John Rankin

John Rankin

Biography

John Rankin Waddell was born on 28th April 1966 and then brought up in Hertfordshire. At Brighton Polytechnic he studied accounting but whilst he was there he realised that that wasn’t what he wanted to be doing and dropped out. He then studied photography at Barnfield College Luton and then went onto the London College of Printing. Whilst studying here he met Jefferson Hack where they formed a working partnership. Rankin and Hack decided to start a magazine called ‘Dazed and Confused’ after they graduated in 1992.

Rankin later launched his own fashion magazine in 2000. Aswell as this he was donated his services to publicity campaigns for the charitable organisation ‘Womans Aid’ and others. Following this in 2009 he created a contemporary structure design which he called ‘Annroy’. This is where Rankin keeps his own state-of-the-art photographic studio. There is also a gallery and home to his family. ‘Annroy’ holds a different exhibition each month, which features his current work.

Rankin was awarded the Honorary Fellowship by the Royal Photographic Society in 2002. Later in 2009 an hour long documentary showed him creating his own tributes to iconic images of famous figures. He interviewed photographers and used comtempary models to bring together his shoot. Further on in his career he was involved in ‘Britains Missing Top Model’ which was a reality show. It focused on following on eight young women with disabilities who competed for a modelling contract and then in 2011 He was a photography teacher on a channel 4 series.

Rankin quote:  “In America the Jewish zealots are so powerful. Especially in the entertainment industry.”

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This fashion portrait taken by John Rankin is a close up portrait of a woman with face makeup on. Rankin had strong meaning when taking his photographs and wanted to  capture who the celebrities thought they were, this images often represented themselves in there true form and gave them a chance to be who they were.  So in my opinion i think that the message that is being conveyed with this image is that the subject thinks they are a striking character yet have a natural pure beauty. The genre of this image is fashion/ studio portraiture. The image also contains a lot of techniques that give it the style it is. The image has been set up with a white background and then well planned studio lighting so that the edge of the subject is very sharp. The mise-en-scene of this image is that the makeup is the way it is so that it shows the personality of the subject, it is also against a white wall so that the face is the only focal point and stands out in the image. The face paint is effective in the way that it creates symmetry of the face and makes the image aesthetically pleasing to look at. the strong straight angle also shows the image in its simplest form having nothing distracting the portrait. Depth and lighting are link together in this image, the light coming slightly from the left of the face creates shadowing on the right side. the shadowing creates depth on the face and makes the features stand out giving it a third dimension. This also gives a sharp but smooth texture to the image. The white background creates a frame for the portrait but also a strong contrast to the shadow and colour on the face. There is also the effect of the image being over exposed from behind the subject which makes the colour of blue in the image pop and helps the connection of the blue in the subjects eyes. The lighting quantity is bright and also a hard harsh light showing the use of equipment.

Straight away i felt a positive emotional response to this image as the image stood out to me due to the simplicity of the plain emotionless face and then the use of the eyes and blue to really bring the image to life. The images makes me feel captivated by the piercing blue eyes as when i look at it i find myself draw to the eyes and interested in why the model chose to be represented in this way.

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This is another piece of Rankin’s work however the subject has been asked to be photographed in a very different way to the other model. The image is still of a woman, close up and with a white background. However the message to the photograph is very different, the model in my opinion seems like she wants to be seen as mysterious but has a feisty side, i get this impression from the darkness of the image, the dark lipstick,eyes and hat. The genre of the image is again fashion and studio photography and is being taken for the celebrity to show their true self in their own eyes and how she wants the world to see her. Again this image has used technical equipment such as a white screen a professional shooting life a photography and a high focusing DSLR camera. Everything in this image has been very specifically placed so that it is giving out the correct message for example the hands and hair slightly covering the  face. The hat maybe symbolising colour but not to far over the face that its covering who she is. The use of framing is very vital in this image as the hair is fitted around the subjects face framing the face making you focus on her face and for the facial features to be the focal point. The close up angle cuts out any unwanted background making it a complete face portrait so the only thing you can focus on is the subject its self and they are using only a few props and facial expressions to convey the message.  The lighting is very important in this image as they have chosen the photograph to be black and white giving the idea that the photo is over exposed and also that the photo has a high contrast in it, the pure white and pure black are complete opposite ends of the spectrum making the image quite harsh.

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High Key and Low Key lighting

 

Highkey lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios, but now is used to suggest an upbeat mood.

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Lowkey lighting is a style of lighting for photography, film or television. It is a necessary element in creating a chiaroscuro effect. Traditional photographic lighting, three-point lighting uses a key light, a fill light, and a back light for illumination.

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These are my examples of high and low key lighting. the image of the left is very dark and a very loft light has been used to take this image whereas the photo on the right is a very bright nearly over exposed due to a very bright harsh light source.

 

Three Point Lighting

Standard setup:

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  1.   Key Lighting – The Key light is the primary light source in this style of setup.  It is pointed from the side of the object to create a dynamic effect of light.
  2. Fill Light –  This light is used to create a nice balance of light so the shadows are minimal preventing a chiaroscuro effect, and creating slight “butterfly” shadows in and around the object’s face.  This makes the lighting more intimate in the environment and therefore quite personnel.
  3. Finally, the back light is used to separate the object themselves from the background.  This strengthens, enhances and above all defines the objects features to appear 3 dimensional.

How do the three lights affect a photograph?

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Butterfly lighting

Butterfly lighting is also known as Paramount lighting. It became a well Known technique used in Hollywood in the 1930’s. This lighting is characterized by the butterfly-shaped shadow that it casts below the nose. It is produced by placing the light source above the face  and in line with the direction in which the face is pointing.

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Here is an example of Butterfly Lighting. You can see the Butterfly shaped shadow just bellow the nose.

Loop Lighting

Loop lighting, which is named for the loop-shaped shadow that it creates under the nose, is the most frequently-used pattern. It is considered to be a relatively flattering and adaptable pattern that lights most of the face while imparting a sense of depth.

In loop lighting, we want a slightly downward angled shadow  so we raise the light slightly above eye level. We want the end of the nose to cast a rounded–looped–shadow down from the nose to around the corner of the mouth or even a bit shorter.

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Here is an example of Loop Lighting. You can see the small Loop shaped shadow produced under the nose.The shadow goes off to the side; it is not directly under the nose. The area between the upper lip and the nose remains  light.  It creates a three dimensional feel to the image.

More Chiaroscuro Photographs

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Here I used one point lighting to create a chiaroscuro effect.  I like how the dark tones created by the shadows enhance the brightness of the face.  I enhanced this effect by increasing the brightness and contrast on the photograph.  Interestingly, what I particularly like about the chiaroscuro effect is that the fact there is no backing/fill lighting or any other forms of supporting light making the object feel at one with his background apart from his face.  This gives the photograph a mysteriousness that makes the object appear quite isolated as half his face is only projected where the other half is dark.  This makes  him appear that there is a certain feeling inside of the object that makes him feel upset inside but suggests he isn’t comfortable expressing it.  On the light source, I adjusted the dimmers at the front to pinpoint the light so the object would be fully illuminated and nothing else.  This is effective because I wanted to focus on the object and let the viewer not feel distracted by the shadows, but use the shadows to compliment the background subtly.

 

 

 

 

 

 

 

What is Chiaroscuro Lighting? Contextual Reference

Developed from the renaissance.  Artists known for developing the technique include: Leonardo Da Vinci, Caravaggio and Rembrandt from oil paintings.   This technique also may be termed “ambient/natural lighting” for photography.   “Chiaro” means light, “scuro”  means dark.   This means we can use Chiaroscuro to enhance the dark and lighter areas.  Here is a common setup for Chiaroscuro lighting:

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WEEK 10 EDITING AND FINALISING IMAGES // PHOTOSHOP

This week you will be expected to demonstrate a range of editing, manipulating, enhancing and presentation techniques.

You can explore Adobe Photoshop and Adobe Bridge.

You can explore manual editing techniques….like this

scan objects in photography

You can experiment with a range of presentation ideas.

You can exploit a range of editing apps and Instagram filters.

W e  w a n t   y o u   to   s h o w   y o u r

                     c r e a t i v i t y…

Photoshop Key Skills | 1 x blog post per skill
  • Double exposures / opacity control / Adam Goldberg)
  • Blending options and overlays, textures, frames
  • Cut and paste (Hannah Hoch) and Free Transform (Ctrl T) to create composite images (Photomontage) inspired by “Dada”
  • Layer Via Copy (Ctrl J)  (Christopher Relander) and Paste Special commands ( Selection Tools + Layer Mask to reveal)
  • Joiner portraits (David Hockney)
  • Juxtaposing portraits (John Stezaker and Joachim Schmid)
  • Blurring techniques (motion, lens, gaussian etc)

Use your own photographs !!!

By the end of the week you should have 3-5  carefully edited responses…

Homework…

  1. Choose 1-3 examples from “CREATIVE IDEAS” on the side bar.
  2. Create your version of the examples using the same technique as described and as used by your choice of artist
  3. Add to a new blog post with comparison and evaluation

 

 

BUTTERFLY / LOOP / SPILL LIGHTING

What is butterfly lighting?

Butterfly lighting is one of the oldest techniques for lighting a subject. Named for the butterfly-shaped shadow that forms underneath the subject’s nose, this setup is a proven method to ensure your subject is well-lit in a pleasing manner. Butterfly lighting, also known as Paramount lighting, became a staple pattern for the Hollywood photographers of the 1930s.  It is produced by placing the light source above the face and in line with the direction in which the face is pointing.

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What is loop lighting?

Loop lighting, which is named for the loop-shaped shadow that it creates under the nose, is the most frequently-used pattern.  It is considered to be a relatively flattering and adaptable pattern that lights most of the face while imparting a sense of depth.  It is produced by placing the main light above the face and to the right or left of the direction in which the face is pointing.

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What is spill light?

Spill light or light trespass is the light that illuminates surfaces beyond the property line. An example is the light on a bedroom wall coming through the window.

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