Understanding photo books- analysing a photobook

I have chose to analyse the work of Phillip Toledano, I feel this makes sense as my essay question is discussing his work in relation to change, fate and absence. Phillip has made two book, which particularly inspire me in relation to my own personal investigation. I will be particularly focus on ‘Days with my Father.’

I have already looked into the story and the narrative of the book as it was one of my artist references so therefore I have some background information on Phillip and his work. Days with my father was made after his mothers death and he realised how severe his fathers memory loss was. He recorded the final chapter in his father’s long life, his sense of humour, his struggle with memory loss and above all his unfailing spirit. He particularly reflected on his father’s changing state. It shows the change but also the relationship between father and son and also how this has changed as a result of his memory loss. The genre of this is documentary photography, this is because he is photographing his dad doing things he might normally do, showing every emotion he has felt throughout the time he was photographing. Although in some of the images he might know he is being photographed and they could be seen as a bit posed they are naturalistic images, which to me feels like a documentary style book. He documents his father doing regular things but brings an element of emotion and connection within the photographs, which is reinforced my small sections of text explaining different aspects of his fathers life, conversation, feelings etc which relate to the image aside it. I feel this is almost a celebration of his fathers life as well as revealing his struggles, which I feel is extremely powerful and meaningful. This is an emotional rollercoaster of discovering long hidden details, of moments of genuine laughter, and of the intense sorrow and helpless emptiness of seeing the parent slowly deteriorate and finally die. This is extremely personal and heart-warming, which is clearly shown to the readers through each page in the book. I feel like the book was made to create a different and deeper relationship with his father as well as providing support to him in times where he was struggling with grieve as well as his illness (memory loss). The book would have been for himself as well as giving other viewers an insight into what living with memory loss is like, almost educating community on this, as well as maybe giving people relief who are going through the same thing as they know it isn’t just them.

The book itself is a small landscape size book and is a hard back, which has a card cover over it that has an image of his dad on the front, with the title ‘DAYS WITH MY FATHER’ on the back of the paper cover there is another image of his father’s toothbrush on a glass. Inside there are two pieces of text- one in the inside at the front and one at the back, which describe the book. The small well put together book feels precious as it feels small in your hands and you know it is a sentimental book. The book does not of anything in particular, just smells of good quality paper. The pages are all the same size and the same thickness, which I really like. The paper is thick and has an almost matte finish, which makes the paper feel smooth.` The images themselves are in colour throughout and he as no use of black and white images. All of the images are landscape and all but 2 are full bleed, which means there is no broader around the photograph to frame it. the others are portrait images on a landscape page, which creates a white blank space. The book and the photographs within the book are of an A5 size and there are 47 pages within the book. Throughout all of the book there is always a double page spread, for the majority of the book there is a white page on the left, which is either left blank or has text on it to marriage with the image of the right. There is one double spread page, which has two images on both the left and the right, one being full bleed and the other being a portrait, which takes up half of the page on the right. There were no grids, fold-outs or inserts, it is a very tidy and smart looking book. The images are all edited in the same way, which provided a rhythm and sequence to the book. The images were all high in contrast and they all had low lighting, which created shadows in the images. The title ‘Days with my father’ is relevant to the book and the story line and is taken quite literal as he explains it was his fathers last days. The text written next to the images link to the overall narrative and the images along side them, they told stories or created emotion and almost described the images.


My Book specification

I would like to make my book through BLURB so that it has a hard cover, which will protect the pages within the book. This is something I found quite important as the images themselves are extremely precious to me. I would like the book to be small and landscape, which is similar to Phillips book about his father. I would like my design and layout to be similar to Phillip’s in that most of the way through there will be little notes or quotes next to specific photographs, but I would also like some images to take up two pages (double page spread) to empathise that particular image and also have some images full bleed as for most of my book I would like a broader around my images to act as a frame. The photographs within the book will be a mixture of black and white images and colour, which will be spread out over the book. I would also like to experiment with overlaying and grid my images on a page, however I am not sure how this will look.  I would like to play around with the order of the images, but for now I don’t want my images to be in any particular order. My order will be what looks the most aesthetic and also of course fits my theme of Absence, Fate and Change.  My narrative is exploring my granddad, showing how his life has changed dramatically from illness, which started from a stroke, leading to other illnesses impacting his life. I am also exploring absence within my work, particularly within my archival aspect of my work. I will be using both documentary style photographs and archival photographs to show elements of change. I will be including text in the book as I mentioned before, including quotes, stories and small explanation as well as my essay, which is tackling ‘How does Phillip Toledano explore notions of change, fate and Absence in his work? I would like the paper to be a matte finish and I would like all the paper to be the same size within the book. This might change when I come to making the book. I would like the paper where I am going to insert writing to be white and the ink be black in a basic font. I would also like the pages to smell of my granddad by spraying his aftershave on the pages, although I know it will not stay on the pages for long.  Finally, my title for my book will be: ‘The Aftermath’, which I would like to have in bold text and in capital letters. I researched into photobooks and also looked on the website blurb to gain ideas and inspiration for my book.

 

introduction- draft 2

How does Phillip Toledano explore notions of change, fate and Absence in his work?

“One body, One soul, One density”

Photographs can be seen as the story-telling companions of time, they direct the gaze of the spectator to look at the past, allowing us to reflect on our own lives and the lives of others. Photographs allow the ability to communicate and capture small moments in time when particular emotions are felt. It is this that I tap into in my personal study as I explore the change, reflecting on the past and the present of my Granddad’s life after a tragic event, which has changed his life forever. I have looked at and been inspired by the work of Phillip Toledano, a male photographer who is probably best known for his work dedicated to his father’s final chapter. In this essay, I will be focusing on the ways that Toledano explores change, fate and absence in his work, particularly focusing on his project entitled ‘Days with my Father.’  I will also be creating links to my own personal study, which also investigates and reflects upon the fate, absence and specifically change within my Granddad’s life. Having looked at archival photographs they allowed me to discuss memories of his life, which I have used to inform my current photographs with the purpose of expressing the change and absences. I am aiming to explore the similar styles of photography within this style of work by Phillip Toledano and cross-reference the work of Laia Abril; looking into which artist I believe represents the concept of Absence and change in the best way by investigating their style and what informed their projects.  The style of work I have focused on is Documentary and narrative photography due to the style of photographs I am taking in my own project and that of which, Phillip Toledano and Laia Abril work also fit into. My own images will follow the style of documentary photography to give a realistic insight into my Granddad’s life. Straight Photography, which is closely related to realism is the historical background of this style, which will inform my analysis and own images. It believes in the camera’s ability to record objectively the actual world as it appears in front of the lens was unquestioned. This veracity of the photographs has been challenged by critics, claiming that the photographer’s subjectivity challenges this idea opening up many new possibilities for both interpretation and manipulation. Photography is a medium that possesses the precious ability to influence and transcend past, present and future, we are capable of documenting the present, easily comparing the past and predicting the future. With the conclusions drawn from this analysis, I can hopefully proceed to evaluate whether my work has accurately portrayed issues of change and fate shown through photography.

Laia Abril- The Epilogue

This book centers around the sad story of the Robinson family after losing their 26 year old daughter to bulimia. The photographer deeply explores the grief experienced by family. She does this by using flashbacks. These flashbacks can be seen in different ways. Abril uses photos of letters, key objects, places, testimonies told by different family members and friends. These especially, were full of deep grief as well as other emotions such as regret, guilt, frustration, distress, sadness all emotions that can be found with a sudden loss of a loved one. This book is very much a book of loss but also a book of awareness. It is letting people know this mental condition is a very real and it is a dangerous one not just affecting Cammy Robinson but many young women around the world.

Abril explores Cammy Robinson’s story in a very sensitive but confident way, using her documentation techniques to help her do this. She does not hesitate to tackle the real issue. This can be seen with the photo of the weights placed over a two page spread. This photo alone is very saddening and when surrounded by the narrative very powerful. The use of photos before and after her death is also very effective. The sequencing and framing of these have been very cleverly placed to make sure the audience get the full impact of the story being told. Some photos are so simple however they carry so much meaning and significance. The narrative is so powerful it carries and improves the rest of the book. There are multiple inserts from Cammy Robinson’s life that have been cleverly been placed throughout the book.

The Epilogue is a beautiful, upsetting but also very powerful book. It’s a clear example of a photographer having a difficult story to tell and then having them tell it in the best possible way. The book is clever, interesting and thought provoking. It is a great piece of documentary photography tackling a real issue.

Photo Book Investigation (Matt Eich – I Love You I’m Leaving) – Research of Photo Book

For my investigation into a photo book, I will be observing in detail, then discussing the features of Matt Eich’s photo book entitled ‘I Love You I’m Leaving’. I have chosen this book to research because it is the book I will be using in my personal study and Matt Eich is a photographer I have paid close attention to throughout my project thus far. His images are so very poetic and it is a style of documentary photography I am aiming to replicate in my project. The following few blog posts will be dedicated to the research into this photo book and will include discussion surrounding the narrative and features of the book as well as who Matt Eich is and my own options on the book. 
Research of the photo book:

I will be researching, for this task, the photo book produced by Matt Eich highlighting his project entitled ‘I Love you I’m Leaving’. This project outlines his parents split after several years pf marriage as he and his newly formed family transfer themselves form their hometown to a new city to start a new life as his parents are in a phase of vulnerability, grief and need. He feels as if he leaving in the most fragile of times and he documents this through photographing his family’s habits in in their new lease of life.

“I Love You, I’m Leaving is my meditation on familial bonds, longing, and memory. The series borrows from personal experience and the visual language of the everyday in order to create a fictional account that mirrors my reality. Made during a time of personal domestic unease, I photographed as my parents separated, and my family moved to a new city.” (ceibaeditions.com)

Image result for matt eich i love you im leaving

Throughout the book, Matt Eich sticks strictly with black and white images and focuses harshly on using shadows and light to depict a particular mood – this being quite eerie – there is a certain glow to Eich’s images and his subjects posses a certain importance highlighted through the use of light to illuminate their presence. You see the subjects consisting of his wife, two daughters and older generations through the family wearing mainly white and flaunting their hereditary blonde hair as the light Eich focuses on strictly catches and provides glow to the light colours each subject possesses.

Eich also pays close attention to providing a balanced tone spectrum in each image as you notice the whites being visibly brighter than that of the solid blacks and in between this, greys of all different tones fill the negative space to create a very tonally balanced image.

The genre Eich takes on is that of a documentary approach where he captures the still moments that take their course in between the more hectic, busier moments of life which are also captured on a more subtle level. However, the overall tone the images depict is very atmospheric as if each image is their to tell a story and work as a collective but each individual image also has the ability to stand solitary as a documentation of the fragility of their familial circle. No one image is isolated and they come together, intentionally to create a solid visual narrative of what Eich experiences as a photographer, father, husband and son.

With Eich’s imagery, he pays no attention to attempting  to romanticise life itself and as a documentary photography project, it shows life itself and the rawness and actuality of what, on an everyday basis, his family are familiarised with but as a viewer, we are getting an insight in this and become hooked on what we are shown and begin to attempt to deconstruct this when, really, Eich’s job is to show is what is front of him as he discovers his family just as much as we are when delving through the project. Each photograph has a meaning and makes no effort to depict a false reality and instead focuses on what is there – the tangible – but we are shown a sense of intangibility through the project as we attempt to sympathise and relate with something we only know fragments of. Furthermore, Eich creates this sense of belonging as he brings each and every family member together as a collective and us as the audience feel involved in this poetic representation of what family is and it’s ability, in partnership with attachment and love, to unite yet destruct the once solid family tribe.

Photo Book Investigation (Matt Eich – I Love You I’m Leaving) – Who is Matt Eich?

For my investigation into a photo book, I will be observing in detail, then discussing the features of Matt Eich’s photo book entitled ‘I Love You I’m Leaving’. I have chosen this book to research because it is the book I will be using in my personal study and Matt Eich is a photographer I have paid close attention to throughout my project thus far. His images are so very poetic and it is a style of documentary photography I am aiming to replicate in my project. The following few blog posts will be dedicated to the research into this photo book and will include discussion surrounding the narrative and features of the book as well as who Matt Eich is and my own options on the book. 
Who is the photographer?

Matt Eich (b. 1986) is a portrait photographer and photographic essayist working on long-form projects about the American condition. He is currently a Professional Lecturer of Photography at The George Washington University and continues to accept commissions. Matt resides in Virginia with his family.

Matt holds a BS in Photojournalism from Ohio University and an MFA in Photography from Hartford Art School’s International Limited-Residency Program.

His second book, ‘I Love You, I’m Leaving’ was published in September 2017 by Ceiba Editions and is sold out. He has three forthcoming monographs scheduled between 2018 and 2020.

I Love You, I’m Leaving’ is Eich’s latest photo book. The book was a finalist at the Lucie Photo Book Prize in the Limited Edition category and received a special mention at FoLa Book Awards.

Until I came across Matt Eich, I did not really enjoy looking at black and white imagery because I thought it was traditional and classic and has been too over-used and as a result of this, I felt like I couldn’t be original when using black and white images in projects etc. I also felt like I couldn’t portray the mood and tone I would wish for in black and white because there is no colour and I used to enjoy relying on heavy colours to bring my photos to life but now I feel the complete opposite to this since discovering many modern day photographers who use black and white imagery for full projects. I now find pleasure out of relying on shadows, light and contrast to create dramatic or elegant and poetic black and white photographs.

Although this book would be aimed at a more elder target audience due to its subject matter and use of nudity within, I believe it could be aimed and read with enjoyment and pleasure by a keen photographer of any age because although the subject matter it relatively mature, it is very relatable to people of my age. It looks at the fragility of your place in the world and how this is secured through family life. I have found great enjoyment out of looking at this book because of its pure ability to speak to the reader throughout it’s poetic story-telling style.