Category Archives: Research

Filters

Author:
Category:

Romanticism // Response to Ansel Adams

Romanticism (Romantic era/Romantic period) was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was partly a reaction to the Industrial Revolution.

In photography, photographers who took up the romanticist approach aimed to sensationalise the overall look of their mages by enhancing certain colours to make the image look almost surreal, glorified and they wanted to dramatize certain areas of their photographs.

It is said that “the movement emphasized intense emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as apprehension, horror and terror, and awe—especially that experienced in confronting the new aesthetic categories of the sublimity and beauty of nature. Romanticism was a huge step away from the subtleties of photography and instead looked very bold and striking.

In the visual arts, Romanticism first showed itself in landscape painting, where from as early as the 1760s British artists began to turn to wilder landscapes and storms, and gothic architecture, even if they had to make do with Wales as a setting. Caspar David Friederich and J.M.W. Turner were born less than a year apart in 1774 and 1775 respectively and were to take German and English landscape painting to their extremes of Romanticism.

Caspar David Friedrich – Wanderer Above the Sea of Fog 1818

Ansel Adams is an example of a modern day photographer who embraced Romanticism. Classed as the master and crucial pioneer of modern landscape photography, inflecting may of our great’s today, Adams used a black and white film in his images he captured of towering mountains, elegant lakes and snowy hills. This added an effect to each of images, differentiating his from others such as Edward Weston as it created a look to the sky which darkened the blue to a mysterious and shadowy, and quite chilling blackish grey colour that casted over the mountains etc. of his photographs. This is a romanticised example of landscape photography.

Image result for ansel adams
Ansel Adams

Charles Baudelaire also stated that,” Romanticism neither depends precisely on choice of subject nor in exact truth, but a mode of feeling.”

There are a variety of exhibitions and competitions where photographers are being asked to capture single images that absorb vision of the romantic qualities of nature within the landscape that surrounds them.


I firstly used the lasso tool to separate the sky from the land. This would allow me to work on the two aspects individually then bring them together at the end. It s easier than attempting to make the sky darker in colour with the land lighter in colour as a whole image.

I then made both aspects black and white and operated on the sky first. I used the brightness and contrast tool to adjust the overall colour as well as shadows, then the levels tool to perfect the levels of black, white and grey in the sky. I also experimented with curves and exposure. I then made the land the right style to complement the sky, much like Ansel Adams.

I finally used the rubber and blending tool to fix up the edges created by separating the tow aspects at the beginning. This made it look  ore professional and slick.

22

SS

Archival photos

Harve de pas

This was Bayliss’s Garage, built to house some of the earliest motorised excursion vehicles which took visitors staying in the Havre des Pas hotels on their island tours. The garage was built immediately next to the slipway at the bottom of Green Street, opposite the Seaforth Hotel, which shows clearly in the picture above.

king street

St Helier had no traffic-free streets until the late 1960s, when King Street, above, became the first pedestrian precinct, followed soon after by Queen Street, below. Jersey Tourism took the opportunity to commission these photographs to illustrate promotional glossy brochures to promote conference business in the island. Many of the buildings at the bottom end of King Street shown in the photograph had remained relatively unchanged, at least externally, and particularly above the ground floors, since they were built in the 19th century, but a long stretch of Queen Street, shown in the photograph, was rebuilt in the 1960s.

king street 2

Traffic in King Street in the sunshine of July 1946.

Seaton Place 1 Seaton place 2

This picture taken from Seaton Place in the south of the town of St Helier shows Seale Street on the left and Sand Street on the right. It was probably taken in the late 1950s, or early ’60s, by an Evening Post photographer, and as the Google Street View below shows, some things have changed in the intervening years and some have not. The view up Seale Street towards the Town Hall, which is on the far end of the left side of the street, has altered very little, as has the unusual triangular building in the middle, still with a public telephone box outside. Sand Street, although relatively unchanged on the left as viewed in the pictures, is unrecognisable on the opposite side, mainly because of the construction of a multi-storey car park.

weighbridge 1

Weighbridge in 1921.

weighbridge 2

Weighbridge Gardens in 1953, seen from the top storey of the Southampton Hotel. Queen Victoria’s statue is in the center- now situated near Peoples Park.