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Workshop: Tom Pope

12:00 pm – 1:15 pm: After a quick 15 minute break Tom began his section of the workshop, which lasted for approximately 90 minutes. Tom began the talk by informing us of the style of photography that he took part in, being ‘performance photography’, as well as his influences and inspirations as he went through the beginnings of his artistic development from studying at university. Tom spoke of how he likes to be very subversive with his photography. This means that Tom likes to create situations and act in a manner which is considered socially ab-normal, strange and non-conformist. Tom uses subversion as a device to create satire as a means of testing social boundaries and limits. Tom is a contemporary photographer and he spoke of his desire to move away from traditional methods of photography which he remarks as “valid and respectable but limited in it’s artistic direction”. Tom described the influences he draws from his photography including Dadaism and The Situationist International Movement

Tom then spoke more specifically about some of his projects in which he has complete. These include, going from London to Belgium with a Grandfather Clock, riding a tandem bike with his friend across English in complete silence, and pedaling a stationary bicycle in the middle of a busy London Street. I find Tom’s work to be very appealing because his ideas are very original, philosophical and creative. As a working example Tom got us to play a game that involved us all throwing a scrunch up piece of paper at him whilst he took an picture. Tom explained how this ‘performance’ relates to the theme of chance within photography, because there was know way of knowing how the picture would end up like.

2 pm – 3 pm: After a 45 minute lunch break we ventured down to Liberation Square with Tom to play a series of games related to performance photography. We played 3 games in total.

1- Orange Throw and Catch –  The first game was an activity that required us to throw a orange ball in mid-air to a partner. The other person was then required to take a picture of the on-coming orange just before catching it. It was a very fun game to play because there was a element of difficultly which you had to work hard to master to game. Also it was something that I had never really considered playing before and so it was interesting to try something completely new and different.

jonas's mum

2 – Selfie battle – The second game was a more physical game that again required two players. You had to point your cameras to each other and have you finger on each other shutter releases. The objective of this was to attempt to take as many selfies as possible in your opponents camera whilst prevented your opponent from taking any in your camera. I found this to be an extremely fun game because it was very entertaining both to play and watch. The ‘competitive’ nature of the game made everyone more keen to win, but in an enjoyable sort of way.

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3 – The third game that we played consisted of working in groups of 4 or 5. In our groups we had to take it in turns to each decide an activity that everyone else in the group was doing. We then took photos of one another whilst we were partaking in the activities. This was interesting because people interpretations of and motivations to carry out different instruction varied greatly.

tupac

Overall a enjoyed the day greatly. It was very interesting to learn about the work of the Societe Jersai as well as the work of Tom Pope. The biggest lesson that I learned from the day is that photography is far more varied and complex in its meaning than simply taking visually good photos. It also has a great deal to do with intent (artistic value and meaning), which helps to give photography as an art form, an actual purpose and relevance within society.

A Day at the Archives – Overview

As an introduction to the project, ‘Chance, Challenge and Change’, we went on a day long school trip to the Jersey Archive Research Center (The Societe Jersiaise). The Societe belongs to part of the organisation Jersey Archive, who are collectively under the historical preservation group Jersey Heritage. The Jersey Archive hold all the official documents of archives relating to all aspects of Jersey’s historical and cultural past. Subsequently, Jersey Archive hold a considerable quantitiy of photographic archives, with up to 80,000 of them dating right back to 1840.

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The day was hosted by ‘The Archilse Project’, a local organisation who aim to promote contemporary photography within Jersey, and who use the Archives themselves as a key research tool. The event was split up into three sections, the first part being a introduction to the archives and what they do led by, Graham Syvret who works alongside the Arshilse Project on behalf of Jersey Archive. The second part of the day was led by Tom Pope, an extremely talented young photogrpher who specialises in the experimental performance photography and is the Archisle Project’s Photographer in Residence 2015. Then in the latter part of the day, Tom put into practise on the style of photography he was informing us of, and worked outsidde with us for just under an hour, getting us to play a variety of games involving capturing perofrmacne with our camera. This was very fun, especially the orange throwing game which required you to catch a ball thrown at you after taking a picture of a fast approaching orange.

 

Artist Research: Tom Pope

Tom Pope is the Photographer in residence 2015 at the Jersey Archive. Pope was asked to do a masters in photography in the Royal Academy of Art, after graduating from his first University at Swansea Metropolitan University where he studied Photography in the Arts.

http://www.tompope.co.uk/index.html

http://www.archisle.org.je/tom-pope-appointed-archisle-international-photographer-in-residence-2015/

Pope is an experienced photographer and has won many awards over the years, such as;

2013: Public Arts Grant, Royal Borough of Kensington and Chelsea
Tempting Failure Bursary recipient

2011
Deutsche Bank Award Winner of the £10,000 Bursary
Prix Leica Photography Prize, Finalist
http://www.tompope.co.uk/timebound.html

2010
Photograph of the month, National Portrait Gallery London

2009
Bursary Winner, Royal West of England Academy
Sir Leslie Joseph Young Artist Award, Shortlisted

Below are some of Tom Pope’s recorded performances which are displayed on his official website;
http://www.tompope.co.uk/films.html

Chance, Challenge, Change

As a title of ‘Chance, Challenge, Change’ many ideas came to mind. On our workshop visit to Archisle, Jersey, we were given a talk by Gareth Syvret who’s a photo archivist in the Societe Jersiaise. He influenced me into thinking further when thinking about archiving photographs. Syvret mention that being an archivist allows you to test and question what the definition of art and what it is, as a photo library represents a cannon of personal history and time.  Gareth was particularly influenced by Kessel Kramer where his collection ‘In almost every photograph represents this understanding of history to anticipate the future.  Below are some examples of Kessle’s work.

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“Visual History – Knowledge – Power”

Another influence of Gareth’s was William T. Collings, an Artist whom captured many of his photographs in neighboring Channel Islands. This then came relatable for Syvret as much of the photographs archived where found in the Societe Jersiaise. Much of William’s work was captured in the 1860’s all of working class men and woman. Syvret added that this  “Anthropological  representation may be deceiving” as the straight faces in Collings’ photographs can be seen as ‘ambiguous.  Also, plate cameras which where used made the  colour red deficient, resulting the eye to question the photographs profanity and truth. Below is an image William captured during his time shooting in Sark.

 

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Chance, Challenge and Change

Chance, Challenge and Change – What exactly does this mean?

The theme of our first A2 photography module is entitled ‘Chance, Challenge and Change’.

After being told about this title, I decided to take some time to really consider the meaning behind this. The exact meaning of this title is a vague, open-ended question and therefore very difficult to define. However I am drawn to it as a concept relating to how as a photographer, it is important to ‘push the boundaries’ in order to develop an deeper and more meaningful understanding of the the purpose of photography

In response, I have come up with the idea that  the three sections of this theme serve as a guidance to this developing process.

Chance – Relating to idea that a successful photographic outcome relies partly on luck, capturing to right moment at the right time.

Challenge – Meaning that you must be willing to take risks, push out of your ‘comfort zone’ and be willing to tackle difficult and unfamiliar tasks in order to become a better photographer in the process.

Change – Meaning that as a photographer and an artist in general, it is important to try to be as unique and original as possible. You must always question that definition of photography and search for your own original responses.