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Picture Stories

Picture stories are often used for  photojournalism and documentary photography as they allow pictures and words to be mixed together to make the story more visually interesting to make people want to read the article.

The most common images used in picture stories are:
– Person at Work, quite literally, a person at work, showing context of the work they’re doing

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– Relationship Shot, normally showing the relationship between a couple of people or a person and a thing.

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Photo by Dorothea Lange on Migrant Farm Families

– Establishing Shot, shows context and establishes the setting or what is happening in the story.

02 types establishing miss saigon
– Detail shot, shows a detail of a situation, like what someones holding, or a detail of the environment.

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Photo by Brandon Stanton from his work on Humans of New York

– Environmental Portrait, a shot of a person or a few people in the environment which hold the meaning for the story.

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Photo by Brandon Stanton from his work on Humans of New York 

– Formal Portrait
senior-portrait

– Observed Portrait, taking photos without the subject aware that you’re there.

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Photo by Brandon Stanton from his work on Humans of New York

To be able to understand how to make an effective photo story to display my photographs I am going to analyse some existing photo stories and see what I think does and doesn’t work well. First i’ll look at magazine photo stories.

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From looking at and comparing these there photo stories, the first thing that I notice particularly is the type of font used for these articles is mainly san-serif.

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The last two examples use serif fonts for their titles, but all three use sans serif fonts for the rest of their text. This is because it looks smart and modern and is easy to read, hardly any magazines use cursive fonts either because they’re difficult to read and look very messy and unprofessional.

As the first article is more of a timeline of events, theres no particular establishing shot, because theres no one location of the story they’re trying to get across. The second magazine’s establishing shot , whilst isn’t the biggest image, is still a pretty big photo, so although it isn’t the main focus of the story, it still gives across information to the viewer. The last article uses and environmental portrait as an establishing shot. It shows all the people involved and an idea of the location of this story.

All three of these articles have four images within a double page spread and quite a small portion of text to go along with them. Although these seem to be the most formal types of articles, others may have one main image as the background, and bigger, bolder text overlapping images etc, which is quite common within music magazines, which tend to have a sense of high energy, often to capture the energy of the artists of the concerts and festivals they’re reviewing and writing about.

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Some quotes (if the subjects of the story have been interviewed) which represent what the story is about in a few words tend to be bolder and larger than the rest of the text, they’re sometimes quite unusual quotes, to make the viewer want to read the rest of the article so they can find out the context of which they said that sentence.

 

TELLING A PICTURE STORY

There are 6 or 7 individual types of picture that should be both visually strong and informative in their own right but put together make a flowing dynamic narrative. Outlined below are these individual pictures:

  • Person at Work
  • Relationship Shot
  • Establishing Shot
  • Detail shot
  • Environmental Portrait
  • Formal Portrait
  • Observed Portrait

Picture stories are generally made up of between 3 and 15 pictures depending on the depth of the story but they will include most if not all of the individual pictures mentioned above. By looking at each of the picture elements individually we can discuss how they are best achieved.

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Here are some mood board of some different picture stories –

Picture1 picture story moodboard

 

PERSON AT WORK –

Picture1Self explanatory really but there are key elements and working practices that will help to make this picture work. Things to look for are:
Who the person is…we should be able to recognise them.
What is it they are doing….
How are they doing it…
In what context are they doing it…

RELATIONSHIP SHOT –

Picture2

This means a relationship between two or more people. It could be one of love, hate, passion, or just simple affection, supportive or one of rejection, teaching and learning, superior or inferior etc. The key points here are that the photograph must show clearly:
What is taking place between them and
What the nature of the relationship is….

ESTABLISHING SHOT – 

Picture3

The Establishing Shot is an important element in the picture story because it serves to define the context in which the other pictures have been located. It  describes where and sometimes when the event took place. It can also describe mood and other information such as how large the event is how many people were involved, the weather etc

DETAIL SHOT –

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The detail shot is often overlooked but is very useful in many stories to emphasize a point or subject area. It also adds ‘pace’ to your story which will be discussed later. A detail shot doesn’t have to be a minute macro picture but just something that concentrates on something in particular to open up the story. They can be a good chance to shoot something in an abstract way that gets the viewer thinking about what he is looking at. It adds a new dimension to the story. Some very successful picture stories are made up solely of detail abstracts.

FORMAL SHOT – 

Picture5

The subject is totally under your control. You decide lighting, posture, distance
etc but in a way that still permits the personality of the subject to come through.
A good relationship with the subject is helpful here.

OBSERVED SHOT –

Picture6

This when the subject is not as aware of having his picture taken. A more candid approach to get that natural relaxed feeling to the picture. There is a lot  of crossover between the different portrait styles to you could have an  observed/environmental portrait or even an observed/formal portrait taken during a moment when the subject maybe not aware your taking pictures.  Again, there are no set rules in portraiture.