Jersey Museum takeover

On Friday 23rd October we had the opportunity to visit the Jersey  Art Museum to see the exhibition which celebrates 125 years of the JEP to give us some inspiration for our task “Your Story, Our History: 125 years seen through a JEP lens”.

First impressions when you walk in?

  • Black, white and red eye catching
  • Red background linked to the JEP
  • Contrast
  • Simple layout
  • Small space

Although exhibition was celebrating 125 years they only had photographs representing about 50 years therefore the title was miss leading. They didn’t include any photographs from 2000, however I think this is were our task ‘125 hours through a teenagers lens’  may fit in. One thing I found that was really interesting, is there were no photographs of jersey and the community during the German Occupation In World War II, we then found out that this was because the Head of the JEP at the time burned all the images to make sure that the Germans didn’t get hold of them, I think this was an interesting way of preserving Jersey’s history/culture from the Germans. It also made me wonder if there were any important photographs or information that they didn’t want the Germans to find out about.

The first photograph I have chosen is ‘Prince Charming’ as one of my favourite photographs from the exhibition, this is because this was the first photograph that caught my eye when I walked into the exhibition, as it was placed in the middle and right in front of the entrance. Another reason why I chose this photograph as one of my favourites is because I think it portray’s a typical ‘ladies man’ although the person is famous. I think it was captured at the right moment and I like the composition. The only critique I have is I don’t know a lot about the context of the photograph or who the photographer is.

The second one I chose was the ‘housewife protest’ photograph because I think it’s a powerful image, due to what it represents rather than it’s composition, the photograph is of a protest during the 70’s which was a crucial time for ‘ the feminist movements’ when women not just in Jersey were fighting to have more rights and for the equality between men and women. I think the banner is the main point of focus and as a viewer it is the first thing your eye is drawn to. I usually don’t like when there is too much going on in a photo however in this case I like that the photograph was filled which gives you a lot to look at, the photograph was also taken from above which I think gives you a better view of what is going on, I think a photograph taken from above works better because of what it’s representing.

My least favorite photograph is the Cadet regatta 1948, because the people in the photograph are all facing the other way, so you can’t see their faces. The displayed photograph in the museum also looked a bit blurry. It doesn’t seem like there is much going on in the photograph which makes it uninteresting and reasonably forgettable among the other photographs. Another aspect of the exhibition that I didn’t really like was the wall of photographs about what happened inside the JEP I think that they focused to much attention on this and there were a couple of photographs illustrating the same thing.

http://jerseyeveningpost.newsprints.co.uk/search/byg/p/u/48/2/jep%20125th%20anniversary%20exhibition%20images

Vivian Maier:

Vivian Maier was a nanny and also a ‘secret’ photographer. She was described by friends as being introvert. She preferred to have a very private life and even asked for a lock to be placed on her room door. Maier had O.C.D. and with that she also took many photographs. Her ever-growing passion for photography lead her to the extreme of creating a darkroom in her bathroom. Spread out throughout the five centuries that she photographed, she managed to take over 100,000 negatives.

Vivian Maier’s website: http://www.vivianmaier.com/

Amazingly her work was only discovered in 2007 at a Chicago auction. She’d actually become very poor and had to sell one of her storage lockers in order to pay for her house. Inside there was a mass of photographs and a man called John Maloof unknowingly bought them. He was the man that got her famous. After all those years of storage and hiding the photograph’s were finally brought to light. He’s played a huge role in helping to archive her  work for future generations to cherish.  Maier’s street photography seems to be very contemporary although it was taken with a rather historical camera. One of her many camera’s was called ‘Rolleiflex’ and can be seen in her self-portrait:

Vivian Maier: Self-Portrait.
Vivian Maier: Self-Portrait.

I have produced a similar photograph to this one. I actually took this picture spontaneously during the half-term and have edited it into black and white to create a similar effect to Maier’s. My face is not very visible but you can still see the outline of my reflexion on the car window.

Here’s my outcome:

DSC_0093 edit vmaier
my response

Her photography focused on the street life in urban areas. Since Maier was born in New York City during the 1920’s, she had many sources for inspiration. During her life Maier kept changing locations from the her hometown to France. In 1951 she finally decided to settle down in the U.S. where her passion for photography evolved. Her documentary style created meaning and evolved into a great story. Vivian incorporated both still images and video recordings into her work.

Here are some example’s of her street photography:

1953, New York, NY
1953, New York, NY
Undated, New York, NY
Undated, New York, NY
Undated, Canada
Undated, Canada
May 5, 1955. New York, NY
May 5, 1955. New York, NY

“Well I suppose nothing is meant to last forever. We have to make room for other people. It’s a wheel. You get on, you have to go to the end. And then somebody has the same opportunity to go to the end and so on.” – Vivian Maier.

Contact sheet reviews – COMMUNITY

After gathering these images for my community study, I went through all 53 images and selected my favourite ones. Screen_Shot_2015-11-03_at_09.02.44[1] Screen_Shot_2015-11-03_at_09.02.13[1] Screen_Shot_2015-11-03_at_09.02.56[1]

I chose the following images as i felt these were the most interesting and artistic. This is because of the angles, colours, and context of the images. All of the above images were taken on disposables, i took 6 disposable cameras to Reading festival as i love the style the cameras produce. They give a rough old look which i feel matches this topic perfectly. The below images are the images I have chosen as my favourite –

FH000001 FH000005 FH000011 FH000015 FH000025 IMG_9340 IMG_9341 IMG_9342 IMG_9343 IMG_9347 IMG_9352 IMG_9353 IMG_9357

Out of these images there are a select few that I feel are the best – The above and below image I picked as they both were actually intended to be the same image. This did not happen as i dropped and wet the camera multiple times, I believe these mistakes cause the split image and the damage that can be seen in some of the images. The above image uses the rule of thirds as it has something interesting in each section of the photograph, however there is a lot of negative space as the majority of the right side of the image is black, with a few splashes of red, spot lights and some water marks. The right side of the image was taken at the main stage of the festival and the left side in the camp with friends. I think the ‘mistake’ of the damage actually benefitted the image as I feel it made it very arty. The below image is similar as it is split, however i do not know where the left side of the image came from. The right is the other half of the previous image in camp. The below image I like as I feel it looks more laid out, The black block line down the centre of the image splits the two time periods and scenarios in two and joins them together. I also enjoy the image due to the emotional message behind it, the left side shows the mud, litter and dirt that is produced by the festival and the right side show the more intimate and emotional side that is also a big part of festivals. These two messages are on opposite sides of the festival spectrum but due to some freak mistake are shown in the same photograph.

IMG_9341

IMG_9340

 

The above image was taken in the arena of the festival while waiting for another act to come on a stage. I like the layout of the image as the main subject is in the centre. However surrounding her is a lot of negative space as it is just black. This image also has a lot of water marks which I feel makes it artistic. This image has also been damaged by a sort of split, as the subject is missing her arm. In real life her arms were spread apart like a star fish and in the produced image her arm has been removed and replaced by darkness and moved vertically. This is not very noticeable but I feel adds to the roughness of the image well.

IMG_9342

 

The above image was taken in camp of a friend who had just woken up after passing out for 8 hours. Water marks again make the image look rough and dirty, and the poor angle and positioning too. However the subject still remains roughly in the centre of the image. This image also looks better on its side or upsidedown. This is because when it is upright and normal, it looks ‘too normal’ and not arty enough.

IMG_9343 IMG_9347

The above two images also have watermarks and were taken in camp aswell. The angling is quite straight on which I feel makes the images quite clear.  The thumb print in the second image is the reason I chose it in a select few. The first image has a range of colours i feel contrast each other well, aswell as the odd act of two gas balloons in ones mouth, the blue contrasts well with the red tent in the background and the rubbish on the floor.

Family Archive Research

Over the past term, I have been working with the Societe Jersiaise Photographic Archive implementing key ideas to developing the Archive to my own personal project. These skills have made me develop various creative perspectives involving Archive extraction, research, experimentation and documentation. Exhibition and presentation design.

Some of the skills, which I have been contributing to my Archive experience, consist of:

  • Scanning & storing images
  • Image manipulation, resizing, creating composites
  • Producing teaching materials for Photo Archivist’s Workshop
  • Re-purposing images for Jersey Projection Gallery – Skipton Arts Series 10-14 November
  • Searching database
  • Outputting digital prints, labeling and marking images from the archive
  • Understanding copyright policy
  • Retrieving original images from vintage collection in strong room
  • Working in secure areas, safe practice in the archive environment
  • Appropriate handling of original archive materials

My personal project has allowed me to evolve, as with help from Gareth Syvret, I’ve been able to manipulate photographs which relate to the history and period of my new house and how I can contrast the changes and traditions in everyday life today.