Tanja Deman is a multimedia artist born in Croatia. She works with various mediums such as photography, collage as well as physical statues and art pieces which explore the concept of the environment as well as its sense of space and dynamic effect.
Collective Narratives
In some of her most recent work she has created compelling black and white photographs where she uses digital tools such as Photoshop to combine images reflecting the natural and urban landscape to evoke a compelling narrative. This contrast and tension of urban and natural forces is something I plan on exploring and incorporating into my own work.
Dust Storm (2010)
The above image depicts a very surrealist scene featuring a tall building surrounded by dust overlooking a large quarry in the foreground. The photograph features very few components, which adds to the dreamy, surrealist style. There is an intriguing contrast between the very formal, congruous vertical shapes of the building in contrast to the jagged, dusty shapes of the quarry.
After looking at the work of Tanja Deman I wanted to experiment and explore how Photoshop could be used to combine two or more images to create something innovative and intriguing.
I wanted my photographs to portray the contrast in landscapes such as the idea of a busy city landscape contrasted with the calmness of the countryside. I picked landscape photographs taken for my AS coursework, I has a selection of seascapes as well as urban landscapes which I could use. I wanted to create a series rather then a single image so I could use different landscapes. I picked a photograph of my brother looking blankly at the camera to emphasize the effects of human presence on the environment. I used the same image over layed onto the landscape backgrounds to create a sense of consistency as well as develop a series.
I started with these two landscape backgrounds. I liked the variation of light in the first from the sky and dark in the second which makes an interesting contrast. I also wanted to make these both black and white similar to Deman’s work. I also think it is easier to edit in black and white as the lighting varies in the two separate images, making them appear less fitting. I then increased the contrast and put down the brightness to make the two photographs blend together better. I also like the contrast of high energy in the second photograph which was a long exposure of the tunnel in St Helier and the calm and softness of the first landscape.
I wanted to show a contrast of texture in the top two images. I also picked images where the horizon was at the same level, giving more continuity to the images, making them work better as a series as well as enabling a narrative in the photograph. I also kept a colour version to show the contrast in the backgrounds, I feel they don’t work as well because of the colour difference between the background and the superimposed image.
