We had a trip to the Jersey Art Centre where we saw an exhibition called ‘Alliance Française: Climate State of Emergency’. This showed photos relating to the change in the planet and the effect people are having on the environment.

Here is a selection of my favorite images from the gallery. In my opinion I think the middle top image is the best as it really shows a vast empty but also full environment. I also like colours and textures in the picture. With the slightly dark blue clouds in the dramatic sky contrasting with the bright orange desert, rough, dusty ground. The image is very full with things to look at but cleverly gives off this empty feeling; a feeling of isolation. I also like that the photographer has taken a picture of something that used to be alive but has died over time. I find that it really sticks out over all the other images showing something that others haven’t.

Abstract photography is an image that isn’t associated with the object world.  This can be done through various unusual textures within the photograph along with striking light forms creating interesting shapes.  This creates a strange and slightly unrealistic effect.  Influential photographers include Paul Cézanne, Jessica Eaton, Barbara Rosenthal.

Rust Abstraction

 Keld Helmer-Petersen 

Boylle Family

Formalism in photography analyses and compares form and style mainly focusing on color, line, shape, texture and their purely visual aspects.

Paul Strand – Light/Shadows

Reeds – Line/pattern

Texture/pattern

Romanticism heavily focuses on emotion and more of classical sides of beauty rather than “ugly” and “industrial” areas.  It originated in response to the industrial revolution in England where people where fleeing the beautiful countryside and emigrated to the cities which spoiled the landscape.  Romanticism can often be exaggerated by the artist whose interpretation and feelings towards beauty are expressed.  Nowadays romanticism is focuses more on beauty of the landscape.

The new Topographers was a landscape exhibition in America in 1975 and 1976 headed by William Jenkins.  Groups of photographers comprising of: Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel Jr later influenced this particular style to influence how its done today.  They can be presented in black and white prints or in color, and often depict “ugly” urban locations and settings, and with this they find beauty within them.  They do this by finding particularly harsh settings which connote feelings of hostility, and with this, these photographers can stand back and observe the surroundings which incorporate an essence of beauty.  This is interesting because it shows how the strong use of contrast can be exaggerated to create tense emotions for the viewer.

Robert Adams

I like this photograph because of how the strong contrast between the dark tones of the surrounding landscape and the brighter white tones of the caravans.  As this is a trailer park it suggests some sense of poverty and this is emphasized again by the dark tones of the surrounding mountains and the fact the landscape is in the top 2/3’s of the photograph, overpowers the caravans.  However the caravans with the strong bright tones are interesting because they show a sense of happiness and positivity which stands out particularly.  This emphasis on the striking white tones suggest that the people who live in these trailers, despite their hard lives still continue to live positively.  Robert Adams has enhanced this feeling by the fact he has taken the photograph from a birds eye view.  The fact we the viewers are looking down upon these caravans is suggestive of  how poor and how hard this style of living can be.

Stephen Shore

This photograph fascinates me because mainly because of the vibrance of colors within the landscape.  For example, the blue sky with no clouds appears almost quite innocent as it falls over the desert.  On the other hand the desert appears quite a happy place in the sense of the warmth of the colors is projected of the landscape.  From this, essentially the bright lighting imposes a happy mood.  I also like how the main focus of the photograph is the road ahead with the man and his dog steered far to the right.  This is significant because Man and dog are commonly associated with friendship, but the fact they seem slightly apart in the photograph shows that the current setting appears quite hostile.  Furthermore, the man appears to be looking at the photograph appearing as if he doesn’t trust the photographer, and therefore making us fearful. To make us more somewhat more fearful, I believe the heavy depth of the photograph presents the road as if it is never ending.