Alliance Franchise // Climate State Of Emergency Exhibition // 10.01.17

The Alliance Française is the leading cultural network worldwide, with 1,040 establishments in 136 countries on all five continents. Each year, 450,000 people, of all ages, attend Alliances Françaises to learn French and more than 6 million people participate in their cultural activities. The franchise has organised a  photography competition every year since 2010. The competition aims to highlight the “richness and diversity” of the 800 Alliances Franchise around the world, and to give amateur photographers  the opportunity to display their work to a large audience. The theme selected by the franchise was ‘Climate – State of Emergency’.

The candidates were invited to submit photos which captured the questions posed by the way climate is changing, where they live or the effects resulting from the changes.

img_1620

We went to The Jersey Arts Centre on the 10.01.17 to view the final photos selected by the franchise and chose my favourite images out of the 44 on show.

img_1621

These are my favourite images from the exhibition, along with the name of photograph and the photographer:

img_1598img_1599

Yunjie Zang is an amateur photographer and is 29 years old. He is a teacher and does photography in his spare time.

What I like about this image: 

  • obscure
  • unusual
  • unnerving
  • tells a story
  • provokes thoughts
  • mysterious

img_1600

img_1601

img_1602

David Porteus is a 47 year old amateur photographer, employed at Melbourne Arts Centre in Australia.

What I like about these images:

  • they go together very well
  • metaphor of the toxic danger surrounding us
  •  the bright colour of pink in both images
  • aesthetically pleasing
  • not necessarily focusing on landscapes

img_1603img_1604

Marc Lamey is a 54 year old and is an engineer

What I like about this photo:

  • abstract
  • the motion blur
  • moody atmosphere
  • looking to tell a story

img_1605

Somennath Mukhopadhyay is a 47 year old amateur photographer and is a teacher from India.

What I like about these images:

  • very cultural
  • lots f bright colours
  • very vibrant
  • bases each photo around the life of a  local at the same time as incorporating the them of landscapes and, most important, climate change.


img_1607img_1608

Dipayan Bhar is a 25 year old amateur photographer employed in a service sector in Bengal, India. He is also a member of National Geographic and takes images to submit to the program.

What I like abut this image:

  • he is so young
  • lots of focus points
  • black and white effect can represent that his is how the children within the image see the world
  • reflection of water

img_1609img_1610

A 36 year old amateur photographer, IT engineer from India.

What I like about this image:

  • very minimal
  • aesthetically pleasing
  • representing life where you may not think it existed
  • one focal point

img_1611img_1612

Oniblis Jose Gonzalez Urbaez is an amateur photographer from Venezuela.

What I like about this image:

  • a juxtaposition between the industrial landscape and typical beach scene
  • contrast between colours of beach and dull grey colours of industrial scene
  • great example of changes in landscapes

img_1613img_1614

Susan Whitbread is a 63 year old amateur photographer and is a civil servant from Australia.

What I like about this image:

  • many leading lines
  • sense of symmetry
  • repetition
  • bland vibrancy
  • warm and cold tones juxtaposes the image

img_1617 img_1618 img_1619

Fahran Saud Al Shammeri is an amateur photographer, 40 years of age and is a teacher in Saudi Arabia.

What I like about these images:

  • the vibrant colours and simplicity
  • almost looks like a computer background it is so crisp
  • you can see the immediate beauty of the natural landscapes
  • the shadows

My Favourite Image:

img_1607

What I like about this image is the story it tells and the message it perhaps trying to portray and it had an immediate impact on me. It seems very mysterious but there are several points in the photo that us as the audience can pick up on. It is a great example of our changing world and the different lifestyles/cultures we are surrounded by – fitting in perfectly with the theme of climate change and the affects in has on us.

I also really like that it is in black and white because it may not have had the same effect if it was in colour. You can argue that the evident deprived children in the photo see the world in black and white and may not have any vibrancy in their lives as they live in the conditions we get only a preview of in the image.

I believe the photographer, Dipayan Bhar has captured an told the story well of the lives of the kids who live in such poor conditions. Our eyes are drawn to a range of aspects within the photograph. The main, in my opinion, being the little child, thigh deep in dirty water drinking from a jug of this water. The pole down the middle of the scene splits the photo in two and makes it more easily digestible for the viewers. We can then see the rest of his family sitting on a balcony who can only sit their and allow the boy to drink the water as it’s their only option.

The overall mood and atmosphere of the image is very grim and miserable and we get a feel for how the subjects are living, which I believe is what Bhar wanted to achieve.

To the right of the image, we can see what looks like a Bollywood film poster; immediately representing two sides to the area. What we originally thought was deprived, we suddenly get a sense of class as this film poster is displayed next to such poor conditions. It provides us with a contrast.

I believe Bhar would have wished to prioritise the message received from this photo over the actual quality of the image and any editing techniques, which is why he submitted it to this amateur competition.

Using Photo Archives to explore Our Changing Landscapes

What Are Archives?

In the course of daily life, individuals and organizations create and keep information about their personal and business activities. Archivists identify and preserve these documents of lasting value.

These records — and the places they are kept — are called “archives.” Archival records take many forms, including correspondence, diaries, financial and legal documents, photographs, and moving image and sound recordings. All state governments as well as many local governments, schools, businesses, libraries, and historical societies, maintain archives.

 

Your task

The images above are Archival Images from iconic areas of Jersey…and these areas have changed over time.

  • Find archival images that correspond to your own landscape photography and contrast and compare. Include any info you can find about the image itself / photographer / time period etc
  • OR…you may find that you are intrigued by a particular landscape image and want to respond to it and create a comparison / composite image. For this you must conduct a photo-shoot aiming to document the area from a similar viewpoint and edit your images accordingly
  • OR…you may want to explore the concept of JUXTAPOSING Old and new buildings / parts of Jersey…either by photographing them in situ, or creating a composite image using photoshopi-combined-old-and-new-photos-of-paris-to-bring-history-to-life-5__880
  • 160px-2005-04-09_-_united_kingdom_-_england_-_london_-_30_st_mary_axe_-_swiss_re_gherkin_1_-_miscellaneo_4887195183

 

 

 

Public archives in Jersey

Jersey Archives:  Since 1993 Jersey Archive has collected over 300,000 archival records and it is the island’s national repository holding archival material from public institutions as well as private businesses and individuals. To visit click here

Jersey Archive can offer guidance, information and documents that relate to all aspects of the Island’s History. It also holds the collections of the Channel Islands Family History Society.

Societe Jersiaise: Photographic archive of 80,000 images dating from the mid-1840s to the present day. 35,000 historical images in the Photographic Archive are searchable online here.

Societe Jersiaise also have an extensive library with access to may publications and records relating to the island’s history, identity and geography. Click here

Archisle: The Jersey Contemporary Photography Programme, hosted by the Société Jersiaise aims to promote contemporary photography through an ongoing programme of exhibitions, education and commissions.

The Archisle project connects photographic archives, contemporary practice and experiences of island cultures and geographies through the development of a space for creative discourse between Jersey and international practitioners.

Link: http://www.archisle.org.je/

The New Topographers

The new Topographers was a landscape exhibition in America in 1975 and 1976 headed by William Jenkins.  Groups of photographers comprising of: Robert Adams, Lewis Baltz, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wessel Jr later influenced this particular style to influence how its done today.  They can be presented in black and white prints or in color, and often depict “ugly” urban locations and settings, and with this they find beauty within them.  They do this by finding particularly harsh settings which connote feelings of hostility, and with this, these photographers can stand back and observe the surroundings which incorporate an essence of beauty.  This is interesting because it shows how the strong use of contrast can be exaggerated to create tense emotions for the viewer.

Robert Adams

New Topographics: Mobile Homes, Jefferson County, Colorado by Robert Adams

I like this photograph because of how the strong contrast between the dark tones of the surrounding landscape and the brighter white tones of the caravans.  As this is a trailer park it suggests some sense of poverty and this is emphasized again by the dark tones of the surrounding mountains and the fact the landscape is in the top 2/3’s of the photograph, overpowers the caravans.  However the caravans with the strong bright tones are interesting because they show a sense of happiness and positivity which stands out particularly.  This emphasis on the striking white tones suggest that the people who live in these trailers, despite their hard lives still continue to live positively.  Robert Adams has enhanced this feeling by the fact he has taken the photograph from a birds eye view.  The fact we the viewers are looking down upon these caravans is suggestive of  how poor and how hard this style of living can be.

Stephen Shore

New Topographics: Stephen Shore

This photograph fascinates me because mainly because of the vibrance of colors within the landscape.  For example, the blue sky with no clouds appears almost quite innocent as it falls over the desert.  On the other hand the desert appears quite a happy place in the sense of the warmth of the colors is projected of the landscape.  From this, essentially the bright lighting imposes a happy mood.  I also like how the main focus of the photograph is the road ahead with the man and his dog steered far to the right.  This is significant because Man and dog are commonly associated with friendship, but the fact they seem slightly apart in the photograph shows that the current setting appears quite hostile.  Furthermore, the man appears to be looking at the photograph appearing as if he doesn’t trust the photographer, and therefore making us fearful. To make us more somewhat more fearful, I believe the heavy depth of the photograph presents the road as if it is never ending.

 

 

Initial Research on Key Terms

The New Objectivity was a movement in German art that arose during the 1920s as a reaction against expressionism.

Expressionism was a modernist movement, initially in poetry and painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world from a subjective perspective, distorting it radically for emotional effect in order to provoke moods or ideas.

The movement essentially ended in 1933 with the rise of the Nazis to power.

Image result for new objectivityImage result for new objectivityImage result for new objectivity


An archival image is an image meant to have lasting value. Archival images are usually kept off-line on a cheaper storage medium such as CD-ROM (compact disc) or magnetic tape (magnetic storage or magnetic recording is the storage of data on a magnetised medium, developed in Germany) in a secure environment. Archival images are of a higher resolution and quality than the digital image delivered to the user on-screen.

Archival imagery can be historical images of iconic landscapes or landscapes with some sentimental value and often have a big difference in comparison to its new look – for example, it could be built on new land or just given an updated look. You can find many examples of developed landscapes in Jersey.


Abstract photography, sometimes called non-objective, experimental, conceptual or concrete photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials. An abstract photograph may isolate a fragment of a natural scene in order to remove its context from the viewer, it may be purposely staged to create an unreal appearance from objects, or it may involve the use of color, light, shadow, texture, shape and/or form to convey an impression. The image may be produced using traditional photographic equipment like a camera or it may be created without using a camera by directly manipulating film/paper.

Abstract photography has rocketed during the 21st Century with the development of computers and hardware and their ease of access to people. The boundaries of abstract photography were expanded beyond the limits of film and chemistry into limitless dimensions.

Jessica Eaton

created subject matter

Barbara Rosenthal

using photography

Eileen Quinlan

the world of photography


In art, formalism is the study of art by analyzing and comparing form and style—the way objects are made and their purely visual aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than the historical and social context.

The philosopher Nick Zangwill of Glasgow University has defined formalism in art as referring to those properties “that are determined solely by sensory or physical properties”.

A formal analysis is an academic method in art history. It requires you to describe  things very carefully.

Zangwill defined three types of formalism. He described anti-formalist thinkers as those who “think that no works of art have formal aesthetic properties.”

Image result for formalism photographyImage result for formalism photography