The Syrian Civil War

A United Nations report released in December, 2012, stated that the conflict had

“become overtly sectarian in nature”

Definition of sectarian:  relating to religious or political sects and the differences between them. 

The violence in Syria has caused millions to flee their homes. As of March 2015, Al-Jazeera estimates 10.9 million Syrians, or almost half the population, have been displaced. 3.8 million have been made refugees.  As of 2013, 1 in 3 of Syrian refugees (about 667,000 people) sought safety in Lebanon (normally 4.8 million population). Others have fled to Jordan, Turkey, and Iraq. Turkey has accepted 1,700,000 (2015) Syrian refugees, half of whom are spread around a cities and dozen camps placed under the direct authority of the Turkish Government. Satellite images confirmed that the first Syrian camps appeared in Turkey in July 2011, shortly after the towns of Deraa, Homs, and Hama were besieged. In September 2014, the UN stated that the number of Syrian refugees had exceeded 3 million.

The Kansas City Star: 

U.S. steps up participation in Syrian civil war to combat the Islamic State

Syria
Residents of the besieged Yarmouk Palestinian refugee camp wait to leave the camp on the southern edge of the Syrian capital Damascus. The deteriorating situation brought on by Syria’s civil war prompted the U.N. Security Council to call an emergency meeting last month to discuss Yarmouk, calling for safe evacuation for the Palestinians, protection for the refugees, and humanitarian access to the camp. Unaccredited –  The Associated Press 

The editor Lewis Diuguid describes the Syrian civil war as a devilish turn of human nature as his opening line:

“War is such a crazy, unpredictable beast.”

Diuguid’s use of the word ‘beast’, immediately condones a sense of  fear and anguish, relating to specifically the torment families of the Syrian community have to go through.

 

 

 

 

Recording two- personal items

Recording two- personal items:

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For my second shoot I decided to photograph my grandfather’s possessions or items related to him that my mother has kept. I found lots of condolence cards and letters addressed to my family, offering their sympathy and sorrow. The first photograph is of a small card/postcard addressed to my grandfather’s mother from my grandfather and his siblings. I especially liked this item because of the old style writing and the colour of the paper. I think it is very vintage and shows the heritage of my grandfather’s life in an image. It is also due to its beautiful simplicity, it is just a casual piece of writing, filling their mother in on their well-being. My mother has written a small memorial message in the JEP for the past ten years. Each year she has kept the newspaper in order to keep my grandfather’s memory alive. I selected a small number of items which I thought represented and symbolised my grandfather as a memory. The third image is of a letter my mother received from my father’s parents.

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I took inspiration from my artist references regarding the different styles and ideas of taking images to represent someone who is invisible. One of the ideas was to photograph not only the front of archival images but also to photograph the back of the image as it normally has some sort of writing of information like the date it was taken, who was in the photograph or even the occasion. It is also interesting because it reveals more information then the photograph could. The discolouring of the back of the image brings a vintage sort of feel and gives the photograph life and heritage. Furthermore, the actual style and design shows the time which the photograph was produced, the photograph with the date ‘May 31st 1993’ is a much more recent photograph possibly produced in a group, whereas, the one above is much older and has more history and depth to it. 

 

Larry Sultan Research

Larry Sultan grew up in California’s San Fernando Valley, which became a source of inspiration for a number of his projects. His work blends documentary and staged photography to create images of the psychological as well as physical landscape of suburban family life. Whilst looking through Sultans website I noticed that he wrote a couple of paragraphs about each of his exhibitions. I really like his style of writing because I think it is very poetic and creative. Below I have included some of my favorite quotes of his and my favorite photos from of each of his shoots. Some of Sultan’s exhibitions consist of;

  • Pictures From Home (1992)This project was ongoing for over a decade. Sultan photographed his own parents in their hometown, California and them in their day to day lives.

“The house is quiet.  They have gone to bed, leaving me alone, and the electric timer has just switched off the living-room lights.  It feels like the house has finally turned on its side to fall asleep.  Years ago I would have gone through my mother’s purse for one of her cigarettes and smoked in the dark.  It was a magical time that the house was mine.”

  • The Valley (2004) examined the adult film industry and the area’s middle-class tract homes that serve as pornographic film sets.

“While the film crew and talent are hard at work in the living room, I wander through the house peering into the lives of the people who live there. I feel like a forensic photographer searching out evidence.”

  • Hometown (2009) In this project Sultan is photographing men who work in labour, and is photographing them in some of the suburban landscapes.

“I’m not sure if there is a specific term for these places. They are deeply reminiscent of the terrain I sought out as a child: the empty fields behind malls and scruffy borderlands of the LA river that ran behind my house in the San Fernando Valley. These places represented a small and vanishing patch of paradise that existed just outside of the boundaries of property and ownership; a free zone that eased my (adolescent) uncertainty and provided a safe place away from the judgments of others.”

  • Katherine Avenue, (2010) the exhibition and book, explored Sultan’s three main series, Pictures From HomeThe Valley, and Homeland along side each other to further examine how Sultan’s images negotiate between reality and fantasy, domesticity and desire, as the mundane qualities of the domestic surroundings become loaded cultural symbols.

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I really like Sultan’s work. I like way he captures his images in a more abstract way. Researching his work has given me an inspiration with my own work, and I think I will include Larry Sultan as a piece of research in my essay.

Bibliography:

Bibliography:

Boltanski, (1999), ‘Christian Boltanski: Menschlich’. KATALOG Journal of photography & video, (Vol. 11 No. 1 1999): 53-56.

Goldblatt. L. (2013), ‘Still Here‘. Germany, Hatje Cantz

La Grange. A. (2005), ‘Basic critical theory of photographers‘, in: Barthes. R. (Ed) (2005), ‘Roland Barthes, Camera Lucida’. Great Britain: 

Essay Plan of Personal Study

How has the study of photographers and Archival Research influenced my Personal Study? 

I tend to investigate… Transitions within a family / Change in my personal social re-formations.

I’ll be looking at…

  • How artists like Rita Puig-Serra Costa has allowed me to develop my project with a archival response and perspective
  •  History of Costa
  • The approach on society through the archive
  • Archive versus contemporary photography
  • How has archival research changed  the way we see society / family today?
  • How does Costa relate to Archival research?
  • How have I been influenced by the Archive?

Define Avant Gard:

“new and unusual or experimental ideas, especially in the arts, or the people introducing them”

or

“Favouring or introducing experimental or unusual ideas”

 

Introduction: 

Introduce Main Hypothesis

Paragraph 1: (500 Words)  Family Pre-conceptions

Past / Modern day pre-conceptions of family life. past / future subjects this idea of memory

Introduce your first photographer: Rita Puig-Serra Costa. Describe key events in the artists life (death of her mother) that influences the work: “Where Mimosa Bloom”. Include examples with your own photographs / experiment of early response and analysis.

Context: What is going on in the world at the time? (artistically / politically / socially / culturally)  – Fighting in Syria, many families separated, moving from place to place not so for the better. Families being destroyed by death and war overcome normal family necessities / lives.

Paragraph 2: (500 Words) Links within a Family / Community 

Looking at the differences / transitions between two locations: Jersey / New Jersey. Martin Toft: ‘Atlantus’ 

Context: Culturalisation – changes in race / culture / societies expectations.

Paragraph 3: (500 Words) 

Paragraph 4: 

Conclusion: 

FSA – Photography at the dock

“a large- scale, federally funded propaganda machine”

The Farm Security Administration (FSA) was Initially created as the Resettlement Administration (RA) in 1935 as part of the New Deal in the United States, the Farm Security Administration (FSA) was an effort during the Depression to combat American rural poverty.

When Dorothea Lange took the photographs of Migrant Mother she was working for a FSA on a  project to capture photographs of the effects of the Great Depression. Roy Stryker was the director of this project. He lay down specifics of religion, social environments and activities he wanted to be captured when making assignments. He further indicated what type of expression he wanted to be captured which now is what we think is behind the photograph.

Propaganda is the formation, of photographs or other sources of information, especially of a biased or misleading nature, used to promote or publicize a particular political cause or point of view. Some people argue that the photograph of Migrant Mother was used as propaganda to raise awareness of the 1930’s in a specific point of view, that is of the depression and poverty. The photograph is of a mother and her children which everyone can relate to and creates a lot of empathy from the viewers. The photos were also used to raise money, however none of that money was given to Migrant Mother herself, however some money was raised and given to the people on the crop farm where the photograph was originally taken. The photographs were then appropriated on to many things such as stamps and it soon became the most reproduced photograph in the history of photography.

Social reform is a kind of social movement that aims to make gradual change, or change in certain aspects of society, rather than rapid or fundamental changes. A reform movement is distinguished from more radical social movements such as revolutionary movements.  A Danish migrant published a photo book called ‘ How The Other Half Lives’  which was about the slums of Manhattan. This then triggered photographers such as Lewis Hine and Dorothea Lange to document through photographs industrialization of American Working class families. This brought to the attention the need housing and labor reforms. This photographs then led to what we know now as photojournalism and documentary photography which is used to tell stories, raise awareness and document events.

QUESTIONNAIRE

For this i went around to boys and girls and asked them different questions about why they joined the gym and about why some of the boys go to the gym, i also asked some girls also because i though it would be quite interesting to see why girls go to the gym in comparison to boys. All of the people that i asked where from the ages of 17-18 and go to the gym regularly.

  • Why do you go to the gym?

Boys – to build muscle/put on weight, social/see friends/interact with others, impress girls

Girls – to tone, loose weight

  • Why did you begin to go to the gym in the first place?

Boys – because they were scrawny and wanted to put on weight/muscle, social, because all friends went so they felt they were out of place if they did not go, impress girls

Girls – loose weight/ tone

  • What motivates you to go to the gym?

Boys – seeing other men/body builders who are muscly

Girls – to look better/model, to get into clothes that they want to wear

  • If you were offered performance enhances would you take them? if answers yes/no why?

Boys – most boys said no, they said this because they said it would shrink their balls/penis, one of the boys said they would take a full cycle to get themselves into the momentum to work out harder and give them more strength but then they would not carry it on, another boy said that they would if they were offered them free as it would help them lift heavier, and put on more muscle

Girls – no, unless it would help them loose weight/get toned faster

  • What do you think peoples perceptions of you are?

Boys – lad, muscly, gym addict, always goes to the gym 

Girls – fat, round ball, small, slim

  • Find a picture online of what you want to look like at the end of your ‘fitness journey’ 

Image result for gaz from geordie shore

Image result for taylor lautner

Image result for nikki blackketter

Image result for christian guzman

Image result for black muscly man

Image result for six pack on men

Image result for six pack on men

 

I think that from asking these questions the main thing that i found out was that the main reason boys go to the gym is to build muscle and to look bigger, or to get the perfect six pack that they see loads of other males/body builders have that they would want to look like. It was also interesting to see the comparison between the girls who go to the gym, the main difference was that boys go to the gym to put on weight whereas girls go to loose weight as they believe they are fat and also go because they want to tone up. 

Bibliography and quotes

These are my resources where I have gathered research from:

  • Germann. M, Gorner. M, Zander. T (Eds) (2010), Katherine Avenue Larry Sultan Gottingen: Steidl

introduction to quot’quote’ (Germann 2010:14)

  • Burbridge.B, Celia.D (Eds) (2013) Photoworks, Family politics.  Brighton: Grande Parade

introduction to quote  ‘quote’ (Williams.V 2013:85)

  • Hattersley-Smith.K, Spenser.J (Eds) (2006), Photography: A Cultural History 2nd edition, Mary Warner Marien. London: Great Russell Street

http://www.americansuburbx.com/2011/10/roswell-angier-roswell-angier-on-larry-sultan-pictures-from-home-2006.html

http://larrysultan.com

http://www.americansuburbx.com/2011/10/roswell-angier-roswell-angier-on-larry-sultan-pictures-from-home- (Roswell Angier, (2011), americansuburb.com

http://www.theaustralian.com.au/life/weekend-australian-magazine/sam-harris-the-middle-of-somewhere-and-photographs-of-a-new-life/news-story/df8ba352e7e9a3a20549f9e25eab6842 (The Telegraph, London 2015)

 

 

ESSAY PLAN

1.Think of a hypothesis and list possible questions.

The use of archival photographs in photography
Describing the contrast between past and present photographs
How Sarello and Casanova’s work share similarities
How Julian Germain captures loneliness but uses bright colours in his work to show this
2.Essay Plan: make a plan that lists what you are going to write about in each paragraph.

One paragraph focusing on the use of archival images in an essay
Another focusing on the type of work created by Sarello and another on the type of work created by Casanova and then compare similarities and differences
Maybe a paragraph focusing on how Germain captures moments that show his loneliness
3.Finish a draft version of your introduction (500 words) and hand in Mon 11th Jan.

essay structure

Think about an opening that will draw your reader in e.g. you can use an opening quote that sets the scene. You should include in your introduction an outline of your intention of your study e.g. what and who are you going to investigate. How does this area/ work interest you? What are you trying to prove/challenge, argument/ counter-argument? Include 1 or 2 quotes for or against. What links are there with your previous studies? What have you explored so far in your Coursework or what are you going to photograph? How did or will your work develop. What camera skills, techniques or digital processes in Photoshop have or are you going to experiment with?

Produce a photographic response to your investigation in Personal Study. You must plan and produce at least another 3 photo-shoots in the next 3 weeks (e.g. responding to photographers subject-matter, style, form, aesthetics, specific skills, techniques, methods)
Continue to review your responses and shootsand experiment with your pictures appropriate to yoru intentions Lightroom/Photoshop e.g. cropping, change colour balance/ b/w, brightness/ contrast, blurring/ movement, blending/ montage techniques.
Select your best experiments and picturesand include in your Personal Study for analysis and comparisons.
PLANNING, RESEARCH

Personal Study Question

I have now decided on how to phrase my title question for my Personal Study on the Bechers.

How did the Bechers Typology of industrial architecture influence a new generation of artist?

This title will allow me to explore everything I had planned on writing about; Who influenced them and who they influenced etc.