Essay Planning | What To Include

This is basically my current thought process of what I want to include in my essay and to see what is relevant to my findings. I want to develop  further in my essay the work of activist groups and organisations as well as incorporating the work of Claude Cahun and Cindy Sherman. I find this the most interesting and want to find out more about a lot of it. I also want to add in some media theorists like Laura Mulvey who talks about the male gaze and what audiences and spectators will expect to see in film, photography and art. I am still unsure as to what question I want to ask as there is so much to talk about. I think that I will need to pinpoint one specific part of the whole topic and focus on that and give an in-depth understanding of this rather than giving a more generalised essay about the entire movement of feminism as it is such a huge and broad topic.

Title/opening quotation: 

title ideas – ???

– possible opening quote – “some people have told me that they remember the film that one of my images is derived from, but in fact I had no film in mind at all.” – Cindy Sherman
– possibly use a quotation from my mother when interviewing her
– find a quote from a feminist activist

Introduction plans | What’s in it?

– brief synopsis of what I want to find
– artist references (Cindy Sherman and Claude Cahun)
– possibly mention the Pussy Riots and Femen (add own opinion)
– what are my goals for the whole project
(make sure to have a clear argument or opinion that remains strong throughout)
– focus in on one or two specific areas of feminism [housewives and fashion]

Paragraphing | What to focus on

– make individual paragraphs about Claude Cahun and Cindy Sherman as well as cross referencing and comparing the two to one another
– mention modern day (present) movements within feminism especially in Russia and Ukraine with Femen and Pussy Riot – talk about the controversy within these movements and with other feminists
– talk about my own work and how I have responded to all of this [shoot of my mum and then re-staging those images myself to parody them in a sense and the work of gender equality within the fashion industry]
– link in my own work and its relevance to the movement of feminism
– mention the movement of feminism and how it all started with the Suffragette movement and now into the third/fourth wave of feminism
– has my work been influenced by my chosen artists or does it contradict/go against their work

Conclusion | Creating a final judgement

– come to a final judgement about everything and refer to the question and hypothesis
– give a final judgement similar to what I was trying to say in the introduction
– talk about if my initial thoughts and judgement are the same now as they were before. Have I proved the point I wanted to make or disproved it?

Essay Research | Critics and Writers

About | Lynn Gumpert

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Lynn Gumpert

Lynn Gumpet has been director of NYU’s Grey Art Gallery since 1997 and she has developed and overseen exhibitions, educational activities and collections. Previously Gumpert had served as a curator at the New Museum of Contemporary Art in New York City from 1980 t0 1988, she was also a senior curator there in 1984. Since Gumpert has worked as an independent curator and consultant organising a variety of shows in museums in Paris and Tokyo. Gumpert has a fast knowledge of art history and has industry experience in the arts.

About | Lucy R. Lippard

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Lucy R. Lippard

Lucy Lippard is an American activist, feminist, art critic and curator noted for her works and books on contemporary art. Lippard earned degrees from Smith College (BA) and New York University (MA) before she began her career as an art critic in 1962. She began contributing to publications such as Art International and Artforum. Lippard set the standard for post minimalism, or antiform art, when she organised an exhibition entitled ‘Eccentric Abstraction’. This exhibition was hugely successful and this was to do with the quality of its sculptures, including works from Eva Hesse and Bruce Nauman. Lippard is a well known art critic and is noted for her contributions through exhibitions.

Mekas
Jonas Mekas

About | Jonas Mekas

Jonas Mekas is a Lithuania philosopher, born during the war and taken to a forced labour camp by Nazis in Elmshorn, Germany. After the war ended he went to the University of Mainz where he studied philosophy. He was later moved to New York City where he lived with his brother. Shortly after this move Mekas bought his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954 Mekas and his brother started Film Culture magazine soon to become the most important film publication in the United States. Mekas continued to write poetry and make films, and has published more than 20 books on poetry and prose translated into over a dozen languages.

About | Ted Mooney 

Ted Mooney
Ted Mooney

Ted Mooney is an American author, born in Dallas, Texas and grew up in Washington D.C. In 1973 Mooney moved over to New York and still lives there today. He has pursued two parallel careers in the literary and art worlds. Mooney’s first novel won the Sue Kauffman Award for First Fiction from the American Academy of Arts and Letters entitled ‘Easy Travel to Other Planets’ in 1981. He was also a full-time Senior Editor at Art in America magazine which he held from 1977 to 2008.

About | Shelley Rice

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Shelley Rice

Shelley Rice is a critic and historian who has lectured on photography and multi-media art in the USA, Europe, South America, Asia, Australia and Africa. She is a co-author of numerous catalogues and books including Landmarks [1984], The Art of the Everyday [1997] and many more. Rice has also been an American Consultant for, and a contributor to, Michel Frizot’s La Nouvelle Histoire de la Photographie [Paris, 1995 and in the USA in 1999]. Rice is also a photography and arts critic with many essays published in Art in America, Art Journal, Ms. Magazine, Etudes Photographiques, The New Republic, Bookforum, Aperture and more. Rice is currently working for an online magazine of the Jeu de Paume Museum in Paris. Here she served as the Invited Blogger in 2012 and where she has been since 2014 as the host of the radiophonic talk show, The Meeting Point.

About | Abigail Solomon-Godeau

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Abigail Solomon-Godeau

Abigail Solomon-Godeau was a freelance critic, curator and photographic critic and now working as an art historian. She has produced many books including; Photography at the Dock: Essays on Photographic History, Institutions and Practices which was published by the University of Minnesota Press in 1991. Other books include; Male Trouble: A Crisis in Representation; The Face of Difference: Gender, Race and the Politics of Self-Representation. Solomon’s work and essays have appeared in such journals as Art in America, Artforum, The Art Journal, Screen, Afterimage and more. These essays have been widely translated into various languages. Currently she is working on a book entitled Genre, Gender and the Nude in French Art.

Media Theorists | Women in Film

Laura Mulvey | Born 1941

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Laura Mulvey

Mulvey’s main theory was entitled “Visual Pleasure and Narrative Cinema” and she made great political use of the theory Freudian psychoanalytic theory:
– in a patriarchal [society dominated by men] society ‘pleasure in looking’ has been split between active male and passive female. In other words the females are there to be looked at while the males are the ones doing the looking.
Mulvey believes that Hollywood not only traditionally focuses on a male protagonist but also assumes a male spectator. They expect that males are the only ones in the cinemas actually watching these films and that women would have no desire to be a lead role such as James Bond. Mulvey coined the term ‘the male gaze’ presenting ‘woman as image’ [or ‘spectacle’] and man as ‘bearer of the look’. This basically means that women are there to be looked at and visually enjoyed by men who are there to objectify and watch the women. In film women should be shown as sexy and more of a love interest or to be sexualised rather than a character with a proper background and personality, she is only there to be looked at and so doesn’t need to have a name or personal story or background.
– the narcissistic process of identification with an ‘ideal ego’ is given to both men and women. For example, the man will identify with the lead protagonist who is a strong and independent male that uses women and is cool, his comes across as the most masculine. The females will identify with the pretty love interest and happily watch her and see themselves in the position of the beautiful woman.
– men identify with the man who is using the woman as a fetishistic [the focus of an obsession] object.
– women gain pleasure from identifying with the beautiful woman in the film.

David Gauntlett | Born 1971

David Gauntlett
David Gauntlett

Gauntlett’s is a sociologist and media theorist who’s work expresses that creativity stems from self-identity and self-expression. He was a media professor at Bournemouth University and in 2006 he joined the School of Media, Arts and Design at the University of Westminster as Professor of Media and Communications. Gauntlett uses the depictions of masculinity, femininity and sexuality in a variety of media such as men’s and women’s magazines, television, film, popular music and self-help books. This is in attempts to explore how these representations impacts women’s and men’s self-identities in both the UK and the USA. Gauntlett presented debates on the power of the media providing an overview of past and contemporary representations of gender and sexuality in the means of media coverage; advertising, magazines, television and film.

A David Gauntlett essay:

Anthony Giddens | Born 1938

Anthony Giddens
Anthony Giddens

Anthony Giddens is a British theorist. He grew up in a lower middle-class family in London. Giddens completed a Bachelor’s degree in sociology and psychology at the University of Hull in 1959 and completed a Master’s degree at the London School of Economics and he got a Ph.D at the University of Cambridge. Giddens came up with the theory of structuration exploring the connection between individuals and social systems. He is a prominent contributor in the field of sociology and has 34 published books that have been translated in at least 29 languages. From 1998 to 2003 Giddens was the Director of the London School of Economics and still remains there as a professor. Giddens suggests the theory of structuration, a social theory of the creation and reproduction of social systems. This is based in the analysis of both structure and agents. Meaning that peoples social lives are more than just random individual acts and that there is in fact a social structure. This is in the traditions, institutions, moral codes and have established ways of doing things but it also means that these social standards can be changed when people start to ignore them, replace them or reproduce them in different ways.

Structuration theory: http://www.britannica.com/topic/structuration-theory

Judith Butler | Born 1956

Judith Butler
Judith Butler

Butler is a professor of Comparative Literature and Rhetoric at the University of California, Berkeley. She is well known as a theorist of power, gender, sexuality and identity. Butler came up with the “Queer Theory”, this grew out of feminism and gender studies in the 1990s. Her work combats negative representations of gay sexuality in the media and challenges the idea that gender is a fixed, immovable part of the essential life, as male or female. She suggests that male and female gender or sexual preference does not control all aspects of our identity, or how we perceive other peoples identity. Someones sexuality shouldn’t be/isn’t the most important aspect of a person and should not define what kind of person they are.
I agree with this theory as I think that stereotypes tend to scare people and make them think in a narrow-minded way. This theory develops stereotypes and simply states that this side of a person doesn’t define them and that audience’s shouldn’t judge someone just because of their sexual preference, this isn’t a definitive aspect of a persons personality, nor should it be.

Michel Foucault | Born 1926

Michel Foucault
Michel Foucault

Michel Foucault was a French historian and philosopher and is associated with the structuralist and post-structuralist movements. Foucault has had strong influence not only in philosophy but also in a wide range of humanistic and social scientific disciplines. Foucault was a major figure in two successive waves of the 20th century. The structuralist wave in the 1960s and then the poststructuralist wave. His work can generally be characterised as philosophically oriented historical research. Towards the end of his life he insisted that all his work was part of a single project of historically investigating the production of truth. Foucault tried to find a way of understanding the ideas that shape our present not only in terms of the historical function but also by tracing changes in their function throughout history.

About Michel Foucault: http://www.iep.utm.edu/foucault/

Analysis: The Epilogue

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Although this image is simple, it poetically and beautifully symbolises the individual’s beginning of life. It represents the starting of life with the optimism and happiness her parents would of felt having their little girl in the world. It makes me think of the hopefulness and expectations her parents may have had for her and the wishes they had desired. It is an exceptional opening piece, which Abril has chosen intelligently with insightfulness and care. I want to begin my project in a similar way because I think it gives rise to a very powerful message. This image could of been either taken as a photograph or scanned into the computer. It depends what effect the photographer wants to achieve. I have similar images for my own project for example, I have my grandfather’s passport which signifies his existence and makes it official that he was alive. Therefore, I think it is similar to a birth certificate. I also have his will and eulogy which are also significant items in his life, his will was written on a scrap piece of paper in his hand writing and had mistakes crossed out throughout it. I think this example is a perfect reflection of the man he was. He didn’t want to complicate life, he took it as it came and always tried to make the best out of something. The image some how seems to make sense of the chaos of memory. 

‘She was an awesome older sister, she was caring, she understood her role, she was supposed to protect me’ … childhood photo of Tommy Robinson with his sister Cammy in The Epilogue. Photograph: Laia Abril

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Memorial collage of photos of Cammy, which is in the living room of the Robinson’s house. Photograph: Laia Abril
Hundreds of letters of condolence for the Robinson family. Photograph: Laia Abril

This particular page includes an extract of a new paper, I like how Abril has decided to have personal readings, letters or clippings in the project. It brings the individual’s experiences to life and helps the audience to understand the type of person she once was. The book is also more interactional and allows the person who views it to be more involved. These pages also include a sort of collage of photographs of the girl’s life, I think it would be interesting it I created a similar one of the archival images from my grandfather’s life. There is also an image of a set of draws with a photograph in a frame on top and lots of letters in the first draw. There is no definite interpretation of what is in this image but it comes across as very personal. It has a very vintage and traditional sense as well. 

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This is one of my favourite images from the project ‘The Epilogue’. I think I like it so much because it is unusual but very clever. It shows the individual’s diary before they died. The photograph evokes a sense of recognition and shows the girl was just another person living their daily lives but had hidden struggles. There are letters, diaries, agenda books, medical records and the death certiifcate included in the book. There are also photographs of family members and friends, houses, locations and objects. Abril also spoke to lots of family members and friends in order to understand and grasp Cammy’s life, what they told Abril can be read in the book too. I like this particular aspect because it allows words to translate something a photograph cannot. For the words from someone grieving are far more powerful than an outsiders artistic interpretation. Hearing first hand about the individual can provide priceless and hearty information which the photographer cannot possibly know. 

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This particular image shows the individual as a young girl when she was innocent and free of worries and obsessions. It shows her sleeping and being peaceful which I think contradicts the other images in the book because it brings about a sense of happiness and honesty. It is an archival image therefore has history and meaning to it. There is an essence of the past in this image, because the photograph itself has stayed with the family since it was taken. It gives it a sense of importance and uniqueness. 

PLATO AND THE PERFECT FORM

Plate was on of the first philosophers, he proposed the idea of theory of Forms or theory of ideas, this is a non-material abstract. ”When used in this sense, the word form or idea is often capitalized’. Plato suggests that these forms or ideas are the ‘only true objects of study’ and he proposed that there is the perfect form or the ultimate thing to be. Plato states that everyone in this world has the perfect idea of what they want to be, and is terms of physique, everyone has the perfect body in which they aspire to look like, but Plato says that all of these things are trying to be the perfect form, so in this case they are ‘mimicking’ the perfect form. It can be questioned as to whether everyone has the perfect form in which they want to aspire to look like, or whether everyone has their own perfect form of what they want. Plato uses the idea of a triangle to relate this to, as he says that someones idea of the perfect form/their perfect form never changes over time. For example it can be questioned as to whether over time peoples idea of the perfect body has changed since even in the BC era, and looking back at Greek statues it shows that people still seem to look up to their ‘perfect form’. The forms can be seen as perfect themselves because they do not change. The example of the triangle is described to be as to when someone draws a triangle on a piece of paper, it cannot be said to be beautiful, as it is just a triangle, however the form ‘triangle’ which allows us to understand that the picture on the piece of paper is a triangle is perfect as it is unchangeable. This is because the idea and the concept of the triangle is the same to everyone, which can be said for body image, and it can be questioned as to whether everyone has the same body image which they look up to, or as we are individuals we all have a different ‘perfect form’ which we aspire to look like.  

Plato

 

 

Roland Barthes- ‘Camera Lucida’

‘Camera Lucida’ is a book published in 1980 by a French philosopher Roland Barthes. It is an exploration of into the essence of photography, as well as a eulogy of Bathes’ late mother. Barthes considers photography to have just as much effect on the body as on the mind. It discusses the lasting emotional effects on particular photographs. What does one simply learn from ‘Camera Lucida’? Barthes was not interested or concerned with the technique of photography. In the book he focuses on two planes of images. The first is called studium, it is the context and meaning of the photograph; culture, history and art. ‘The studium is a kind of education.’ The second is called punctum, it is the part of the photograph which captures our attention and consumes the audience, it does not belittle down to a specific meaning or kind of beauty. Every photograph for Barthes is a memorial. 

Personally, Barthes’ interpretation and perception of photography highlights the detail of photographs. He does not care for the technical side of photography but only gives importance to the meaning and the aspects of the art which completely and utterly consume us. I think this translates to my project very easily, the photographs I am taking concentrate on the emotions and feelings you can have from an image. Photographs are very powerful and personal when individuals gain a connection with them. 

The photograph unclassifiable: Barthes believes photographs cannot be classified regarding movements, subject matter or style because all are external to the subject itself and can in turn be be applied to any other art or image. The photograph always points or leads back to the subject. ‘…a weightless transparent envelope.’ Barthes views photography as belonging to a category of ‘laminated objects’ which cannot be divided from one another without having to destroy both parts. 

‘in order to see a photograph well, it is best to look away or close your eyes…’

‘He is allergic to cleverness in photography…’

http://www.nytimes.com/1981/08/23/books/death-in-the-photograph.html?pagewanted=all

 

LENI RIEFENSTAHL – OLYMPIA

Olympia is a film produced by Leni Riefenstahl in 1938. This film is a German documentary film, documenting the Summer Olympics in 1936, which was held in the Olympic Stadium in Berlin, Germany. There are three versions of the film, one in English, French and German, each versions are slightly different from one another. Some of the differences are that in one of the languages is that in one of the first released one the famous dive scene was 4 minutes long and Riefenstahl re-edited this and changed it to 50 seconds long. This entire scene could be seen in prints also. There are two parts to the film: Olympia 1. Teil – Fest der Volker (Festival of Nations) and Olympia 2: Teil – Fest de Schonheit (Festival of Beauty). This was the first documentary feature film that was ever made of the Olympic Games. At the time this  was produced the motion pictures which were used were advanced, however later on these became industry standards, compared to how they were advanced motion pictures at the time. These advanced techniques include unusual camera angles, smash cuts, extreme close-ups. Olympia has been said to be a controversial film due to its political context, however it appears on many list of the greatest films. 

When looking at the images from the film Olympia it is clear that they are all similar in a sense that they are all muscular, this is so that they can complete their sports to their full ability. The images which have been taken from the film Olympia the body figures are strong images, and i think that this can relate to the classical Greek structures because of the masculine figures, but also because of the postures and shapes of the competitors body. 

This image shows how the images from the film Olympia can be related to the Greek classical structures because some images copy how the Greek classical structures have been build. This can be said to show how these muscular figures have had an influence on the younger generations but even the older generations and made them want to have a similar body type/image. Some of these images that i found from the film show the muscular body but also the sport that they are doing in the Olympics. All if not most of the positions which the people are standing in or doing their sport in have strong postures/perfect form. Which i think this can show the relation to the Greek structures as they are almost strong like the statues. 

Art Movements

Modernism / Post modernism 

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  • Modernism – broad movement encompassing Avant Gard ‘isms’ – another word for ‘new’.
  • Discovered at the first half of the 20th Century.
  • Define Avant Gard – transgressing the limits, non-mainstream.
  • Push the boundaries Manual labour- beginning of the industrial revolution.
  • What happens outside art?  – Societies expectation at large.
  • Queen Victoria, Victorian times, invention of photography 1839 – part of modernism, machine, optical device and object, interpreting reality, development of machinery, lasting over 100 years.
  • Different interpretations of Avant Gard – cubism, tantrism, futurism, surrealism, social realism, formalism, in photography and art.
  • Invention of the press, beginning of the 20th century, mass production of newspaper and magazines, money in the early 1900’s.
  • References to Abstraction / expressionism / cubism – abstraction and modernism, different multiple interpretations
  • Post modernism – ‘after’ 1970s-80s, post second world war, destruction to our civilisation, ordinary people killing ordinary things – questioning authority in society – law enforcements, police, various occupations – complex movement.
  •  Investigating a process’s rather than the finishing product. E.g. Conyrast to Picasso who never realved the process of his art, only ever cared about the end product.
  • More stage photography, ref. to tableau photography, using yourself as a self-portrait, using people that are creating an image which is highly constructed, ref to political, historical, or in the art world.

Example Artist  (landscape Photography) Ansel Adams

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  • Ansel Adams is seen as a modernist, his photographs are intrinsic to modern photography, of his time / very contrasted / vivid imagery / looking back he was he was now he isn’t as its very traditional of his time – now seen as contemporary.
  • Modernism changes over time.  Romanticism – leading into post-modernism.

Example Artist  John Millais – 1852

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  • Millais shows deliberate references to other things outside of the art world, not trying to hide the production / stages with references to Shakespeare.

Other Techniques relating to Modernism and Post-Modernism 

Pictorism vs Realism

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  •  Photographers who wanted to make photography an art form, invented as a scientific experimentation – not scientific experiment but an artistic experiment.
  • Deliberately used processes to make photographs seem ‘fuzzy’ and out of focus. In the dark room they’d create textures, manipulating chemicals in dark room, photographs became more like paintings making them overall more eccentric forms in the art world – debating what’s the point of the photography, should be sharp and in focus.
  • Straight photography was a  direct reaction against the pictorists.
  • Celebrating vivid, realism in photography. Realism can be found I theatre, architecture. – Frank Eugene (pictorism) – subject matters of mythology, fairies. Straight Photography (Sally Mann)

Dadaism and the development of the Photo Montage

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  • Constructivism Photography shows extreme angles and advantage points
  • Example: El Lissizky 1890-1941 was apart of a communist regime, based in what happened in 1917 – part of the political regimes, photography turned into propaganda / contextual resources / origins of change /manipulating the public through social media of the time / advertisement / creating a shift in social movements.
  • References to the Russian Avant Gard.

Surrealism

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  • Founded in Paris in 1924,
  • Example: Psychologist Froid – ‘Psych Analysis’,  which displays themes of dreams and internal forms.
  • Feminism against realists, sexists in their subject manner, predominately men. The Female was seen as the ‘Muse, catalyst for Male psyche – misogynists – segregation in today’s society, majority of governmental power is male, male dominance has various debates towards sexism.
  • Looking at stereo types in modern day society, how its developed from years since Surrealism was introduced.
  • Patriarchal structures, men seen as ‘rulers’ women seen as workers in the home.
  • Example: Man Ray (Solarization / Rayograph) cameraless photographs, exposing an object into sensitive paper, superstition versus reality 1890-1974).

Social Reform photography 1895-1965

1936 --- Florence Owens Thompson, 32, a poverty-stricken migrant mother with three young children, gazes off into the distance. This photograph, commissioned by the FSA, came to symbolize the Great Depression for many Americans. --- Image by © CORBIS
1936 — Florence Owens Thompson, 32, a poverty-stricken migrant mother with three young children, gazes off into the distance. This photograph, commissioned by the FSA, came to symbolize the Great Depression for many Americans.

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  • Example artist: Dorothea Lange 
  • Includes Interdisciplinary – other knowledge from different subjects, e.g. gothic texts

Question to consider in my final paragraphs / conclusion:

What ism does my work fall under in my personal study?

Has the development of photography overtime impacted the outcome of modern day photography today?