STANDARD AND ETHICS IN PHOTOGRAPHY

Q1: Who sets the boundaries of what defines photojournalism?

In my opinion no one sets the boundaries of what defines photojournalism, as some photographs need to be taken so that they show the world what is happening, and sometimes to warn people / ask for help from others. I think that photojournalists take images which some people say that is not ethical for them to take the images because of personal reasons or others. But i think that if the images were not take, we would not be aware. For example a photographer took photographs of a Syrian boy dead, and the photographer comes out as to why she took the images. 

In an article the press ask the photographer Nilüfer Demir why she took the images and what she thought about them. In this article it is clear that taking these images were hard to Demir but as a photographer she knew that she needed to take the images so that it would make a change to how people see refugees. This incident happened when the refugees were trying to reach a Greek island from Turkey on a rubber raft. The image of the dead boy is of a three-year old boy. Some argue that posting the image was wrong as they should of protected the boy’s dignity and save his parents grief, however the photographer Demir says that since the photograph has been published it reached around the world very quickly, and she says that she is “happy that the world finally cares and is mourning the dead children. I hope that my picture can contribute to changing the way we look at immigration in Europe, and that no more people have to die on their way out of a war” –  http://www.vice.com/read/nilfer-demir-interview-876

This is the photographer Nilüfer Demir who took the images of the dead Syrian boy Aylan Kurdi. 

When looking at the standard and ethics in photography, you need to look at the NPPA Code of Ethics which shows what journalists have to abide by when they take their images. 

These are some thing that photojournalists need to make sure that they are doing: 

  1. Be accurate and comprehensive in the representation of subjects.
  2. Resist being manipulated by staged photo opportunities.
  3. Be complete and provide context when photographing or recording subjects. Avoid stereotyping individuals and groups. Recognize and work to avoid presenting one’s own biases in the work.
  4. Treat all subjects with respect and dignity. Give special consideration to vulnerable subjects and compassion to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see.
  5. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.
  6. Editing should maintain the integrity of the photographic images’ content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.
  7. Do not pay sources or subjects or reward them materially for information or participation.
  8. Do not accept gifts, favors, or compensation from those who might seek to influence coverage.
  9. Do not intentionally sabotage the efforts of other journalists.

Q2: When technology makes it so easy to manipulate images, how much manipulation is acceptable?

Photoshop and other editing programmers make it easier to edit these images to make ‘false’ images of what they want people to believe is happening. I think that manipulation is not acceptable as it lies to the public about what is actually happening and it does not show what is really happening in the real-world. If photographers start using programmers like these to change their images then it hold to questions as to what images are really real and what images are false and set up. 


Q3: With viewers more sophisticated and sceptical than ever before, how can photojournalists preserve their integrity and maintain trust?

Photojournalists can do this by not taking images of people who to not want to have their images taking, but by also not going into their personal space or invading their privacy. Also if a matter is a personal matter to someone, maybe it is best not to photograph, or maybe photograph but not publish instantly as it may harm the person which may upset them in a way. Therefore by avoiding confutation with others it will make it easier, however it is hard as most things will be seen as personal to someone and that is where a photographer needs to decide whether they should take the image or not. 


Q4: Consider if photographs can change the world or change people’s perception

I think that a photograph can change peoples perception on things, as when you are not living in the same country as for example a disaster that happens, you have not experienced it, so all we have to see what has happened is through images and sometimes i think that if the image is more brutal and can be more upsetting this usually means it has more of an impact into what people think. However many people argue that some things should not be taken photographs on because they are personal and it can save people grief by not having taken the photograph. 

Shoot 4: Archive

Plan

Photograph old images around Nana’s house of theme relating to old photos of my family and grandad. Re-photograph prints of imgaes Nana has, my Dad’s old family album and look online for any photographs of my Grandad

The conversation I had with Nana whereby I asked her a few questions about my Grandad a week ago has inspired me to look into aspects of my Grandfather’s past, and therefore I decided to exploe old archival photographs that relate to my Dad and Grandparents in thee.

Evaluation

This shoot has been a very interesting one. I find I have learned a lot more about my Grandad and the life he lived by looking at these old photographs. In additon, these photographs have helped to illustrate different aspects of my previous conversation with Nana.

Here are the photographs I found…..

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My Dad in 1984age 17  with his bike just before he tok his test . This was taken in 1978, not long after he left home

 

 

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Left: Photograph of my Grandfather in the 1970

Right: My Grandparents pictured together whilst being posted in France

 

 

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My Grandparents at my Uncle Phil’s christening in 1955. Uncle Phil is the oldest of the four children

 

 

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Taken after my Grandparents returned from France. One of the last photographs of my Grandfather – he died a few weeks after this was taken

 

 

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Taken on my Grandparents wedding day in 1947

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Left-Right: Uncle Steve, my Dad, Aunty Cathy and Uncle Phil, This photograph was taken in 1984 in Nana’s garden – on the day of my Grandfathers funeral 

 

 

My Grandfather in the 1980s with his prize cow, Honey

 

 

125 Hours Project:

On Friday the 23rd of October, just before half-term we were assigned a project by the Jersey Museum. The task was to respond to the existing story at the museum called “125 years”, which I talked about in a previous post. We had to take at least 150 to 250 pictures for this. The name of our project was entitled “Our Story, Half Term: 125 hours seen through a teenager’s lens”.

Here are some of my photographs for this task:

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Shoot 5

Plan

Continue to photograph Nana

Evaluation

This week I decided to return to the theme of vanacular photography. I have got a lot of formal photographs of Nana lately and so I decided to make this shoot more spontaneous. Nana wasn’t feeling very well today so it waan’t a good day to geta lot of portraits of her. Instead I decided to explore much more of the house, going into different parts included upstairs and a few images in her bedroom.

I am pleased with the images I have produced today.I think that I am starting to develop an effective style, balancing vernacular photography with classic composition. The work of photographer Julian Geramin has greatly influenced me recently and I aimed to photograph in a similar manner that he achieves.

 

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Shoot 3: Audio

Here is an audio only version of my interview with Nana. As a start to take more photographs, I will begin to select a few images as visual aids to go over this audio. I will then incorporate these images in with film that I will take next week. This will go to create one of my outcomes for this project. I will give this audio credit for the time being as an outcome. In a way I like its simplicity. It is very basic and sounds authentic and natural. I find that this interview is very fascinating and revealing both about my Granddad, as well as about Nana’s life in general.

BEGINNING OF CONVERSATION

Me: Hi Nana.

Nana: Hello, how are you?

Me: I’m good thank you. As you know I’m doing a project about my Grandad. I’m trying to find out more about him. You knew him better than anyone else, would you be able to answer a few questions about him?

Nana: Yes, certainly.

Me: Okay thank you. Could you start off by giving a little background about him?

Nana: His name was Arthur Maitland Le Feuvre, and he was born on June 4th 1921. He was the ninth and youngest child of Francis and Lydia Le Feuvre who were farmers from St Peters. He was born at Maitland House, Trinity Hill. So he was named after his house. But they moved to St Peters when he was 10.

Me: Okay that’s really interesting. (Question 1) What year did you and Grandpa first meet?

Nana: We met in January 1947.

Me: So while a while ago now?

Nana: Yes, quite a while ago now. (laughs).

Me: (Question 2) What first attracted him to you?

Nana: Well naturally his good looks.

Me: (joking) well obviously I take after him then?

Nana: Yes you do! (laughs).

Me: (Question 3) What do you member most about your wedding day?

Nana: Well it was on April 14, 1949 – it was on Easter Monday, and we are married at the Salvation Army. And it was a bright and sunny day.

Me: So lots of happy memories then?

Nana: Oh yes some very happy memories!

Me: (Question 4) You brought up 4 children together. How important was your relationship in getting through this aspect of your life?

Nana: Well our home was a loving one so as we both pulled together we got through it. This continued right through our married life. It was no hard chore.

Me: So it was quite important?

Nana: Yes it was quite a peaceful, happy home.

Me: Okay nice. (Question 5) Obviously you lived in Kenya for 10 years. Could you describe 3 fond memories you have got of this time?

Nana: Well we had a wonderful time in Kenya, Kenya is a beautiful place. We were very privileged to go there. I think three memories (pause)…

…Firstly, getting used to the children who are not at home, but were at boarding school. It was quite difficult, it sort of broke up the family a bit…

…Secondly, I did a woman’s meeting. Teaching my ladies, 36 of them to knit. That was quite an experience…

….And then the best one, looking after the Jersey Calves, they were my responsibility. Because we had a Jersey heard.

Me: Wow! That is really, really cool! (Question 6) Meeting Grandpa meant that you you were introduced to the Salvation Army, is this right?

Nana: No, I met your Grandpa at a special meeting. That was the first time that both of us had been in the Salvation Army.

Me: So you were both new at the same time?

Nana: He was a Methodist local preacher actually, and I was not a Christian at that time. Joining the Salvation Army was calling for us both, not just a job, and it was a joy to serve the Lord together really.

Me: Okay, so you would say that it was quite important in shaping both of your lives?

Nana: Yes. It was very important.

Me: (Question 7) Is there anything you regret about moving to Kenya?

Nana: No, not at all. It was the best thing I think we did, going to Kenya. I mean life was hard at times, away from home. But you know, it was just another experience of life.

Me: So it was a big life choice?

Nana: Well helping the people to learn to farm properly, and to make a living was a joy. It was quite wonderful to help these lovely people, because they are lovely people.

Me: Okay, wow! (Question 8) So obviously Grandpa dedicated a lot of his life to the Salvation Army which obviously brought you to Kenya. If he had not been an officer for the Salvation Army, is there any other ambitions Grandpa had?

Nana: Well. (pause) He was a farmer all of his life. That is why we went to Kenya, because he had the experience as a farmer.

Me: So it was were his strengths lay?

Nana: Yes. He used those skills for the Lord and the Salvation Army. After the war, he had been offered commission with the RAF. But he never took it up. He came back to Jersey, hadn’t seen his people for six years, and his dad didn’t want him to leave the island.

Me: So he never wanted him to have this career?

Nana: No.

Me: (Question 9) That’s interesting, because I do you gather that Grandpa did actually fight in World War Two?

Nana: Yes he did.

Me: Do you know anything about this?

Nana: Yes, he was 19 when the occupation began. Despite a lot of persuasion to his father who was against it, he left the island on the last coal boat. When he reached the UK, he joined up and was in the RAF and eventually became a navigator. At the end of the war he was in Germany as an interpreter because he spoke German and French.

Me: Oh wow, so he actually went to Germany?

Nana: Yes so he went to France and then Germany with the troops. He never talked much about it. The one thing he was proud of though, was that he was in the RAF football team.

Me: Really?

Nana: Yes. (laughs).

Me: Awesome! So obviously he could speak French. (Question 10) You went to France didn’t you?

Nana: Yes, we went to France in 1982 to Paris. That was a different experience altogether. We worked with alcoholics and drug addicts. Grandpa loved it but I struggled with the language. I liked being there, doing the work, but I struggled with the language, couldn’t speak it. That was a tough assignment actually, because we were getting on in age.

Me: But you got through it?

Nana: Yes, we got through it.

Me: (Question 10) you mentioned that you had some retirement plans which were never realised?

Nana: Yes

Me: What was the plan?

Nana: Yes. (pause) Grandpa had a brother called Frank in Australia. Frank, he was five years older and grandpa and he left the island when grandpa was 11 years old to go to Australia and so they never saw him after that. A couple of the brothers and sisters went to Australia when they found out where Frank was after the war, and we planned to visit Frank when we were retired in 1986.

(My Grandad passed away in 1984. He was looking forward to a well earned retirement but sadly never got the chance).

 Me: As you know I do you like to wind people up.

Nana: Yes. (laughs)

Me: (Question 11) Did my Grandad share any similar humour to me?

Nana: Yes he had a good sense of humour

Me: Did he get up to many pranks?

Nana: Yes, he used to tell jokes that no one else could understand. It was like a dry humour but we laughed anyway. One prank he did was to phone up members of his family and pretend to be someone else, and he always spoke to them in Jersey French.

Me: (Laughs) …. (Question 12) You and grandpa had some very close friends. Did you share fond memories with friends?

Nana: Yes, we had some lovely friends. We met Doug and Lil Phillips when we were stationed on the Welsh Valleys. We had lots of holidays together, before we went to Kenya, and when we came back. It was always great fun, always laughing

Me: That’s nice, I never met Doug

Nana: You’ve met Lil though?

Me: Yes I know auntie Lil, of course.

(Auntie Lil is an old family friend. She is probably Nana oldest and closest friend. Her and her sister Auntie Pearl usually come for visit once a year. They both live in Wales. It would be good to speak to either of them about my Grandad over the phone and record it).

(Question 13) From what I’ve heard Grandpa had a very difficult relationship with his father, is that right? 

Nana: Well I wouldn’t exactly call it difficult. No, because he loved his father. It was a good relationship. You’ve got to understand his dad was very strict, and the problem was when he said we were going to London to go to the Salvation Army college, he wasn’t very keen on him leaving Jersey. It was so we could become a full time officer. But we got over that.

Me:  Okay. (Question 15) What sports and hobbies did Grandpa have during his life? 

Nana: Grandpa was a great athlete, and of course a footballer. He played for Jersey before the war actually. And he was a great cross country runner when he was at Victoria College. He won a lot of prizes.

Me: Ah cool, he did a lot a running then?

Nana: Yes.

Me: Oh that interesting.

Nana: If you go up to the college (Victoria College) you can see his name everywhere.

Me: Yeah. I might go and have a look. That really interesting that.

(Question 16) Please could you state three good traits about Grandpa?

Nana: Well this is a difficult one. He was a kind, caring man. He didn’t like a lot of fuss. Arthur Le Feuvre was the same at home (pause) same person at home that people saw outside as well. A most gracious man actually.

Me: So you couldn’t name any faults?

Nana: No I couldn’t really, we were very happily married. For 36 years.

Me: (Last Question) If I ever had the chance to meet him, do you reckon we would have got along?

Nana: Oh, like a house on fire. You would, he would have loved you to bits. He was a very family orientated man, he loved his family

Me: Okay, I think I’ve got some really good information there

Nana: Yes you have, haven’t you!

Me: Thank you Nana!

 Nana: Now you know a little bit more about him.

Me: Yes I do, thanks very much.

END OF CONVERSATION

Shoot 3: Preparation

Plan

  • My plan for the course of this week is to conduct a 10-15 minute interview with Nana whereby I ask her a few questions about my Grandad.
  • I will start of by writing the questions out.
  • I will then give Nana a few days to think about the questions.
  • We will then conduct an interview based on the question.
  • The plan is to make the interview as natural as possible, like a conversation.
  • She knows the questions and has written down a few thoughts but we have agreed she will not read anything  she has written on paper, as to make hers a my responses as spontaneous as possible.
  • We will take as many takes as possible until we are both happy. The interview does not have o be perfect however as it will be like a normal conversation and so I want to reflect this.

Evalution: I think that the interview went really well. Nana improvised fantastically and her answers were flowing and well developed. Personally it is a relfief as she has been quite anxious about the project recently but today she seemed a lot more happy and reassured about it. The answer I got were very fascinating and interesting, espacially after the interview when I went for a walk and played the conversation through my heaphones. The fuzzy noise in the background I wasn’t happy about at first but after reviewing it I actually quite like it because it creates  a very natural and authetic feel to the coversation

Responses: Picture Stories: Paris November 2015 Coverage

On the 15th November 2015, media hit a high when terrorist attacks hit Paris, Beirut, Anarka, Latakia and over the Sinai Peninsula. Living close to France, Jersey where informed vividly of the hideous violence Islamic State (ISIS, ISIL) put to the local people of Paris, who were targeted by gunmen in theatres, local restaurants, and outside Paris’s notorious Hannover Stadium, which was immediately evacuated by Paris’s police force. _MG_0605

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French Newspaper, ‘Libération’ released a limited edition segment to announce the devastating terrorist attacks which occurred on the 15th November 2015.

Here is a link to the digital version of the articles which shows the attacks which occurred in Paris, Beirut, Anarka,  Latakia and over the Sinai Peninsula:

https://www.liberationnews.org/psl-statement-attacks-paris-beirut/

http://www.bbc.co.uk/news/world-europe-34853657

Notes – ALTERATIONS NEEDED…

  • Picasso image – not LARRY CLARKE
  • danny santos people in rain // saul leite // lente – janela // lee Jeffries – homeless people

WEBSITES:

http://theinspirationroom.com/daily/2014/leica-100-years-of-photography/

http://www.vivianmaier.com/gallery/street-5/#slide-16

http://entelahotollari.blogspot.com/2011_10_01_archive.htmlhttp:/

/www.lilstickyrice.com/otw-portfolio/estevan-oriol-photography-book-

layout/http://proof.nationalgeographic.com/2015/08/14/american-backyard/

http://www.stillsgallery.com.au/artists/papapetrou/index.php?obj_id=series&nav=7http://greatphotojournalism.com/

http://www.wired.com/2012/10/photo-workshops-help-students-beat-the-odds-in-terrible-photojournalism-market/

Shoot 2

Plan

  • Continue to photograph Nana
  • Take some photographs outside in her garden
  • Get some old, archival photographs
  • Ask a few more question about my Grandad – prepare for interview next week

Evaluation

I didn’t get as many photographs of my Grandma today as I would have liked because she wasn’t feeling to well. I decided instead to get a few still-life shots of the inside of her house. I also went into her Garden to get a few images which I had already planned. It was a good day today do it because the sun was starting to go down and there was a crsip, yellowly reflection. Photographing outisde at this time of year is very good because as it is autumn all of the leaves have fallen which makes for an interesting looking location that conveys a certain gloomy mood which can only be achieved at autumn and winter.  I took about 60 photos of my Grandma in about 4 different locations with I carefully planned out beforehand. I wanted to consider composition this week as I have explored the work of photographers Alec Soth and Jonas Bendiksen for my exploration of the theme of community and so I have tried to mimic their styles of carefully composed composition, which are quite similar. I want my photographs to be a balance of formal and vernacular photography, a bit like the work of Jullian Germain. Mr Toft showed me from a copy of Germain’s book ‘For every minute of anger you lose 60 seconds of happiness’ a I have gained a lot of inspiration from studying this.

I went around different parts of Nana’s house to get old photographs of my Grandad. I went outside were there was natural lighting and unframed the images, placed then on a table of photographed them. I think that this is a good way to photograph the images because there is a candid, natural look to them and it is a very simplistic and clear way of doing so. I was nice to look at these of old photos as I take never really looked at many photos of my Grandad before. Unfortunately Nana said that my Grandad’s sister had a lot of old family photos of my Grandad and his brothers and sisters growing up. She can’t explain why but apparently she threw them all in the bin. A shame to be honest as it would have been useful and generally interesting to see them

Photos I took today …

 

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