Documentary: Final Prints – Layouts & Designs

Before designing my photo book I first wanted to plan out how I will be presenting my final outcomes that I have chosen in my previous ‘selections’ post. To do this I have first split my results into documentary and symbolism presentations and separated them into two posts. Below are mock-up versions and experimentations of my documentary outcomes and how I want the final printed versions to appear by the end of the exam. To create these displays I will be using a mixture of gloss paper A4 and A5 images as well as A3 matt pieces and the materials provided by the school. The red cross shown over the top of my designs below indicates that I will definitely not be using this version to physically recreate in the exam whereas the question mark means I am still unsure. To create these examples I simply used layering techniques in Photoshop to make black and white backgrounds give off the illusion of window mounts and storyboards…

Documentary – Final Prints – Presentations :

This collection of computer generated displays above depicts how I am intending to display my results on the problem of ‘plasticulture’ in Jersey. For these pieces, I am planning on creating my most difficult presentations to emphasise my A3 images using a double window mounting and diptych technique. To do this I will first be creating a white window mount for all three of my pieces and then a larger black window-mount to go on top. The reason I have separated my outcomes into two pieces is because the black and white abstract image is very dark and dramatic compared and looks much better as a single display. As well as this I have chosen to create a diptych because the two colour images work together to tell a frightening story about where this plastic ends up. Because the two documentary images are not the same size, after testing it out, I have decided they look much better as a vertical display with one on top of the other.

The next design above shows how I am planning to lay out and put together my many final outcomes taken to explore the methods of Jersey’s common waste disposal. To do this I will be using my previously researched picture story technique, my 6 – 8 professionally printed photographs, and two pieces of large white foam board. The reason I will need two pieces of foam board is to separately mount each photograph, giving them a lot more visual weight and emphasis,  before sticking them all down together as a final collection. As I am unsure how big of a board I will be able to use I will be printing two extra A5 images as well as an A3 and A4 version of the same piece. This is so that when it comes to actually laying these out, in the set sizes that they are produced, I will be able to make my best judgments on the day. This piece will be my largest presentation for my project as I love the overall tone of the shoot and the fact it is an insider’s view on where all of Jersey’s pollution ends up.Lastly, for my documentary final outcome presentations, I will be showing a much smaller display of A5 images that will later pair up with the abstract finals from the same shoot. These two photographs depicting ocean pollution will be made as a simple black window mount presenting a diptych technique. Although I could possibly crop them down (using the frame) to exactly the same dimensions, I feel as though they would work better as a vertical presentation rather than as the crossed out horizontal one I have displayed above. This is mainly because of the lengthy way I have presented the surreal versions from this shoot in my next post as well as it mirroring my plastic documentary diptych above.  The reason I am printing these images so small is because they were originally taken using an iPhone and an underwater phone case and therefore are not the highest of quality.

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