Case Study – Introduction (Task 1)

Background

‘Atlantus’ is a photography project completed this year by Martin Toft – in association with The Archilse Comtemporary Photography Project – set up by Gareth Syvret at the Societe Jersai Photographic Archives. The project explores the relationship between Jersey in the Channel Islands and the State of New Jersey in America.

In 1664, Jerseyman Sir George Carteret, a royalist statesman was offered Land in the American Colonies by King Charles II, in recognition for the Island’s loyalty to the Royalists during the English Civil War. The territory given to Carteret was named ‘New Amsterdam’, which Carteret  re-named ‘New Jersey’, in honour of his Birthplace. This territory later became known as the State of New Jersey after American independence from the British Empire in 1776.

After discovering that the Societere Jersai had virtually no photographic or written historical archives concerning New Jersey nor the relationship between Jersey and New Jersey, Toft therefore decided to make a photographic response exploring the connection. Along with Gareth Syvret and the team at Archilse,  Toft embarked on a large 18 month photography project. The project explored both the historical as well as cultural links between these two places.

The finished project  was made into a multi-functional newspaper edition, linked together on an exhibition display and shown as a visual story, of which 3,000 copies have been made. There are 5 different stories within ‘Atlantus’, which make up 5 different newspapers to complete the series. ‘Atlantus’ explores the connections shared between the communities of Jersey and New Jersey, historically, politically and socially. The choice of locations were the West Coast of Jersey and the East Coast of New Jersey, a poetic gesture as these two locations Geographically face one another, a therefore the photos of ‘Atlantus’ metaphorically builds a bridge which connects the two distant lands together.

The photographs taken  by Toft over the course of the project goes to tell a story. Toft in doing so, uses many forms of narrative techniques to tell this story. Toft uses historical events and archival images over the course of the project as a way of creating a common connections, then explored in greater detail through the documentation of his own photographs. ‘Atlantus’ is body of work related to the genre of documentary photography but incorporates many different sub-categories of this, including ‘still-lifes’, ‘formal portraits/tableaux’, as well as classic documentary photography.

Documentary Specification: Community

We are constantly surrounded by our communities and we are always sharing experiences with others. Through making photographs of our communities we are able to share with the world different aspects of other people’s lives and we are able to give them an insight on what is going on in different parts of the world and how people act with one another. I think we have many different communities everywhere and they are yet to be explored. This will be challenging to go out and find and be able to make photographs as an insider. I think that you have more opportunity as an insider on what’s going on within your group and you already know those personalities rather than being an outsider, not knowing much and just coming into a new community and possibly representing them in a different light to how they would actually like to be represented. People are often a lot more comfortable with you and in the photographs if they know you. Spectators are able to different communities around them and across the globe. Screen Shot 2015-10-06 at 19.02.46

TOM POPE EXHIBITION

Meeting tom pope was inspiring, he was extremely creative in everything he did. Through everything he was doing, you could see he was trying to think of new ideas to do. The main piece of Tom’s work that I found interesting was the film. This was presented on a projector down in the ‘dungeon’. Baring in mind the location of the exhibition was in the old police station, so being there was interesting in itself. Tom’s film was about his adventure that he had where he travelled across Jersey pushing a fisherman’s boat that he had bought locally. His Journey started in grey, and finished out at St Ouen’s bay with a beautiful sunset. Tom had a group of constantly changing people who helped him push the boat to the other side of the island. Alongside this group of helpers, Tom organised for some local musicians to come and play along side him as entertainment. He also encouraged the public to come and take part.

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Tom Pope Exhibition

The Saturday before last I went to see Tom Pope’s exhibition at the old Police Station when he was doing a talk on all of it.

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One of his main goals with the exhibition was to make the Archive more interactive, two of ways he did this were masks and badges. By taking images from the Archive and making masks, he would be able to take photos of people wearing them, and having a bit of fun with them. The badges have been given out to anyone that made them, by making badges from the photos and allowing the people to keep them, you have little bits of the archive which people sort of own.

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For the badges, he would print out a photo of the Archive and stick it on a piece of paper, he would then get each person to flip a plastic disk, the size needed for the badges, and then cut out the circles from the picture, the only way the pictures could be re-pieced is if all the people with the badges from that image got together and fitted them back. So whilst the images have holes in them, people carry round the missing pieces, which have no context unless seen with the original image.

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When looking through the archive Tom found a photographer, whose photos were originally rejected from the archive, and he saw that he very often took three of the same photo, and so Tom made it into a little bit of a game. He had a plinth, painted blue, (which was a reference to John Baldessari) which he would drop each photo onto from a metre up, he would do this every day of the exhibition. Where the photos would land, they would stay for the day, if they landed off the plinth, they wouldn’t be included in the exhibition that day. This is a kind of experiment with the best-of-three idea the photographer came up with.

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Tom Pope said there are quite a lot of references to John Baldessari within his work. For example, in the last room we saw, he hd taken images from the archive of people doing high jump, he then took some of his own of people doing high jump and limbo, and lined up the poles in all of them, so you would have some people going above the line and other people going below the line.

The presentation of this came from John Baldessaris “Throwing three balls in the air to get a straight line”  Where he would, you guessed it, throw three balls in the air to try and make a straight line.

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This inspired Toms choices for presentation, likewise Tom made many other references to other photographers within this exhibition.