Final Phonebook – The Butler

I have completed my phonebook based upon my dad, the Butler of Government House in a way that portrays both my dads and the rest of the staff’s involvement within the House. As my topic was quite unique, it has enabled me to get the audiences attention by using pictures that are not seen by the public eye, and incorporating them within the book. Such as, pictures of the Lieutenant Governor in his dress down clothes, reading a newspaper chilling. As this topic is quite top secret, it was hard for me to get all the images I was hoping for but as a final result, I am happy with how my book turned out.

Here is a link to my book on blurb: http://www.blurb.com/bookstore/invited/6234286/464aa7d7783c1979303dccb00945483a0c46e8fe

Front Cover -I chose this as my front cover because I thought it needed a powerful image in order to exert power over the book, as the topic is important. I chose not to put the Butler on the front cover becauseI think a powerful picture of the Governor and his Chief of Staff would set the scene into what the life at Government House is like and the demands my Dad, the Butler has to work under.

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Back Cover – I chose this as my back cover because I wanted to incorporate both archive images with similar images that I had taken at Government House and present them in a way that tells a story. I like this image as it is similar to the front cover with regards to the car and how its just outside the house. This archive image is from the German occupation so it is interesting to see the contrast from back Government House was occupied by the Germans.

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Page 1 – I wanted to make the front page a true representation of what the book is going to be by putting my Dad on the first page with him cleaning the Governors uniform. This is followed by a short passage of what the book initials and why I chose this topic.

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This image is a representation of the ‘upstairs-downstairs’ lifestyle. This image is my Dad, the Butler, going upstairs from the workers floor to the upstairs where the he attends the Governor and his wife.

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This is my favourite image as I like how the contrast is visible from when my dad was young to his age now. This photograph was from about 10 years ago and I think its a key image as it has the Queen in it and shows the types of royalty that he meets and serves.

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My essay contains a comparison between Pieter Hugo and Phillip Ebeling and their interpretation of home. I include both my ideas and what I think about their books, and then explain as to why I was interested in them and how they relate to my project. My project incorporates with the aspect of home as Government House is where I live because of my Dad’s job. I chose this because I wanted to have a more unique project that isn’t so visible to the public eye.

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personal study – conclusion and bibliography

4. Conclusion:

To conclude, I have produced photographs from both of the European islands. These demonstrate the significant differences in the cultures behaviours and environment of these locations. In Madeira I took pictures whilst emulating Sebastião Salgado’s work; this meant that I took many landscapes of natural land and local people. For Jersey I gained inspiration from David Alan Harvey. I tried to respond to their work by photographing in a similar style. Experimenting with black and white filters was most suitable for my responses on Salgado’s work. On the other hand, I reinforced brighter colours into my work that emulated Harvey’s. Throughout this investigation, I learnt many things. I gained an understanding for the different locations that photographers depict and how they can impact people. I also explored how the contrasts of modern and old things can change the way in which we view the world and our life choices. I also touched upon culture and how the different photographers view their craft. Additionally, I considered many negatives, positives and connections in my work. I believe that Salgado’s work was the most influential as it inspired me to want to maintain the environment pristine. Harvey’s photograph’s allowed me to admire modern culture and experience it through the lens. His work was equally creative but his documentary style demonstrated differences to Salgado’s. Personally, I would love to live in an uninhabited and cultural place like Salgado depicts. Therefore, like others my desire to live there is so great that I believe it would positively impact my life, emotions and views. However, I would want to avoid the certain situations shown in Harvey’s images as I think that they are negative influences in my life. To summarise, each person has a different mind-set on which type of location best suits them, however it is possible to disregard the circumstances and live happily. For instance, my grandmother was born in Madeira and after living in Jersey then returning home she still states that: “I prefer to live in Jersey.” Some of my questions have been left unanswered as there is no straight response. For my outcomes, I chose photographs that inhabited strong focal points and had texture and depth to them. Particularly in street photography, I picked ones with the most meaningful expressions that caught my eye.

5. Bibliography:

personal study – 2nd and 3rd paragraphs

2. Adapting to differences:

New places can bring new feelings and I believe that deep down no one likes change. My family decided to immigrate to Jersey a long time ago and have been living here ever since. Thanks to their link with other Portuguese people which have moved here; they were able to find out about the island. The alterations from their hometown are immensely diverse. Jersey is a much more technologically advanced region. The modern culture is quite advanced compared to Madeira. This leads me to introduce a second photographer who looks at developed, unconventional and industrialised places. He captures present time moments. “Don’t shoot what it looks like. Shoot what it feels like”, stated David Alan-Harvey. This signifies that his work is all about containing emotions that can be translated by the audience into a certain meaning. I believe that the subjects in documentary photographer’s work emulate those in Jersey. I was interested in his study of work called ‘Living Proof’, which displays a current day view on updated society. He stated that in photography: “there are no barriers” and questions “can we even capture what we feel in a photograph?” In my view, Harvey’s work connects to Salgado as his work builds on social interactions between humans and the environment. I highly believe that the social, political and economic differences from the two islands and photographers differ. This created new opportunities in the working world. However, the industrialisation and high-tech technology has a lot of negative aspects. I believe that my family and some locals can become isolated, stresses and depressed because of their surroundings. To me, it doesn’t make sense to live in an area surrounded by concrete walls and fake materials. I think that our lives should be plentiful of nature and fresh air, instead of polluting fumes and unnecessary towers. Harvey’s photographs show many scenes with social interactions. He uses colourful, vibrant and saturated filters, which make a pop and grab my attention. Harvey captures his subjects in busy situations, and I find that his frames are always full and exciting. I believe that Harvey integrates himself amongst his subjects and shoots from their perspective. I personally don’t believe that the pictures have much of a physical impact on the world, apart from making them aware of the ever-growing circumstances that occur. In this series, he portrays the addictive side of our society and depicts pleasures that money can buy. David Alan Harvey grew up in a developed and populated city. He has some similarities to Sebastiao Salgado but also some differences. Their medium is the same, in that they both are documentary photographers. However, their subjects of interest and messages that they want to convey to the world are worlds apart. Typically, I think that Harvey shows the diversity of up-to-date surroundings and how it’s possible to enjoy it and have fun. Nevertheless, in the majority of photographs the people seem sad, which always brings me back to the question; does the location matter and what are the effects on our life ambitions? Culture is an integral part of our lives.

3. Genre of documentary:

As a final topic, I’ll be discussing the comparisons, contrasts and connections between Salgado and Harvey’s documentary photography. Also if their styles and chosen locations are due to their past experiences and knowledge. Personally, I believe that documentary photography is always set up, no matter how little you tamper with the situations. I think that a picture becomes documentation, at the precise moment that the camera snaps. Both Salgado and Harvey create contemporary photography; which portray a chronicle or an account. However, I think that Harvey’s documentary photography is more abstract due to the way in which he photographs. For instance in the use of unusual angles that sometimes frame the picture. Harvey uses bright colours and states: “Most of the pictures that I make are personal pictures and never end up in print.” For me, this effect portrays some meaning, but not too much, therefore I believe that his depictions are quite self-explanatory. Oppositely, the distinctive characteristics in Salgado’s pictures create a variety of associations and make me question them on a philosophical level.

personal study – introduction and 1st pargraph

Personal Study – Photography

Question: Can the place where someone lives, change their overall outlook on life?

Introduction:

“If you wake up in a different time, in a different place, could you wake up as a different person?” – Tyler Durden. In this personal study I would like to focus on two different places and discover if they have affected my family and the locals. Since I was born in Jersey and have many family members from Madeira; I’ve always had conflicting ideals about these two worlds. I believe that my ancestors and other natives greatly prefer Madeira and I can notice it in their expressions. They seem happy, lively and at peace with the world. Most of my family have immigrated to Jersey, assumedly looking for better job opportunities and stability in life. However, I think that they still hold the thought of wanting to return to their hometown deeply within their heart: “When you finally go back to your old home, you find it wasn’t the old home you missed but your childhood.” – Sam Ewing. Personally, I feel that Jersey is quite draining, mainly due to visual aspects. For me, I prefer to be surrounded by liveliness and nature. Therefore, I want to find out if the: environment, culture, memories, etc., affect the way in which people in Jersey and Madeira feel and act. Also, if true happiness is determined by the place in which you live: “Paradise is not a place it’s a state of mind.” – Frank Sonnenburg. In my previous studies I looked at: street photography, photojournalism and landscapes; which I enjoyed and want to further explore in my personal study. In order to develop from my previous coursework, I’ll have to get a good variety of outcomes and capture more people in my frames. In Photoshop, I want to experiment with black and white filters, magenta and other general edits such as: curves, brightness and contrast, vibrancy, etc.

  1. Jersey and Madeira:

Firstly, I’d like to discuss if the two European islands affect people differently. The way that someone feels about a place has a lot to do with the connection that they make in it; be it negative or positive. In turn, this memory is crucial as it affects our reactions and perspectives of a location. The first photographer that I’ll be analysing is Sebastião Salgado. The Brazilian documentary photographer has travelled the globe searching for the most exquisite moments. His books Genesis and Migrations intrigued me a lot. Sebastião makes environmental links in his photography. I think that he aims to show the beauty of nature and preserve it in his shots: “Nature is the earth and it is other beings and if we don’t have some kind of spiritual return to our planet, I fear that we will be compromised.” Although most of the world’s environment had been ruined, Salgado’s quest aims to show pure scenery that I believe we should strive to maintain. In turn, I assume that the viewers will be enchanted by the unspoilt planet depicted and try to change the circumstances; since every human is dependent on oxygen from plants. I highly believe that us as human are happier living in an undisturbed land. For me, rural areas have little destruction and more tranquillity. If he were to document urbanized cultures, for instance with modern technology, I assume that the audience wouldn’t be as shocked, since they are already accustomed to these situations. However, Salgado’s meaningful book depicts his appreciation for untouched areas and depicts humans in less fortunate conditions such as those who live in poverty. Their culture and way of life is completely different from developed places; nonetheless, I feel that they are more connected to each other and to their environment because of where they live. Maybe they have a peaceful connection to the island. I feel so amazingly great knowing that I can escape and immerse myself in the natural world; it provides me with a true sense of humbleness and belonging to all life forms; whilst reducing my stress. This same effect possibly occurs to others, depending on their living locations. As the environmentalist John Muir says: “Going to the woods is going home; for I suppose we came from the woods originally.” Furthermore, I agree with the BBC researcher Anna Gislen in saying: “You want to help keep people safe and give them the best parts of modern culture, but in doing so they lose their own culture.” I think that people’s surroundings can impact their way of life, emotions and thoughts. Moving on, I think that the classic black and white filters that Salgado uses exude a timeless effect. I believe that this allows for the audience to focus less on the aesthetical qualities of the photograph and more on the raw feelings that are portrayed. He was influenced by Lewis Hine and other that had sullen and bold contrasts of black and white. Subsequently, this filter is also more dramatic, which may increase the importance of the message. He stated: “What people have is a way of photographing what’s inside them”, therefore their history. His past was economics and so I believe that this fuelled his future topics in photography.

DECONSTRUCTING PHOTO BOOK DESIGNS

The Americans, Robert Frank 


 

This photo has been considered one of the most influential photo books that have given inspiration to many new photographers starting out. This was produced with the help of a scholarship that allowed Frank to go on road trips across America, this was during a two year period. Frank was trying to portray American society in the post-war period. This photo book has contributed to a new style and subjective approach to documentary photography. 

The Middle of Somewhere, Sam Harris 

Sam Harris is an Australian photographer and educator. He self taught himself photography while he was a teenager, he turned his bedroom in London into a DIY makeshift darkroom. Harris has worked as an editorial photographer for places such as The Sunday Time and Esquire but also throught the 90’s he photographers portraits and sleeve art for numerous recording artists. While Harris’ career started in London in 1990 photographing editorial portraits and sleeve art his career changed into one of London’s leading young editorial portrait. Sam decided to abandon his career and changed it so that he could have more quality family time, in this time he turned his camera onto himself to photograph his own life. Harris’ lives his life with his two young daughters and his wife where he goes between India and Australia, which he setteled down in the forest of Southwestern Australia, Harris still continues to photography his on-going family dairy and he also runs workshops.

This photobook by Sam Harris gave me inspiration for my photobook in the different aspects of it and how i would like to lay out my images. This photo book communicates this narrative through different images of Sam Harris’ family while they are in the South West corner of Western Australia. This photobook is considered the next chapter in Harris’ on-going family dairy. It follows on from Harris’ other work called ‘Postcards from Home, made in 2008-2011, and is made around Harris’ two daughters Uma and Yali growing up, in a remote part of the world. In this photobook is has different aspects including some of the images are full blead on the pages and others have space which creates a boarder around the images to frame them. I think that this photobook displays the subject-matter of the two children growing up in Australia through the different note-pad like add ins in the photobook to make it seem like a journal. This creates almost a journal for the family in which they can look back on of their children growing up in Australia. The different text which is in the images in incorperated into the images by having other stick ins which are placed on top of the image, these are not fully stuck onto the page which makes the photobook a more realistic journal. This photobook portrays Sam Harris’ children growing up and i think that this is really interesting to see the two children growing up in Australia. This photobook also uses the journal like pages throughout the book of their family holidays and also writing which Sam Harris has wrote in different things that have happened throughout the years of making this photobook. 

This photobook is a portrait photo book which is of A5 size, it is layed out like a journal which focuses on Sam Harris’ two daughters growing up, the images are mostly placed full blead onto the pages, this means that they are fully to the edges of the photobook and by doing this the photographer looses to corner of the images, however some photographers do this because it brings you closer into the image and makes you look at the different aspects of the image, rather than framing the images. However, some of these photographs in the photobook have space to frame the image usually on the top and bottom or placed in the middle, however the other parts of the image are also full blead to the edges. This is broken up occasionally by one large image on the page which fills three quarters of the page and leaves some white space on the page to frame the image, this brakes up the photobook and makes it more interesting to look at, and creates a more exciting photobook to flick through. Sam Harris’ images go across the gutter which can be said to loose part of the image as you cannot always see what is going on in a picture. Harris also does this when he has two images on a double page spread where he makes both of the images go across the gutter which creates an almost panoramic look to the images and makes you look from the image which is placed onto the left and then onto the right, almost creating like it is one single image. The relationship between the images on the different pages are linked together through a relationship of something that is similar in the images, for example one is taken of the Sam Harris and his wife looking at the stars in the sky and then the next image is of a room which has disco ball lighting on the ceiling, and this is how Harris changes between his images, through a mutual relationship between the two images. I think that all of the images that have been used are images that Sam Harris has taken over the years documenting his two daughters growing up, and there are no archival images that have been used, however there has been found material, as there are little sticky notes that his daughters have placed  around and Harris has picked these up and placed them into his photo book, i think that this adds to the idea of this being a family journal. These pieces of sticky notes and journal like pages in Harris’ photo book add value to the story being told, as it adds a personal touch from his daughters which makes this a genuine family archisle. 

When looking at the book title, ‘The Middle of Somewhere’ i think that this implies how these images have been taken in between two different places in the journey and the image have been taken from places in between and in India and Australia. On the first page of the photo book their is a small poem, by W.H. Davies, Leisure, 1911, this poem is about life and how time passes by fast and i think this represents how Harris’ daughters are growing up fast before his eyes and these image show their childhood years. In the journey like pages, ‘no yesterdays, Notes from Somewhere’ this is showing all of the places that they traveled around showing their journey through the years, remembering the places they visited. This is also present in the other journal like pages in Harris photo book ‘Travelogue’ which shows them in India – Australia between 2002-2006, i think this is so that it is separate from the rest of the story as this was a break from their usual life, in this there are images of their holiday but also includes the mother giving birth to one of the daughters. There are no captions on any of the images, i think this is so that the images are looked at as a whole and the writing which would be placed with the image would distract from the images. In the back on the book there is a page which says ‘Many Thanks’ this is where Harris says thank you to everyone involved in the process and there is a picture of the family in the bed, this image is not stuck to the page 

 

ESSAY

Essay question:

How has ancient Greek statues influenced the perception of the male form, with reference to other artists regarding how they express the male physique. 

“Ancient statues are looked at and not seen” – James Davidson

When people imagine how they want their body to look like, we don’t usually think that our inspiration came from Greek sculptures, usually this has come from either internal or external forces that have created our ‘obsession’ with us having the ‘perfect’ body. When looking at Greek sculptures it is hard to not notice there “superb imperial torsos[1] and I think that when noticing this it is clear where males have their aspirations for the ideal body from. Even from around 438BC it is obvious that this idea of the ideal body was formed, younger generations are now being influenced by this idea and there is a growing increase in the amount of younger boys and girls who are entering the gym to try and improve their bodies. Also when looking at the photography that takes place involving the male physique you mainly come across media campaigns or on the other end of the scale body building competitions, this is where the body builder will use other aspect to improve the appearance of their body, for instance fake tan to make them look more defined and the use of anabolic steroids to enhance their bodies, the photographer will also usually use harsher lighting to improve the aesthetical appearance of them.  82d01799-19da-4459-abf1-85e72cc87d1b-2060x1236 (1)When looking into what I wanted to focus on for my personal study, I thought it would be interesting to look into why younger males over the past few years have become increasingly interested in working out in the gym. As my subject is a regular gym goer, I am going to study him by taking images of his gym workouts, what he eats, but I also want to take a studio shoot, so that I can take images that are similar to ones that would be featured in a magazine spread. I am going to do this so that I can see what younger males do to achieve the perfect body which they desire, and how much hard work they need to put it to achieve it. I am planning on asking a questionnaire around my subject and his friends but also some females as to why they go to the gym, and what motivates them to go. By asking these sorts of questions I will gain an insight into whyyounger generations are taking an interest into the gym. I will be looking into what affects their characters and what goals they have in life, as usually they have gym goals that they want to reach. 

Eadweard Muybridge’s looks into the idea of capturing movement within an image, this idea is called chronophotography, this type of photography was invented for scientists to study how the human body worked while it moved. One of the first chronophotography images was of a horse which is galloping, showing how at one point all four of the horse’s hooves are off the floor. This concept can be related to when looking at image of the physique and how movement changes how the body is displayed in an image. Using similar techniques to how body builders improve the appearance of their body, males make sure that they have their torso and other muscles in their body tensed so that they appear bigger. I think that this can also be related to how males unconsciously feel that they have competition between other males to have the best body, this may be to compete to get girls, or could be to impress other men. In relation to Greek statues they can be seen as one frame of the movement, and the muscles that the Greek sculptures are showing shows the statue capturing the movement. muybridge_galloping_horse (1)

In Robert Mapplethorpe’s book ‘Robert Mapplethorpe and the Classical Tradition’ he focuses on images from around the 16th century of Greek classical structures, mostly consisting of the male physique. The sculptures are very muscular, which when taken in the 16th century it is not something that you would think everyone would be interested in or aspiring to look like. Also these images from the 16th century raise questions as to whether this is why people nowadays have been so interested in going to the gym and transforming their body from hard training and eating a strict diet. Mapplethorpe’s images consist of his own images of body builders, most of which are naked and taken from different angles. These images of the male physique can be considered to show how contemporary men aspire to look like, which is why younger men are spending more time in the gym trying to improve their body. When asking my subject why he started going to the gym he said it was to “get bigger because he was scrawny” and also initially to “impress girls” I also asked some of my subjects friends and all of them said that it was for them to “get bigger” and to “build muscle”. I think that it is interesting in how the images from the late 16th century show muscular men, and it raises the question as to whether men have always felt that they need to look like their idol, the person they aspire to be. ‘I have boundless admiration for the naked body. I worship it… sometimes, looking at a model, you think you have found nothing. Then, all at once, little by little, nature reveals itself, a strip of flesh appears, and the shred of truth conveys the whole truth and enables you to rise at a single bound, to the absolute principle of things’[2], Mapplethorpe arguably implies by him having admiration for the naked body that he believes the body to be a sculpture, of which something that can be moulded into something that you want it, as if the human body is a piece of art. Furthermore I think that it can be argued that men consciously do not think that they are aspiring to look like their idol, but unconsciously they think that this is what they need to look like, to look like the ‘perfect’ man, with an amazing physique. I think that social media also has an influence on how people consider their bodies, as unconsciously we desire to look like them as they are in the public eye. Articles that are in magazines show the men to be muscular, and this is what they post as to what is the ‘perfect form’, and the main aspect of the image is the male’s torso.riefenstahl_olympia

In regard to my images I was greatly influenced by Robert Mapplethorpe’s images and through this I took images in a studio to try and get similar quality images. Through this I got my subject to pose in different positions to try and show off his muscles, to try and show how he has been influenced by the media and also other men who have been around him. I used one-point lighting to take this image to create deep and dark shadows to accentuate the muscles and make them stand out more, as Joachim Ladefoged did in his monograph called ‘Mirror’ which showed body builders before their competition doing exercises to build up the appearance of their muscles. In my image I wanted to get the oblique’s showing as I think that this, alongside the desired six pack is what men aspire to look like. By using one-point lighting the shadows are deepened and the muscles are highlighted accentuating them. I chose to change this image into black and white because I think that it shows direct link to Robert Mapplethorpe’s work as most of his images are in black and white, and I think that it makes the images appear more professional.

I think that bodybuilding competitions are a way for men to show off all of the hard work that they have put in to get their desired figure, and I also think that for some men going to the gym is their hobby and they do it because they enjoy it, and because going to the gym makes them feel better, on the inside and on the outside. Personally I go to the gym and I am very interested in living a healthy lifestyle and doing things that make me feel good about myself. In comparison to men I think that women usually go for different reasons, I asked some girls who said they go “to lose weight, tone up and to feel good about themselves when they wear something”, whereas when I asked my subject and his friends why they go to the gym they said it was “to impress girls and to compete with other men”, but they also go to “feel better about themselves”. When going into the gym it is hard not to notice the growing increase in younger men and women who are going into the gym, mainly male dominated the men go to build muscle and shred down for summer. The weights in the gym are mainly filled with groups of men, but also young men working together to help one another achieve the perfect body to impress women.hfghf

When looking around to see the relationship between Greek sculptures I noticed an article by James Davidson called ‘Naked Ambition’, in this he pointed out that the nudity of the male sculptures has become normal to us over the past 2,500 years, and it is what we expect from ancient statues. Most statues are ignored when going around a museum and people do not tend to focus on them as art pieces, and they also do not look at the significance of the statues masculine figures. ‘Ancient statues are looked at and not seen’, [3] I thought that this was an important quote because when noticing Greek statues Davidson states that there is something which all of the statues seem to have, a ‘superb imperial torso that would not disgrace the cover of Men’s Health magazine’[4]. I think that this shows how even since 300BC when human sculptures were formed; there was still an idea of the ‘perfect male’ and how men had to have a perfect torso to make them attractive. The ‘Greek nude’ which Davidson addresses is to do with nudity in practice, Greek homosexuality, a passion for gymnasium and also athletics. One concept which Davidson also relates to seems to be the idea of male body building, ‘a Nudity was a kind of costume, an idea enhanced by the face that much time seems to have been spent oiling oneself up and scraping oneself down’ [5]. I think that this implies the idea of bodybuilding and how men choose to make themselves look as muscular as possible by using other facts to enhance their personal appearance, for example fake tan and the use of steroid and other banned substances before their competitions.Mens-Health-Magazine-January-2016-Australia

I was inspired by Leni Riefenstahl’s film ‘Olympia’ produced in 1938 in Germany as a documentary film. Parts of this film show famous dive scenes which are 4 minutes long in the first edition and then 50 seconds long in the second edition. In 1938 when ‘Olympia’ was produced advanced techniques were used including unusual camera angles, smash cuts and extreme close-ups.  When looking at the images from the film ‘Olympia’ it is clear that they are all similar in a sense that they are all muscular, this is so that they can complete their sport to their full ability. The images show strong body figures, which relates to classical Greek sculptures, this is because of the masculine figures, but also because of the postures and shape of the males bodies. This image shows how the images from the film ‘Olympiacan be related to the classical Greek sculptures because some images copy how the Greek structures have been built. Moreover this arguably shows how these muscular figures have influences younger generations, but even older generation and made them unconsciously want to have a similar body type/image. Most if not all of the position which the subjects are standing in have strong postures, a perfect form. Arguably this shows how they are strong, as are the Greek statues. In comparison to body building photos, for instance Mapplethorpe’s image of Arnold Schwarzenegger, there are similarities in how they all pose, as they all have strong body postures which show off their muscles and make them a solid structure, like a statue. As you can also see in my image which I took of my subject in the studio you can see similarities in how they are tensing their muscles to create a solid form, to make themselves as solid as possible.

The perfect form is something that we all arguably aspire to be like, even when we do not consciously think we want to look like them. When looking around in today’s modern society we are flooded with images and also knowledge on how to achieve this ‘perfect body’ that everyone talks about. Plato, one of the first philosophers proposed the idea of the theory of ‘Forms’, which is a non-material abstract. ‘When used in this sense, the word form or idea is often capitalized’. [6] Plato suggests that these forms or ideas are the ‘only true subjects of study’ [7] and he proposed that there is the perfect form or the ultimate thing to be. Plato states that everyone in this world has the perfect idea of what they want to be, and in terms of physique, everyone has the perfect body in which they aspire to look like, but Plato says that all of these things are trying to be the perfect form, so in this case they are ‘mimicking’ the perfect form. It can be questioned as to whether everyone has their own perfect form of what they want. Plato uses the idea of a triangle to relate this to, as he says that someone’s idea of the perfect form never changes over time. For example, it can be questioned as to whether over time peoples idea of the perfect body had changed since even in the BC era, and looking back at Greek statues it shows that people still seem to look up to their ‘perfect form’. The forms can be seen as perfect themselves because they do not change. The example of the triangle is described to be as to when someone draws a triangle on a piece of paper, it cannot be said to be beautiful, as it is just a triangle, however the form ‘triangle’ which allows us to understand that the picture on the piece of paper is a triangle is perfect as it is unchangeable. This is because the idea and the concept of the triangle is the same to everyone, which can be said for body image, and it can be questioned as to whether everyone has the same body images which they look up to, or as we are all individuals, whether we all have a different ‘perfect form’ which we aspire to look like.

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In relation to my own images I have found Mapplethorpe to be the most influential approach to this particular style of photography. Therefore a great deal of my images reflects his interpretation of Greek statues and body building images in relation to the male physique. In this image of Mapplethorpe’s I think that this shows his mental strength as his head is the focal point of this image. The circle which the man he is can be said to metaphorically imply his strength, as a circle is a strong shape as it is never ending, this can be showing his continual aspirations to meet their goals, as bodybuilders always want to improve their bodies and be better. Similarly in my image the focal point again is the subjects head, which is different from the other photographs I have produced because they normally have been focused on the muscles and brawn of his body. Moreover the lighting of the image is comparable to the likes of Mapplethorpe’s.

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Overall, I think that Greek statues have unconsciously influenced men’s perception of the perfect male form. Greek statues alongside media greatly influence how men and women think about themselves, but the idea for men to have the perfect torso is widely spoken about and published in media, therefore I think that this greatly influences the younger generations, thus making them join a gym to improve their physique. Plato’s idea of the perfect form shows how men unconsciously have a perfect form which they desire to look like, and it is questionable whether everyone has the same form or not. I think that it is clear that when we want to improve our body we do not think that our inspiration came from classical Greek sculptures, but looking back at images from 300BC I think that arguably it is clear that they have a certain degree of influence on modern society and how we view our physiques.

[1] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[2] (Mapplethorpe 2004:47)  

[3] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[4] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[5] Davidson, J (2015), ‘Naked Ambition’. The Guardian: 16-17

[6] https://en.wikipedia.org/wiki/Theory_of_Forms

[7]  https://en.wikipedia.org/wiki/Theory_of_Forms