3 Point Lighting Experimental Shoot

lighting-floorplan-back

The Three Point Lighting Technique is a standard method used in visual media such as video, film, still photography and computer-generated imagery. It is a simple but versatile system which forms the basis of most lighting. Once you understand three point lighting you are well on the way to understanding all lighting.

The key light, as the name suggests, shines directly upon the subject and serves as its principal illuminator; more than anything else, the strength, color and angle of the key determines the shot’s overall lighting design.

The fill light also shines on the subject, but from a side angle relative to the key and is often placed at a lower position than the key (about at the level of the subject’s face). It balances the key by illuminating shaded surfaces, and lessening or eliminating chiaroscuro effects, such as the shadow cast by a person’s nose upon the rest of the face. It is usually softer and less bright than the key light

The back light  shines on the subject from behind, often (but not necessarily) to one side or the other. It gives the subject a rim of light, serving to separate the subject from the background and highlighting contours.

contactsheet-001 contactsheet-002 contactsheet-003

This shoot was a hard as we did not have access to the correct lighting sources. Altogether we had a Fill, Key and Back light however the key light was far more direct and powerful than the full light making it very difficult to cancel out any shadow. i was still able to capture some image which were a good attempt at three point lighting and it was a good starting point so that i know how i will change next time i attempt this shoot to improve it. Nonetheless i still edited a few of the best images in a few different ways and i think that some of the results were very effective and show good studio photography.

This is hot the studio was set up. we started with the lighting in the typical three point lighting positions and then began to move them around to remove as many shadows as possible. i think that the use of two soft boxes in a second shoot would be  lot more creative.

 

img_3858

 

edit_3920

I picked this image as one of the final images from this shoot as it was the image with the least amount of shadow. i think that this image worked best because we had the soft box as the key light coming from the right of the image and the then fill light coming from a 45 degrees angle to the subject which has eliminated most of the shadow although creating a slight illumination on the side of the hair. the third and final light was the back light which we shon against the white background to get hid of any last shadows. the simplicity of the subject and the angle of the body position made the image easier than some of the previous attempts to minimalise the shadowing. the image follows the rule of thirds as the subject has been placed in the centre of the image making the subject an unavoidable focal point. the even amount of background behind the subject makes a good frame helping the further make the subject the focal point as well as giving the portrait some depth of field as the subject stands out on top of the background. the colour tones make the image calm as the lighting is quite soft and the facial expressions make a huge difference to the tone of the image and as she is smiling a happy warm atmosphere is created by this attempt at a three point lighting portrait.
edit_3892

I chose this image to analyse as the angle of the lighting system was not very good for this image. on the left side of the subjects face there is a strong light source which overexposed the side of the face and then the right side of the face which is not getting enough of a light source which meant it could not balance with the light source coming from the other side meaning shadow was created in the right side of the face. Although the overexposure along with the showing creates an affected contrast with the image it is not what i was hoping to capture with an even lighting throughout the image. From photographing this specific subject i found that glasses are very tricky to work with because you get shadow from the glasses and a reflection of the light from the lense. so i have learnt not to take photos with glasses unless i have the correct lighting set up and have fully planned for a complicated prop.

edit_3897

This was my Favorite image from the three point lighting shoot. When i saw this image i immediately had a positive emotional response to it due to the natural style of the image and the fact that it shows the subjects beauty.  The way the lighting was directed onto the face really stood out to me and the contrasting colours made it a really interesting photograph to look at.

This image is of a teenage girl who volunteered to be a model for the three point lighting photo shoot. the lights were set up in the traditional three point lighting system with the key light facing the subject. the model was sat on a chair in front of a white back drop. The camera was on manual focus which meant i had to support the camera carefully to stop blurring. the white balance was on Fluorescent and the ISO was on 400. The shutter speed was on 1/100 of a second so that the image was taken quickly this also added the use of manual focus well as the image was taken on a fast shutter. The key light for this image was a strong directional light source which allowed us to angle it very specifically. in the case he subject decided to look right at this light illuminated the subjects face. i really like the effect this has given the image as it gives the photo a meaning of the subject being in the spotlight. The contrast in the light sources meant that there is a slight shadow of the right of the subjects face meaning the aim of the shoot was not captured however i feel that this image is very successful as the contrast between light and dark makes the image very powerful and seem almost profession. The way the back light and key light were both directed from the left onto the right meant that the right background is in lightness and the left is in darkness creating a different whilst effective background

Comparison with Mario Testino’s work

mario-testino10

Mario Testino’s images contain better usage of three point lighting than my images. Testino has used two soft box light sources and then a light source on the floor pointing up to create a more even light were the facial parts are equal tone of lighting. The lights were also probably on a lot stronger setting as the background is pure white and most of the image is very clear whereas the lighting that i used was a soft box and then a spot light which made it a lot harder to even out the light and get rid of shadows. to try and get this effect i had to lower the lights down to a softer light which resulted in the images having an orange tint so they weren’t as effective as as Testinos images. Therefore he used a high key lighting whereas my image were taken in more of a low key lighting.  His image is also a lot sharper and the clear lines and the simplicity of the images makes the model stand out really clearly, this creates a contrast in the image without the use of shadows. My image is not as clear so it would be good to do this shoot again and have two soft boxes on a harsh lighting so the images are more light.

Experimenting with Studio Lighting – HARD AND SOFT

cs-4 cs-5 cs-6In today’s lesson, we experimented further with studio lighting and in particular, hard and soft lighting and its effect on the photograph.

  • Hard light casts shadows onto the subject; the shadows produced will have ‘harder’ edges with less transition between illumination and shadow.
  • Examples of hard light sources are spotlights, direct flash and overhead fluorescent lights.
  • If you are trying to create a scene that is moody, edgy, or with a lot of contrast then hard light is probably what you want to use and this is what we used today as you can see in the first 45 pictures.
  • In the second half of the lesson, we experimented with soft light also.
  • Soft light is light that tends to “wrap” around objects, casting diffuse shadows with soft edges. Soft light is when a light source is large relative to the subject.
  • Examples of soft light are: a cloudy day, a light with a shade, sunlight coming through a white curtain, indirect light.
  • The general rule for soft light is that the larger the light source is the softer it is. Soft light is the most flattering type of light for portraits.

Image result for examples of soft light

Hard light: we used a black backdrop and a two sources of studio light to cast shadows and contrasts on the models face. This created silhouettes of one side of her face and created a moody atmosphere. We then asked the model to use hand gestures to create more of a character for the images and the gestures she made cast shadow on to her face which had a great effect. Furthermore, we also used coloured gels over the source of light to make it more eye-catching and I much prefer this effect because it looks more fun and obscure. At first, we used two studio lights – one at either side of the model, however, we soon realised that this wasn’t providing us with the result we wanted because we couldn’t get the right contrast and so we removed one of the lights.

Soft light: provides a much more forgiving look compared to the hard light and the light is not as harsh-looking and therefore is not as much of a contrast which, in a way, I prefer because the mood of each image is less edgy and is more warming mainly due to the orange/brown colours achieved from this soft light.

When experimenting with soft light, we also used flash to see what the affect would be on the images. Using a flash gave an even spread and distribution of light across the subject and around the frame which also gave it less of a moody atmosphere and makes the image seem more pure due to the white spread of light. You can see the difference between hard light and soft light very evidently and they both give off very different tones and atmospheres so can be used for completely different purposes.

However, I really like the use of hard light over soft light because of the contrasts between blacks and the lighter colours of your subjects face. When  using hard light, you can experiment with shadows and this is what we did in the shoot. It turned out really well and looks really effective, especially with the different colour lighting.

Overall, I am happy with the turn-out of this shoot because it has given me a better understanding of the terms soft and hard light and how to use the in photography but if I was to do it again I would look further into soft light and try to get better results because I didn’t get a great chance to capture shots with this technique. My knowledge of Chiaroscuro, Rembrandt and hard light is more advanced because they can all come under one skill as they are similar.

setup-2

originals-and-edits

 

 

Hard and Soft Light

Soft light is when a light source is large compared to the subject, hard light is when the light source is small relative to the subject. This depends mostly on the following  factor: Distance. The closer the light source, the softer it becomes.

Hard Light – “Hard light sources cast shadows whose appearance of the shadow depends on the lighting instrument. That is, the shadows produced will have ‘harder’ edges with less transition between illumination and shadow.” An example of a Hard Light would be a spot light or a direct flash.

Hard light is light without diffusion. This makes it a smaller light source. A small light source will create a harder light. When you photograph in a hard light situation you are going to have strong shadows. Which can be good for some photos, but bad for others.

For our Shoot using Hard Light to create shadows, we used a continuous spot light. We also experimented with different colors by placing transparent sheets of red paper in front of the light source.


2

e

Here is my favorite image from the Hard Light Shoot. The Light that has not been diffused aloud’s strong clear Shadows to form around the features of her face. I like the clear contrast between the light and the dark. The black and white helps to improve the contrast.

img_3686

Soft Light- “Light that tends to “wrap” around objects, casting diffuse shadows with soft edges. Soft light is when a light source is large relative to the subject.” An example of Soft Light  is a light with a shade or indirect light.

The key to soft light is the diffusion. Diffusing any light source with some type of white fabric that light can pass through will produce softer light. Diffusing the light source makes the light source larger and softer. The general rule for soft light is that the larger the light source is the softer it is.

2-l 2la

Here is my favorite image from  the Soft Light Shoot.  The Light has been diffused and therefore there are less shadows that have been produced. However there is still a slight shadow on the Left side of his face.

img_3759

Rembrandt Lighting Effect

contactsheet-001 contactsheet-002 contactsheet-003 contactsheet-004 contactsheet-005 contactsheet-006

I took these photographs with the intention of creating a Rembrandt lighting effect.  The first two photographs in my contact sheet shows the primary set up for which I experimented with the lighting effects.  These lighting effects were created by me adjusting the harshness and and delicateness of the lights.  I used a primary light source and this was quite powerful in terms of supporting the main lighting.  To enhance this, another light source was used and pointed in various angles to pick out the sharper details of the object by using varying strengths of lighting.  In some cases I used a reflector to incorporate past techniques where I can get a nice balanced effect of light.  Whereas on other photographs, I didn’t use a reflector and this illuminated a section of the object up, and leaving other areas in dark.  This was effective especially where I took photographs with a black background as the darker tones of light on the objects thoroughly projected and enhanced the brighter areas.  Also, to counter the varying light angles, I sometimes took my photographs from angles such as birds, worms and face on angles.  By countering the angle of which I took the photograph with the light sources,  I could include things such as shadows, overtones, an d warmer effects of lighting.