Biography

 20th-century American photographer Edward Weston was born on 24th March, 1886 and died on the 1st of January, 1958. He has been called one of the most innovative and influential American photographers and one of the masters of 20th century photography. Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a quintessentially American, and specially Californian, approach to modern photography because of his focus on the people and places of the American West. In 1937 Weston was the first photographer to receive a Guggenheim Fellowship, and over the next two years he produced nearly 1,400 negatives using his 8 × 10 view camera. Some of his most famous photographs were taken of the trees and rocks at Point Lobos, California, near where he lived for many years.   Weston was born in Chicago and moved to California when he was 21. He knew he wanted to be a photographer from an early age, and initially his work was typical of the soft focus pictorialism that was popular at the time. Within a few years, however, he abandoned that style and went on to be one of the foremost champions of highly detailed photographic images.  In 1947 he was diagnosed with Parkinson’s disease and he stopped photographing soon thereafter. He spent the remaining ten years of his life overseeing the printing of more than 1,000 of his most famous images.

Image Analysis

Edward weston seems to capture similar imags to those of Ansel adams however there are differences to Westons work which makes his work sometimes more harsh. In particular in this image you can see that hisimage dont have as big of a tonal range as ansel adams images do. Although Weston images are massively contrasting between light and dark his images mainly create this by the use of very dark tones of black almost pure black and then grey tones. This shows us that Weston does not follow the zone system created by Adams. Edward weston in my opinion shows romanticism and what the eyes sees in a different yet still beautiful and captivating way, he uses the use of patterns and lines which lea us around the imag and almost take us on a colouring. It is almost as he uses each curved line in this image as a different section and tone of grey or black. The ripples throughou show consistency through the image which makes it appealing to look at and gives the image the calmness and natural beauty of romanticism images.

Psycho-geography is an approach to geography that emphasizes playfulness and “drifting” around urban environments. It has links to the Situationist International.

Psycho-geography was defined in 1955 by Guy Debord as “the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behavior of individuals.”

Another definition is “a whole toy box full of playful, inventive strategies for exploring cities… just about anything that takes pedestrians off their predictable paths and jolts them into a new awareness of the urban landscape.”

Examples of psychogeographers:

 

‘a movement in the arts and literature which originated in the late 18th century, emphasizing inspiration, subjectivity, and the primacy of the individual.’

 

In the late 1700s in Europe and a few years later in America, numerous advances in the sciences led to new ideas about how the Earth was formed and about the position of humanity in relation to the universe and our own world. Forward looking people began to realize the Earth is an ancient place. A new fascination arose regarding the natural world. Also, as people migrated to the larger cities, people wanted to be reminded of the beautiful countryside, far from muddy city streets full of horse droppings, running sewage, and air full of coal soot and smog. Most of today’s modern cities are clean and livable in comparison. Innovation created new wealth, and these people wished to adorn their walls with objects of beauty including landscape paintings. This new outlook created the perfect conditions for landscape art to assume the highest position in the minds of the wealthy art collectors. Religious themes assumed a less important role as a result.

A new generation of landscape painters arose not only to meet the demand, but also to create landscape art for its own sake. During the first half of the 1800s, landscape art became more realistic, even reaching levels of hyperrealism as artists strove to bring back dramatic vistas from every corner of the world. In the second half of the century, photography began to have an impact on landscape painting and changed it forever.

The first movement of this century in landscape painting was Romanticism. The irony is Romanticism was a reaction against the stark realism of modern science during a period of scientific advancement! It emphasized emotions such as awe and rapture. So the move into nature that occurred because of scientific discoveries led to a deeper probing into human emotion regarding our natural surroundings.

Landscape Photography shows spaces within the world that are huge and continuous, but at other times can be microscopic. The presence of nature can be captured by photographs along with the man-made features that have disturbed the landscapes.
From the beginning of landscape photography and into the present time, some of the most noted photographers have been inspired and challenged by the overall beauty of nature and their desire and appreciation to see it preserved. Many landscape images show little to none human movement and are taken in the search of a pure, clean representation of nature in all its fullness without human influence, instead featuring strongly defined landforms, weather, and ambient light.

Romanticism has long been associated within the landscape. In the medium of photography, the sense of romance of the landscape features it spirit in full bloom. It is very hard to categorise. The very nature of Romanticism is rather uncontrollable and unpredictable. At other times its quiet and sensual power manifests into beautiful and stunning images. Sometimes it features animals or humans, while at other times the landscape will be empty and bare of any form of life. The most notable feature in a landscape image of romantic quality is that it will stir the emotion and feelings and cause inspiration of the imagination.

Romanticism in todays photography

Around the world, countries name their seasons differently, and some also differ with the  starting date of the seasons. The purpose of the Romantic Landscape is to widen our understanding of what contemporary landscapes look like across the world today. Photographers nowadays tend to capture romantic landscapes the feature either water with reflections or sunsets that contain lots of orange tones as they are calming colours that are associated with romaticism.

Exploring gender identity

‘Gender Identity. One’s innermost concept of self as male or female or both or neither—how individuals perceive themselves and what they call themselves. One’s gender identity can be the same or different than the sex assigned at birth.’

Wikipedia: All societies have a set of gender categories that can serve as the basis of the formation of a person’s social identity in relation to other members of society.In most societies, there is a basic division between gender attributes assigned to males and females, a gender binary to which most people adhere and which enforces conformance to ideals of masculinity and femininity in all aspects of sex and gender: biological sex, gender identity, and gender expression.

Gender identity photography can range from photos of men doing the stereotypical man to men dressed up as woman. The main message of gender identity photography is not to discriminate people for their identity and who they are or how they present themselves. For my self portrait identity shoot i am going to focu on feminism and the how identity can show femininity and what feminism means to me

Feminism

Women depicted in fine art and photography are often nude, alluring and sexually inviting. A 2012 campaign by renowned art activists the Guerrilla Girls said that less than 6% of the artists in the Modern Art section of the Met are women, and across the museum, 85% of the nudes are female.

I am interested in looking into photographers that photograph women in there natural forms, looking at there body shape mainly focusing on there back and spines, show who they are and therefore their identity.

 

Artist Reference – Fernand Fonssagrives

Biography

Fernand Fonssagrives (June 8, 1910 – April 23, 2003), born near Paris, France, was a photographer known for his ‘beauty photography’ in the early 1940s, and as the first husband of the model Lisa Fonssagrives. He died in 2003 at Little Rock, Arkansas.

Fonssagrives was a fashion photographer in the 1940s and 1950s when he took pictures for Town and Country and Harper’s Bazaar magazines. At one point he was the highest paid photographer in New York. His later pictures featured female nudes with patterns of light on their skin. His photographic works are represented in Europe by Michael Hoppen Photography (London) and in the United States by Bonni Benrubi (New York) and Duncan Miller Gallery (Santa Monica). An image he created of his first wife Lisa is on the cover of the Spring Christie’s photographic auction catalog (2008).

Personal Thoughts

I really loved this style of photography and i had an immediate positive emotional response to it. The image stood out to me because it was what i had been looking for and it also had an abstract effect to it created by the interesting striped shadows that are a huge part of the image. i think the way they cover the image shows the loss of identity and that these women are hiding behind the shadows in the darkness. i also look at the shadows as if they are barcodes which each photo having different length, width and direction shadows showing that each female is different. i also like Fernand Fonssagrives images because he shows woman in there purity and to me this emphasises the message that peoples identities can change when they aren’t wearing clothes which may give away the type of person they are.

Image Analysis

The subject of the image is feminism and the anatomy of the female body. the subject is a woman sitting on the floor with her back facing the camera, icluded in the image is shadows. The image, which is is black and white, has an old film effect to it making it very elegant whilst dramatic. I think that the message that is trying to be conveyed through this image is woman hiding behind things to hide there true natural self. Fernand Fonssagrives has photographed the womans bare back in a way that is tasteful but can have very powerful meaning to it the shadows in the photograph make it as if the subject is trying to blend in to the walls and not be seem however the shadows can also have the opposite effect of drawing your eye to the subject as the shadows are darker on her and curve around the body. this feature in my opinion shows identity. your body is you in your natural form it is the first stage of your identity and how people look at you. The genre of the image is portrait and obvious techniques that have been used are skilled use of shutterspeed and exposure and there are very hard contrasts of light and dark in the image. I think that the rule of thirds is vitial in Fernand Fonssagrives images. In the image we can see that he has followed the rule of thirds placing the subject on the left vertical axis, the effect of doing this is that the subject is not harshly in the centre of the image. Leading lines is a massive feature in this. the shadow lines lead your eyes in a diagonal line through the image. the depth of field in this image is high due to the different sizes on shadows in the image. the bigger lines are closes to the camera therefor being the for ground and the smaller shadow lines create the background. The direction of the light is coming from the top right of the image and is a very hard harsh natural which creates the contrast of white an and black in this image.

Photo shoot Plan

Image Analysis

This image is my favourite out of my first gender identity shoot. this image is my favourite because i am emotionally dawn to it when yo first look at the image it looks like it has a deep meaning or message behind it as the darkness s very eye catching and striking. As the subject is facing her back to the camera it gives the idea that maybe they are sad and wanting to hide there identity and therefore who they are. it as if shes hiding away in the darkness carrying a sense of loss of identity but there is just one light illumination her so we can see a very minamalistic outline of her and who she is. The image looks like its from an old film camera or an old style movie with the dramatic lighting creating high contrast.  The subject is central in the image in my opinion backing the rule of thirds because she does not cover any over part of the image. the effect of this is that she is the focal point of the image and what your eye is immediately drawn to. Framing is an important aspect of this image. it is created by the dark outer axis of the image that is either side of the subject this further enhances the subject as being the focal point of the image. The noise in this image was due to the ISO being on 6400 which created the specles on the image. although this could be incorporated in the meaning of the image and the dots could be hiding the identity of the subject.

Image analysis

This is one of my favourite images for the entire project as is captures what i planned to capture at the beginning. The are so many elements visible in the back including muscle and back which creates an image which is so interesting to look at and is almost like the subject identity on a fingerprint. the print on their back shows their identity in the natural form of there body. its excluding all makeup, clothing, what their personality might be like and shows you their identity its the most natural form. As said above the lighting and colours was key for this shoot to be successful and i think that this image emphasises the importance of getting the correct ISO, shutter speed, aperture and angle and intensity of the key light. Settings for this image included, ISO; 6400 , Shutter speed: 1/80 and aperture: 5.4. The direction of the light was coming from the top right of the image on the medium setting. you can see the direction of the light due to the left side of the body having a higher level of white light and then creating chiaroscuro on the other side of the body. the quantity of lighting in this image was more faint and the quality of the was a more soft gentle light making the finish to the image smoother than a lot of the others.Again framing is created by the darkness of the studio lighting around the illuminated back and there is leading lines evident through the image from the structure of the body taking your eye all around this image.

Image Analysis

during this shoot i decided to experiment with different props and clothing to try and show more of the subjects identity but also identity in a different form. the identity being shown in this image isn’t as raw as the others clothing is beginning to become a part of showing who they are. For example in this image you can see that tights an and a leotard are being worn so here we may get the message that they are a dancer or a gymnast and the clothing is starting to tell us about the factors that makes up there environmental and cultural identity. The image carries on the theme of gender identity and femininity as we can see there gender in the image however still showing a loss of identity as the face is not included in the image. i found that i didn’t want to include the face of the subject in a lot of the image because it gives to much away about there identity, without the face you have to think more about there environment and what they are doing to figure out who they are and what there identity is. My favourite part of this image is the colour tones and the lighting. This is because the subject has really been made the focus point of being lighter and then a correct amount of contrast being created by the black clothing and i really like the colours and patterns the tights create to add more detail to the image

Evaluation

For this part of the self portrait and identity project i wanted to focus on gender identity and how identity between men and omen can be different due to their body. i think that i manages to capture this aim in my photographs through images f backs and what makes a womens natural identity. I really enjoyed taking this images because they are sophisticated and i liked that i could focus of the use of lighting and positioning of the subject to make effective images without need to digitally manipulate them and add affects to them. i managed to show loss of identity and gender identity by thinking of how i could position lighting and the subject to make the image beautiful but interesting to people looking at them.

 

 

 

 

Biography

Bruno Del Zou is a French artist born in 1963. In his “photosculptures” series, Brno Del Zou uses the fragmentation of the body in order to better understand it. The body and the faces are revisited and their volumes are highlighted in order to create installations of multiple scales. These “photosculptures” suggest a clear aesthetic preference which does not hide the chaotic side of our minds.

“Beyond the body itself and its beauty, there is its unity. Fragmenting the body, in this case, doesn’t mean cutting it up in order to dissolve it, it means trying to recompose it in the hope to achieve and create unity, an identity, perhaps the fundamental one, the one that supports all the differences, all the variations, all the points of view, which is saved despite everything, despite the light variations and the positions in the space, resisting any immediate apprehension, multiplying as it wishes, without ever losing this unity without which the body itself could not exist.”

He comes into the ‘joiner’ photography category which is similar to the style of David Hockneys photographs which i have already experimented with.

Personal Thoughts

Bruno Del Zou stood out as a photographer for my identity project as i really like the message off a collage image which could symbol in terms of identity pieces the different parts of someone together which makes them who they are and gives them there identity. This wasn’t the original idea of identity i had. when i first saw this artists images i have a negative response as i saw his images being a loss of identity or someone who doesn’t know there identity as the photographer has digitally manipulated the image so that the subjects face is muddled up.

Image Analysis

This image is of i woman which has been photographed by Bruno del Zou. to get this photographic presentation he will have had the subject stand against a plain wall and then photographed her but from different angles, perspectives and focal length. He then opened a plain page in Photoshop and started to put the images onto it created a new face. however he has not done it perfectly and this is the style of his images, he overlaps the images and puts sometimes the same features more than once, in my opinion this shows i confusion of identity and what the woman thinks about her identity. The images in this final piece have been layed on top of each other on foam board to create different dimensions to this image this has the effect of giving the image lots of depth. Each section of the image seems as if it has been framed due to the edges of the image this focuses your eye on different aspects of the image making the focal point in the image the final outcome but also each individual feature which is making up the subjects identity. The edges of each image as well as creating framing also create leading lines which guides our eye around the different sections of the image. The image is black and white which creates contrast between the darkness of the hair and eyes against the pale white skin. the photographer may have made the image black and white to show that they are not a very vibrant personalited person or maybe that they have two personalities symbolised by the white and black colour tones in the image

Photoshoot Plan

I think that this shoot went well. although i had planned to take the images in the studios, as that wasnt an option at the time i went to take the images we ended up taking the images in a well lit area against a white wall. I captured lots of images of different facial features from different angles and lengths which was the aim of the shoot. However i think that the shoot would have gone better if i took more close up images to give me more of a variety to chose from.

This image isnt a self portrait but still shows loss and confusion of identity through the photo montage and muddling up of the facial features to create and abstract look. i think that the message this image is conveying is that your identity can made up of lots of little factors and the loss of identity through not being about to see the whole person. It may also represent that you see different aspect of someones identity when you see them from different perspectives. The image has ended up being quite similar to my artist reference because the individual images have been layered on top of each other to create a photo montage. the separate images create multiply focal points in the image and the message behind this maybe be all the individual aspects of someones personality coming together to make them who they are. the images also creating leadign lines that carry your eyes around the corners of each image and in a way making the image very engaging with all the different things that are happening. The contrasting angles make each section stand out from each other and gives the images depth but in an unusual way and the dimensions of the image really add to the message. the lighting was hard and quite harsh natural lighting when i took the images which naturally created contrast in the image but also illuminate all the detail in the face which is similar to the artist reference. The emphasis of the collage being in black and white is that it creates a higher contrast and also focus just on the facial features and not the colours in the image.

 

Evaluation

This shoot went well as i managed to capture images that i then digitally manipulated and create collages that look on a level similar to the work that Bruno del Zou does.  I managed to create multiply images of myself to continue the theme of the project self portrait but also capture images of others to show different peoples identity’s and how the photo montages show different  identity/personality hen you more the facial features around. i think in all of the image i managed to capture a loss of identity and all the images where good but i could have made a few of them better if i had captured even more angles and made a bigger contrast between white and black in the image, especially the last one seems to have a lot of grey toes which makes it flat.