Symbolism: Plastic pollution – Planning

My next two shoots were inspired by my previous outcomes; using staged scenes and studio techniques to portray common pollution issues. These shoots will be a continuation of my symbolic style showing one of the most problematic issues that everyone in modern society unfortunately contributes to. This is the issue of common plastic waste. As well as these shoots, later in this project, I will explore this topic from a photo-journalistic point of view, showing plastics effect on our island…

The reason I want to show the problem of plastic in a strong and symbolic way is because of the devastation it causes to marine life, animals and the environment. Modern life is unthinkable without plastic and the pure fact it is low-cost, light weight and durable makes it very hard to dispose of. In the EU, instead of recycling all our plastic waste, we send a third of it straight to landfill. To make things worse, millions of tonnes of this waste end up in the oceans. Birds, turtles and sea-life get tangled in plastic bags and abandoned fishing equipment, or they die from eating plastic debris. Over time, larger pieces of plastic break down into tiny particles called micro-plastic, which can form a poisonous plastic liquid residing in our oceans. These particles can soak up chemical additives and when they are eaten by fish they enter the food chain poisoning and harming countless different species.  National Geographic estimated that globally we dump over eight million metric tons of our plastic waste into the oceans each year. This rubbish accumulates in 5 ‘ocean garbage patches’, the largest one being situated between Hawaii and California. Hopefully in my next two shoots, by using studio techniques and symbolism, I will be able to get across the gravity of this global pollution problem. Below are some images depicting what this waste looks like, as well as a few different types of plastic that accumulates into big problems. 

My plan of action for these two shoots is to use models, with different types of plastic, in a home-studio made of black fabric and an LED light. In this ‘studio’ I will be using female model’s to create striking and emotive portraits with the subject matter, plastic. The first shoot will be self portraits showing only headshots distorted by the material. To create this fragmented look I am hoping for, I will be experimenting with a few different types of plastic, including bubble wrap, cellophane and clear plastic waste. For my second shoot however, I want to use a female volunteer to create full body portraits with this waste. The aim of these shoots is to show a heavily symbolic message about our connection to this global problem. As well as this the plastic directly effecting the models will represent the worlds ‘suffocation’ from this material and the damage it’s doing to the environment and therefore man-kind. The images I am hoping to capture will be dark and emotive pieces with a clear message and eye-catching beauty. Below I have added four photographs depicting the kinds of portraits I hope to create. I love the idea of wrapping the model in plastic, as it shows clear symbolism for the way we do this to everything else, as well as the fragmented view the plastic creates…

The history of the Gas Mask

The gas mask was used to protect the user from breathing in airborne pollutants and toxic gases. It forms a sealed cover over the whole face protecting the eyes, mouth and nose. The gas mask does  not protect the skin from absorbing gas, the filers for a gas mask will usually last around 24 hours in a nuclear biological chemical situation.

In WW1, the most common gas toxins were Sulfur Mustard and Chlorine Gas or particulates such as biological agents developed for weapons such as bacteria, viruses and toxins. The traditional gas mask style was with two small circular eye windows originated when the only suitable material for these windows was glass or acrylic. Glass is notoriously brittle so the windows has to be kept small and thick. The discovery of poly carbonate allowed for the gas mask to have a large full-face window. The gas mask usually have one or two filters attached to the mouth part of the mask and some masks have the filter connected to a hose.

Principles of Construction:

The word absorption is the process of being drawn into a body or substrate and the word adsorption is the process of deposition upon a surface. This ca be used to remove both particulate and gaseous hazards however some form of reaction may take place, it is not necessary but the method may work by attractive charges. If the target particles are positively charged, a negatively charged substrate may be used. Examples of substrates are activated carbon and zeolites. Using a damp cloth to cover the mouth and nose while escaping a fire can be very effective, however it does not filter out toxic gas.

Safety of old gas masks: 

Gas masks have a limited lifespan which depend on the absorbent capacity of the filter. Once the filter is filled with hazardous chemicals, it stops providing the protection needed. The filter will also degrade with age and if exposed to heat and moisture.

WWII masks contain blue asbestos in their filters, breathing in this in the gas mask factories results in the death of 10% of the employees. Modern gas masks do not use asbestos but you must be careful wearing one.

Filter Classification: 

Each filter is selected according to the toxic compound and they each protect against a particular hazard:

  • AX – Low-boiling and organic compounds
  • A – High-boiling and organic compounds
  • B – inorganic gases (hydrogen sulfide, chlorine, hydrogen cyanide)
  • E – Sulfur Dioxide and Hydrogen Chloride (acidic gases)
  • K – Ammonia and amines
  • CO – Carbon Monoxide
  • Hg – Mercury
  • Reactor – Iodine and Methyl Iodide (radioactive)
  • P – Particles, classified as P1, P2 and P3 according to removal efficiency
  • ABEK, ABEK-P3, ABEK-HgP3 or other combination filters against multiple hazards.
Use: 

Modern gas masks are constructed from an elastic polymer which come in various sizes. They are fitted with adjustable straps. The filter cartridge is fitted near the mouth either directly or via a hose. Many are connected to drinking tubes which can be fitted onto a water bottle.

The masks are rigorously tested using challenge agents such as Isoamyl acetate, a synthetic banana flavourant and camphor which is often used as innocuous challenge agents.

History and development:

The common sponge was used in ancient Greece as a gas mask. A rudimentary gas mask was created in the 9th century by the Banu Musa brothers in Baghdad, Iraq.

Primitive respirators were used by miners and were introduced by Alexander Von Humboldt in 1799. There were also plague doctor’s bird-beak-shaped mask filled with herbs originating from the 17th century.

A gas mask which was the basis of the modern gas mask was invented in 1847 by Lewis P. Haslett. It contained elements which allowed the user the breath through a nose and mouthpiece, inhalation through a bulb-shaped filter and a vent to exhale air back into the atmosphere. There were early versions of this mask which were constructed by a Scottish Chemist John Stenhouse in 1854 and a physicist John Tyndall in the 1870s.

The safety hood and smoke protector was invented by Garrett Morgan in 1912 and patented in 1914. It consisted of a cotton hood with two hoses which hung down to the door which allowed the user to breather the safer air found there. Most sponges were inserted at the end of the hoses in order to better filter the air.

Poisonous gas was first used on the Western Front on April 22 1915 by the Germans at Ypres against Canadian and french colonial troops. The first response to this was to equip the soldiers with cotton mouth pads for protection. Then the British added a long cloth which was used to tie chemical-soaked mouth pads into place, this was called The Black Veil Respirator. This was then developed into the British Hypo Helmet in June 1915.

The canister gas mask followed the hypo helmet, it was a mask connected to a tin can containing the absorbent materials by a hose.

The British Royal Society of Chemistry claims that the British scientist Edward Harrison was the one who developed the first practical gas mask for mass production, this claim was supported by a thank you note written by Winston Churchill.

An American Chemist and inventor called James Bert Garner was credited by the American sources with the invention of the gas mask in April 1915.

The modern gas mask was invented in 1944 by the US Army Chemical Warfare Service. It was made of plastic and rubber like material which greatly reduced the weight and bulk compared to the WW1 masks and it fitted the users face more snugly and comfortably.

Jersey Archive

As my project involves using a gas mask, i think it will be beneficial to include a few elements of Archival Material from Jersey Archive to incorporate into my project.

When i search the word gas masks, only 7 items come up and but 2 of them are closed until 2100.

I will be looking at the 5 archival files which i am able to access during the Easter holidays and i will photograph them or pay for copies to be printed so that i can photograph them myself.

I search Air Pollution in the Jersey Archive Catalogue and 8 items came up and all of them are restricted access.

 

This means i will only need to spend an hour or so at the Jersey Archive, so i will be most likely do it on Thursday 30th March from 2-3pm.

I will take my camera to photograph the files so that they are clear and the quality looks similar to my portraits.

This trip will most likely cost £10 plus £1 for each photocopy of an images i need.

Specification Second Shoot

This shoot will be a real one which will be done outside on Wednesday 22nd March. I will be using the same model as i did for my practice shoot

First Location (People’s Park):
  • I have chosen this place for my first official shoot as it will be easy to work with, there’s lots of colours and many different locations within the park.
  • There is a chance of a few rain showers during the time i will be photographing but i may use this to my advantage and use it as Acid Rain and use umbrella’s to create dramatic photographs.
  • I will be using a tripod and most likely a self-timer due to the slow shutter speed i will be using and so then my images will be very clear. This means that this shoot will not be very big as i will be very critical and slow when taking these photographs.
  • My model will be wearing her day to day clothes as i want the photos to look like normal photos but then get more sinister but still have an element of normality.
  • Her makeup will be quite dark as i think this will work to create a dramatic look specially when i can only see her eyes when she is wearing the mouth mask.

Second Location (Victoria Avenue Beach) if enough time:
  • My model will most likely be suited on rocks or near the sea wall or maybe just simply walking along the beach.
  • If it is raining i will be using umbrella’s to create dramatic photos specially when they are in black and white with the gas masks.
  • My model will still be wearing the clothes in which i photographed her in before in the park.
  • She will also be wearing the same eye makeup.
  • As i am on the beach, i would like to be able to capture waves in my shots so i may have to adjust my settings and use a faster shutter speed to be able to capture them clearly and using a tripod may not be an option.
  • I got this inspiration from a couple of photographed i took back in AS when doing my landscape topic.