How do Phillip Toledano and Laia Abril explore notions of change, fate and absence in their work?

“Photographs are the story we fail to put into words.”- Destin Sparks

Photographs can be seen as the story-telling companions of time, they direct the gaze of the spectator to look at the past, allowing us to reflect on our own lives and the lives of others. Photographs allow the ability to communicate and capture small moments in time when particular emotions are felt. As said by Alfred Eisenstaedt “It is more important to click with people than to click the shutter.” It is this I explore in my personal study as I consider the change, reflecting on the past and the present of my Granddad’s life after a tragic event, which has changed his life forever. I have looked at and particularly been inspired by the work of Phillip Toledano, a photographer who is probably best known for his work dedicated to his father’s final chapter.

In this essay, I will be focusing on the ways that Toledano and Abril explores change, fate and absence in their work, particularly focusing on his project entitled ‘Days with my Father’ and her project entitled ‘The Epilogue.’ I will  be creating links to my own personal study, which also investigates and reflects upon the fate, absence and specifically change within my Granddad’s life. Having looked at archival photographs through my own personal family photo box, it has allowed me to discuss memories of his life, which I have used to inform my current photographs with the purpose of exploring the change and absences which have taken place. These absences and change are seen in various ways throughout the project as the two words form a relationship with the images to tell a story. Examples of the absences displayed is loved ones or friends my granddad had for many years passing; the ability to walk and the absence of his sight, shown through photographs of  his glass eye and eye patch. When referring to change, my granddad as a person has changed dramatically, he doesn’t really talk much and does not have the same sense of humour, which is something we miss greatly. All of these factors were the result of growing old and the two strokes he experienced ten years ago. I am aiming to explore the similar styles of photography within the work of Phillip Toledano and cross-reference the work of Laia Abril; looking into which artist I believe represents the concept of absence and change in the best way by investigating their style and what informed their projects. The genre of work I have focused on is documentary and narrative photography due to the style of photographs I am making in my own project and both Toledano and Abril make work across both genres as visual story tellers. Laia Abril particularly looks at archival imagery as well as making new photographs of objects and people within her project. Abril inspires me as she takes a different approach to the theme of loss/absence and change, which is different to Toledano’s approach but both of which I used within my own project. She specially looks at archival images, which gives the viewers an insight of Cammy’s life previously giving us an understanding of her background. She also included images of her family and close friends while giving them a voice about the subject by including conversations she had had with them, which is a technique I have myself used. My own images will follow this style of documentary photography to give a realistic insight into my Granddad’s life. Straight Photography, which is closely related to realism is the historical context of this style, which will inform my analysis and development of my own images. It believes in the camera’s ability to record objectively the actual world as it appears in front of the lens. This veracity of the photographs has been challenged by critics, claiming that the photographer’s subjectivity challenges this idea opening up many new possibilities for both interpretation and manipulation. Photography is a medium that possesses the precious ability to influence and transcend past, present and future. An image produced by Phillp Toletano show that we are capable of documenting the present as the raw emotion is captured within the moment, which is easily comparing the past of how his dad used to be and predicting the future of where his illness will take him. With the conclusions drawn from this analysis, I can hopefully proceed to evaluate whether my work has accurately portrayed issues of change, absence and fate shown through photography. “One soul, One body, One destiny”