Women in the 20th Century – 1930’s – The Wall Street Wife – Planning

Wallstreet is a financial district which runs from Broadway to South Street in New York City. It was established in 1817 when the New York stock and exchange board was introduced where stockbrokers worked together to make a profit. Stocks grew gradually as through the 19th century and early 20th before peaking in the mid 1920’s before crashing in the 30’s. As stated in the newspaper headlines in the moodpboard above, billions of dollars where lost and 1 billion in the 30’s was equivalent to about 13.7 billion today. The crash of the stock market lead to a dramatic economic decline which sparked the period of the great depression before the second world war.

The wall street crash was a devastating time in American history and lead to the suffering of many low income families, this issue inspired many photographers to document the severity of the poor living conditions. A famous portrait produced during this period is “Migrant Mother” by Dorothea Lange. However, I want to look at this decade from a different angle, from the view of those are wealthy and privileged and although would have been effected by the economic decline, it certainly wouldn’t have compromised a roof being over their heads.

This decade was tricky for me as there wasn’t many cultural stereotypes to play off so I decided to choice a social and political one. The character I hope to create for this decade is a Wall Street Wife, a spouse of a business man who makes vast amounts of money and can fund her extravagant lifestyle. This woman hasn’t worked a day in her life and is, for lack of a better phrase, a “trophy wife”. I attempted to create more of an animated scene in this decade, in slight contrast to the static, out of context shots from the 1910’s an the 1920’s. My vision was that the Wall Street Wife was going about her morning when she is shocked by the headline of the morning paper. Suddenly, there is a slight risk that her lifestyle may not be as glamorous as had previously been.

For this character, I decided to wear I plain white bathrobe which I found at a charity shop, there were no visible stains and my family plan to use it as a guest robe in future so it wasn’t a wasteful purchase. I wanted to create the idea of the wife caught in a vulnerable moment hence why she isn’t completely dressed, her hair is in rollers and still in her robe. She is however a very glamorous woman, so I also plan to have painted red nails, matching lipstick ad a full face of makeup. I plan to use my blonde hair for this look as the image will mostly consist of muted light colours other than the pop of colour provided by the nails, lipstick and potentially, blush.

I also want to experiment with different poses. I know I would like the newspaper to be folded in half so that I can hold it with just one hand to free the other hand to make gestures. I also plan to hold the newspaper with the headline facing the camera so that viewer can read it (although I will be photoshopping a wall street crash headline over the top of the newspaper I use as a prop. I want to try using different facial expressions and see is an over dramatic scream, like the example in the mood board or a more subtle showed face will work best. I plan to try both and see what comes out conveying the overall character of the image most successfully.

Daniel Vazquez – Myth and Legends

Whilst completing my Devil’s Hole section I wanted the include this artist research as inspiration for my last environmental portraiture shoot and for future reference. The work of Daniel Vazquez, better known as the American Ghoul, relates the my project of Myths and Legends perfectly. Daniel Vazquez is an artist living and working in the California whose pieces mainly revolve around creating nightmarish scenes, haunted by dark characters and disciples of black magic. His sceneries mostly take place in the middle of mysterious stormy landscapes or awful houses straight out of a horror movie.

Dark cloaked figures and bleak ominous landscapes are the emphasis of Daniel Vazquez’s work. He specialises in creating manipulations and staged photography that touch on dark symbolism, death, and occult ritual. These pieces closely create to the abstract pictorial art movement as they in themselves are a piece of art that depict a strong story and abstracted view. I love the composition and extreme emotional qualities present in Vazquez’s work as he really shows of his talent for grim themes. When looking though his work the series named ‘Siren’ really caught my eye and inspired me for my current shoots. This beautiful collection of photographs depicts mysterious, veiled and crowned creatures standing in the midst of a wonderfully bleak and ominous landscape. He also features the occult and themes of mysticism in this series showing them with amazing dark and scary portraits. Vazquez’s work explores death, darkness, shadows and symbolism, beautifully in a surreal but modest fashion. The resulting images are creepy and haunting, yet aesthetically pleasing enough to sell as prints and frame, a service he provides on his personal website. Below are five of my favourite images from this collection called ‘Siren’ that I have evaluated and analysed for inspiration on my next shoot…These first two chosen photographs by Daniel Vazquez are my favourite when it comes to how much they relate to my current project. The piece on the left is an amazingly surreal environmental portraits depicting a figure floating above the ocean holding a lamp. I love the straight forward composition of this piece as its creates an emphasis on the subject matter and a strong focus on the setting. This piece along with all his others in this series has a very strong connection to the pictorial movement. This is because of the designed characters, amazing costume, manipulated view and artistic approach. This costume of the floating character in this image gives me a lot of inspiration for what kind of thing to use to depict to demon/devil in my next Devil’s Hole shoot. The next image on the right seems to bring to life the literal character of death himself. Again, like in the last piece, I love the simple portraiture style at is really brings emphasis to the character and ties together the whole scene. One of the main things I think that makes these images so fantastic is the bleak and subtle backgrounds which create the feeling of being lost and make these characters even more terrifying. I love both of these images above in relation to my project because of the scenes I will be able to recreate down at the legends location. I also like the similar theme of the evil characters that symbolise death, just like I hope to represent with my character as well.

This next photograph I have chosen to explore from Vazquez’s collection is a beautifully constructed image depicting a figure of the top of a cliff summoning or worshiping the lighting. I think what makes this photograph so striking is the element of the contrasted silhouette effect, of the rocky cliffs and hooded figure, against the illuminated sky and bright white streaks of lighting. Although I do not expect to capture lighting in my next shoot I will definitely draw inspiration from the powerful and bold techniques shown here. This photograph for me represents humans dark connection to the powers of nature and worshippers connection to these forces.

Below are the final images I have chosen to evaluate from the series ‘Siren’. These images can give me inspire me for when I am capturing environmental portraits in the woods and pathway around Devils Hole. The first image shown below on the left depicts a dark and sorrowful looking character in the centre of a mysterious road that is surrounded by trees. As we do not know the geographical location of this image the road becomes a question of the unknown and gains some very creepy qualities. This image is particularly inspiring for my idea to take devil shots from the pathway in the woods because of the interested composition and perspective. The next image on the left is a simple shot of silhouetted trees against the cloudy sky that is illuminated by the moon. Although this image does not contain a character, I wanted to include it as an inspiration on night photography. One of my main goals for this shoot will be to capture the nights sky (even if I end up pairing it with my landscape shots). I love the dark contrast of the trees against the moon/sky and even think the telephone wires create some interesting angles. In my next and future shoots I hope to capture images with the same ominous tone as Vazquez creates as well as taking ideas from his beautiful composition.