Donna Ferrato Image Anaylsis

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This image here is also one of the images that I personally find interestingly shocking. You can see this women in the hospital who has just had stitches and as a viewer, you wonder what happened to her. When looking a little more into this particular image, I discovered that this woman called Martha was actually stabbed by her boyfriend. I found a statement in which she said that  “He didn’t mean it. You have to believe that the person you love wouldn’t intentionally do this kind of things.” I like how this image is it black and white, I feel it adds to the dramatic and horrific context. Her expression also shows her pain and you feel so connected to her and you almost feel her pain and emotion as if you were in the same room.  I also like how in this image, you can see the medical items in the back ground, and the disinfectant liquid ect. It sort of brings authenticity and reality to this image.

 

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I really like this image Ferrato captured in a woman’s refuge home. A lot of the time, people forget how domestic violence not only affects the victim, but also negatively effects the children involved in the household and in the situation. This image here is very powerful in the fact that it’s showing what i presume to be the mother with her daughter, and she is teaching her to be strong and brave. This is quite emotive as it could perhaps stand as a representation of something the mother withes she had more of when she was in her situation. Whilst researching more into statistics, It was stated that children involved in a domestic household tend to be more shy/quite and emotionally disconnected, this image here shows a mother trying to change these facts and prove to her daughter that she is strong and  brave.

“He fights all the time but it was never this bad before” Karen

In this image, the women sitting in the chair is called Karen and her boyfriend is being arrested by the police. There is a child to the side of her mother and it is almost as if she is hidden away. This is like a representation of how thing are like with many children in domestic situations, they are silent witnesses. As her mother sobs while the abuser is being taken out, she is just sat there observing the shocking events surrounding her and she is watching this unfortunate event occur. I find that the child in this image is just as/ if not more powerful than the mothers distressed expression because the child’s face is almost blank, perhaps because of the fact that this probably isn’t the first time for something like this to happen.

 

 

Photo analysis

I’ve Lived in East London for 86 1/5 years – Martin Usborne

I like this photograph because of its vibrant colours which is the first thing I noticed when I looked at this photograph I think it attracts the viewers attention. I think that this photograph shows the difference between ages and generations but also how he has adapted to the new youth culture after living in south London for so long. I think this photograph is really interesting because you wouldn’t usually see an older person interacting with people doing graffiti. I like that the photographer taken a wide shot and included the whole painting and even the graffiti artists stuff because I think it adds more to the photograph. Both of the subjects are standing to the side of the graffiti so they are not obstructing it, I think this may have been done on purpose as most of the photographs are staged. Although the main focus point to the photograph is the background I think that Martin Usborne has managed to not fade the subjects into the background. Although the old man is not alone in this photograph I think there is still a barrier which isolates him to a certain extent this photograph, however I don’t know what this is .

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Rita Puig-Serra Costa: Where Mimosa Bloom

Where Mimosa Bloom is a photo book by Rita Puig-Serra Costa, who works in publishing in Barcelona. The book is based around her grief after her mother died.

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“Dealing with the grief she suffered following the death of her mother, Where Mimosa Bloomtakes the form of an extended farewell letter; with photography skillfully used to present a visual eulogy or panegyric.” Source 

When I saw the first pages of this photo book online, I was very intrigued by the cutouts, and how she had used that within the book. My teacher then brought into school this photo book to look at in person, as well as the other two photo books that I have already studied, where I saw that Chris Dorley-Brown also used this once within his photo book The Longest Way Around.

As soon as I saw the cutouts I was thinking about how interesting it was and how i could incorporate this into my phonebook to add more depth.

The above is the first way in which I could use this within my photo book, with hopefully five images down the edge of the page, and they gradually either appear or disappear as you turn the pages, if they were to disappear as you turn the pages, this would represent the way people change over time and tend to forget about the past in order to move on and change as a person,

If they were to appear as you turn the pages, as Puig-Serra Costa did within her photo book. this would represent the development over time not being able to predict the future, but being able to reflect on how much you’ve changed as a person, and I think this way of thinking represents my mum in a better light, as she doesn’t want to move away from the past as those experiences have brought her to where she is today.

There are also two different things I could do with this, the first idea I had thought of was to have photos from every five or so years of my mum down the side as a sort of timeline, but as I feel the images would become to small to properly view, I am going to have it sectioned in to 5 pages at a time, e.g. like how I had done above, where there are only five images down the side, but when it gets to the bottom page with either the last or all of the images on, it starts again with a different set of five images and so on.

I feel that this way I could section my mums life into periods of five years, meaning there will be around 60 pages within my book, and with this I can try to create some distinction of technology changing over time, as the images at the front will all be scanned in images, but when it comes to recent years, they will all be digital photos from modern day cameras.

This way not only am i creating depth with the pages, but also with the meaning behind all my creative decisions.

Martin Usborne

I’ve Lived in East London for 85 1/5 years 

http://martinusborne.com/ive-lived-in-east-london-for-85-12-years-signed/

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The book ‘ I’ve Lived in East London for 851/2 years’ is about an old man called Joseph Markovitch who has lived in East London for the whole of this life and has barely left London. He has never had a girlfriend.  Yet Martin said Joseph’s life was colorful and strange. Martin spent 5 years getting to know and photographing Joseph. He dreamed of being a ballerina, he was fascinated by the life of Nicolas Cage and always wanted to live in the amazon. While researching Martin Osborne’s work I didn’t find much information about him apart from the one provided by his own website.

I am looking at Martin Osborne’s work because I think it has links to what I am currently doing. It also fits in with staged vs ‘natural’ documentary photography.  Martin was documenting Josephs life like I am doing with my dad, but in different circumstances. Martins photographs are staged however I think it works well. I am trying to keep my photographs as real as possible therefore I am going to avoid staging any photographs apart from portraits. . I like the use of graffiti in the photographs because its something you associate with younger people so it creates a contrast and make the photograph more visually attractive for the viewer. Martin also photographed objects which or just parts of Josephs body, I think this adds more detail to the story. I am going to try and experiment with this and take photographs of objects which something I haven’t done yet.

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