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Experimenting with Lighting – Natural

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In today’s lesson we experimented with the use of natural lighting and shadows in photography and here is a contact sheet of the outcomes of the photoshoot my group carried out: in the first two images we experimented with the use of natural lighting casting on to one side of a persons face to illuminate that side in contrast with the other which s in darkness. This is very evident sand has worked out very well as you can see from the first image. We then used a reflector to bounce the light of sun on to the other side of the persons face which is the furthest from the source of natural light. This technique is used frequently in studio photography to get the best lighting as possible. In the second image you can notice that we have used the reflector as the other half of the model’s face is illuminated and the lighting is evenly sped out, however, you can still notice that the side of the face closest to the sun is the lighter part of her face. Doing this photoshoot today has helped me understand the use of natural lighting and how to enhance photos using particular techniques. I have also learnt that something as simple as a white piece of paper can be used an alternative to a professional reflector and that the best source of natural light is the sun.

In the other photographs, we wanted to experiment with shadows, especially shadows cast onto someone’s face and we found a barrier with holes in it which was allowing sun to be cast though them and it made for a great set up for a photo. We got our model to lie on the floor so that the pattern was being cast onto her face and to add character, she closed her eyes and lied her side so we could get  side view. The outcome is really good and I now have a better knowledge about how to pull something like this off!

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I also edited a couple of the images and in my opinion, this makes them look better and makes the pattern more a focal point and something to ask questions about due to the fact that I made them black and white – the contrast between the darker side compared to the illuminated side makes the circles bounce out at the viewer.

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Edits of Natural Light Experiment

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Here is the Original.  I like this image of the model because the model is not fully facing the camera, so it creates little soft shadows on her face, making more depth.

When Editing the photos from the Natural Light Experiment Shoot, I wanted to achieve a clear and interesting contrast between the images. I cropped the image to get rid of any unwanted shapes and shadows. However, some of the shadows created interesting frames and shapes within the image so I left them.  For each photo I wanted to have a black and white version as well as a colored version. For this image I prefer the black and white one as it makes the image look more professional.

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The Original. What makes this image interesting is the shadow that is cast across the models face. I also love the angles that is created by the shadows in the top right and bottom left corners. It creates a natural frame for the photo.

When editing both these images, I added more contrast so that we could see more of a definition between the shadow and the light.

 

Natural Light experiment

The google translation of Natural Lighting is “Natural light is light that comes from the sun. It is contrasted with artificial light, which comes from light bulbs, fires and other man-made fixtures used in homes.”

Natural lighting in photos can give off a pure vibe that artificial lighting does not provide. The Sun is an obvious example of Natural Light. The lighting from the sun can create many different spectrum’s of color throughout the day. This provides the perfect Lighting for experimenting.

During this photo shoot we were experimenting with different ways of using natural light in photography.  At the beginning, we had someone stand next to a window, so that half their face was eliminated by the natural light coming from outside, and the other half of their face was in shadow.  We experimented by using a reflector. The reflector would reflect the natural light coming from outside onto the persons face, so that the half that was in shadow, would also be eliminated.

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Once we experimented by using a reflector, we wanted to try and capture some interesting images by creating shadows using the natural light. We found a metal frame by the side of a stair way with lots of tiny holes in it. A large amount of Natural Lighting was coming through the window next to the metal frame, and was creating a shadow that we wanted to use in the images.

During the second half of the shoot, we were seeing different ways natural light could create simple shapes and shadows. We asked someone to lie down next to the metal frame where the shadows were being produced. The shadow was now being cast across the persons face. This created a cool and simple effect.

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Here is an image that I used for inspiration when editing the images that I took. I wanted to make the image black and white because I think it adds a dramatic effect to the image, and helps to improve the contrast. The shapes created by the metal frame. and the way they frame the persons face makes a really cool effect.

Natural Light – Reflected

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On the left hand side, my photos were taken using natural light coming from a nearby window.  I took the photos on the f4.5, ISO 400 and 1/320 shutter speed.  These settings therefore allowed me to focus evenly on the person without letting to much light or exposure in to give a nice balanced effect.  On the right side,  I used a reflector to balance the light coming in from the window to be reflected on his face too.  To enhance this effect, I upped the contrast to deepen the shadows.

Depth of Field – Aperture (2)

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I took these photographs with an increasing aperture from 1.8 to 8.  By doing this, the depth of field increased and decreased giving the background different levels of intimacy and comfort to the photograph.  I countered with ah higher aperture, the brightness by adjusting the ISO to 400 whereas on the lower apertures it was at 200.  To enhance the levels of contrast, I took the photograph with a natural light source coming from the left.  I took these photographs on a portrait lens which didn’t have a zoom option.  However I liked the dark and white tones picked up by the lens which highlights the detail in the areas that are focused.

 

 

Street Photography

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After analysing my artist references Photo i planned how my ‘uncertain walk’ would go. I thought about all the things that i could photograph in town and thought about how i can try an interpretation of Bruce Gildens photographs in my own style. I plan to take these style of photographs by going into town on the 14th of october and walking quickly around town capturing photographs with the flash on.

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Contact Sheets

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The contact sheets from my street photography shoot show that i made a good attempt at trying to use similar techniques to Bruce Gilden. I focused on peoples faces close up and did not use the zoom i just went close to them and with the flash on took a photo. in the contact sheets you can see that it took a while to get the correct settings on the camera. I had to put the ISO higher to prevent over exposure but all think about the shutter speed so that the person was in focus but the background had a slight blur to it. All together i took 198 photographs. this gives me a range of photos to pick the best ones and adjust them slight to replicate Bruce Gildens work further.

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This image is of a lady walking through town. the woman is focused on what she was doing and didn’t even realise i was photographing her. The meaning that is conveyed in this image is  from the black and white of the photograph. it suggests that the photograph is documentary photography telling us about the person. the photograph is also street photography as you can see the image has been taken on the high street, original street photography were all black and white as it conveys the idea of documenting something for example like you would in a newspaper. Taking this image was very technical trying to get the it in the same style as Bruce Gilden. For this particular image the shutterspeed was on 1/80 of a second, the ISO was 800 because is was a bright day but i was also using flash as Bruce Gilden does but i didn’t want to over expose the image. The focus was on auto as the images were taken quickly and it was the best way to avoid blurring on the subjects face.  To take the photo i walked along and then stepped in front of the lady and crouched down so i was slightly looking up on the subject. As i was taking the image i noticed that the manikins in the background made an interesting contrast to the real life subject i was photographing. Rule of thirds wasn’t considered when i was taking the image because it was taken on the move, i just focused on trying to get the model to fill 2/3 of the image.  The use of leading lines in this image in my view is created by the zip on her jumper, it leads your eyes up the image and to the face which is the focal point of the image as i am still focusing on portraits. The cantered viewpoint of this image shows that is was an unstaged photograph. the quantity of this image is bright die to the flash reflecting off the subjects face, this does make the image slightly over exposed but it captures the detail in the subjects face and also replicates that of what Gildens photos are like. This also makes the lighting quite a harsh hard like therefore making the image bold and striking.

This is not my favourite image from the shoot because i do not feel an emotional response from the image. The image makes me feel negative. i think this is because it is quite a cold image therefore does not have a positive impact on me. The mood and tone of the image is somewhat dull and this is emphasised by the woman in the the photograph having an unemotional facial expression.

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As i was moving into the position i wanted to be in to take this image the man realised and looked shocked i still took the image even though he had jumper slightly back it actually conveys more of a story than just unemotional faces. I think that this unstaged capturing of this moment makes the photograph one of the best photos in terms of documentary street photography from my shoot. Again the image is black and white with high contrast between light and dark due to the flash. i feel that this image even more so than the others shows the subjects personality and in this case makes the image seem like an old outdated street photography image, although the image was digitally manipulative everthing else about the image was natural and had the sense of luck that Bruce Gilden manages to capture in his images just being in the right place at the right time.

When taking this image i had stopped the man walking in front of me so i had actually planned that i was going to try and get him in the middle of the photograph for the reasons that you could see his outfit to show more about his personality. the image follows the rule of thirds as the man is in the centre of the image so your eye is immediately drawn to him making him the focal point of this image. Depth of fiield is an important aspect in this image to make it the successful photograph that i think it is. The man is creating the fore ground of the image helping to make him the focal point and then the clock tower building creates mid ground and also leading lines taking your eyes through the middle of the image and then the background is the members of the public and far away shops.  For this image i tried a different angle and did a straight angle shot. i feel that it worked in the sense of capturing lots in the image but as it was a full bodied shot the image ended up being over exposed with an uneven balance of pure white than pure black, this issue was created from the flash as instead of illuminating the face to get detail it lightened most of the image.

I decided on my shoot to dedicate a certain block of time (10 mins) to focus on women. I wanted to capture images which showed the different generations of woman and how there style conveys a message of who they are and what the are about. This was a more in depth idea during my photoshoot which specifically focused on documentary of who people where and what a quick portrait can tell us about certain people on our first impression. However i was still following my artist Bruce Gilden in the angles and uncertainty of what i was going to be photographing

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I have a very negative emotional response to this image as the subject i photographed was both on his phone and smoking giving the impression of both being unsociable but also not caring able his health. This image was also off topic of things i was trying to photograph as i wasn’t moving when i took the photograph and neither was the subject this makes the image more stage than i wanted. None the less the image is still an interesting street photograph.

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The image of the left is Bruce Gildens image and then the image on the right is my interpretation of his work. There are similarities and differences between our street photographs. A similarity is that they have both been taken at a cantered angle focusing on a persons face however Gildens image is a more extreme angle than mine. The images are also both in black and white however the flash is more visible in Bruce Gildens work that mine. The flash has created a harsh direction of light looking straight onto the woman’s face making the features have slight shadow on the side. My image is over exposed due to the flash however it was more of a soft quantity of light meaning the face is not as bright as Gildens work. Another element of both images that shows a similarity is the use of buildings to create depth of field, this is done by both images where the person is the focal point of the image being in the fore ground and then buildings going into the distance making the image less flat. The colour also comes into the idea of how bold or flat the image is. My image has less of a contrast making the aspects of the image not as bold as Bruce Gildens image yet still has the same idea of making sure there is both light and dark in the image.

Depth Of Field/Aperture – Detailed Description

An aperture is an opening or a hole but in photographic terms, aperture is a space through which light passes // Depth of field is the distance between the nearest and the furthest objects in an image -essentially the foreground, mid-ground and background that give an image judged to be in focus in a camera.

Using the aperture (f-stop) of your lens is the simplest way to control your depth of field as you set up your shot.

Large aperture = Small f-number = Shallow (small) depth of field
Small aperture = Larger f-number = Deeper (larger) depth of field

For example, using a setting of f/2.8 will produce a very shallow depth of field and make the foreground of your image – the subject crisply in focus and as you look further into the photo, more of the aspects will be out of focus. While f/11 will produce a deeper Depth of field and make more of your picture in focus.

This image captured at 300mm focal length and F/ produced a very shallow DOF. Because of this very shallow DOF it is important to set your focal point on the eye. Notice how the bird appears to pop out from the background.
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TIPS FOR WHEN TO USE SHALLOW DEPTH OF FIELD: Using a shallow depth of field is a good way to make your subject stand out from its background and is great for portrait photography. Shallow depth of field can also be useful in wildlife photography, where you want the subject to stand out from its surroundings.

In this landscape captured at 50mm at F/16 Focus point was set at 8 meters which made everything from 4 meters to infinity in focus

TIPS FOR WHEN TO USE DEEPER DEPTH OF FIELD: In landscape photography it is important to get as much of your scene in focus as possible. By using a wide angle lens and a small aperture you will be able maximize your depth of field to get your scene in focus.

Bokeh in this image caused by the distance from the subject to the background which fell well beyond the DOF

Bokeh comes from the Japanese word meaning blur. Bokeh commonly refers to the circle shapes caused by the shape of the lens aperture. Usually created when shooting with your aperture wide open, such as f/2.8.

csI experimented with different apertures and f/stops to see what the impact is of adjusting them first-hand. However, I realised that also adjusting the ISO is important as well, otherwise you will get a grainy look to the image if the light hasn’t been taken into consideration. If I was to do some further experiments, I would use a person as my subject as this would provide me with an outcome easier for me to see the significance if changing the aperture.

 

Week 7 // Editing and Printing [H/T RANKIN homework]

This week all students will be encouraged and expected to tackle and complete the following tasks…

  • Tidy up your File Management (blog ready / print ready images)
  • Final edits of strongest Environmental Portraits and Street Photography (3-5 images per photoshoot)
  • Select 1 x A3 and 1 x A4 FINAL IMAGES
  • THESE MUST BE HIGH QUALITY, HIGH RESOLUTION IMAGES SAVED IN A PRINTING FOLDER IN M:DRIVE
  • An analysis of your current assessment material and introduction to the marking criteria and comparisons to exemplar material
  • Completion of Street Photography Homework ( photoshoot) so you can edit and present these too…
  • Analyse and evaluate what you have achieved so far…
  • Check that you have completed EACH INDIVIDIAUL BLOG POST

HALF TERM HOMEWORK ASSIGNMENT // Halloween inspired photoshoot

COMPLETE A PERSONAL PHOTO-SHOOT (50-100 PHOTOS) BASED ON THE WORK OF RANKIN… or you can choose another studio photographer whose style you wish to emulate and develop

TAKE NOTE OF HIS USE OF LIGHTING AND USE OF PROPS, BODY LANGUAGE, CLOTHING AND CHOICE OF MODELS….

http://rankin.co.uk/portraits/

[LOOK CLOSELY AT HIS DESTROY / DE-CONSTRUCT PROJECTS before starting to inspire ways in which you can adapt and edit your images next term…Rankin makes a point of encouraging the celebrities he photographs to adapt their portraits in a way that reflects their character / profession]

Thom Yorke, Radiohead

Joe Strummer, The Clash

Goldie, Graffiti Artist, drum and bass musician and producer

 

 

 

 

 

 

Original ; Edit Best Images from Street Photography