now reads the newspaper with a magnifying glass but can not read a book due to the pain he feels if he is straining his eye to much. He only has one working eye as one was removed to see if it would take away the pain… but it didn’t, leaving him with one glass eye and one eye, which is partially blind.

This is a photograph when my granddad was about 19 years of age. The image is of his brother, his dad and my granddad himself (on the viewers right) the middle figure, which has been removed with an overlay, 100 opacity is his father, who they lost at a fairly young age. In this photo he is painted black to show loss but is painted as a silhouette figure to show he is still there but just not present in our world. He is still spoken about by my granddad as he looked up to his father and always says this is why hes the man he is today.

These are my granddad’s childhood friends, most of his friends are now dead, he only has 2 of them who are still alive today. They are both in this picture. The two people, which are covered by a black overlay to make an almost silhouette effect to show the absence of these people in my granddad’s life as they have both sadly passed away. The other two men in the photograph, which are either side of my granddad in the image are still alive, they are both fairly ill themselves so have not seen my granddad in a long time. But are hopefully going to make an appearance for my granddad’s 80th birthday in December. This photograph is to again empathises the absence and presence in my Granddad’s life.

Overall my theme for this selection of work is showing absence and presence and in particular loss. This will be a key theme when working through this project.

Ethics In Photography

People began to look more closely at Steve McCurry work and a number of more serious and urgent questions were raised which in the end became a full blown scandal revealing methods used by McCurry in constructing his iconic images that goes against standards and ethics in documentary photography and photojournalism. This led to Steve McCurry, losing his good reputation of being a well established photographer, which led to his career in photography coming to an end. One of the publics major problems with Steve McCurry was his use of Photoshop to manipulate photos. An example of this was the botched print photographers had seen at a show in Italy, it was first spotted by Paolo Vigione and he posted about it on his own blog.

He has noticed the manipulation, which had taken place in the photograph, which had left the bottom bit of the yellow pole where the man’s foot and leg should have been. It was clear he has moved the man back and reconstructed the pole, however hadn’t returned to the person after to eliminate any smudges, which in this case was the pole that comes out of his leg and perhaps reconstructed what was missing, such as his foot. Viglione says he ” Had no intention to attack McCurry, he simply wanted to show something ‘Strange’, even a little “fun” that he had seen. He even removed the post after it took off, but the public had already formed an opinion.

The original photograph was also removed from Steve’s website , people and publications across the Web quickly began digging to see what other McCurry images they could find that had been seriously altered. They did not seem to come up empty handed.

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The two versions of an image below were found on Mr. McCurry’s website itself (the photos are linked to their sources), and our anonymous tipster told us the shot has been removed from the Magnum website. Notice the missing player in the second image:
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Steve McCurry is known for staging his shoots by arranging models and props, creating a scene that fits in with a certain construction and representation of a certain stereotype and exotic version of India.

When Talking about Steve's work Satish Sharma Says:

" I am not at all surprised at the digital manipulation (done by him) to create the perfect frame."

"I have watched him rig (stage) his pictures. (He) Arranged the subjects (back then) because chromes (slide film) could not be that easily manipulated."

When technology makes it so easy to manipulate images, how much manipulation is acceptable?

There has always been a conflicting discussion/debate in the world of photography, photo manipulation is becoming increasing more popular than before, which is the altering of a photograph using varies methods and techniques to achieve desired results. This could be by simply enhancing the image by adapting the light and colour of the photograph. However, it can also be manipulated by adding or removing objects from the photograph. I feel like this is okay for photographers to adapt their images in any way they want as long as they are not hiding the truth and the real purpose or story. This all depends what the photograph is of, this is because some photo manipulations are considered as forms of artwork while others are frowned upon as unethical, especially if the photograph is used to deceive the public, such as the use of photography for propaganda or to make a place, person or object look better than it is. This is used  a lot in fashion photography and the model and celebrity world as their photos are consistently being manipulated to make them look thinner, more tanned, to remove wrinkles etc. I feel this type of manipulation is wrong. If you are adding or changing something, which was not present in the original scene you are then crossing the line from documentary art form into a fictional photograph, if this is used to tell a fictional story and is not claiming to be a true representation then I personally feel this is acceptable. The problem with Steve Mcurry was that he claimed his photographs were true representations of the places he was capturing as he was a documentary photographer. However, his photographs were heavily manipulated, which goes against what documentary photography is about. I think the line between documentary photography and photojournalism is often blurred, Steve McCurry was often considered a photojournalist as his work was featured in non-fiction publications. I believe this is why there was so much controversy when his unedited photos were presented to the public online. In an interview with Time, McCurry claimed that he is a “visual story teller, not a photojournalist” which would make sense if what he is doing is making beautiful images that tell a story of foreign lands rather than accurately documenting life in other countries, which is what he previously stated to do. In a Ted Talks interview, McCurry talks in detail about the context and rawness of each photo and claims to document things as they are. A direct quote being ” I believe that the picture should reflect exactly what you saw and experienced when you took the picture.” It is hard to form a for or against opinion on McCurry’s work and the man as a photographer, despite his seemingly contradicting public statements; because there is no right or wrong way to be a photojournalist or a photographic story teller and there is no one who decides who is and who isn’t either of these things.

With viewers more sophisticated and skeptical than ever before, how can photojournalists and documentary photographers preserve their integrity and maintain trust?

There are some ground rules to photojournalism, these are displayed in the Code of Ethics and rules of entry to the World Press Photo competition. These are not official rules of all photojournalism but they certainly display the wide opinion of what makes a photograph a documentation of truth.
The World Press states that photojournalists:

1. Should be aware of the influence their presence can exert on a scene they photograph, and should resist being misled by staged photo opportunities

2. Must not intentionally contribute to, or alter, the scene they picture by re-enacting or staging events.

 3. Must maintain the integrity of the picture by ensuring there are no material changes to content

 4. Must ensure captions are accurate

 5. Must ensure the editing of a picture story provides an accurate and fair representation of its context.

 6. Must be open and transparent about the entire process through which their pictures are made, and be accountable to the World Press Photo Foundation for their practice.

If these rules are broken for a reason, the photographer should maybe post to original photograph on the photographers website as well as the manipulated one, explaining their purpose of the photoshoot and they they chose to manipulate it, writing honest articles as well as providing viewers with honest images.This would be to keep there reputation in tact, this is not an easy job, to find and provide evidence of story’s, as its much easier to lie here and there or to stretch the truth to make the article more interesting or more aesthetically pleasing, doing this could boost your popularity but as documentary photographer Steve Curry who is a well respected photographer praised for his amazing photos found to have staged and manipulated photos which led to all his photos being checked for their integrity and his trust lost. This led to his loss in his career as a world wide photographer. This was because he did not remain faithful to these “rules” by staging and heavily manipulating photographs to the point where he edits out figures and structures and this often results in creating a different and  completely false scene. The captions to McCurry’s photographs are often misleading, For example the photograph of a “porter” at a train station  is carrying empty suitcases although the caption  leads the viewer to believe his a genuine porter carrying full suitcases. McCurry simply creates a situation that can be found elsewhere, so the scene is not completely fabricated but this is an exaggerated version of a real occurrence.

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Who sets the boundaries of what defines photojournalism or documentary ethics?

I don’t think there is a definite factor which sets these boundaries nor do I think these boundaries remain the same. I would say society chooses what is acceptable and what isn’t through opinions and expectations. However, this opinion is subjective to change and debate, for example, Gay marriage was seen as wrong from the 1970’s- 1999 whereas now it is accepted in society, which is an example of how opinions and boundaries have changed. This is the same with boundaries in photography as they are ever changing. It is often very difficult to define photojournalism as well as the line between what is ethical and what is not. There is a whole spectrum of forms of photojournalism, varying from those seen in tabloids featuring exaggerated stories of celebrities to unprecedented. There are numerous people and organisations which define a form of standard for photographers and photojournalists to keep in mind when conducting photoshoots and writing articles. The world press Photo website gives a very straight forward guideline or ‘code of ethics’ on for their photography competition as listed above.

The world Press’ photograph contest is an annual competition started in 1955 which covers a number of categories which are to cover pressing issues from around the world such as ‘contemporary issues’, ‘people’, and ‘daily life’. The photographs are judged by a highly acclaimed team of photographers who look for compelling photographs featuring inspiring and influential stories. The code of ethics gives a good example of rules that a good photojournalist would follow and helps the photographers assess the work presented. These rules are in place to promote more authenticity that will also raise a positive awareness and influence into our society. The code of ethics cover a lot of different areas in which a photograph could deceive the viewer such as making sure captions are accurate., often captions of a photograph can change the entire context of a photograph. The codes focus on transparency from the photographer and their work, world Press Photo focuses on a non-bias freedom of speech as well as transparency from photographer to viewer.