Postmodernism + Other Movements

Postmodernism is a style of post-1960s art which rejected the traditional values and politically conservative assumptions of its predecessors, in favour of a wider, more entertaining concept of art, using new artistic forms enriched by video and computer-based technology.

There are many principals which define modernist art, including: A rejection of history and conservative values (such as realistic depiction of subjects); innovation and experimentation with form (the shapes, colours and lines that make up the work) with a tendency to abstraction; and an emphasis on materials, techniques and processes. However, postmodernism, was a reaction against modernist art and a rejection of this to challenge it.

Modernist artists experimented with form, technique and processes rather than focusing on subjects. While the modernists championed clarity and simplicity; postmodernism embraced complex and often contradictory layers of meaning. (words taken form Tate).

Postmodernism essentially drove modernism out of the face of art and muscled its way to the forefront as postmodernists believed this view of producing art was the ultimate and best method.

Postmodernists also embrace subject and content as opposed to object and form.

Jeff Koons, ‘Three Ball Total Equilibrium Tank (Two Dr J Silver Series, Spalding NBA Tip-Off)’ 1985
Jeff Koons Three Ball Total Equilibrium Tank (Two Dr J Silver Series, Spalding NBA Tip-Off) 1985

Postmodernism makes references to things outside the art work…e.g. political, cultural, social, historical, psychological issues.

Another aspect of postmodenrist photography is that it often mixes different artistic and popular styles and media. Postmodernist art can also consciously and self-consciously borrow from or ironically comment on a range of styles from the past.

Pop art by Roy Lichenstein is a good example of this; pop artists broke down the separation between fine art and popular culture in their work: Lichtenstein borrows the language of comics for his painting Whaam.

Roy Lichtenstein, Wham

 

Andy Warhol once said in a famous quite that “anyone can be famous for 15 minutes”. Looking deeper into this, it can essentially mean that with a little bit of creativity and by pushing the boat out and challenging art normalities and conventions, a new look of art can be achieved which stuns the world and from this, the author can become famous for a short period of time – through challenging and not conforming to art rules and producing something perhaps controversial or unseen before – new and innovative.

A term closely related and used in conjunction with postmodernist art due to this idea that postmodernism encapsulates the idea of using many mediums to produce work, ‘bricolage’ also presents this notion.

The definition of ‘bricolage’ in terms of art and literature is: “construction or creation from a diverse range of available things.” Bricolage is a French loanword that means the process of improvisation, or a work created by mixed media. The word is derived from the French verb bricoler (“to tinker”), with the English term DIY (“Do-It-Yourself”).

 

Pictorialism

Time period : 1845 – 1915

Key characteristics : manipulate images with the intent to strip reality from it by adding effects 

Artists associated : Alfred Stieglitz rejected the movement and Ansel Adams didn’t agree with the art form because he thought photography was fine art itself and did not need altering.

Julia Margaret Cameron 

Key works : allegorical paintings and paintings from the Italian Renaissance 

Methods / Techniques / Processes : used darkroom process to add effects – noise, different colours, lights and textures. Would also use Vaseline to make it more unphotographic and more as an art painting.

Realism / Straight Photography

Time period : early 1900s

Key characteristics : opposite to pictorialism and shouldn’t manipulate to show actuality

Create images of world as they see it

Idea that camera doesn’t lie 

Artists associated : Alfred Steiglitz 1907, The Steerage / Pablo Picasso

Image result for alfred stieglitz the steerage

Key works : Avant Garde – new and experimental ideas in art / Cubism – originated in 1907 by Picasso

Image result for picasso demoiselles

Methods / Techniques / Processes :

Modernism

Time period : 1910 – 1950

Key characteristics : formal qualities – line, shape, shadows, texture

Artists associated : Max Dupain

Image result for max dupain modernism

Key works :

Methods / Techniques / Processes :

Body Suite // face edits

During the shoot I managed to capture some close up shots of the face. The face is the most important feature of the human body and is the most expressive part. As well as asking the subject to make different face expressions I also wanted to capture some natural face expressions while the subject was moving. I edited the images using Lightroom and am very happy with he final outcomes because the go very well with my theme of the body image. Although the face is an obvious way of expressing certain emotions, and I wanted to create more complicated and though provocative versions of emotions, I also wanted to contain some portrait images as well. I am very happy with these ones form the shoot.

Realism & Straight Photography

Realism is the attitude or practice of accepting a situation as it is and being prepared to deal with it accordingly.

Straight photography refers to photography that attempts to depict a scene or subject in sharp focus and detail, in accordance with the qualities that distinguish photography from other visual media, particularly painting.

Straight photography came from photographers who believed in the intrinsic qualities of the photographic medium and its ability to provide accurate and descriptive records of the visual world. These photographers strove to make pictures that were ‘photographic’ rather than ‘painterly’, they did not want to treat photography as a kind of monochrome painting.  Photographers taking this approach attempted to depict a scene or subject in sharp focus and detail.

This style of photography appeared in 1904, when the Magazine ‘Camera Works’ stated that the term was a more pure form of photography in comparison to pictoralism which is photography which tends to be seen and then manipulated to take another form. Photographers  Paul Strand and Alfred Stieglitzpioneered Straight photography in New York while the Hungarian-born László Moholy Nagyexploited pure photography to maximize the graphic structure of the camera-image.

Western photographers  such as Ansel Adams (left) and Edward Weston (right) brought this concept of Straight photography to life. They photographed natural scenes which they took as they saw it with there minds eye. Although not manually manipulated when the image was taken, photographers did use techniques such as  darkrooms to enhance the appearance of prints to have greater contrast. The term came to be known for images which had a big tonal range and high contrast. The two above photographers are both good examples of the vast tonal range included in Straight photography images, which highlights the use of natural structures of landscapes to create romantic landscapes.

The West Coast Photographic Movement refined straight phtography in the 1530s. During this period, with a skillful use of composition, natural scenes where captured in sharp focus  with expressive tonal ranges, light and texture. The use of this photography “engages the camera’s own technical ability to produce images sharp in focus and rich in detail”.   

Weston emphasised the simplistity that this type of photography could be when he said “Get your lighting and exposure correct at the start and both the developing and printing can be practically automatic.”, this view was reinforced by Ansel adams who stated that “the photographer visualizes his conception of the subject as presented in the final print. He achieves the expression of his visualization through his technique – aesthetic, intellectual, and mechanical.” The photographs show the mediums own technical language which conveys the reality of what the photographers are actually seeing.

Alfred Stieglitz

In 1907 Stieglitz took this picture, The Steerage and thereby rejected Pictorialism’s aesthetics and the modernist straight photographers whom Stieglitz would promote later in his career included Paul Strand, Ansel Adams, and Eliot Porter. Paul Strand became a particular fan of his work calling it ‘absolute unqualified objectivity’ and ‘straight photographic means’. Stieglitz and Strand was also influenced by European avant-garde art movements such as Cubism and Fauvism and some of their pictures emphasised underlying abstract geometric forms and structure of their subjects.

Research Source

Realism, closely associated with ‘straight photography’, photography grew up with claims of having a special relationship to reality, and its premise, that the camera’s ability to record objectively the actual world as it appears in front of the lens was unquestioned. This supposed veracity of the photographic image has been challenged by critics as the photographer’s subjectivity (how he or she sees the world and chooses to photograph it) and the implosion of digital technology challenges this notion opening up many new possibilities for both interpretation and manipulation. A belief in the trustworthiness of the photograph is also fostered by the news media who rely on photographs to show the truth of what took place.

http://landscapephotographyblogger.com/straight-photography-and-abstraction/

 

Art Movements and Isms

The syllabus state clearly that you have to be aware of some of the methods employed by critics and historians within the history of art and photography.

One of the criteria in the syllabus is for you to:

  • Select artists work, methods and art movements appropriate to your previous coursework work as a suitable basis for your study.

To demonstrate your knowledge and understanding you will have to write a paragraph in your essay providing historical context about your chosen artists/ photographers and how their their work and practice is linked to a specific art movement/ ism or theory.

For this task you need to select an art movement/ ism that is relevant to your Personal Study and make a 5 min presentation in class.

Follow these instructions:

Lesson 1 & 2: Mon 4 Dec / Tue 5 Dec

Choose one of these four isms/movements  – you can choose to work alone in pair up with fellow student:

  • Pictorialism
  • Realism / Straight Photography
  • Modernism
  • Post-modernism

Start by looking at the PPT presentations here which will provide you with an overview.

M:\Departments\Photography\Students\Resources\Personal Study

Find two other sources, article on  internet, text in book, youtube video etc and identify relevant quotes, at least two that you can incorporate into your blog post/ presentation.

Use Art Movements & Isms sheet as a prompt with information that is required in your presentation

Lesson 3: Wed 6 Dec

Make a 5 mins presentation of the above in class

Your presentation must include visual examples of artists making work within that ism/movement.

Homework task – Independent Study: 
Respond to the art movement/ ism that you have researched and make an image or a set of images that represent the methods/ techniques/ processes/ approach/ styles / aesthetics used by artists working within that is ism or movement.

Complete and upload to blog by Mon 11 Dec.