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Artist Reference | Roy Lichtenstein

Roy Lichtenstein is an American artist, born in New York City in 1923. Lichtenstein’s career hit a high in the 1960s when he became a leading figure of the new Pop Art movement. His work is inspired by comic strips and advertisements, using bright and graphic works parodied American popular culture and the art world. This work was a reaction to some work of artists including Jackson Pollock and Willem de Kooning. He wanted to stand out and to challenge the way spectators view art and so became more inspired by advertisements and comic strips making his work unique. Lichtenstein died in New York in September 1997.

Roy Lichtenstein website: lichtensteinfoundation.org/

About Lichtenstein: http://www.biography.com/people/roy-lichtenstein-9381678

Jackson Pollock | Artist of the same period

Jackson Pollock was an artist who was making work at the same time as Lichtenstein. He was very famous and his work is admired by many people today including some celebrities and actors [e.g Matthias Schoenaerts]. He was an American painter and was a leading face behind the abstract expressionism movement. He is known for being one of the most radical abstract art in history of modern art. Lichtenstein wanted to stand out from this and make his own mark on the world and so felt inspired by Pollock’s work but at the same time he wanted to challenge it or even go in a different direction which was to stand out even more than the work of Pollock himself. I really like Pollock’s work although it can seem like just a huge mess, easy and with a load of paint squiggles everywhere. However, I have tried to make painting similar to his and they haven’t been so successful and it is harder than it looks to get exactly what you want your painting to look like. I do think that his work is unique and it is interesting to see all the bursts of colour and different styles that he used within his paintings.

About Jackson Pollock: http://www.jackson-pollock.org/

Jackson Pollock website: http://www.jacksonpollock.org/

 

 Willem de Kooning | Artist of the same period

About willem de Kooning: http://www.theartstory.org/artist-de-kooning-willem.htm

Willem de Kooning was also an artist at the time and was seen as one of the most prominent and celebrated abstract expressionist painters after Jackson Pollock. His work contains many images of distorted womenly shapes, which reminds me of the work of Picasso. He was a very traditional painter who became famous for his paintings of women, painted in different periods of his life. Lichtenstein was inspired by him through his use of women in art and paintings, which a lot of painters used [and still do] for inspiration. I think that Lichtenstein wanted to pose women in a more human like way showing their emotional states rather than how he physically sees them contrary to the work of Kooning. I don’t really like the work of Kooning as it kind of disfigures the women and makes them come across more as things or objects rather than actual human beings. They look so distorted and messed up that they don’t look human at all, which really does remind me of the work of Picasso and how he would change the facial features and make geometrical shapes out of them to make them unidentifiable.

 

New York State Pavilion of the 1964 World’s Fair in New York City was a body of work that Roy Lichtenstein famously created. He made images mainly of women being emotional and to me his images see women as weak and small minded. I am unsure whether or not that was his intent but women are shown in more of a negative light through his work. His work is very theatrical and reminds me of the way women are portrayed in Film Noir films and the way those women are seen as being there for the man and only caring about what men think of her, including the femme fatales of those films who are seemingly set out to ruin the man who they have been hurt by.

Roy Lichtenstein artwork
Roy Lichtenstein artwork

This piece of artwork stands out most to me as it is very simple and obvious. Lichtenstein portrays this woman as crying over a man that she is dreaming and thinking about all the time. It makes her seem weak and desperate to fall in love with this man or to be with him. I do like this image as I think that it is very powerful as I do think that a lot of women do get upset over stupid men but then again I know that women don’t feel sad for long about that one thing or person, we often move on and become stronger. I feel that Lichtenstein does portray women in more of a negative light in that they are constantly obsessing over men and wanting to be around men and that they need men to function properly which I think is wrong. I would like to respond to his work in some way on how women are actually much stronger than what Lichtenstein portrayed them as and that we can do things for ourselves without thinking about what men are going to think or what they have told us we should be doing. I do think the way that Lichtenstein has created this artwork is very unique and I like his comic strip style as it is different and interesting. A possible meaning behind the idea of using the comic strip could be that it is fantasy and women aren’t actually like that as all comic strips are fiction and are usually made with superheroes and made for the entertainment of the spectator to escape to a different world but ultimately he most likely just used this style so that his work would stand out from everyone else’s.

I also found images of women that have taken the style of Lichtenstein and given themselves a makeover to look like the woman does. I find these images really interesting and almost like a response to his work showing possibly how unrealistic they are and how his drawings don’t really reflect the way women actually are. I like this image of the woman with yellow hair as it again just shows how inhuman this woman is and how she is an ideal that Lichtenstein created that is impossible for women to meet and be like. Much like the drawing the women have used their makeup to make themselves look like a cartoon character and shows how it isn’t a realistic representation of a woman at all and although comic strips are exaggerated they don’t really dehumanize anyone with characters mainly consisting of superheroes with the most prominent element being the exaggerations of their body features.

Paul M Smith – Alistair Hayman

cucumber

Smith originally studied Fine Art, between 1991 and 1995 at Coventry University and as part of his course he undertook a research project into contemporary art which included living on an Aboriginal reserve for four months. After completing his degree at Coventry he completed a Masters degree in Photography at the Royal College of Art. During this time he examined the meaning and construction of masculinity, concentrating on the cultural and visual creation of various alpha male identities.Most of Paul Smith’s photography depicts scenes from British male culture. There’s a cartoonish, theatrical element to it enhanced by the fact that all the men in each set of themed work are the same man, created through the tricks of digital photography.
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In another series of photographs, the project on which has inspired me to create my photo boo., Make My Night, Smith depicts the excesses of a boy’s night out. In one, set in a pub, a man sits at a table cluttered with empty beer glasses, in front of a dart board, with a condom pulled down over his face down to his upper lip. Next to him, another man clutching a beer laughing while on the other side another man aims a lit cigarette at the tip of the condom. Of course, all three men are the same man, presumably Smith himself. In the next image, the boys are back at someone’s house, posing for the camera. The central figure holds a cucumber out from his crotch, leaning backwards, while another man, cigarette in one hand, kneels down and theatrically puckers up kissing the cucumber. Behind them, one man stands on a couch, clutching his beer, smiling at the camera and another man grimaces at the camera, wearing a union jack plastic hat. The fact that all these men are the same man is more striking in this image, making it both funny and disorienting.


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Some of this has echoes of the work of Martin Parr, the documentarian of British life shot in garish colors. the drunken excesses of night life, the exercises of army troops, the crowd dynamics of soccer games, or the action hero of the movies. But Smith’s work is consciously artistic in its manipulation of the image, and the extremely posed nature of every shot. He is showing some of the stereotypes of masculinity, examining them with  a sense of fun and explicit nature.

Artist References- Julian Germain

For every minute you are angry you lose sixty seconds of happiness.


Julian Germain created a series of photographs over a period of eight years of an elderly gentleman, Charles Snelling, living in Portsmouth. Germain met Charles Snelling in April 1992. He has been described as a simple and gentle man, who loved colour therefore surrounded himself by colour. Although Germain does not focus on photographing people who have died or have had a personal connection with, but he creates meaningful photographs which reflect the man’s life. The images express his personality and emotions, they demonstrate the simplicity and beauty of his life. I especially like the portrait made of him on the beach eating an ice cream because it just shows ordinary aspects of his life. Another photograph I think it really effective within the project is the image of Snelling about to have breakfast, I think it works well because it is a daily routine most people partake in. Scrapbooks have been included into the project in order for the reader to gain a sense and understanding of Snelling’s life before Germain began photographing him. The style of the scrapbook is very cinematic and they have authenticity that cannot be captured in the modern photographs. Germain’s photographs have a shallow depth of field which are rich and artfully composed. I think a great deal of the images produced in the project are able to be related to, most audiences can understand and feel connected to what Germain is trying to show.   The book is straight and honest, there is no hidden message or underlying agenda. It is simply a portrait of an elderly man’s life. The beautiful title of the book quotes the American natural philosopher Ralph Waldo Emerson. Germain narrates Snelling’s organised life, from his daily routines, solving cross word puzzles and listening to music.

‘Without ever trying or intending to, he showed me that the most important things in life cost nothing at all. He was my antidote to modern living.’

‘The important things in life, as Julian Germain shows, are free. One just has to be willing to embrace them.’

Essay Plan and Hypothesis

Objective: Criteria from the Syllabus

  • Establish coherent and sustainable links between your own practical work with that of historical and contemporary reference.
  • Show evidence for an on-going critical and analytical review of your investigation – both your written essay and own practical work in response to research and analysis.
  • Develop a personal and critical enquiry.

Week 16: 4th – 11th Jan

Blog: Produce a number of posts that show evidence of the following:

1.Think of a hypothesis and list possible questions.

Here are some hypothesis/ essay questions from previous personal studies: possible questions to investigate (update on return in Jan)

2.Essay Plan: make a plan that lists what you are going to write about in each paragraph.

essay structure

3.Finish a draft version of your introduction (500 words) and hand in Mon 11th Jan. 

Think about an opening that will draw your reader in e.g. you can use an opening quote that sets the scene. You should include in your introduction an outline of your intention of your study e.g. what and who are you going to investigate. How does this area/ work interest you? What are you trying to prove/challenge, argument/ counter-argument? Include 1 or 2 quotes for or against. What links are there with your previous studies? What have you explored so far in your Coursework or what are you going to photograph? How did or will your work develop. What camera skills, techniques or digital processes in Photoshop have or are you going to experiment with?

  1. Produce a photographic response to your investigation in Personal Study. You must plan and produce at least another 3 photo-shoots in the next 3 weeks (e.g. responding to photographers subject-matter, style, form, aesthetics, specific skills, techniques, methods)
  2. Continue to review your responses and shootsand experiment with your pictures appropriate to yoru intentions Lightroom/Photoshop e.g. cropping, change colour balance/ b/w, brightness/ contrast, blurring/ movement, blending/ montage techniques.
  3. Select your best experiments and picturesand include in your Personal Study for analysis and comparisons.

Haley Morris-Cafiero:

Morris-Cafiero’s recent project called ‘Wait Watchers’ includes many public reactions. Since she’d always been a bigger woman she was prone to bullying and many people would look at her strangely. Instead of ignoring them, she was interested by this concept and began to take self-portraits of herself in the middle of busy places. Morris-Cafiero’s aim was to capture strangers looking at her and see their facial expressions. Her interest for stranger’s reactions towards her body image began with one photograph. She was sitting on some stairs in Time’s Square and a man behind her was pulling a face at her. Since she saw that image she’s become fascinated and takes many public photographs. She stated: “When I got the film back  even though we were in the visual overload capital of the world he was looking at me. I had nothing to do with him, and to capture something so quickly is interesting, so I’ve been doing that ever since.”

Here’s Morris-Cafiero’s original shot:

Haley Morris-Cafiero
Haley Morris-Cafiero

She describes her project in the following quote:

“I now reverse the gaze and record their reactions to me while I perform mundane tasks in public spaces. I seek out spaces that are visually interesting and geographically diverse. I try to place myself in compositions that contain feminine icons or advertisements. Otherwise, I position myself and the camera in a pool of people…and wait.”

Haley Morris-Cafiero - Wait Watchers
Haley Morris-Cafiero – Wait Watchers

I found it quite astounding how every single person in the family seems to be staring at her at that moment in time. It’s uncertain whether what their looking at or why they are. It could be due to interest, repulsion or they could simply be reacting to something else. To me, it’s very interesting to record their facial expressions as it says a little bit about them.

Haley Morris-Cafiero - Wait Watchers
Haley Morris-Cafiero – Wait Watchers

Morris-Cafiero put’s her camera on a tripod and set a self-timer of about 5 seconds. She then places herself in position doing ordinary things. The girl behind her appears to be staring at her upper leg. She seems appaled due to her parted upturned lips and her slightly closed eyes. However, this could be due to the fact that she saw the camera and did that as a result.

Haley Morris-Cafiero - Wait Watchers
Haley Morris-Cafiero – Wait Watchers

This image of hers was taken on a very busy area. Morris-Cafiero’s workout gear suits her surroundings of worked-up gym men. In our society, especially in the media it’s seen as shameful to be large. Therefore, the photographer probably isn’t as accepted by others as she should be. It’s intriguing to notice that all of the are looking at the woman at the same time. They could be thinking various things and be enticed by overcoming interest as she seems to be performing some sort of physical activity. Currently Morris-Cafiero is completely comfortable with her appearance instead she comments: “the idea that a glance and gaze is able to be captured is just really thrilling and interesting to me”.

Haley Morris-Cafiero - Wait Watchers
Haley Morris-Cafiero – Wait Watchers

In this image the photographer seems to have a frustrated expression as she pretends to talk on the phone. Oppositely the two policemen are looking as one of them is about to place his hat on her. It’s unclear whether they are being rude and taking advantage or if they are just playing an innocent joke. Nevertheless, it’s rather fascinating to contemplate on it.

Haley Morris-Cafiero - Wait Watchers
Haley Morris-Cafiero – Wait Watchers

For this specific shot, Morris-Cafiero is kneeling over to pick up something in a very crowded environment. Pedestrians look on as she evolves into a quite awkward and venerable position. Personally, I believe that this is a very good experiment to try out and would like to experiment with it.

She goes on to add:

“The images capture the gazer in a microsecond moment where they, for unknowable reasons, have a look on their face that questions my presence. Whether they are questioning my position in front of the lens or questioning my body size, the gazer appears to be visually troubled that I am in front of them.”

Haley Morris-Cafiero - Wait Watchers
Haley Morris-Cafiero – Wait Watchers

This photograph is another from a beach setting. A young and fit couple seem be casually strolling along. The young woman’s laughter comes across as making fun and she is obviously looking at the woman, Alternatively, she could’ve been smiling at something the boy said. However since people are becoming more and more obsessed with being ‘perfect’ according to the media’s standard’s, women may be becoming harsher to each other and judge solely on appearance.

The Media – Quick Overview

Whether it’s on the internet, magazines, newspapers, television, movies or photographs, the media is full of thin women with slim bodies and perfect curves. New technology allows for every single part of their bodies to be airbrushed even going as far as including people’s knees and armpits. For instance:

Beyonce - L'oreal Ad - Before and After Skin Retouching
Beyonce – L’oreal Ad – Before and After Skin Retouching

Models are a crucial part in influencing millions of people. They said on the ‘Mirror’ website (http://www.mirror-mirror.org/perfect-body-image.htm) :

“The modeling industry is an important aspect affecting the female’s body image. One popular issue is the promotion of the perfect and skinny body. Modeling industries strive to only have the most attractive and skinny model.”

The ideal body image has constantly changed overtime and is know very different. Apparently to be ‘healthy’ you mustn’t have excessive fat on you as that is seen as ‘shameful’.

Over the years ‘body modification’ was present and still is today. For example in prehistoric tribes which included pursuits to: flatten their skulls, elongate their necks and stretch their earlobes:

Apatani Women
Apatani Women
Makonde Women
Makonde Women
The Kyans
The Kyans

Women’s ‘ideal’ body over the years:

  • 1880’s – wide hips/ medium small waist/ large breasts:
Renoir – painting ‘The Bathers’ – ideal body image
  • 1900’s – with new technology and media spreading worldwide, people’s views changed:
1940's - Marilyn Monroe - ideal body image
1940’s – Marilyn Monroe – ideal body image
  • 1960’s – thin supermodels like ‘Twiggy’ popularized the ‘thin’ look.
Twiggy - 1960's - ideal body image
Twiggy – 1960’s – ideal body image
  • 2000’s – body image became more dramatized and people desired fitter and better figures.

 

  • 2013 – now women are: concerned with their bodies and if they’re attractive to men and are viewed as objects for sexual gratification. Plastic surgery is more common and viewed as the ‘norm’.

Personal Study- Artist References

Artist References: Yury Toroptsov- Deleted Scene:

Yury Totoptsov’s journey in search of a father he never knew was led by an invisible path in order to photograph the invisible. With a relentless pursuit Toroptsov traveled to Eastern Siberia in order to tell us a unique but complex story. Toroptsov was from a rural community in Russia and was born in 1974. He left in 1998 to study in New York at the School for Social Research. His work has been featured in personal and group exhibitions in Paris and Moscow. Toroptsov’s project is very similar to Abril’s because both have tried to photograph the invisible. They have also attempted to capture someone’s story, life and personality, both are emotional narratives which approach difficult subjects many people struggle with.

Deleted-scene-2-Yury-Toroptsov-2013-Russie-Photographie-©-Yury-Toroptsov-Galerie-Photo-12

Image

Archisle International Photographer in Residence 2014: Yury Toroptsov

In 2014 Yury Toroptsov was the Archisle International Photographer in Residence. He worked on a new commission of work in Jersey from April to September of the year. The project explores Toroptsov’s personal view of Jersey, it is a narrative of his experience on the island and his interpretation of his visions. The entire concept was instrumented by a video of the Jersey Battle of Flowers 1937. Toroptsov intended to explore the mystery of the island as well as experience its uniqueness and beauty. Again this project also introduces the idea of invisibility.

http://toroptsov.com/en/projects/deletedscene.htm

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Artist References: Laia Abril- The Epilogue:

The Epilogue focuses on the tragic story of the Robinson family. It tells the journey and aftermath of losing their beloved 26 year old daughter to bulimia. Laia Abril reconstructed Cammy’s life exploring her story through, letters, archival images, objects and memories. It highlights the victims of eating disorders and the suffering the family experienced. Abril demonstrated the difficulties many young girls face with their weight and how they perceive themselves. Abril deals with the hurt and grief that effects the family. The guilt they feel over their loss and the frustration of the limited control they dealt with. The project shows the mixture of emotions and the act of remembering a cherished one. Abril captures the invisible beautifully, with care and insight into the raw emotions the family fight everyday. Almost four years ago, Abril began a long-term project on eating disorders, with the First Chapter ‘A Bad day’. In 2012, she released her second addition to her eating disorder project, ‘Thinspiration’.

Abril is a documentary photographer and journalist from Barcelona. Her work has been published in many famous medias for example, The Sunday Times Magazine, Burn and Esquire. Her projects have been exhibited in Italy, London and New York. She is a member of the editorial team at Colors Magazine. However, more recently was a finalist at the Burn Emerging Fund 2012 and nominated to the Magnum Foundation.

I chose to research Abril’s project, The Epilogue, because it gave me an example of how you can photograph the invisible. This particular concept is very hard to actually put into practice and this is exactly what I struggled with for my previous project. Therefore, through studying and reading into how Abril managed to show Cammy’s life and reconstruct her world through her family’s memories thoughts and feelings, as well as, objects, letters, newspaper clippings and archive images. Part of the reason why The Epilogue has such an influence over me is because it manages to intertwine two mediums- images and words. It has them complementing each other, photographs have the ability to convey anything, it is completely your own interpretation, whereas, words are more limited as they can only express so many things. I also like that the book is absent of cliches, it does the narrative justice and allows the viewer to be emotionally awakened by the sadness. The book manages to get the readers emotionally invested and become attached through the powerful images and texts. It also reflects an interesting way of symbolising and representing memories, each photograph or item in the book has some significance in the young girl’s life. Abril has only included the vitally important aspects which needed to be shown in the book.

http://www.theguardian.com/artanddesign/photography-blog/2014/aug/26/laia-abril-epilogue-photobook-eating-disorders-cammy-robinson-bulimia

http://www.laiaabril.com/project/the-epilogue/

THE-EPILOGUE_BOOK_005

AbrilEpilogue_05

AbrilEpilogue_04

The_Epilogue_05

 

‘Reaction’ Photographers, Concepts and Ideas:

In this post i’m going to research some ‘Reaction’ photographers and also some cool concepts linked this theme. I’ll then refer back to this and apply it to my own work:

‘REACTION’ PHOTOGRAPHERS

Patrick hall:

patrick_hall_taser_photoshoot_038patrick_hall_taser_photoshoot_054patrick_hall_taser_photoshoot_057patrick_hall_taser_photoshoot_021

Hall does the opposite of trying to make his subjects feel ‘comfortable’. Instead, in this piece of work he extracts reactions by using Stun Guns on people and called it ‘The Stun Gun Photoshoot’. Hall got the subjects friends to taser them personally, which created a wide range of emotions from both parties. For instance the friends tasering were probably excited whilst the subjects were afraid. In total he managed to photograph 100 people in one day. Everyone had to sit on a high-chair so that they would stay in place and not move too far away from the frame of the camera.

Hall created a video of his shoot which shows all the reactions taking place:

“What I found most interesting about the reactions people showed while getting tazed was you never knew how they would react.  Some people screamed while others were quiet.  A few people looked like they were experiencing pleasure while others had the most painful faces I’ve ever seen.  I saw jumpers and fallers.  People laughed and people cursed.  I even had about four guys and girls who did not react at all and seemed to be completely unphased by the 300,000 volts of electricity.” – Patrick Hall.

Hall wanted to get something ‘real’. He stated that normally when he had people get their picture taken they’d act different and pose. Therefore, I think that this ‘tasering’ concept caught them off-guard and captured their raw emotions and feelings, since it’s quite hard to hide them when being stung with that amount of volts.

Patrick Hall - Taser shoot
Patrick Hall – Taser shoot

Personally this photograph is quite interesting to me. The subject is wearing red sunglasses which add personality. He’s also got a surfer necklace which identifies his style. His facial expression is quite exuberant although he’s getting tasered. His lip lines and wrinkled skin are deepened due to hid bold reaction. Accordingly, his neck has tensed-up and his teeth are clenched. This may signify stress, anger, pain, etc.

Composition wise, Hall’s photograph includes a clean grey background which contrasts against the people’s bare skin. The back light shines on the people’s backs which gives a shine and as Hall says makes the subjects stand out from the background. Hall wanted the subjects to be bare on-top so that the the focus would’t deviate anywhere else.

More ‘Stun Gun Shoot’ photographs:

patrick_hall_taser_photoshoot_063                patrick_hall_taser_photoshoot_043_0                patrick_hall_taser_photoshoot_017

“You never knew how they would react,” said Hall. “Some people screamed while others were quiet. A few people looked like they were experiencing pleasure while others had the most painful faces I’ve ever seen. I saw jumpers and fallers. People laughed and people cursed. I even had about four guys and girls who did not react at all.”

Craig Silverman:

Silverman has cleverly shot some of people’s most frightening reactions. The photographs are taken at Niagra Fall’s scariest fear attraction called ‘Nightmares Fear Factory’.

Link to their webpage: http://www.nightmaresfearfactory.com

Examples include:

enhanced-24403-1444322009-1 enhanced-buzz-wide-2615-1444322007-8 enhanced-buzz-wide-24023-1444322212-27 nightmares-fear-factory-korku-fotograflari-14

http://www.buzzfeed.com/craigsilverman/amazing-photos-of-people-getting-scared-shitless#.xmp9lgpRA

The people’s reactions are so extreme and exaggerated with shows their true emotional feeling towards what they’ve seen.

Adrain Chesser:

His piece of work is called ‘I have something to tell you’. Here are some examples:

article-2558614-1B7914E100000578-312_634x785 article-2558614-1B7914E600000578-156_634x721 article-2558614-1B7914EB00000578-443_634x746 article-2558614-1B79150B00000578-680_634x764article-2558614-1B79152E00000578-680_634x760article-2558614-1B79154E00000578-173_634x767article-2558614-1B79152100000578-708_634x758article-2558614-1B79153200000578-117_634x726article-2558614-1B79154500000578-520_634x704article-2558614-1B79155700000578-918_634x747

Adrain Chesser succeeded in interestingly capturing some portraits of his family. These  vibrant portraits show the reactions that Chesser caught. Prior to have taken these shots, he told his family members a very shocking message. He revealed to them that he had ‘AIDS’.

“It occurred to me that if I ritualized the act of telling, that it might be possible to transform these childhood fears that were still effecting me as an adult.” – Adrain Chesser

The reactions vary extremely, some are seen frowning in disbelief whilst others are consistent in masking their emotions with a smiles.I think that the concept is great, and although he survived a modest way of causing an outburst of emotions.

Personal Website: http://www.adrainchesser.com/

Shea Glover:

Another cool manner of getting a reaction is through the medium of verbal utterances. For example the student photographer Shea Glover walked around her city telling people a positive phrase, which also doubled as a social experiment.

Basically she’d record random people whilst taking the shots as this shows the before, during and after process taking place. When the people asked her what she wanted to take pictures of, she replied with something along the lines of: “what I thought was beautiful”.

Her prime aim was to capture the way in which the people’s demeanor’s changed as she told them that phrase. In result, everyone either immersed into a little smile or a big one, but either way they had a positive response.

“I conducted an independent project, which evidently turned into a social experiment regarding beauty.” – Shea Glover

Examples of her work from a website: https://fstoppers.com/documentary/photographer-captures-peoples-reactions-when-told-they-are-beautiful-102444

told-you-beautiful-video-shea-glover-1 told-you-beautiful-video-shea-glover-2 told-you-beautiful-video-shea-glover-3 told-you-beautiful-video-shea-glover-4

Wan Chai:

Source: http://hongkong.coconuts.co/2015/04/16/look-me-wan-chai-reactions-your-face-photography

I really like Wan Chai’s work because he captures very real reactions. He practices street photography in this specific project called “Look at me!” and goes around the street catching people unexpectedly, which adds an essence of spontaneity.

Examples of his work:

look_at_me_7 look_at_me_8 look_at_me_11

look_at_me_14
“The Boss and His Buddies” – Wan Chai – Look at Me!

Similarly, Chai is also conducting a social experiment and using his camera to record it. Most of the reactions were defensive and the subjects tried to hide their faces or stared in a confrontational manner. Overall a certain friction and connection is created between the photographer and the subject.

My favorite photograph is the one of the citizens in the car which was called “The Boss and His Buddies”. It’s interesting to see their faces when being photographed. Since they are in the comfort of their own car and probably accustomed to looking out into the exciting city, I’m, sure they weren’t expecting to see a camera pointing at them.

He sums it up himself in this statement:

“It was a really fun experience. I didn’t say one word throughout the shoot, yet I was saying ‘look at me’ in my mind the whole time, hoping people would notice me so I could capture their reactions. “It was very interesting how different people reacted, and I could never predict the responses I got. It was also really exciting as some people exhibited really extreme reactions. I even got pushed and my camera almost broke at one point.” – Wan Chai

 

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CONCEPTS

‘If Only for a Second’ Campaign:

if-only-for-a-second-cancer-patients-vincent-dixon-3

I found a very interesting website which contained simple but extraordinary reactions of people, after seeing their carefree makeovers – http://www.mimi-foundation.org/en/. This project was created by a French Foundation called ‘Mimi Ullens’ that deals with Cancer patients. Exactly 20 patients were featured with their ‘outlandish makeovers’.

The foundation added that they got inspiration from a fellow patient that described her life before and after finding out that she had Cancer. She said: “You know what I miss the most? Being carefree.

They all showed a great variety of emotion:

article-2521235-19FF7E7300000578-992_634x423
“Being carefree: Hayat couldn’t stop laughing after seeing her Mimi Foundation makeover” – (website source)

This series is quite uplifting in my opinion; I say this because it has a very warm meaning behind it. The foundation aims to show patients that life is all about enjoyment and having fun.

Whilst getting their makeover the patients were placed in front of two-way mirror and told to keep their eyes shut, then when the makeover was over they’d be instructed to look. The Mimi Ullens photographer called Vincent Dixon, would be behind the glass and ready to snap the shot.

‘If Only for a Second’ or ‘Ne Serait-ce Qu’une Seconde’ – Vincent Dixon takes the shot precisely 1 second after the patients open their eyes. I believe that for that split-second the people feel something and completely forget their illness, so this project is very effective.

More examples:

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“Within a second, smiling faces were seen all over the room. At that very moment, the cancer did not exist for the family members either.” – Mimi-Ullens Press Release.

‘The Make out Project’

Photographer Jedediah Johnson ‘made-out’ with people using bright lipstick and then recorded his results.

“The result is a portrait not only of the subject but of me and the moment as well” – he said.

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Mini Essay

To what extent has Martin Parr incorporated the concept of ‘islandness’ in his work and in doing so how has he influenced the likes of those who nominated him.

‘Islandness’ is a shared sense that transcends the traditions of local island cultures. The concept is reinforced by being surrounded by bodies of water which illicit feelings of closeness to the natural environment. It is a metaphysical consciousness derived from experiences of isolation. ‘Islandness’ is a term which can be interpreted in a multiple of varied ways, for example, each photographer in this project has created their own perception of the idea. Ultimately, it links communities together forming a mini society and network.

This unique collection of artists have produced their individual portfolios of work which have explored the complexity and rarity of the term. I especially want to highlight the connections between certain photographers which have gained influence and passion from one another.

My own experiences of ‘islandness’ have been grounded in the morals and values of Jersey, Channel Islands.  The idea combines vulnerability and resilience. I think it is significant when considering the theme of Jersey and how you can represent the island and create art from it. Naturally, my research began into the Archisle where I could explore the talents of Martin Parr and the work he produced of the island. The Societe Jersiaise Photographic Archive introduced in 2011, The Jersey Contemporary Photography Programme. The main goal of the scheme was to promote contemporary photography through a continuation of exhibitions and education links. The island itself has attracted millions of tourists and fellow artists as it is known for its natural beauty. The island’s identity evokes a sense of pride and enthusiasm for the project.

‘Island arts engage with the land and the sea and the community. They address the large questions of existence, but they do it within a context of shore-bounded particularity.’- Peter Hay

Focusing more on my intention, Martin Parr was commissioned in 2013 by the Archisle to photograph Liberation Day in Jersey. It is significant that of such a high esteemed photographer, Parr decided to indeed take notice of our small island and beautifully captured the light and importance of the day. In my opinion, Parr’s distinct style represented the happiness and joy of the day. However, his work also included the more solace and memorial moments of the day’s proceedings. With the world constantly being flooded with media, Parr offers a sanctuary of his unique perception of the world. His work tends to be exaggerated, the colours tend to be garish and the angles are normally strange. However, amongst the humour, Parr produces entertaining and insightful images which translate to our way of life. We can almost recognise ourselves in his art work, especially with the theme of ‘islandness’. When looking at Parr’s work and considering my hypothesis I think Parr’s photographs capture this concept exceptionally well (even if this had not been initially intended). This ‘feeling’ has been photographed in the light of Liberation Day, it exemplifies this particular meaningful and important day carefully and accessibly. I think it represents the islanders resistance and perseverance even at the most difficult and tragic of times.

With regards to the links between the photographers in the project, Martin Parr is an influential and inspiring artist who’s work has been and is an in depth observation of our personal identities and values we hold in society. The work he produces is innovative, intriguing and contemporary, strongly reflecting the way we act and our inner natures.

In conclusion, ‘islandness’ is much more than a concept, it is a feeling, an emotion, a community. Therefore, it has the potential to be photographed and interpreted in many different ways. The term has layers, which each artist in the project has stripped away and identified their own version of what ‘islandness’ is. Quintessence is a benchmark of the five years of the Archisle Programme. It is a success of contemporary photography and shows the work of native islanders and welcomed visitors. The project enables inspired artists to shed light on the shifting society of today and produce art for public enjoyment.

 

 

Quintessence

Three questions that you want to find answers to on your visit: 

  • Q1. How did the term ‘islandness’ come about? Is it significant in today’s society? Does it isolate us as a community, or, reunite in as a family? 
  • Q2. How influential and successfull do you consider the archive to be? 
  • Q3. Do you think the JEP is a successful media for documentary photography? 

The first thoughts about the exhibition that enters your head when you walk in:

The images that I initially liked when looking at the exhibition:

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The first image that I thought was really interesting was produced by Finn Larsen. This particular photograph was taken in Greenland, Illulissat Icefjord. This image stood out as one of the most captivating photographs in the exhibition, I think it is very beautiful and is most definitely one of my favourites.  I really like the textures of the rock in the foreground it contrasts with the wooden bench creating a rustic look. I also really like the simplicity of the sky, it adds to the feel of the lonely and forgotten feel you get from the photograph. The composition of the photograph is perfect, having the bench in the middle of the image makes it the main focal point. This specific photographer has really captured what I would like to translate in my previous project and potentially my personal study. 

Beachy Head Boat Trip:1993-5016_57_1

This is the second of my favourite images, I especially like the romance and personalities captured in this photograph. I think it is clever how the photographer has managed to capture most the faces in order to see all the different expressions and emotions of the people. I love how the image is in black and white I think it adds to the feel of the photograph. The composition in this photograph is also important and significant because of the focal point being in the centre of the image, with the surrounding subjects adding to the photograph further. Although, the couple are clearly a main focal point, I get drawn to the man standing at the back. I think he is really interesting in this photograph, possibly the way he is standing or his clothes and glasses but he makes the image have more depth. This image was taken by Tony Ray-Jones in 1967. 

Liberation Day Supper:

GB. Jersey. Liberation Day Supper at Trinity Parish Hall. 2013.
GB. Jersey. Liberation Day Supper at Trinity Parish Hall. 2013.

This third image is taken in Jersey of a Liberation Day Supper at Trinity Parish Hall in 2013. It was taken by Martin Parr which you can instantly tell due to the distinct style of his photography. I think this photograph is brilliant, it captures the main theme of the day without complicating it. This photograph is part of a collection of images Parr took of the celebrations, others include; Liberation Day, Robes of the Jurats of the Royal Court of Jersey and Liberation Day. 

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Case Study | Jem Southam

This photographer was chosen by the creator of the whole exhibition event Gareth Syvret. Jem Southam is a landscape photographer who makes rural landscape images used as a way to document man’s intervention in nature. Something that Southam does is photograph the same locations over months and years to show the difference that mankind has made in such a short period of time. Southam has photographed places across England. Southam was born in Bristol in 1950 and is one of the UK’s leading photographers.

Jem Southam on Artsy: https://www.artsy.net/artist/jem-southam

“I became heavily influenced by the Bechers, and pursued architectural landscape work.” – Jem Southam [interview with Seesaw Magazine]

Overview | What I think

After having a look at Jem Southam’s work I have actually been quite inspired by how beautiful his images look. I think that they are all effortlessly beautiful images and I also like the way that Southam makes images of the same locations over a period of months and years, this is really interesting and shows how we are constantly changing as a society and how much people can effect the way the natural world is and looks. I find it so interesting that Southam makes images from the same locations and tends to stick to around the same area when usually quite a lot of photographers will travel around to a load of different locations and places. I do think that Southam is working on a huge project to make images of the same places which will give the most effect in years to come when spectators will be able to see how much has changed and how much people have changed it.

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Q. How does the work of Jem Southam reflect the way we are as a society?

In this essay I will reflect on how much our society can be changed and re-moulded just by the environment we are living in and how much manmade objects change even the natural world.
Firstly, I really like the work of Jem Southam as it is really visually pleasing and interesting as the natural beauty of the images is really intriguing to look at. I can really relate to this work as growing up I always found the beauty in the natural environment around me like around an area where Liberty Warf and the office buildings are now. I had so many memories of playing and running around with my friends along there and memories with my family just from that patch of grass but now it seems that all those memories have been taken from me with the creation of offices and shops. I find that we live in a world that wants to become a lot more corporate and we tend to forget about the natural world and how beautiful it was before humans inhabited it. This is why I like to look at the work of Jem Southam so much as I feel that I can personally relate to it.
Another way that Southam’s work reflects our society is that his images are so simple yet is really interesting.
Secondly, I chose this mini set of images above as I found them really interesting. It looks so lovely and almost like a fairytale book, where you would expect a fiction character or someone to live. I like that there is one house in the far distance on the left hand side of the image as it shows how much the natural world rules over this part of the countryside but it also shows how our buildings and our society have moulded themselves and pushed into the natural world making more of a manmade one. This image interests me as I want to find out more and see what that particular location looks like in  a couple of years and to see whether or not the natural beauty is still there or if the corporate world has taken over. To me Southam’s work represents the greed of people and how much we seem to benefit from creating more and more corporate and unnatural environments just to make a bit of money. It really is fascinating to think about the lengths people will actually go to in order to make money, even destroy the natural habitat of so much wildlife, creates and just natural beauty and plants.
I really like the work of Southam as it is so interesting and he somehow makes his images look really beautiful even though the message is showing how much man has changed the way our world looks. Southam seems to make images more in the woodland areas or around the coastline to show how different these places may look after months and years. I think that Southam’s work reflects our society in somewhat of a beautiful and positive light with all of his images being visually pleasing and almost magical looking, however the meaning behind these images is a really strong one showing how much society has changed and how quickly we are expanding in the world and how much the populations are growing that we have to go into natures territory and claim it for our own.