All posts by Anna Houiellebecq

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Edits inspired by Anna Gaskell

I wanted to do a photo shoot inspired by the images I’ve seen by Anna Gaskell. I really liked the fairy tale theme she creates with the figures in the photos. I chose to create my own character using my friend.  Gaskell likes to combine psychology a lot with her images, and I tried to use this idea as an influence to my shoot. My aim was to create a mysterious character with multiple expressions to represent the personalities of the mind. I wanted many expressions to be seen through the face, so I manipulated each original image and layered the faces on top of each other. The first three images are three separate edits of the same image.  I wanted to experiment with the colors to see which edit would work best with my theme.

 

The image below is my favorite edit from the shoot. It looks more natural and realistic compared to the edits with bright colours. I really like the bokeh effect created in the background because it adds the effect of a …. The colours within the image work really well together because there’s multiple tones of yellows and oranges that make a warm atmosphere.  For this edit I only layered two images to create the manipulation. ….

The image below is the most unusual edit from the shoot. You can see multiple faces hidden within the obscured figure. Some of the features are more detailed and stronger than others which creates this layered effect. The representation of the layered faces helps to emphasize the twisted personality of the character in the images.

contrast between Anna gaskell and hannah starkey

ANNA GASKELL

https://www.guggenheim.org/artwork/artist/anna-gaskell

https://en.wikipedia.org/wiki/Anna_Gaskell

Anna Gaskell was born on October 22, 1969 in Des Moines, Iowa. She studied at Bennington College before attending the Art Institute of Chicago. Gaskell’s early photos were self-portraits. However, she decided to begin photographing people acting out stories mainly characters of Alice, from Alice in Wonderland.  Gaskell is best known for her photographic series that she calls “elliptical narratives”  Her works are influenced by film and painting. She lives and works in New York.

The images of the girls are taken through the use of photographic tableaux. Within the images she references children’s games, literature and psychology.  She isolates dramatic moments from larger plots form particular stories. Each images is carefully planned and staged to create an ‘artificial scene’ Gaskell manages to create a dreamlike world that suspends time.

The Girls in the images don’t represent individuals, they act out certain contradictions and desires. The identical clothing that they wear in the series creates a unity within the figures. The mysterious acts that they form in the pictures may be seen as metaphors for “disorientation and metal illness.” Here are a few examples of images from Gaskell’s series “Wonder” in 1996.

Untitled work from Anna Gaskell’s ‘Wonder’ series. (1996)

HANNAH STARKEY

http://www.saatchigallery.com/artists/hannah_starkey.htm

https://en.wikipedia.org/wiki/Hannah_Starkey

http://www.tanyabonakdargallery.com/artists/hannah-starkey/series-photography_4/27

Hannah Starkey, was born in Belfast in 1971. She lives and works in London. Her Photographs aim to explore the physical and psychological connections between the individual shes photographing and the everyday urban surroundings around them. Since the beginning of her photography career Starkey has mainly focused on using women as her main subjects. She likes to use artificial backgrounds and strong, symbolic  associations of colour and imagery to make her compositions more interesting with a deeper meaning.

Hannah Starkey has described her photographs as exploring ‘women’s lives through their everyday interactions’. In her staged scenes, actresses and other hired models re-enact ostensibly insignificant and banal moments, of the kind that often go unnoticed in daily life. By freezing such moments in time, Starkey hopes to elevate them above the mundane and create lasting allegories for modern life. Her carefully planned and directed compositions fuse influences from painting and cinema. However, she withholds the possibility of any narrative conclusion, leaving viewers to construct their own fictions around her images.

Untitled – March 1999 1999 Hannah Starkey born 1971 Purchased 1999 http://www.tate.org.uk/art/work/P78332
Hannah Starkey Untitled – October 1998 1998 C-type print 122 x 152 cm

Butterfly Catchers is a large, colour photograph of two teenage girls on a demolition site. They are viewed in the process of picking their way across a landscape of rubble which fills nearly half of the image. Behind them are industrial buildings. Dark clouds  in the distance create an ominous atmosphere. A  white light shining off the roof of a nearby building and reflecting off metallic surfaces in the rubble creates a break in the dark atmosphere. The girls, who face towards the camera, are backlit. Both appear preoccupied; their eyes are lowered as though they are scanning the floor at their feet. A few weeds and grasses emerge from between the bricks on the right side of the image which adds a bit of colour to the grey atmosphere. The photograph was shot in Belfast at the site of a former linen mill which, despite being of particular historical interest, was demolished to make way for a supermarket. The girls are adolescents recruited locally.

Hannah Starkey Butterfly Catchers 1999 C-type print 122 x 152 cm

Inspiration

The thing that most inspired me over the summer was the ocean. The best part of my summer was spent near or on the sea. I always love spending time on the ocean because it is the place which allows me to think the most and feel free the most. In my opinion, the ocean is the best place to be, and it inspired me because I did a lot of photo shoots near or in the sea. It allowed me to experiment more, and be more adventurous with my photography. Here is one of my favorite images that I took over the summer using the ocean as inspiration. My friend took the picture, however the framing, setting and form of the photo was my idea.

I wanted to experiment with abstract forms by creating different shapes with my body, mainly with my legs. The lighting was really good on this day, and it worked really well with the current. The horizontal line of the sea works as a contrast to the vertical lines of my legs coming out of the water. The reflection of the light off the water, makes the  image much brighter, and much more interesting. Overall, I am really happy with the outcome of this image.

Environmental Portraits

For my environmental Portraits, I used the Documentary Photographer Sian Davey as inspiration. I really liked Davey’s work because she has a spontaneous feel to the environmental portraits.  She always focuses on one particular character within the set of images, and this is what I tried to create within my environmental portraits.  I wanted to achieve a theme within my images, slimier to what Davey does. For my project I chose to focus on my friend, who is like family to me.  I wanted to do something which links closely to what Davey does in her images. According to Davey, she likes to link Psychology with her Photography, so I decided to incorporate parts of my friends personality within the environmental portraits.

Shes a very creative character, who likes to explore nature and live closely with the environment. I aimed to capture a set of images that showed this clearly through the setting and framing of each image. She also enjoys photography like me, so I wanted to interpret this within the photos. I wanted to create a natural, old fashioned documentary feel to the set of images, so I decided to edit them into black and white.  I am really pleased with my final outcome  because each frame is completely different, with some close ups and some far away. The way the model is positioned in each frame is also very different, so I’ve managed to achieve a vast amount of individual images which work together well.

Out of all the images from the shoot, this is my favorite one because of the framing, what shes doing in the photo, and the setting of the image. At the time of the photo, she was simply messing around in the woods, and I managed to capture a series of images of her in her natural environment. This image though is my favorite from the set because of the playful atmosphere around it.

Documentary vs Tableaux

Documentary photography is the process of Visual storytelling. Although documentary photography is a recent process, telling a story with the use of pictures has been around for years. There are many examples of this including stain glass windows in churches, tapestries, illustrated manuscripts and biblical stories. When documentary photography came about, it grew a new social process. People began using it as a creative form of educating people about life itself. They aimed to show the everyday lives of ordinary people in an informal way.  Many photographers used documentary photography as a way of bringing about social change by drawing the attention of an audience towards the subject of their work.

Documentary photography has been described as many things including a genre, an art and a tradition. The term ‘Documentary’ was first used by the English philosopher Jeremy Bentham  in the early 19th century. However, within the area of visual culture, it was the British film maker John Grierson who first used it to describe a film in 1926.

Lewis Hine

Lewis Wickes Hine was an American sociologist and Photographer. He used his work as a way of making social reform. His photographers made a massive difference in the changing of child labor laws in the Unites States.

Bill Brandt: Lovers in the park

Hermann Wilhelm Brandt, a German-British photographer born 2nd May 1904, was one of the first Documentary Photographers, known as a photojournalist.  He was considered to be one of the most important British Photographers in the 20th century.

Within the area of Documentary Photography, there are many different styles and approaches. There’s a variety of genres and disciplines that contain Documentary Photography, including photojournalism, reportage and street photography. Images that come under the term Documentary Photography are used in a diverse area, from mass media, fine-art and science. However, I believe Documentary Photography is used to investigate particular social morals.

Although Documentary Photography has progressed throughout time,  its power to convey particular information has not changed. However, images have become more open to interpretation.  Documentary photography has become more of a form of art rather then a way of learning. This is mainly because of the changing environment, and landscape that’s surrounding us. There is a growing fascination with celebrities and modern lifestyles, and people have interested in this from of life. They want to capture the life of these people. Contemporary Documentary usually becomes a series of photographs which convey’s a particular narrative. Contemporary photographers reference their own history within their images. Some photographers  include references to art history, cinema and literature.

The image above is an example of a Contemporary Documentary photograph. Its by a British photographer called Simon Norfolk. The image was taken in Afghanistan, 2002.
Former teahouse in a park next to the Afghan Exhibition of Economic and Social Achievements -Simon Norfolk
Michelle Sank, South African from In My Skin
broken manual-Alec Soth

The images above are examples of Contemporary Documentary. Modern documentary photographers look at many different angles within this concept. They like to be individuals and have their own unique style for their work. Some contemporary photographers focus on the individuals within the photo. Some even create fictional characters to focus on. Other photographers focus more on the landscape within the image.

Tableaux Photography is when a Narrative is portrayed through the use of a single image, compared to a selection of images, similar to Documentary Photography.  The term Tableaux is also known as “staged” or “constructed” photography. Tableaux images also make references to fables, fairy tales, myths and sometimes unreal events. The term Tableaux itself, comes from the form tableaux vivant, which in French means “Living Picture” The term mainly refers to a group of people, poised on a stage wearing dramatic clothing in a theatrically lit atmosphere. The image below is an example of one of the earliest Tableaux photographs take in Paris by a Photographer called Folies Bergères. It was taken in 1920 during the Victorian and Edwardian era. In this period, Tableaux Photography was a from of popular entertainment

Tableau Vivant, Folies Bergères c. 1920, Paris

Ever since the beginning  of Photography, artists have directed  models to pose in a particular way in front of the camera.  Through the use of props, costumes and lighting, they have created fictitious image. Some of photographers were associated with Pictorialism. Pictorialism is the name given to an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. Here are some more recent examples of Tableaux images.

Invisible Man, 2001 Jeff Wall
The Bruce High Quality Foundation, Raft of the Medusa, 2007

Contrast between Sian Davey and Sam Harris

SIAN DAVEY

http://www.bjp-online.com/2017/06/sian-daveys-intimate-portraits-of-her-daughters/

Sian Davey is a British photographer who likes to link psychology with her work. She began taking photos around the time of her dads death. According to Davey, she used photography as a way of making sense of her life.  She says “I felt the need to create something, to make a sense of it.” Davey was a psychotherapist for 15 years before becoming a photographer in 2014.  She describes becoming a photographer, as a “Instinctive move”

Davey’s work is very personal , for example, her series called Looking for Alice. In this series, Davey has a very tender look upon her daughter, who has syndrome.  Davey has a very strong, loving relationship with her daughter, which is presented well in the series. A quotes from Davey says “Alice was born with Down’s Syndrome but is no different to any other girl or indeed a human being,” she adds. “She feels what we all feel. She needs what you and I need.”  Davey uses her strong passion with this subject, and conveys it throughout the series. Here are a few examples from the series Looking for Alice.

The images in the series are environmental portraits with a spontaneous feel. Davey manages to capture the images at the moment they happen, rather then placing, and asking the figures to pose. I really like Davey’s style and the way she is able to capture the true personality of her daughters.

SAM HARRIS

http://www.samharrisphoto.com/ 

Sam Harris is an Australian photographer who taught himself as a teenager. He started his career in 1990 in London by photographing editorial portraits and sleeve art for numerous recording artists. His first huge success was creating the sleeve art for My Bloody Valentine’s Tremolo EP. Harris took a break from photography to focus on his family, and the later decided to journey to India. They decided to move and settle in rural Australia. During this process, Sam began experimenting within different aspects of photography. He decided to focus the camera inwards and looked towards his family.  Harris now shoots his on-going family diary, and makes photo books to share his passion. Here is an example of a page within one of his photo books.

Harris did a project called The Middle of Somewhere, whilst he was with his family in Australia. He described the project as “A celebration of childhood and family life through a collection of simple yet beautiful moments of two sisters growing up in the remote Australian wilderness.” The project is taken from a visual family diary, containing images of his daughters while growing up. The work is a celebration of childhood, family life, love and the simplicity of life for Harris in Australia. He also describes the diary as “an attempt  to preserve something of our lives living together” Here are a few examples of photos from the project, “Middle of Somewhere”

The images in Harris’s visual diary are observational photos with a classic interpretation within them. Harris has an interesting perspective on family life. He focuses on the tiny details, and the small, unique aspects that make the relationship with his daughters what it is. Underneath is an analysis of one of the many images within the visual diary.

Sian Davey and Sam Harris are slimier in many ways through their approach to Documentary Photography. They both use very personal subjects to focus their projects on. For example, they both used their daughters  to take photos of in the projects I talked about. Both photographers use very natural settings to captures the image. None of the photos are taken in a studio, because Documentary photography is about capturing the scene exactly how it is. Visually displaying a real life event. However, there are still many differences within their approach that shows their individuality. Davey takes a more natural approach, capturing the whole scene. I believe that Davey’s photography is more old fashioned, in terms of how she uses natural, urban colors through her work. She also shows more of the environment within the image, so that it’s easy for the viewer to visualize where the photos was taken. Harris uses a more modern take on documentary photography compared to Davey.  He likes to focus on the smaller details, showing none of the surrounding environment. I like this approach because it’s leaving more to the viewers imagination.

Edits inspired by Tanja Deman

I really liked the underwater images that Tanja captured on the coast in Jersey. I decided to use them as inspiration while editing some of the images I got from Grosnez. The black and white faded effect was what I wanted to create with my edits.

I remembered a photographer that I liked called Idiris Khan, and I wanted to combine his ideas and Deman’s to achieve my edits. Here is the main image by Khan that I wanted to use as inspiration. 

The images below are my edits of the images that I took at Grosnez usings Deman’s and Khan’s ideas.

I wanted to try an edit just using Khan’s idea. His edits look very blurry because he layers the same image over and over again. I decided to use the motion blur tool on Photoshop to achieve the same effect.

My image
Khan’s image

Who’s Archive is it anyway?

Whose Archive is it Anyway?
Throughout History, individuals and social organisations have shaped and preserved information about their personal activities day to day. Archivists are people who recognize and preserve these documents of significant, lasting value. These records and the places in which they are stored are known as archives. Keen Archivists and historians see archives as records that have naturally accumulated over time. They have been generated as a product of legal, commercial or social activities. Some people define archives as “the secretions of an organism.” Overall, archives consist of records that have been thoroughly selected for permanent preservation based on their cultural, historical or penitentiary value. Unlike books or magazines, for which lots of identical copies exist, archival records are normally unpublished and unique.
Personally, I believe Archives are there to preserve memories, and events of significant importance; however the significant events throughout people lives vary from individual to individual.  For example, something that is exceptionally imperative to one person may not be important to another person. In my perspective, there are two types of archives, and they should be kept distinctively separate. The two types are personal archives compared to public archives. There are many different types of public archives, including Historical societies, Museums, Religious archived and Government archives. Personal Archives are known as Special Collections. These are archives containing materials from individuals and families.

The main public Archive in Jersey is Société Jersiaise. It was formed in 1873. Collecting photographs is a priority throughout the society because they are a significant part of the society’s museum and library. There are plenty of aspects that photography is used in throughout the Jersey Archive’s. These include recording research, as documentary and scientific records and as an independent art form. The images are actively maintained by the society members. The establishment has lasted for over 140 years and has resulted in the collection of a huge photographic archive, with over 80,000 images dating from the mid-1840’s to the present day.

Archives are sometimes referred to as society’s collective memory. They transfer information from era to era, and therefore are sustaining memory from generation to generation. They transfer documentation, education, enrichment, and research to help sustain cultural traditions and values. It is argued that material objects, artifacts, and documents—including those contained in archival collections—play a special role in human communication. Their durability defines them as communicational resources that can be used to transmit information beyond the bounds of interpersonal contact.

Photographs have their place within most archives, public or private, educational or personal, however they have not addressed the question of what roles are assigned to these photographic records in the actual process of forming an archive. Both photograph and film have been prominent in archives ever since the first set of documents were gathered in ancient times. Photographs profoundly changed the way archives are produced and accumulated in our contemporary world – an impact that only more recently was relativized by the appearance of electronic documents. As ways of recording action and information, images contain a resource for expression that distinguishes them from other, verbal-based records found within documents gathered over the centuries. Photos also allow us to gain an understanding of different cultures throughout the world. The use of verbal documents would be very limiting because of the language barrio from county to country; however visual documents allow us to bridge this gap.

Using the book called Archives, Networks and Narratives by David Bate, I got a better understanding of what Archives really are and how they can be used in so many ways.  He also talks about how Archives have expanded since the invention of the internet. Throughout Bate’s book he writes about the British museum, which was established as a state collection in 1753. According to Bate, a man called Roger Fenton was the museum’s first official photographer, who was employed in 1854 to document its artifacts. Fenton uses his photos to create an impression of what it would have been like to see the artifacts in the Victorian era. Bate describes the images of having “a ‘pastness’, which shows the effect a photograph itself can have on how we see the things in it.” This proves that photos aren’t just used to document peoples lives and activities throughout history, but they can also be used to document the objects passed down through generations. This is important because although the artifacts themselves may not last, the images still create an ‘atmospheric space, with a kind of silence around the artifacts.’ 

Looking through archival material would help enrich my personal study because I want to investigate the differences between personal and public archives. An example of archival images that I will be using within my personal study, are images that my great uncle took. He was a very famous local photographer. He took lots of images of Jersey, and traveled around the world taking images as well. I decided to incorporate these images into my personal study because they are images that have been passed down through our family, so they are therefore our personal archive.

Looking at archives has been very interesting because it has helped widen my knowledge about the importance of photographs. I’ve learned that photos are a prominent part of archives, and that they help form links between generation and generation so cultures and important information about people’s lives are not lost. I’ve also learnt that photographs can be a powerful tool, used to bridge the gap between language barrios across countries. From reading David Bate’s book, I learnt that photos are used to document peoples lives, as well as the artifacts that they use. This is important because it allows people to remember important cultural aspects that have been around for centuries.

Documentary Photography

Here are a few websites that I used to gain an understanding of what Documentary and Narrative Photography is,

https://www.learningwithexperts.com/photography/blog/storytelling-photography

https://en.wikipedia.org/wiki/Documentary_photography

https://www.opensocietyfoundations.org/explainers/documentary-photography-open-society

According to wikipedia, Documentary photography usually refers to a popular form of photography used to chronicle events or environments both significant and relevant to history and historical events as well as everyday life. It is typically covered in professional photojournalism, or real life reportage, but it may also be an amateur, artistic, or academic pursuit.

Documentary photography follows a topic or story over time, whereas photojournalists who cover real-time events such as breaking news. Documentary photography further deepens our understanding and emotional connection between unjust acts throughout the world.  It can capture and sustain the public’s attention and mobilize people who are interested in important social issues such as human rights.

According to Geoff Harris, “a picture is worth a thousand words”  The image below is from the Open Society Foundation. The person who took the image is called Christian Holst, who is a documentary photographer.  He writes about the image in great detail, talking about who the man is, and a bit about his life.

“A novice monk puts on a clean robe in a monastery in Rangoon. Novices like this young man will study for 10 to 13 years before they are able to pass required tests and be ordained as monks….”

Christian Holst’s In the Quite Land: Life Under the Military Regime of Burma

Documentary Photography is very important because it has the power to highlight stories that aren’t gaining attraction. They create a diverse range of perspectives. Photography has the influence to inspire people, and tackle issues such as corruption and discrimination. Documentary photography does this.

Here are some more examples of Documentary photography.

 

 

Surrealism

I used this website to research Surrealism because I was really interested in this style.

 http://www.theartstory.org/movement-surrealism.htm

surrealism – a 20th-century avant-garde movement in art and literature which sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images. Surrealist artists use the unconscious to enhance the imagination as a tool for their artwork. They believed that the rational mind repressed the power of the imagination. Many Surrealists are influenced by Karl Marx. They hoped that they could reveal the contradictions in the everyday world  and create revolution.
Surrealism grew out of the Dadaism movement, which was a also repelling middle-class ideas. The most influential character for Surrealists was  Giorgio de Chirico.
Surrealism shared a lot of anti-rationalism of Dada. The original Parisian Surrealists used art as a get away from violent political situations. They used it to address the unease they felt about the world. They explored fantasy and dream