Luce Family Crest

On my return to Societe Jersiaise after the Christmas break, I re-started my studies from where I left off before Christmas immediately but instead of looking at old Jersey postcards, I began something a little different and hopefully more beneficial to my studies at school for my photography project – the tasks completed on Monday morning of this week has already proved much more beneficial to me than my previous tasks at the SJ. So even though, different to before Christmas, I still got straight back into the swing of things as I had an idea of what I wanted to achieve in my first session back before I attended the SJ. I didn’t want to continue with my study into the old postcards of Jersey because they were not providing me with what I wanted from my time at SJ. I wanted to find representations of Jersey as an old honeymoon destination but this was not being achieved and I felt my time wasn’t being used efficiently and it was getting a little repetitive so I suggested for me to move on form this and begin something new. I suggested my idea to Karen and she backed this up and gave me the all clear to go ahead with my intentions; my idea was to look through relevant information regarding my family history in the library at SJ. This task was really interesting and I will explain it more later in this post as well as what the create below actually is as it links with my studies from Monday 8th Jan.

When I was at Societe Jeriaise on 8th January, I was introduced to the library they have within the building. I was also introduced to the librarian and very knowledgeable, Ana. Myself and Karen went down to the library and told her what I wanted to research and observe relating to my family history. I wanted to look at my family tree and so Ana lead us straight to a draw full of family trees of the families of traditional Jersey names. She pulled out a large transparent envelope which included the family tree of the Luce family. I begin to look through this, and, as it was my first time looking at this family tree in such detail, I become a bit loots and overwhelmed by all the information provided about ancestors and potential long lost relatives which I was unaware of.

Ana then told both myself and Karen that earlier that week she discovered that the mother of the British comedian, Miranda Hart had the maiden name of Luce. This was also news to me and when I was left alone to delve deeper into my family history, I began researching this and discovered that great grandfather’s and uncle’s of Miranda Hart, were in fact Luce’s and they worked in the several wars of the world as surgeons and medical assistants. Although this was interesting, it did not have a relation to my project and I quickly moved on before I became knee deep in irrelevant content.

Next, Ana pulled out a very large hardback book; it was almost like an encyclopedia, but covered information of traditional Jersey surnames and their origins as well as including the crest of each family name. This book was called an armorial book. An armorial is defined as ‘relating to heraldry or heraldic devices.’ And heraldry as defined as ‘the system by which coats of arms and other armorial bearings are devised, described, and regulated.’ All information relating to the surnames of Jersey-born families is carefully collated and and detailed in this book and it included the origins of the Luce name which was a great. Although a very small segment of the book outlined the Luce name, it had the crest of our family within and it was amazing to see. I immediately had the idea to include this in some way or another within my photo book to give some sense of historical but personal meaning to my book.

Below is the crest if the Luce family taken from the online version of the armorial book. It is evidently very detailed and beautiful in it’s intricacy and symbolic representations and I was eager to create a replicate of this by tracing part of the crest, in particular, the coat of arms in the middle and there was no way I would be able to re-create a quality drawing of the full crest. Therefore i decided to begin my recreation of the coat if arms in the center which included a range of different symbols within this and I would use this creation once digitized on Adobe Photoshop as a personal and historical representation to include in my photo book.

Crest of ‘Luce’ family name

I would love to infer as to what the different symbols within the coat of arms actually mean and I think I would be able to find this information out from the librarian, Ana. For now, however, the image below is a JPEG of my recreation of the crest and it was a first draft experiment that may change slightly through alterations over thg next few weeks leading up to the creation of my photo book. However, I was really pleased with the final outcome because of the drastic change that occurred between the first stage of tracing the crest and the uploading an image of this to Photoshop to then improve in terms of final tweaks including the increase in black point and decrease in white point to make the black lines stand out and I also added the grey background as well as drop shadows to some of the symbols, as shown in the original crest above as I wanted it look as authentic as I could whilst still  holding elements of it being handmade/drawn.

My digitized recreation of the ‘Luce’ coat of arms

 

Critical Image Analysis

METHODOLOGY OF ANALYSIS

Describing ~ FORM ~ What is here? What am I looking at?

Interpreting ~ MEANING ~ What is it about?

Evaluating ~ JUDGEMENT ~ How good is it?

Theorizing ~ CONTEXT ~ Is it art? How does it relate to the history and theory of photography, art and culture?

 

Days with my father: Phillip Toledano's father wearing a mask

In 2010, Phillip Toledano completed the production of his third photo book with the publication of “Days With My Father” – a compelling book that depicts the final stages of his father’s life as he slowly loses his battle with dementia. The image is very powerful as it portrays an elderly man, literally blindfolded, however, this blindfold could be metaphorically interpreted as his dementia which now prevents Toledano senior from living life in the same manner. Furthermore, the blindfold has two closed eyes upon, acting as if the subject is asleep, or perhaps dead as we know it is a photographic journey of the man’s remainder of his life.  This image covers the front page of Toledano’s photo book, suggesting the photographer also valued the image in terms of effect and relevance. The rule of thirds scheme demonstrated in this image allows us as the reader to focus upon the man’s face, which is aged and half covered, adding a sense of ambiguity. This emotion of ambiguity is enhanced by the depth of field as it is solely focused upon the model in question, blurring out the irrelevant background, indicating our attention should be on the subject.

For what the book aims to portray, this opening image is very relevant and reflective, showing how his father is clearly old and as we’ve discussed, the blindfolded connotes death. The image has crucial effect and sets up the rest of the book very well so I believe the image is a success. The colors of the image are very dull and monotone, reflecting this sense of deterioration.

art1
ɑːt/
noun
  1. 1.
    the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.

The photograph is the opening image for a book made to give a specific insight into a son’s experience before his father’s death, staying loyal to the main objective of photography as it informs and is an alternative way of documenting. However, I think it is a rather limited demonstration of art as although Toledano has had the idea to photograph the lead up to his father’s death, the images lack creative skill and imagination. In contrast, the images do contain emotional power, causing me to rate “DAYS WITH MY FATHER” as fairly limited in terms of art.

Extending Ideas and Concepts

Over the Christmas holidays, my family booked a sporadic trip to Valfréjus, a ski resort in Modane, France but it was extremely close to Geneva and Turin. The vacation provided an opportunity to capture images of my step-brother abroad, undergoing new activities and seeing how he would react in a new and daunting situation as we would undergo skiing. As a cyber-hub, Noah tends to struggle with physical activities as he does not have an interest in them, contrasting to his three other siblings who would strive in the situation, perhaps causing jealous and feeling second-best. Another emotion my mother and step father feared was the feeling of boredom and dissatisfaction that Noah may feel, especially as we were sat down for such long periods of time and restricted to the car when travelling. In practice, he wasn’t as bad as expected, however, he did cause problems with my two younger siblings, frequently disturbing them but overall, he wasn’t bad. Fundamentally, this attitude did not reflect the rest of the holiday as it consisted of us often walking and adventuring the South-East of France, causing unease for Noah who struggles to leave his own technological devices. My shoots are rather limited as to be quite frank, Noah was rather reserved over the trip, rarely taking time away from his devices, however, when he did, I captured Noah the best I could, Unfortunately, being a bit of a beginner at snow boarding, I did not want to carry around my camera which would produce much clearer images, instead I had my iPhone 6S and I used it to my best ability.

 These photographs have been cut down from around seventy items, choosing images that I feel portray Noah’s trip to France. My mum organised the holiday for us to have fun, but in reality, it was far from it, especially for Noah who rarely delved out of his comfort zone or escaped his gaming world, not counting frequent arguments between my mother and step-father. Admittedly, I have grown rather numb from arguments between my parents or my mother and her partner having listened to them for most of my life, and then watching them get resolved.

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Finally, the last concept sequencing through my photographic study is the word ‘fate.’ This can also be interpreted in both Laia Abril’s and Phillip Toledo’s projects. The word fate can be described in various ways such as: ‘the development of events outside a person’s control, regarded as predetermined by a supernatural power’ or ‘be destined to happen, turn out, or act in a particular way.’ The word fate can also be referred to the Greek and Roman mythology about the three goddesses who preside over the birth and life of humans. Each person was thought of as a spindle, around which the three Fates. These were Clotho, which is seen as the one who spins the thread of life, Lachesis, which determines how long one lives, and Atropos, which decides when individuals die and how. They all spin the thread of human destiny. Abril and Toledano look at fate in a alike way as it references to the fate of a person’s life.

In Toledano’s project ‘Days with my father’ he refers to the fate of his father. Memory loss frequently comes with old age, but can this be seen as fate or a result of previous life choices? Another one of Toledano’s project entitled ‘Maybe’, this where he decided to confront his fears of death and aging, by photographing his “future self” in various stages he could imagine himself experiencing at the end of his life. Toledano began by taking a DNA test to determine illnesses he was likely to get. He consulted with fortune-tellers, hypnotists, and researched insurance company statistics. He then sought the help of Adam Morrow, who specialises in makeup and prosthetics. Toledano himself feels we as humans do not have control over our fate as he admits “When my mother died, it made me realise that you don’t have any control over your destiny at all,” This is reflected in his project as he shows different ways in which his life could turn out in years to come, indicating there is a equal possibility of all of these as his fate is out of his hands. There was various versions of photograph, showing his ‘future self’ for example ‘Office job’, a photograph where he sits in a office chair with stacks of paper behind him, forming the background. This contrasts with other images made within the book such as a photograph entitled ‘plastic surgery’ where he appears to have had his facial structure modified as he stands in a suit and bow tie, suggesting he is someone important. He described this as seeing himself as an old man. “I would envision failure and loneliness. I would be invisible. Unable to walk. Obese. I would suffer a stroke. I would lose myself. I would slip sideways, into the irrelevant.I would see my own death.” Our experiences could be seen as something out of our control as our life is planned for us and supports the debate of determinism vs free will. The idea of free will is the concept which believes we make our own choices in life, these choices result in consequences and these consequences are our path in life. This juxtaposes against the belief Toledano has on the outcome of lives, but is a notion many people who don’t follow religion would adopt. This theory is supported by science, research found discovered that lifestyle and poor health choices early in life not only affect memory later in life, but also affect memory among younger adults as well.  A study conducted by UCLA has shown that if you are depressed; don’t get enough exercise; have lower education levels or have high blood pressure, you may notice that memory loss is becoming an issue at any age, specially in later life. This revelation indicates life choices can in fact affect your later life. This image by Toledano entitled ‘Drunk again’ can be a interpreted in both of these ways. The background of the image is mostly dark with faded lights in the distance, which almost looks like bokeh. This is a photography technique is the way the lens renders out of focus at points of light. This background attracts the eyes naturally to the man himself, which is clearly a staged image, made to look like an action shot of a drunk man. His face and the top of his head is wet, suggesting it had been or was raining. His hair is thin, which is a sign of alcohol abuse and his left eye is bleeding, implying he has fallen over or been in a fight as a result of being drunk. He is dressed in a suit, suggesting he has a well respected or professional job. This photograph proposes that the man is not happy in his life or job and often abuses alcohol to relieve his pain and forget about how unhappy he is. He looks almost disappointed with himself but can’t stop, expressed through the word again after drunk in the title. This could be seen as a tableaux image, based on a true situation and presented as a documentary image. Was he always going to be an alcoholic or did he choose this path? The argument is if his experiences were planned, leading to this alcohol abuse,  this be seen as fate, which is out of his control or did he chose what he did in his life, making decisions for himself including becoming an alcoholic?  Toledano would argue it is fate and we will never know our future or what will happen to us further down the line.

“The future became a shadowed landscape, filled with uncertain paths 
and ruinous storms”- Phillip Toledano

Drunk Again

Similarly, Laia Abril looks at the fate of Cammy’s life and whether her death was due to fate or poor decisions throughout her life.  The experiences she faced growing up might have been seen as fate, experiences Cammy herself had no control over or it could be seen as the choices and experiences within her life were chosen by Cammy. For this specific project it is up to interpretation of the viewer. After researching into eating disorders I found some shocking statistics such as:  The mortality rate associated with anorexia nervosa is 12 times higher than the death rate of ALL causes of death for females 15 – 24 years old.” And: “20% of people suffering from anorexia will prematurely die from complications related to their eating disorder, including suicide and heart problems”.  This figures were taken from the South Carolina department of mental health.  Personally, I feel it is a choice to stop eating knowing the damage being done. However, the experiences that lead to Cammy feeling like she had to do this was not Cammy’s choices but fate as no one has control over the experiences you face. But it is the way you react to these experiences which makes it a decision. An image made by Abril which I feel is immensely powerful is of an object. This object is weighing scale, which displays the weight of your body. This object could be seen as the reason for Cammy’s death as she would have never been satisfied with the number on the scales. This would have led to her neglecting her food and this resulted in her to become Bulimic. This means she would binge eat in a short amount of time and then through it up. This was in efforts to lose weight to be ‘slim’ and achieve her unrealistic goals. The scales in the photograph would have been a huge part of her daily life as she would have probably used these to track how much weight she had lost and would continue until she was happy with her weight, the sad thing about Bulimia is that it’s extremely difficult to stop when you have started. To think that her being unhappy with her body image, led to that is saddening. The lighting is clearly artificial as it has a white tone to it, which empathises the white scales, making the viewers eyes attracted to them. It is taken in a bird line view to show the scales how Cammy would have seen them as she stepped on them when weighing herself. This would be a object of Cammy’s, which the people who loved her would have hated and therefore does not provide a good memory of Cammy like other objects might have. This photograph represents her pain.

The debate about fate relates to my own study as the idea about our destiny or path is already set out for us, which is a big belief within my family. However, some of my granddads lifestyle choices could have affected his health resulting in two strokes later on in his life. These could have been: lack of a good diet and nutrition; lack of physical exercise; tobacco use and alcohol. My granddad used to drink a lot, especially in his younger days, he lacked physical exercise when he hit his 30’s and his diet consisted of a lot of meat and very little vegetables. These factors could have been the reason or a contribution to the reason he had these strokes. However, it could have just been fate, something he could not have controlled in anyway and this is the belief my granddad and family believe in, fate.

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Photography is capable of capturing emotions and feelings which can then be understood by other people when looking at images. Photographs allow photographers to capture moments which an outsider would not be able to witness, which is a key theme of my own personal study.  Feelings and emotions are subjective as each of us may feel differently when we view an image but usually there is a general message or meaning behind most photographs which can be universally read and interpreted in a similar way. The key themes running through my personal study are centred on three words, which have been introduced already: absence, fate and change.

The word absence can be defined as the state of being away from a place or person, an occasion or period of being away from a place or person or the non-existence or lack of something. Absence in my own work relates to the absence of people within my granddad’s life  and the absence of a good quality life. This could be taken literally such as the absence of his eye/eye sight or the absence of friends and family he has lost. But also more metaphorical absence such as the loss of hope and lack of motivation my granddad feels or how lost he feels as a person as he recognises change. Within both Phillip Toledano’s and Laia Abril’s work, use an element of absence in their photographs and investigations. When looking at the inspirations into why Toledano decided to produce the project ‘Days with my father’ I found it was due to absence or loss of his mother, who suddenly died in 2006. After she died, he realised how much she had been shielding him from his father’s mental state. As an attempt to re-connection and develop a new relationship with his father, he made this project which shows the saddening effects of Phillip’s mother’s absence on the family, especially focusing on his father. While making  the project the Toledano learnt about the illness his father faced and also what his mother had dealt with previously before her death. He realised the significance of his illness when the death of his wife was a shock to him, asking ‘Why did no one tell me?’ and ‘Why didn’t you take me to her funeral?’ After a while, he couldn’t keep reminding him about her death as he described ‘ it was killing both of us to constantly re-live her death.’ His father had short-term memory loss, so there was an absence of his memory which Toledano and his father found difficult to cope with as he was forgetting vital memories of his own life. Toledano often found notes, which his father would write to remind himself of things he could remember. He also found notes from his father explaining how he felt lost and scared, which was a coping strategy his father adopted to manage this absence. In the image we can see a A4 notebook, as well as a blue pen which is slightly diagonal. The notebook has writing on it, which I assume is his fathers as it reads “Where is Helene? Phillip? Ralph? Everybody?” The book is placed on what looks like a bedside table, which also has a photo frame containing a photograph and a lamp which projects light onto the page to reveal the text, which means the light in the photograph is artificial lighting. This image shows his father’s confusion and frustration caused my his memory loss, which gives the viewers an insight to his father’s thought processes and creates evidence of this. Personally, I really like this image as I like how we are made aware of his feelings and thoughts. This can be seen as a documentary image, which is the style of most of the images within his project. Coping strategies and showing the effects of absence is a key theme throughout my project.

Similarly, Laia Abril also tackles absence in her work, particularly in her project ‘The Epilogue.’ Again she is looking at the effects of absence on a family, who lost their daughter to Bulimia. She does this in a form of an interview or discussion with family members and close friends as they discuss Tammy and her illness, an example of this is a close friend writes “I spent so many years trying to make her better, trying to fix her.” This is her reflecting on her life with Cammy and explaining how she tried to help Cammy, however it’s too late as well as admitting coping mechanisms to help them grieve. Her father says ” I still cannot bear to listen to music: we all mourn in different ways.” Furthermore, Abril also explores memories of her presence as we all invent and reinvent our memories of the past every day of our lives as Sigmund Freud told us that “the answer to our confusion were locked in the secret drawers of our past, Photography, then,provides us with the documents.” I feel this is a strong quote relating to this as if our past is documented it can not be changed or manipulated, which means archival photographs will give an insight to Cammy’s life before she developed her illness to help draw conclusions on why or how this may of occurred. Abril does this by including archival imagery as well as taking photographs of objects, which would have belonged to Cammy such as the weighing scale, which would have been a significant part of her life as she tackled Bulimia. These archival images also act as snapshots of memories of Cammy’s life or childhood. There are also sections of text describing events, which had taken place in her life at previous periods of Cammy’s life. An example of this would be a short paragraph, which explained “As teens, I knew my atomic bomb to drop on her when she was getting after me was to call her fat, but she would never admit it hurt her.” This could have been the trigger to Bulimia, which could be seen as an absence of self-esteem and confidence within her own body, leading to her illness, which resulted in her death. This image is an archival photograph, which has been taken previously in her childhood of Cammy in a swimsuit sat next to a swimming pool, smiling. In the book the image is presented as a full bleed image, which really emphasises the image. The image itself looks like it has been taken in natural sun lighting as you can see where the sun is at its strongest as it lightens up parts of the image. This image shows Cammy as she was before her illness, which enables the viewers to make a comparison. In my own study I had also looked at the cause or trigger for the strokes as well as looking at memories.