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Double Exposure

Artist Reference- Jasper James

Jasper James is a China based photographer who works  in Shanghai and Beijing, shooting editorial, advertising and corporate work. His photography ranges from portrait, travel and interiors to concept driven projects.

Over the past ten years he has lived and worked in New York, London and Beijing, covering assignments around the globe for some of the worlds biggest magazines, design and advertising clients.  His overviews of the city life reflect interesting layers of construction and open narratives through silhouetted onlookers.

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Analysis-

I think that everything in this photo has a purpose for being there and that Jasper James has really thought about were he was place everything in the image on purpose. I think that the man is slightly to the side of the image so that you can see the city background and he is holding a phone to maybe illustrate the busy city life. This photo breaks the rule of thirds as the man is nearly completely in the middle section of the photo. The river in the background of the photo creates really good leading lines and the fact that it is wavy makes your eyes lead up the river almost zig zagging across the bottom section of the photo. This photo does not really have any symmetry to the image and the only patterns that may be in the photo is the buildings and they are not close up  they create a patterned background to the image. The view point of Jasper James’ work is normally quite similar. A lot of the photos including this one is a landscape photo of the city as the background creating a wide view. He then takes close up photos of peoples faces but has them slightly turned to the side or looking at the view. The person he is capturing in the photo has been placed there for a certain reason but has got them to be natural so that the photo is not to staged. The photo conveys a lot of depth and has a big impact on the images and all of jasper James images. The layer of the photo creates a lot of depth to the photo almost making it have another dimension. Depth is one of the main aspects in this image to make it exciting and interesting to look at. The framing in this photo is slightly different to other images with framing yet I think that photo does show framing. The darker section of the photo is the person and this is a focal point to the image as the darker outline makes its bolder and therefore I think this creates a frame to the city you can see behind the person. In addition to this I think contrast is also created by the dark shadow  of the person the almost over exposed city background caused by the way the photo has been taken. I think that this photo may have been taken in the morning as the light is bright but quite soft and the city has a sort of morning hue to it. The photo of the man which was taken separately has a harsh lighting which was coming from behind him which is creating the shadow on his face and because he as shoot into the light it has created an interesting silhouette. I think that Jasper James used a DSLR camera to take the photos and used the landscape setting to take the city background and an auto setting or portrait setting to take the close up photo of the mans face.

My Interpretation-

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Using Colour Overlay, Texture and Frames

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My first edits are experiments on photoshop looking at how a colour overlay can change the image. To edit in this in style i selected The circle icon at the bottom of the screen and then click solid colour, when i clicked this i selected the colour i wanted the image to be to begin with i experimented with red. i then changed the effect to ‘overylay’ and then ‘soft light’ to see how it changed the image. Below is my final edited image which has a red overlay with the ‘soft light’ effect and then i have adjusted the lighting and contrast tools.

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For these images i added a layer onto them. i selected a textured image and then dragged it onto the image i was using. To then blend the images together i selected overlay and then lowered the opacity so the images blended together.

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For my final editing technique i bordered images with frames i found of of the internet. I went through the same process as adding a texture but the outcome showed a different message.  The digital use of framing focuses your eye of the subject of the portrait.

Different types of lighting

Fill Lighting

Fill light is any source of illumination that lightens (fills in) areas of shadow created by other lights. Most often, fill light is used to lighten the shadows created by the main (key) light.

The fill light may be used to reduce the contrast of a scene to match the dynamic range of the recording media and record the same amount of detail typically seen by eye in average lighting and considered normal. From that baseline of normality using more or less fill will make shadows seem lighter or darker than normal which will cause the viewer to react differently, by inferring both environmental and mood clues from the tone of the shadows.

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Spill Lighting

Spill light or light trespass is the light that illuminates surfaces beyond the property line. An example is the light on a bedroom wall coming through the window from the ball field across the street.

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The term “spill fill” refers to fill light which results from the footprint of light sources bouncing off surfaces in the shooting environment. It can, if not observed and understood, lead to erroneous assumptions about lighting strategies and modifier choices. For example, a difference between a soft box and shoot-through umbrella of identical size used in a small reflective space is that the soft box is designed to limit spill and the shoot through umbrella to maximize it. The umbrella will appear to “wrap” the light more, but in terms of actual cause and effect the “wrap” effect results from the light bouncing off ceiling and walls back into the shadows created by the key light from many different directions.

 

Butterfly Lighting

Butterfly lighting is one of the oldest techniques for lighting a subject. Butterfly lighting, also known as Paramount lighting, became a staple pattern for the Hollywood photographers of the 1930s.   This lighting is characterized by the butterfly-shaped shadow that it casts below the nose.  The butterfly  pattern can be quite useful for a variety of faces, but is at its best on lean subjects with high and pronounced cheekbones.  It is produced by placing the light source above the face (typically 25-70 degrees) and in line with the direction in which the face is pointing.

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Loop Lighting

Loop lighting, which is named for the loop-shaped shadow that it creates under the nose, is the most frequently-used pattern. It is considered to be a relatively flattering and adaptable pattern that lights most of the face while imparting a sense of depth.

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This is my image that i think i have manage to show loop light. You can see the shadow just under the nose of the left side.edit_3920

 

 

Rembrandt Lighting

Rembrandt lighting is a lighting technique that is used in studio portrait photography. It can be achieved using one light and a reflector, or two lights, and is popular because it is capable of producing images which appear both natural and compelling with a minimum of equipment.

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Normally, the key light is placed high and to one side at the front, and the fill light or a reflector is placed half-height and on the other side at the front, set to about half the power of the key light, with the subject, if facing at an angle to the camera, with the key light illuminating the far side of the face.

The key in Rembrandt lighting is creating the triangle or diamond shape of light underneath the eye. One side of the face is lit well from the main light source while the other side of the face uses the interaction of shadows and light, also known as chiaroscuro, to create this geometric form on the face.

The triangle should be no longer than the nose and no wider than the eye. This technique may be achieved subtly or very dramatically by altering the distance between subject and lights and relative strengths of main and fill lights.

My Response to Rambrant Lighting:

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In the images you can clearly see a triangle of light on the left side of the face. To create the Rambrant lighting effect i used one key light source and that was a soft box at a 45 degrees angle so that most of the light was just on the right apart from the small triangle on the right.

John Rankin

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Biography

John Rankin Waddell was born on 28th April 1966 and then brought up in Hertfordshire. At Brighton Polytechnic he studied accounting but whilst he was there he realised that that wasn’t what he wanted to be doing and dropped out. He then studied photography at Barnfield College Luton and then went onto the London College of Printing. Whilst studying here he met Jefferson Hack where they formed a working partnership. Rankin and Hack decided to start a magazine called ‘Dazed and Confused’ after they graduated in 1992.

Rankin later launched his own fashion magazine in 2000. Aswell as this he was donated his services to publicity campaigns for the charitable organisation ‘Womans Aid’ and others. Following this in 2009 he created a contemporary structure design which he called ‘Annroy’. This is where Rankin keeps his own state-of-the-art photographic studio. There is also a gallery and home to his family. ‘Annroy’ holds a different exhibition each month, which features his current work.

Rankin was awarded the Honorary Fellowship by the Royal Photographic Society in 2002. Later in 2009 an hour long documentary showed him creating his own tributes to iconic images of famous figures. He interviewed photographers and used comtempary models to bring together his shoot. Further on in his career he was involved in ‘Britains Missing Top Model’ which was a reality show. It focused on following on eight young women with disabilities who competed for a modelling contract and then in 2011 He was a photography teacher on a channel 4 series.

Rankin quote:  “In America the Jewish zealots are so powerful. Especially in the entertainment industry.”

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This fashion portrait taken by John Rankin is a close up portrait of a woman with face makeup on. Rankin had strong meaning when taking his photographs and wanted to  capture who the celebrities thought they were, this images often represented themselves in there true form and gave them a chance to be who they were.  So in my opinion i think that the message that is being conveyed with this image is that the subject thinks they are a striking character yet have a natural pure beauty. The genre of this image is fashion/ studio portraiture. The image also contains a lot of techniques that give it the style it is. The image has been set up with a white background and then well planned studio lighting so that the edge of the subject is very sharp. The mise-en-scene of this image is that the makeup is the way it is so that it shows the personality of the subject, it is also against a white wall so that the face is the only focal point and stands out in the image. The face paint is effective in the way that it creates symmetry of the face and makes the image aesthetically pleasing to look at. the strong straight angle also shows the image in its simplest form having nothing distracting the portrait. Depth and lighting are link together in this image, the light coming slightly from the left of the face creates shadowing on the right side. the shadowing creates depth on the face and makes the features stand out giving it a third dimension. This also gives a sharp but smooth texture to the image. The white background creates a frame for the portrait but also a strong contrast to the shadow and colour on the face. There is also the effect of the image being over exposed from behind the subject which makes the colour of blue in the image pop and helps the connection of the blue in the subjects eyes. The lighting quantity is bright and also a hard harsh light showing the use of equipment.

Straight away i felt a positive emotional response to this image as the image stood out to me due to the simplicity of the plain emotionless face and then the use of the eyes and blue to really bring the image to life. The images makes me feel captivated by the piercing blue eyes as when i look at it i find myself draw to the eyes and interested in why the model chose to be represented in this way.

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This is another piece of Rankin’s work however the subject has been asked to be photographed in a very different way to the other model. The image is still of a woman, close up and with a white background. However the message to the photograph is very different, the model in my opinion seems like she wants to be seen as mysterious but has a feisty side, i get this impression from the darkness of the image, the dark lipstick,eyes and hat. The genre of the image is again fashion and studio photography and is being taken for the celebrity to show their true self in their own eyes and how she wants the world to see her. Again this image has used technical equipment such as a white screen a professional shooting life a photography and a high focusing DSLR camera. Everything in this image has been very specifically placed so that it is giving out the correct message for example the hands and hair slightly covering the  face. The hat maybe symbolising colour but not to far over the face that its covering who she is. The use of framing is very vital in this image as the hair is fitted around the subjects face framing the face making you focus on her face and for the facial features to be the focal point. The close up angle cuts out any unwanted background making it a complete face portrait so the only thing you can focus on is the subject its self and they are using only a few props and facial expressions to convey the message.  The lighting is very important in this image as they have chosen the photograph to be black and white giving the idea that the photo is over exposed and also that the photo has a high contrast in it, the pure white and pure black are complete opposite ends of the spectrum making the image quite harsh.

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High Key and Low Key lighting

 

Highkey lighting is a style of lighting for film, television, or photography that aims to reduce the lighting ratio present in the scene. This was originally done partly for technological reasons, since early film and television did not deal well with high contrast ratios, but now is used to suggest an upbeat mood.

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Lowkey lighting is a style of lighting for photography, film or television. It is a necessary element in creating a chiaroscuro effect. Traditional photographic lighting, three-point lighting uses a key light, a fill light, and a back light for illumination.

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These are my examples of high and low key lighting. the image of the left is very dark and a very loft light has been used to take this image whereas the photo on the right is a very bright nearly over exposed due to a very bright harsh light source.

 

3 Point Lighting Experimental Shoot

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The Three Point Lighting Technique is a standard method used in visual media such as video, film, still photography and computer-generated imagery. It is a simple but versatile system which forms the basis of most lighting. Once you understand three point lighting you are well on the way to understanding all lighting.

The key light, as the name suggests, shines directly upon the subject and serves as its principal illuminator; more than anything else, the strength, color and angle of the key determines the shot’s overall lighting design.

The fill light also shines on the subject, but from a side angle relative to the key and is often placed at a lower position than the key (about at the level of the subject’s face). It balances the key by illuminating shaded surfaces, and lessening or eliminating chiaroscuro effects, such as the shadow cast by a person’s nose upon the rest of the face. It is usually softer and less bright than the key light

The back light  shines on the subject from behind, often (but not necessarily) to one side or the other. It gives the subject a rim of light, serving to separate the subject from the background and highlighting contours.

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This shoot was a hard as we did not have access to the correct lighting sources. Altogether we had a Fill, Key and Back light however the key light was far more direct and powerful than the full light making it very difficult to cancel out any shadow. i was still able to capture some image which were a good attempt at three point lighting and it was a good starting point so that i know how i will change next time i attempt this shoot to improve it. Nonetheless i still edited a few of the best images in a few different ways and i think that some of the results were very effective and show good studio photography.

This is hot the studio was set up. we started with the lighting in the typical three point lighting positions and then began to move them around to remove as many shadows as possible. i think that the use of two soft boxes in a second shoot would be  lot more creative.

 

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I picked this image as one of the final images from this shoot as it was the image with the least amount of shadow. i think that this image worked best because we had the soft box as the key light coming from the right of the image and the then fill light coming from a 45 degrees angle to the subject which has eliminated most of the shadow although creating a slight illumination on the side of the hair. the third and final light was the back light which we shon against the white background to get hid of any last shadows. the simplicity of the subject and the angle of the body position made the image easier than some of the previous attempts to minimalise the shadowing. the image follows the rule of thirds as the subject has been placed in the centre of the image making the subject an unavoidable focal point. the even amount of background behind the subject makes a good frame helping the further make the subject the focal point as well as giving the portrait some depth of field as the subject stands out on top of the background. the colour tones make the image calm as the lighting is quite soft and the facial expressions make a huge difference to the tone of the image and as she is smiling a happy warm atmosphere is created by this attempt at a three point lighting portrait.
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I chose this image to analyse as the angle of the lighting system was not very good for this image. on the left side of the subjects face there is a strong light source which overexposed the side of the face and then the right side of the face which is not getting enough of a light source which meant it could not balance with the light source coming from the other side meaning shadow was created in the right side of the face. Although the overexposure along with the showing creates an affected contrast with the image it is not what i was hoping to capture with an even lighting throughout the image. From photographing this specific subject i found that glasses are very tricky to work with because you get shadow from the glasses and a reflection of the light from the lense. so i have learnt not to take photos with glasses unless i have the correct lighting set up and have fully planned for a complicated prop.

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This was my Favorite image from the three point lighting shoot. When i saw this image i immediately had a positive emotional response to it due to the natural style of the image and the fact that it shows the subjects beauty.  The way the lighting was directed onto the face really stood out to me and the contrasting colours made it a really interesting photograph to look at.

This image is of a teenage girl who volunteered to be a model for the three point lighting photo shoot. the lights were set up in the traditional three point lighting system with the key light facing the subject. the model was sat on a chair in front of a white back drop. The camera was on manual focus which meant i had to support the camera carefully to stop blurring. the white balance was on Fluorescent and the ISO was on 400. The shutter speed was on 1/100 of a second so that the image was taken quickly this also added the use of manual focus well as the image was taken on a fast shutter. The key light for this image was a strong directional light source which allowed us to angle it very specifically. in the case he subject decided to look right at this light illuminated the subjects face. i really like the effect this has given the image as it gives the photo a meaning of the subject being in the spotlight. The contrast in the light sources meant that there is a slight shadow of the right of the subjects face meaning the aim of the shoot was not captured however i feel that this image is very successful as the contrast between light and dark makes the image very powerful and seem almost profession. The way the back light and key light were both directed from the left onto the right meant that the right background is in lightness and the left is in darkness creating a different whilst effective background

Comparison with Mario Testino’s work

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Mario Testino’s images contain better usage of three point lighting than my images. Testino has used two soft box light sources and then a light source on the floor pointing up to create a more even light were the facial parts are equal tone of lighting. The lights were also probably on a lot stronger setting as the background is pure white and most of the image is very clear whereas the lighting that i used was a soft box and then a spot light which made it a lot harder to even out the light and get rid of shadows. to try and get this effect i had to lower the lights down to a softer light which resulted in the images having an orange tint so they weren’t as effective as as Testinos images. Therefore he used a high key lighting whereas my image were taken in more of a low key lighting.  His image is also a lot sharper and the clear lines and the simplicity of the images makes the model stand out really clearly, this creates a contrast in the image without the use of shadows. My image is not as clear so it would be good to do this shoot again and have two soft boxes on a harsh lighting so the images are more light.

Chiaroscuro – Hard Light Source

For this studio shoot instead of using the soft box as the key light source to create Chiaroscuro we used a more strong directed light. The light was set to head level and the model was placed in front of a black back drop.

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I found this light source harder to use as it was a lot more directed to just one point of the face and getting the camera setting correct so that the images werent to light or too dark made it hard. However i think that was good Chiaroscuro images were photographed and i managed to capture images that were almost compleatly in the dark and then have just half of the face lit up

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This image is one of my favourites from this shoot as the theme and body position of the subject complements the style of image. The subject help his hands in front of the face to create more depth to the image. The lighting has also work well in this image illuminating only a small section of the key features on the subjects face. The rest of the image is in darkness so the image has got the full Chiaroscuro effect. The directed light was on a low setting to create this effect and as a result the image has a strong orange/red tint to it which has been naturally created making the photograph have a warm tone to it. I think that this warm tone act as a strong contrast to the rest of the image which is black. it helps the facial features to really stand out and be the pure focal point of the image

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Turning the image to black and white whilst enhancing the lighting tools on photoshop gave a different tone to this image. The image is now very cold. The message of the image being negative is also conveyed by the facial expressionand the colour tones of mainly grey and black in this image. Changing the image to black and white has effected the levels of the image as part of the right side of the face which was originally quite flat is now over exposed and white. this creates a higher contrast of light and dark in the image making it more dramatic edit_0630