For my final ideas I have decided to stick with the movement of Surrealism for this I want to create images with no boundaries. To me surrealism is the creation of a new world, a new form of reality that is why I chose to focus on it. I really like the idea of having no limitations within my work and being able to come up with the craziest ideas imaginable and see how well they work out for me and whether some of the weird ideas from the depths of my brain come across well in the photographs. I think that this applies a lot to challenge as it is something very different to anything that I have ever done before in this photography course, it is a new style of performance.  I find it challenging for the model in my images as a lot of the time the ideas in my head stay in my head and I simply direct them and position them without them really knowing whats going on or what is going to be produced, I do explain all my ideas and progress my ideas. It is also challenging in the editing process as I need to layer the images and find new ways to develop my creations in order to make them look good and to come across how i imagine them inside my head.
Through my work I plan to communicate a wider message than just a non sense surrealist image, which is what I think a lot of surrealist work has, a concept behind it. For my shoots I am going to name my project Invisibility Cloak, I decided on this name because it makes me think the most and I feel like a spectator would see this title and wonder what it meant and would make them want to read on. I have already done one of the shoots for my project and one of the images that I made reminds me of the Harry Potter films and when Harry receives the cloak of invisibility. Here I got an idea of what the message behind my project was. I think that we live in a world where everyone judges you on your appearance, the first time you meet someone it doesn’t really matter how hard you try to impress them because they’ve already made a judgement on you based upon the clothes you wear, how you’ve done your hair, how your makeup looks etc. Now I imagined what if we lived in a world were you can’t see any of that? And instead of hiding behind our clothes to cover ourselves up we use them as a way to be known to the world for people to see that we are living. I thought this would be a good concept and although it is quite cheesy I like the message behind it and I think it will make for some good images at the end of it all.

I’m taking a chance with this project because I think that a lot of people might not get it and might just think its strange, which is the risk element of this project but I like it and I haven’t seen anything EXACTLY like this before so it will be a good chance for me to show my skills and try and create some really good work. I have looked through many surrealist photographers and in the end I found two that I really like as I think their work is different and imaginative. The first one, my absolute favourite, is a photographer named Christopher Mckenney who specializes in horror surrealist photography, to me this is very interesting and is a huge risk to take because for a lot of people it can be too much. For example, I showed my parents one of his images [man holding gun to head] and they did not like it at all. My mum didn’t really get it and wasn’t keen on it and my dad just hated it because he thought that it was going too far and too much for an image. I explained to them what I thought the image represented [see earlier post] and told them the whole concept behind it. The next photographer who I really like is Brian Oldham as his work is very unique and I think has a deeper message behind it. He sticks to surrealist photography and has work which won’t make people as uncomfortable and Mckenney’s might for some.

My Manifesto RULES:

I’m not really keen on having set rules for my shoots as I think that anything can happen and a lot of the time things that are unplanned and unprepared can turn out looking better than those that I have planned weeks in advance. If I had to give myself rules and limitations this is what they would be:
1. Keep track of time, don’t shoot when dark [creates more of a horror mood, which I do not want]
2. Allow models to have their own say and don’t restrict them to following the exact directions that I give to them
3. Remember to take a photo of the bare background before starting to shoot with model to make editing simple
4. bring all props and allow time for  preparation before shooting
5. don’t go crazy and make hard images to edit and change
6. stay in woods for first shoot and don’t mix locations [unless it looks good]
7. allow space for spectator to generate their own meaning behind the photographs, don’t make it obvious
8. no black and white images for this shoot [doesn’t allow for enough detail in photographs]
9. remember it’s PERFORMANCE photography so stick to telling some sort of story, performance doesn’t necessarily have to have a live public audience waiting, the spectator can see and image it for themselves when looking through images]
10. there are no limitations in surrealism or performance photography so keep strong ideas and allow them to be expanded

“So strong is the belief in life, in what is most fragile in life – real life, I mean – that in the end this belief is lost.” – Andre Breton [1924]