personal study – introduction and 1st pargraph

Personal Study – Photography

Question: Can the place where someone lives, change their overall outlook on life?

Introduction:

“If you wake up in a different time, in a different place, could you wake up as a different person?” – Tyler Durden. In this personal study I would like to focus on two different places and discover if they have affected my family and the locals. Since I was born in Jersey and have many family members from Madeira; I’ve always had conflicting ideals about these two worlds. I believe that my ancestors and other natives greatly prefer Madeira and I can notice it in their expressions. They seem happy, lively and at peace with the world. Most of my family have immigrated to Jersey, assumedly looking for better job opportunities and stability in life. However, I think that they still hold the thought of wanting to return to their hometown deeply within their heart: “When you finally go back to your old home, you find it wasn’t the old home you missed but your childhood.” – Sam Ewing. Personally, I feel that Jersey is quite draining, mainly due to visual aspects. For me, I prefer to be surrounded by liveliness and nature. Therefore, I want to find out if the: environment, culture, memories, etc., affect the way in which people in Jersey and Madeira feel and act. Also, if true happiness is determined by the place in which you live: “Paradise is not a place it’s a state of mind.” – Frank Sonnenburg. In my previous studies I looked at: street photography, photojournalism and landscapes; which I enjoyed and want to further explore in my personal study. In order to develop from my previous coursework, I’ll have to get a good variety of outcomes and capture more people in my frames. In Photoshop, I want to experiment with black and white filters, magenta and other general edits such as: curves, brightness and contrast, vibrancy, etc.

  1. Jersey and Madeira:

Firstly, I’d like to discuss if the two European islands affect people differently. The way that someone feels about a place has a lot to do with the connection that they make in it; be it negative or positive. In turn, this memory is crucial as it affects our reactions and perspectives of a location. The first photographer that I’ll be analysing is Sebastião Salgado. The Brazilian documentary photographer has travelled the globe searching for the most exquisite moments. His books Genesis and Migrations intrigued me a lot. Sebastião makes environmental links in his photography. I think that he aims to show the beauty of nature and preserve it in his shots: “Nature is the earth and it is other beings and if we don’t have some kind of spiritual return to our planet, I fear that we will be compromised.” Although most of the world’s environment had been ruined, Salgado’s quest aims to show pure scenery that I believe we should strive to maintain. In turn, I assume that the viewers will be enchanted by the unspoilt planet depicted and try to change the circumstances; since every human is dependent on oxygen from plants. I highly believe that us as human are happier living in an undisturbed land. For me, rural areas have little destruction and more tranquillity. If he were to document urbanized cultures, for instance with modern technology, I assume that the audience wouldn’t be as shocked, since they are already accustomed to these situations. However, Salgado’s meaningful book depicts his appreciation for untouched areas and depicts humans in less fortunate conditions such as those who live in poverty. Their culture and way of life is completely different from developed places; nonetheless, I feel that they are more connected to each other and to their environment because of where they live. Maybe they have a peaceful connection to the island. I feel so amazingly great knowing that I can escape and immerse myself in the natural world; it provides me with a true sense of humbleness and belonging to all life forms; whilst reducing my stress. This same effect possibly occurs to others, depending on their living locations. As the environmentalist John Muir says: “Going to the woods is going home; for I suppose we came from the woods originally.” Furthermore, I agree with the BBC researcher Anna Gislen in saying: “You want to help keep people safe and give them the best parts of modern culture, but in doing so they lose their own culture.” I think that people’s surroundings can impact their way of life, emotions and thoughts. Moving on, I think that the classic black and white filters that Salgado uses exude a timeless effect. I believe that this allows for the audience to focus less on the aesthetical qualities of the photograph and more on the raw feelings that are portrayed. He was influenced by Lewis Hine and other that had sullen and bold contrasts of black and white. Subsequently, this filter is also more dramatic, which may increase the importance of the message. He stated: “What people have is a way of photographing what’s inside them”, therefore their history. His past was economics and so I believe that this fuelled his future topics in photography.

DECONSTRUCTING PHOTO BOOK DESIGNS

The Americans, Robert Frank 


 

This photo has been considered one of the most influential photo books that have given inspiration to many new photographers starting out. This was produced with the help of a scholarship that allowed Frank to go on road trips across America, this was during a two year period. Frank was trying to portray American society in the post-war period. This photo book has contributed to a new style and subjective approach to documentary photography. 

The Middle of Somewhere, Sam Harris 

Sam Harris is an Australian photographer and educator. He self taught himself photography while he was a teenager, he turned his bedroom in London into a DIY makeshift darkroom. Harris has worked as an editorial photographer for places such as The Sunday Time and Esquire but also throught the 90’s he photographers portraits and sleeve art for numerous recording artists. While Harris’ career started in London in 1990 photographing editorial portraits and sleeve art his career changed into one of London’s leading young editorial portrait. Sam decided to abandon his career and changed it so that he could have more quality family time, in this time he turned his camera onto himself to photograph his own life. Harris’ lives his life with his two young daughters and his wife where he goes between India and Australia, which he setteled down in the forest of Southwestern Australia, Harris still continues to photography his on-going family dairy and he also runs workshops.

This photobook by Sam Harris gave me inspiration for my photobook in the different aspects of it and how i would like to lay out my images. This photo book communicates this narrative through different images of Sam Harris’ family while they are in the South West corner of Western Australia. This photobook is considered the next chapter in Harris’ on-going family dairy. It follows on from Harris’ other work called ‘Postcards from Home, made in 2008-2011, and is made around Harris’ two daughters Uma and Yali growing up, in a remote part of the world. In this photobook is has different aspects including some of the images are full blead on the pages and others have space which creates a boarder around the images to frame them. I think that this photobook displays the subject-matter of the two children growing up in Australia through the different note-pad like add ins in the photobook to make it seem like a journal. This creates almost a journal for the family in which they can look back on of their children growing up in Australia. The different text which is in the images in incorperated into the images by having other stick ins which are placed on top of the image, these are not fully stuck onto the page which makes the photobook a more realistic journal. This photobook portrays Sam Harris’ children growing up and i think that this is really interesting to see the two children growing up in Australia. This photobook also uses the journal like pages throughout the book of their family holidays and also writing which Sam Harris has wrote in different things that have happened throughout the years of making this photobook. 

This photobook is a portrait photo book which is of A5 size, it is layed out like a journal which focuses on Sam Harris’ two daughters growing up, the images are mostly placed full blead onto the pages, this means that they are fully to the edges of the photobook and by doing this the photographer looses to corner of the images, however some photographers do this because it brings you closer into the image and makes you look at the different aspects of the image, rather than framing the images. However, some of these photographs in the photobook have space to frame the image usually on the top and bottom or placed in the middle, however the other parts of the image are also full blead to the edges. This is broken up occasionally by one large image on the page which fills three quarters of the page and leaves some white space on the page to frame the image, this brakes up the photobook and makes it more interesting to look at, and creates a more exciting photobook to flick through. Sam Harris’ images go across the gutter which can be said to loose part of the image as you cannot always see what is going on in a picture. Harris also does this when he has two images on a double page spread where he makes both of the images go across the gutter which creates an almost panoramic look to the images and makes you look from the image which is placed onto the left and then onto the right, almost creating like it is one single image. The relationship between the images on the different pages are linked together through a relationship of something that is similar in the images, for example one is taken of the Sam Harris and his wife looking at the stars in the sky and then the next image is of a room which has disco ball lighting on the ceiling, and this is how Harris changes between his images, through a mutual relationship between the two images. I think that all of the images that have been used are images that Sam Harris has taken over the years documenting his two daughters growing up, and there are no archival images that have been used, however there has been found material, as there are little sticky notes that his daughters have placed  around and Harris has picked these up and placed them into his photo book, i think that this adds to the idea of this being a family journal. These pieces of sticky notes and journal like pages in Harris’ photo book add value to the story being told, as it adds a personal touch from his daughters which makes this a genuine family archisle. 

When looking at the book title, ‘The Middle of Somewhere’ i think that this implies how these images have been taken in between two different places in the journey and the image have been taken from places in between and in India and Australia. On the first page of the photo book their is a small poem, by W.H. Davies, Leisure, 1911, this poem is about life and how time passes by fast and i think this represents how Harris’ daughters are growing up fast before his eyes and these image show their childhood years. In the journey like pages, ‘no yesterdays, Notes from Somewhere’ this is showing all of the places that they traveled around showing their journey through the years, remembering the places they visited. This is also present in the other journal like pages in Harris photo book ‘Travelogue’ which shows them in India – Australia between 2002-2006, i think this is so that it is separate from the rest of the story as this was a break from their usual life, in this there are images of their holiday but also includes the mother giving birth to one of the daughters. There are no captions on any of the images, i think this is so that the images are looked at as a whole and the writing which would be placed with the image would distract from the images. In the back on the book there is a page which says ‘Many Thanks’ this is where Harris says thank you to everyone involved in the process and there is a picture of the family in the bed, this image is not stuck to the page 

 

ESSAY

Essay question:

How has ancient Greek statues influenced the perception of the male form, with reference to other artists regarding how they express the male physique. 

“Ancient statues are looked at and not seen” – James Davidson

When people imagine how they want their body to look like, we don’t usually think that our inspiration came from Greek sculptures, usually this has come from either internal or external forces that have created our ‘obsession’ with us having the ‘perfect’ body. When looking at Greek sculptures it is hard to not notice there “superb imperial torsos[1] and I think that when noticing this it is clear where males have their aspirations for the ideal body from. Even from around 438BC it is obvious that this idea of the ideal body was formed, younger generations are now being influenced by this idea and there is a growing increase in the amount of younger boys and girls who are entering the gym to try and improve their bodies. Also when looking at the photography that takes place involving the male physique you mainly come across media campaigns or on the other end of the scale body building competitions, this is where the body builder will use other aspect to improve the appearance of their body, for instance fake tan to make them look more defined and the use of anabolic steroids to enhance their bodies, the photographer will also usually use harsher lighting to improve the aesthetical appearance of them.  82d01799-19da-4459-abf1-85e72cc87d1b-2060x1236 (1)When looking into what I wanted to focus on for my personal study, I thought it would be interesting to look into why younger males over the past few years have become increasingly interested in working out in the gym. As my subject is a regular gym goer, I am going to study him by taking images of his gym workouts, what he eats, but I also want to take a studio shoot, so that I can take images that are similar to ones that would be featured in a magazine spread. I am going to do this so that I can see what younger males do to achieve the perfect body which they desire, and how much hard work they need to put it to achieve it. I am planning on asking a questionnaire around my subject and his friends but also some females as to why they go to the gym, and what motivates them to go. By asking these sorts of questions I will gain an insight into whyyounger generations are taking an interest into the gym. I will be looking into what affects their characters and what goals they have in life, as usually they have gym goals that they want to reach. 

Eadweard Muybridge’s looks into the idea of capturing movement within an image, this idea is called chronophotography, this type of photography was invented for scientists to study how the human body worked while it moved. One of the first chronophotography images was of a horse which is galloping, showing how at one point all four of the horse’s hooves are off the floor. This concept can be related to when looking at image of the physique and how movement changes how the body is displayed in an image. Using similar techniques to how body builders improve the appearance of their body, males make sure that they have their torso and other muscles in their body tensed so that they appear bigger. I think that this can also be related to how males unconsciously feel that they have competition between other males to have the best body, this may be to compete to get girls, or could be to impress other men. In relation to Greek statues they can be seen as one frame of the movement, and the muscles that the Greek sculptures are showing shows the statue capturing the movement. muybridge_galloping_horse (1)

In Robert Mapplethorpe’s book ‘Robert Mapplethorpe and the Classical Tradition’ he focuses on images from around the 16th century of Greek classical structures, mostly consisting of the male physique. The sculptures are very muscular, which when taken in the 16th century it is not something that you would think everyone would be interested in or aspiring to look like. Also these images from the 16th century raise questions as to whether this is why people nowadays have been so interested in going to the gym and transforming their body from hard training and eating a strict diet. Mapplethorpe’s images consist of his own images of body builders, most of which are naked and taken from different angles. These images of the male physique can be considered to show how contemporary men aspire to look like, which is why younger men are spending more time in the gym trying to improve their body. When asking my subject why he started going to the gym he said it was to “get bigger because he was scrawny” and also initially to “impress girls” I also asked some of my subjects friends and all of them said that it was for them to “get bigger” and to “build muscle”. I think that it is interesting in how the images from the late 16th century show muscular men, and it raises the question as to whether men have always felt that they need to look like their idol, the person they aspire to be. ‘I have boundless admiration for the naked body. I worship it… sometimes, looking at a model, you think you have found nothing. Then, all at once, little by little, nature reveals itself, a strip of flesh appears, and the shred of truth conveys the whole truth and enables you to rise at a single bound, to the absolute principle of things’[2], Mapplethorpe arguably implies by him having admiration for the naked body that he believes the body to be a sculpture, of which something that can be moulded into something that you want it, as if the human body is a piece of art. Furthermore I think that it can be argued that men consciously do not think that they are aspiring to look like their idol, but unconsciously they think that this is what they need to look like, to look like the ‘perfect’ man, with an amazing physique. I think that social media also has an influence on how people consider their bodies, as unconsciously we desire to look like them as they are in the public eye. Articles that are in magazines show the men to be muscular, and this is what they post as to what is the ‘perfect form’, and the main aspect of the image is the male’s torso.riefenstahl_olympia

In regard to my images I was greatly influenced by Robert Mapplethorpe’s images and through this I took images in a studio to try and get similar quality images. Through this I got my subject to pose in different positions to try and show off his muscles, to try and show how he has been influenced by the media and also other men who have been around him. I used one-point lighting to take this image to create deep and dark shadows to accentuate the muscles and make them stand out more, as Joachim Ladefoged did in his monograph called ‘Mirror’ which showed body builders before their competition doing exercises to build up the appearance of their muscles. In my image I wanted to get the oblique’s showing as I think that this, alongside the desired six pack is what men aspire to look like. By using one-point lighting the shadows are deepened and the muscles are highlighted accentuating them. I chose to change this image into black and white because I think that it shows direct link to Robert Mapplethorpe’s work as most of his images are in black and white, and I think that it makes the images appear more professional.

I think that bodybuilding competitions are a way for men to show off all of the hard work that they have put in to get their desired figure, and I also think that for some men going to the gym is their hobby and they do it because they enjoy it, and because going to the gym makes them feel better, on the inside and on the outside. Personally I go to the gym and I am very interested in living a healthy lifestyle and doing things that make me feel good about myself. In comparison to men I think that women usually go for different reasons, I asked some girls who said they go “to lose weight, tone up and to feel good about themselves when they wear something”, whereas when I asked my subject and his friends why they go to the gym they said it was “to impress girls and to compete with other men”, but they also go to “feel better about themselves”. When going into the gym it is hard not to notice the growing increase in younger men and women who are going into the gym, mainly male dominated the men go to build muscle and shred down for summer. The weights in the gym are mainly filled with groups of men, but also young men working together to help one another achieve the perfect body to impress women.hfghf

When looking around to see the relationship between Greek sculptures I noticed an article by James Davidson called ‘Naked Ambition’, in this he pointed out that the nudity of the male sculptures has become normal to us over the past 2,500 years, and it is what we expect from ancient statues. Most statues are ignored when going around a museum and people do not tend to focus on them as art pieces, and they also do not look at the significance of the statues masculine figures. ‘Ancient statues are looked at and not seen’, [3] I thought that this was an important quote because when noticing Greek statues Davidson states that there is something which all of the statues seem to have, a ‘superb imperial torso that would not disgrace the cover of Men’s Health magazine’[4]. I think that this shows how even since 300BC when human sculptures were formed; there was still an idea of the ‘perfect male’ and how men had to have a perfect torso to make them attractive. The ‘Greek nude’ which Davidson addresses is to do with nudity in practice, Greek homosexuality, a passion for gymnasium and also athletics. One concept which Davidson also relates to seems to be the idea of male body building, ‘a Nudity was a kind of costume, an idea enhanced by the face that much time seems to have been spent oiling oneself up and scraping oneself down’ [5]. I think that this implies the idea of bodybuilding and how men choose to make themselves look as muscular as possible by using other facts to enhance their personal appearance, for example fake tan and the use of steroid and other banned substances before their competitions.Mens-Health-Magazine-January-2016-Australia

I was inspired by Leni Riefenstahl’s film ‘Olympia’ produced in 1938 in Germany as a documentary film. Parts of this film show famous dive scenes which are 4 minutes long in the first edition and then 50 seconds long in the second edition. In 1938 when ‘Olympia’ was produced advanced techniques were used including unusual camera angles, smash cuts and extreme close-ups.  When looking at the images from the film ‘Olympia’ it is clear that they are all similar in a sense that they are all muscular, this is so that they can complete their sport to their full ability. The images show strong body figures, which relates to classical Greek sculptures, this is because of the masculine figures, but also because of the postures and shape of the males bodies. This image shows how the images from the film ‘Olympiacan be related to the classical Greek sculptures because some images copy how the Greek structures have been built. Moreover this arguably shows how these muscular figures have influences younger generations, but even older generation and made them unconsciously want to have a similar body type/image. Most if not all of the position which the subjects are standing in have strong postures, a perfect form. Arguably this shows how they are strong, as are the Greek statues. In comparison to body building photos, for instance Mapplethorpe’s image of Arnold Schwarzenegger, there are similarities in how they all pose, as they all have strong body postures which show off their muscles and make them a solid structure, like a statue. As you can also see in my image which I took of my subject in the studio you can see similarities in how they are tensing their muscles to create a solid form, to make themselves as solid as possible.

The perfect form is something that we all arguably aspire to be like, even when we do not consciously think we want to look like them. When looking around in today’s modern society we are flooded with images and also knowledge on how to achieve this ‘perfect body’ that everyone talks about. Plato, one of the first philosophers proposed the idea of the theory of ‘Forms’, which is a non-material abstract. ‘When used in this sense, the word form or idea is often capitalized’. [6] Plato suggests that these forms or ideas are the ‘only true subjects of study’ [7] and he proposed that there is the perfect form or the ultimate thing to be. Plato states that everyone in this world has the perfect idea of what they want to be, and in terms of physique, everyone has the perfect body in which they aspire to look like, but Plato says that all of these things are trying to be the perfect form, so in this case they are ‘mimicking’ the perfect form. It can be questioned as to whether everyone has their own perfect form of what they want. Plato uses the idea of a triangle to relate this to, as he says that someone’s idea of the perfect form never changes over time. For example, it can be questioned as to whether over time peoples idea of the perfect body had changed since even in the BC era, and looking back at Greek statues it shows that people still seem to look up to their ‘perfect form’. The forms can be seen as perfect themselves because they do not change. The example of the triangle is described to be as to when someone draws a triangle on a piece of paper, it cannot be said to be beautiful, as it is just a triangle, however the form ‘triangle’ which allows us to understand that the picture on the piece of paper is a triangle is perfect as it is unchangeable. This is because the idea and the concept of the triangle is the same to everyone, which can be said for body image, and it can be questioned as to whether everyone has the same body images which they look up to, or as we are all individuals, whether we all have a different ‘perfect form’ which we aspire to look like.

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Left-Robert-Mapplethorpe-Arnold-Schwarzenegger-Right-Robert-Mapplethorpe-Richard-Gere

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In relation to my own images I have found Mapplethorpe to be the most influential approach to this particular style of photography. Therefore a great deal of my images reflects his interpretation of Greek statues and body building images in relation to the male physique. In this image of Mapplethorpe’s I think that this shows his mental strength as his head is the focal point of this image. The circle which the man he is can be said to metaphorically imply his strength, as a circle is a strong shape as it is never ending, this can be showing his continual aspirations to meet their goals, as bodybuilders always want to improve their bodies and be better. Similarly in my image the focal point again is the subjects head, which is different from the other photographs I have produced because they normally have been focused on the muscles and brawn of his body. Moreover the lighting of the image is comparable to the likes of Mapplethorpe’s.

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Overall, I think that Greek statues have unconsciously influenced men’s perception of the perfect male form. Greek statues alongside media greatly influence how men and women think about themselves, but the idea for men to have the perfect torso is widely spoken about and published in media, therefore I think that this greatly influences the younger generations, thus making them join a gym to improve their physique. Plato’s idea of the perfect form shows how men unconsciously have a perfect form which they desire to look like, and it is questionable whether everyone has the same form or not. I think that it is clear that when we want to improve our body we do not think that our inspiration came from classical Greek sculptures, but looking back at images from 300BC I think that arguably it is clear that they have a certain degree of influence on modern society and how we view our physiques.

[1] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[2] (Mapplethorpe 2004:47)  

[3] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[4] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[5] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[6] https://en.wikipedia.org/wiki/Theory_of_Forms

[7]  https://en.wikipedia.org/wiki/Theory_of_Forms

 

 

Creating my Photo Book

My personal study is all about my Grandparents, Ruth and Rowland and their lives. I have titled my project ‘The Heavens’ as I think that the surname of ‘Heaven’ is quite intriguing. I also think  that using the name that they both share as the title is the first indication that the book is about a married couple and about their love for one another.

In this project I tried to incorporate lots of different angles of their lives, I have tried to divide the book up and format it in a way that is easy to view.

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I decided that I didn’t want to use a key image from my photo book as my cover, instead I used a picture of my grandparents table cloth as the cover image.  I also decided to not put the title, ‘The Heaves’ on the front cover. I wanted to leave the contains of the book a bit ambiguous. These formatting styles got inspired by Sam Harris’ book, ‘The middle of Somewhere’.

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Sam Harris’ cover was designed by one of his daughters. I thought it was really eye catching and gave the book a slick look.

The next pages of my book contains a bright blue page followed by  the title page.Screen Shot 2016-02-28 at 19.34.49

I thought that the blue was very eye catching and added colour straight into the book. I also think that having a couple of blank pages leading into the book is nicer than jumping straight into pictures.

I chose to use a couple of different picture formats throughout the book to keep it interesting.

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This portrait of my Grandpa sat on his piano stool is a full bled image that is presented on the left page of the book. I think because this is a key image in this collection it is important to make it a large image. I also think that by having a plain white page on the right ride of the book, it emphasises the image. Sam Harris’ photobook contains all full bled images, as it suited his style of book, a family journal.

Another image layout I used is smaller images that are padded giving it a white boarder all the way round the image.

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I mainly used this format when using archival images, as I didn’t want the images to be large and pixilated. In this example above I used my Grandparents favourite family photograph from when they were a young couple with their three boys. I then presented on the right side of the page an archival image of their three sons.

I tried to create a sequence by following these archival images with a  picture of my younger cousins.

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I chose to use this picture of my cousins as the next photo in the sequence as they are around a similar age that my uncles were in the previous image. I think you can see the resemblence between my uncles and my cousins; the ginger hair, pale skin, cheeky smiles.

I had extracted my favourite quotes from my interviews with grandparents and wanted to insert them into my book. I divided these quotes into 5 categories; Faith, Family, Jersey, Wales and Music. I presented them like this in my book.

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I didn’t want to accompany the words with any images as I wanted the views full attention on the quote. I got inspiration from Martin Usborne’s ‘Ive lived in East London for 86 1/2 years’. His project was on Joseph Meek.

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The final formatting design I used was using archival images. At the begging of my book I used two separate images of my grandparents as children. I positioned them on joining pages with the same amount of padding. I also used two similar archival image but they were taken around the time they got married. I put these images on the final pages of the book.

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Over view of my project

I am really happy with the way my project turned out. I think my images represent my grandparents lives well. I have really enjoyed working with the theme of family, as I think it has allowed me to really get stuck into the project, by working with a subject that I am familiar and comfortable with.

 

Final Outcomes | Personal Study

Here are all of the final outcomes that I have produced for my personal study. I have found this process fun and something different with creating a photo book and a short film. I have really enjoyed exploring the role of my mother and how she sees it herself. This really inspired me to create images and to make an even better final piece in the forms of a short film and a photo book. I have also added in a PDF link to my essay.

Personal Study | Essay

Shannon O’Donnell | Personal Study Essay

Behind Every Good Man There Is A Great Woman | Short Film

https://www.youtube.com/watch?v=cx5ayloQdsI

Shrinking Violet | Photo Book

Link to photo book: Shrinking Violet | Shannon O’Donnell

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Close up tasters of  pages:

Picture1

Picture2

Picture3

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Evaluation:

The final evaluation of my project Three Chapters. 

Overall, I think my project had both positive and negative aspects to it. Firstly, the research and planning that went into the project I think was successful, I looked into a diverse range of sources including, websites, books, magazines and newspapers. I think it is important when beginning a new project there must be a comprehensive and thorough investigation into the theme and concept behind the project. Therefore, it was appropriate for the research to heavily influence my original work. The second part to my project is the actual recording and photo-shoots. I began my project by interviewing my grandmother, I wanted to learn more about my grandfather and the best possible person to talk to is his ex wife and best friend. The interview was very interesting and evoked a great deal of emotions from my grandmother, she found it incredibly difficult to talk about my grandfather. This then led me to begin looking at my grandfather’s past, I started looking at archive images that my mother had kept. There was a collection of images that stood out to me, photographs of him with his children, on his wedding day, at his retirement do, holidays, birthdays and normal everyday events. I also thought it was appropriate to look through the box my mother has of some of his belongings. There was lots of condolence letters and cards sent to my family, there was the death certificate, birth certificate of his child Christine Benning who is my mother and there were personal items like his after shave and darts. Other photo-shoots I produced were focused on personal items that I had found, images from interviewing my grandmother, photographs from visiting places that reminded me of him like Green Island beach and Queens Valley Reservoir. I think it was important to include several types of images for example, portraits, landscapes, close-ups and stills. The next aspect of my project was on the experimentation, each photograph was cropped, levelled and adjusted regarding the contrast and brightness. I used the black and white effect on particular images and especially concentrated on Photoshop when arranging the collage I created of my grandfather’s life. However, I do think that I needed to focus on experimentation a great deal more in this project. Therefore, for my next project I will specifically spend more time concentrating on the experimentation of the images I have.

With regards to the essay, I found it difficult to think of a title in the beginning but came up with the title ‘How has Boltanski, Abril and Toroptsov represented the concept of capturing the invisible and reflecting the meaning of memory through the medium of photography?‘ I think it was specific enough but  still allowed me to look at lots of different aspects and include my family’s interpretation as well as my interpretation. I enjoyed writing the essay because it explained the path I was taking regarding my influences from photographers, academics and artists. I found the analysis of images complicated and hard to understand sometimes due to some of the images being more metaphorical and therefore could have multiple meanings.  I wanted my introduction to be more poetic and abstract but I wanted the conclusion to complete the essay, basically finish it off by answering the question simply. I think the design of the book was successful, I researched the designs of books on the Blurb website as well as designs of other photographers both professional and amateur. My book design was a combination of scientific and metaphorical, I wanted my images to contrast and compliment each other. I thought it took a great deal of time to design my own book, especially when designing the essay into my book. I wanted it to look clean and precise but it was not as simple as I initially anticipated. I am happy with my final design for my photo-book, I think the title works really well and the sequencing of the images are strong. But I do think it would of benefited by project if I had started designing my book a lot earlier so that I could experiment with book more, with regards to the layout and order.

I think I have managed to confidently capture the concept of photographing the invisible and the idea of memory. I wanted to explore how the invisible can be made visible. I think the idea was initially quite daunting because it seemed such a complex concept but once I properly looked into it more, I decided the project would work.

Experimentation:

Experimentation:

For my experimentation I have taken inspiration from some of the artists I have previously researched like Laia Abril and Yury Toroptsov. I wanted to find a more interesting way of displaying archive material rather than simply having it as a single image, unless they are powerful and meaningful enough. Therefore, I decided to create a collage style page in my book I am designing. However, looking over my collage again I think I need to make the image size smaller so that I can put more photographs of his life in it. I want it to represent as many memories of his life as possible. 

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After looking back over The Epilogue I think I need to readjust the size of the images. They need to be a lot smaller in order to fit more photographs in and therefore more memories in.

collage

Personal Study Essay

How do Larry Sultan and Sam Harris’ photographs of their family represent the concept of Love?

Larry Sultan and Sam Harris are two photographers who work with the theme of family. Larry Sultan’s ‘Pictures from Home’ captures his mother and father in their home of California over a decade. The work captures their love for one another as well as their lifestyle. This photographer has been a main inspiration to my work, as I also photographed my grandparents in their home and tried to incorporate all of the important things in their lives into the project. Sam Harris’ ‘The Middle of Somewhere’ is an on going family journal, showing the family’s travels through Australia and his two daughters growing up. This photographers main  inspiration to me was his design of photo book and the styles of images that he took. Although these two photographers present very different types of work, both are very relatable. Throughout this essay I am going to explore how Harris and Sultan’s photographs represent the concept of love. I will then be showing the way I have tried to include my Grandparents Love for each other and their surrounding into my project.

Photographing family members has always been a typical subject for a photographer to photograph. ‘From the beginning, amateur and professionals practised lighting techniques and rehearsed stances  using members of the family.’ ( Hattersley-Smith.K 2006:457) Although the style of photography has developed over the years and has been explored, the theme of taking images of your family has remained the same. I think this is because when the photographer feels comfortable with their subject they feel more comfortable spending time perfecting the image.

Larry Sultan uses his hometown of California’s San Fernando Valley as his main source of inspiration for a number of his projects. One of my favourite collections of his called ‘Pictures From Home” was a 10 year long project where he photographed his mother and father in their suburban life. Sultan was able to photograph both portrait and landscape photographs which captured his parents retired lifestyle and their loving relationship. Sultan has selected a range of photographs containing intimate portraits, still life images from around their home and action shots of them doing their everyday activities; such as hoovering the lounge, watching the TV and reading the news paper. Overall the project portrays a happy retired couple that are living comfortably in their home. Because the majority of the photographs contain both his mother and his father, I get the impression that they do almost everything together. I really enjoyed looking through this collection of photographs because I thought he captured not only the strong love between his mother and father, but also their strong individual characters.These photographs are accompanied by quotes from his parents, which I think really makes the collection come to life.

One of my favourite photographs from this collection is the portrait of both his mother and father seen below. It looks like it has been taken in a dark room with only a leak of light illuminating the main view point of the image, his parents faces. The lighting of this photograph has been adjusted to draw the viewers eye into the centre of the image, making the background and the edges significantly darker than the centre. The photograph has a tinge of yellow/orange which takes away the harsh contrasting colours making it more gentle to match the theme of the image. The father is the main focus of this portrait because you can see the whole of his face, and which also contains intricate details for the viewer to engage with; such as the position and the shape of his hand, which is clasped over his mouth and the watch that is attached to his arm. Because the father is the dominant focus of the image, the views eye is firstly drawn to him. The horizontal lines on his shirt act as leading lines taking the viewers eyes over to his wife, who is hugging his shoulder. The reason I like this photograph is because it is the first image in the collection we see the couple being physically intimate. The other photographs present the activities the couple get up to during their day, where as this photograph presents the love they have for one another.
His father is wearing a pair of glasses, which he is not wearing in any other photograph. His mother has her two arms around him with her head is resting on his shoulder. The photo shows the couple relaxing and I think it was taken during the evening due to the dim lighting.

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Picture from Larry Sultan’s ‘Pictures from home’ called ‘Close up’

I think the collection ‘Pictures from home” reflects heavily what type of family the Sultans are. The photographs can be seen as a record of how the parents like to keep themselves busy since their retirement with activities such as, gardening, reading, swimming etc. The photos suggest that they seem to spend much of their time together and do not have much contact with friends or family. However it appears that they have a close relationship and feel comfortable being affectionate with each other whilst their son is taking photographs of them.
Sultan says ‘What drives me to continue this work is difficult to name. It has more to do with love than with sociology’ (- Larry Sultan -Roswell Angier, (2011), americansuburb.com)This says to me that, he really enjoys using his parents as his stimulus to work around as he has kept it as an open project which he kept working on for a decade. By working with his family it has enabled him to create a project which contains intimate details, such as the quotes, which adds to the character of the book.

The second photographer, Sam Harris, who also uses family as his inspiration created a family journal called ‘The Middle Of Somewhere’ which he kept of his children, Yali and Uma growing up in their remote home in the South West corner of Western Australia.
Harris’ photography career began in London when he was designing record covers. However when he found the world of documentary he started to create family journals. His first journal called ‘Postcards from Home’ was published in 2011 and tells the story of his family migrating from London to Australia. His latest book ‘The Middle of Somewhere’ is a follow on from his previous book and was published in 2015.
Harris explains in his ‘Video at home with Sam’ that ‘its the subject matter thats important and your connection to the subject matter is what’s really important. My subject matter is my family, particularly my daughters’. (- Sam Harris, http://samharrisphoto.com/633647/the-middle-of-somewhere/)
I think this quote supports Harris’s work because he is constantly taking pictures of his children whilst they are living their everyday lives. These images have a spontaneous feel to them which foreshadows the innocence and playfulness of his children,and which makes the journal easy and enjoyable to look through.
The composition of the journal was careful not to overexpose his children, and Harris ‘developed a way of leaving them a little ambiguous in pictures’ (The Telegraph, London 2015) such as their covering their faces when playing outside as a way of portraying what was going on in their everyday life, but at the same time providing a degree of anonymity. The book contains a wide variety of picture types; still life, landscape, portraits and action shots, but Harris also included every day things such as post-it notes stuck onto images with shopping lists on etc, which normalise his work and at the sometime keep the focus on everyday family life .
My favourite image in the collection which I think reflects the theme of ‘family’ the most is this image of one of his children crying to her mother. It is an action shot which is easily understood and relatable to most people.

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Picture from Sam Harris’ ‘The middle of Somewhere’

The portrait has been cropped so the main focus is the girls face, which shows that she is in pain and distressed, as she has injured her mouth. The image contains lot of textures, the girls curly/wind swept hair which has blown over the majority of her face and the red stripes on the mothers t-shirt, which contrast with her wooly cardigan. These textures make the image quite dense and also very eye catching and interesting to look at.
There is a lot of other detail in this photo which provokes an emotional response in me when I look at it. The tears rolling down her cheek, the blood around her tooth, her wet eyelashes that are stuck together from her tears etc; are all details help to tell the story of little girl who has hurt herself, probably during an accident when playing as we can also see that the photo was taken outside. I think this image relates to the feeling of shock, followed by pain and the need for reassurance and comfort from a parent which is portrayed by this photo and which made me think similar events that happened to me during my own childhood.
Thinking about the theme of family was really enjoyable for me. I decided to use my grandparents as my stimulus as they were moving house at the time. I photographed them moving into their new home and tried to capture them decorating the place to make it their own. I liked working with family members as I was able to gain a deeper source of information and context by including some family archive photographs.
I decided to develop my project further by photographing my grandparents everyday lives and the things that are most important to them;faith, family, Jersey, Wales and music. I wanted to photograph them at family events, such as Christmas day, and also just a Sunday afternoon at home.
I collected a variety of material but taking inspiration from Martin Usborne’s ‘I’ve lived in East London for 86 1/2 years’ I decided that I also wanted to include my grandparents words in my book. So I conducted an interview with them on these 5 topics, and chose my favourite quotes to put into my book. I think by having words as well as photographs it gives the project more depth and it helps the reader to develop an understanding of my grandparents personalities.

One of my favourite portraits from my collections is from my first shoot. It is of my Grandma in the back garden bringing the washing in.

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In this photograph, my Grandma is at my house taking our washing in. This supports her quote of ‘We always try and go the extra mile for family’.
It is a very simple photograph, just folding her washing off the line yet it creates an image which is interesting to look at. There are lots of details from around the garden which are attractive to the eye for example the row of flower pots along the side of the garden and the socks individually pegged on the washing line. The image contains lots of rich colours such as the reoccurring green and the dominant colour of beige on the wall.
Another thing that I like about this photograph is the way it is divided by natural leading lines, the top of the brick wall, leading your eyes from one side of the photograph to the other side. There is also the leading line from the grass. These lines transport your eyes around the photograph.

Another photograph from my collection that I particularly like is this photograph that was taken on Christmas day. It is of my parents reading a bed time story to my younger cousins. Christmas is a very family orientated day which is filled with family traditions, this is why I think this photo fits nicely into my photo book. This photograph contains comedic features such as the Santa’s hat, and the bear slippers.

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In conclusion I believe that both Sultan and Harris’ photographs of their families represent their concept of love. The way the photographers have taken their photo’s show that they know their subjects very well and the subjects look like they are comfortable with having their photographs taken by a person that they know and trust. I think that the main drive for a photographer is their love for the subject and this inspires them to want to spend lots of time and attention on their projects and in this case they are creating a memento of their family life which also will have a shared meaning with the subjects as they are family members.
I think both of these photographs show their love for their families through both the sensitivity and humour obvious in the some of the moments captured in the pictures. The images also represent the interests and similarities that can be found by the viewers with their own lives, creating a sense of shared meaning and understanding of what is going on. I have found that these works have had a powerful effect on me, which has inspired me to create something similar that I can share with my family.

1- Germann. M, Gorner. M, Zander. T (Eds) (2010), Katherine Avenue Larry Sultan Gottingen: Steidl introduction to quot’quote’ (Germann 2010:14)

2- Burbridge.B, Celia.D (Eds) (2013) Photoworks, Family politics. Brighton: Grande Parade introduction to quote ‘quote’ (Williams.V 2013:85)

3- Hattersley-Smith.K, Spenser.J (Eds) (2006), Photography: A Cultural History 2nd edition, Mary Warner Marien. London: Great Russell Street http://www.americansuburbx.com/2011/10/roswell-angier-roswell-angier-on-larry-sultan-pictures-from-home-2006.html

4- http://larrysultan.com

5- http://www.americansuburbx.com/2011/10/roswell-angier-roswell-angier-on-larry-sultan-pictures-from-home- (Roswell Angier, (2011), americansuburb.com

6-http://www.theaustralian.com.au/life/weekend-australian-magazine/sam-harris-the-middle-of-somewhere-and-photographs-of-a-new-life/news-story/df8ba352e7e9a3a20549f9e25eab6842 (The Telegraph, London 2015)