Documentary Photography: Photojournalism

A photojournalist is a person who makes images to illustrate news reports, to tell more of the story. This is an effective method as viewers often take in more visual images rather than just being told about what is going on in the world. To me photojournalism is the realest kind of photography, which is true. We often hear stories and think nothing of them until the hard-hitting truth sets in when images are revealed to the world through social media and tabloids. I think our modern world really benefits from photojournalists as it is not only a way of documenting our current world but it makes spectators reevaluate their lives, making them want change and thinking more carefully about certain situations. Photojournalists tend to get more up close and personal with others than any of us would feel uncomfortable doing. They not only tell the story but they become apart of it. By documenting the goings-on around the world, they are making history and publishing it. Growing up we were all told horror stories and we would believe that there were witches hiding underneath our beds waiting for us to get into bed and back then we would believe every word, scared of being taken by that witch. But for some reason as we grow older and get told real horror stories of goings-on in places like South Africa, Syria and former Yugoslavia yet we tent not to believe these stories until we can somehow see it with our own eyes. There is limited amounts of trust with the great powers of the world, only when images are reported and citizens of these countries speak out in disgust and outrage will these great powers begin to think about change. I believe that photojournalism is a very powerful thing and can make thousands, if not millions, of people all over the world stop living in their own little bubbles and reach out to try and help others.

A lot of photojournalist images are really hard-hitting, which they need to be nowadays for people to actually want change. I think that this aspect of photography is very important. Photojournalists aren’t there for self gain and to make a great photo, they are there to make an image that makes the rest of the world stop and think. In order for change to happen, we need proof that it’s actually been happening.

Photojournalism can be a tough job as sometimes there are moments of extreme distress and moments when you just aren’t sure whether to intervene or to make the image. It’s a tough decision to make and much criticism can follow but without these images we as a first world society would be unaware of the goings-on across the world. We wouldn’t know what people were doing to others and we wouldn’t know that we are just sitting around and letting it happen.
In recent events on the Syria refugees trying to flee the country to get to Germany on tiny boats and rough/risky means of transport. The world saw an image arise of a small boy [toddler] washed ashore. The small boy had fallen of the already tiny and overcrowded boat and was drowned. This image has had mass impact pushing the British government to make changes and to try and help these innocent people. When I first saw this image I got very upset, seeing such a small innocent little boy lying on the cold wet sand, lifeless. I could not understand how terrorists [ISIS] could actually do such a thing as to scare people out of their own country and for an innocent child to lose his life, not even old enough to understand what is going on and why he can’t sleep in his own bed. This boy had barely lived a life, he was most likely just running around and starting to make small sentences to communicate with his family. This is why it is important for photojournalists to photograph these events. We need to see these images in order to make us think differently and to make us want to help out. I myself didn’t really know much about the refugee situation until I saw this image of the little boy. These images almost don’t seem real to me as I hate to think that something like this could actually be happening in our supposedly modern and civilised world.

Another iconic image from a photojournalist is the one below of a little girl, starving being stalked by a vulture. This image was made in 1993, taken by Kevin Carter a South African photojournalist. This photographer received so much hatred from this one image, he was tormented and tortured by the things he had seen on his travels as a photographer and committed suicide months after this image was made. Part of his suicide note reads:

“I am haunted by the vivid memories of killings and corpses and anger and pain … of starving or wounded children” – Kevin Carter, extract of suicide note

kevin-carter-vulture

 

There have been so many iconic images in history that have stood out and actually sparked change. These images are the ones that will be remembered and kept for future centuries to come and our new generations will reflect on these as historical events with no one left who actually lived through these events. I hope that in the future these images will just be horror stories that are told as a memorial for all those who lost their lives in these events and for our future generations to try and make peace with one another and to stop these fatal events from happening. I know that there will never be a time where we have complete peace across the world but maybe human nature will become less destructive.

 

Documentary photography

Documentary photography usually refers to a popular form of photography used to chronicle both significant and relevant to history and historical events and everyday life. It is typically covered in professional photojournalism, or real life reportage, but it may also be an amateur, artistic, or academic pursuit.

ed32010-11-14__MG_1524-duplex  everyday_001

Opinions on documentary photography are very controversial as they can be perceived differently by all. Most people have a view of it as inhumane to capture images of scenes and events when they could be helping. therefore photographers get negative backlash from images.

28p056

http://niemanreports.org/wp-content/uploads/pod-assets/Image/Nieman%20Reports/Images%20by%20Issue/Fall%202001/28p056.jpg

For example in Mongolia 1996  Captured street children in Ulan Bator, Mongolia’s capital, are hosed down before being put into a youth detention center. in the link above shows an image  of a tiny child cowers against a cold wall, awaiting his violent shower. Cropping within the viewfinder helps to show how small and frail the boy is in relation to his environment. He is the main subject. But to the side, in a watery light, another boy looks into the lens, judging me or you and seeming to ask if we have the right or the guts to stare. He is ghostly, making his presence all the more ethereal.

three-year-old-drowned-syrian-boy

There is a refugee crisis in Europe, a young child was washed up on the beach after trying to reach Europe from north Africa. The image is being shown all around the world, however some people have a negative view on the picture as the photographer is obviously just stood watching the event and just taking pictures and offering no help.

syrian-migrant-boy-turkey

This is the link to the image as pictures are not uploading to the blog – https://www.google.com/search?q=boy+washed+up+on+beach&safe=strict&es_sm=122&biw=1280&bih=855&source=lnms&tbm=isch&sa=X&ved=0CAkQ_AUoA2oVChMIooHI07HdxwIVTAnbCh0QsAIt

Explore theme of Family

Objective: Explore theme of Family in Documentary Photography

Blog: Produce a number of posts that show evidence of the following:

1. Contextual study: Describe the genre of documentary photography and illustrate with examples – make a moodboard. Try and elaborate on associated sub-genres such as photojournalism and street photography as well as comment on documentary’s central aesthetic, political and moral associations, such as depicting truth, recording life as it is and camera as a witness. See my blog post Standards and Ethics for more details.

American photographer Alec Soth on his approach in photography

Here is a link to Alec Soth website: http://alecsoth.com/photography/

Interview with Alec Soth in the British Journal of Photography

Photographer Rob Hornstra on documentary, story-telling and slow journalism

Rob Hornstra and writer Arnold van Bruggen spend five years working in the Sochi Region where the 2014 Winter Olympics where held. Here is a link to The Sochi Project

British documentary photographer Chloe Dewe-Matthews

Her website http://www.chloedewemathews.com

Magnum photographer Christopher Anderson on being a documentary photographer

Link to his work and profile on Magnum and his website

2. Artists references: Select at least two photographers who are exploring the theme of family in their work. Select body of works/ personal projects and analyse images in terms of style, form, approach, subject-matter, aesthetics, meaning and what story/message the photographer is trying to communicate.

For example look at the work of photographers such as: Richard Billingham (Ray’s a Laugh), Larry Sultan (Pictures from Home), Nan Goldin (The Ballad of Sexual Dependency),  Sam Harris (The Middle of Somewhere), Yury Toroptsov (Deleted Scene, The House of Baba Yaga), Elinor Carucci, Jo Spence, Nick Waplington (Living Room) Wendy Evald (This is where we live), Inaki Domingo (Ser Sangre), Dragana Jurisic (YU: the Lost Country), Diana Markosian (Inventing My Father), Mitch Epstein (Family Business), Nicholas Nixon (the Brown Sisters), Stephen Gill (Hackney Kisses), David Spero (Tinkers Bubble), Tina Barney (Friends & Family), LaToya Ruby Frazier (The Notion of Family), Sian Davey (Looking for Alice), Jen Davis (Eleven Years), Corinne Day (Diary), Thomas Sauvin (Beijing Silvermine), Rachel Glass (The Domestic Aviary) Mariela Sancari (Moises), Ron Haviv (Blood and Honey: A Balkan War Journal) Jowhara Alsaud (Heir/Loom), Alexandra Davies, Arno Brignon, Mateusz Sarello (Swell), Sean Lee (Shauna), Maria Kapajeva, Alfonso Almendros (Family Reflections),  Andrei Nacu, Laia Abril (The Epilogue), Rita Puig-Serra Costa (Where Mimosa Bloom), Philip Toledano (Days with my Father, When I was Six), Cyril Costilhes (Grand Circle Diego), Tiago Casanova (Pearl), Ahmet Unver (Far Away)

See this folder with artist that exhibited as part of Guernsey Photography Festival 2014

M:\Departments\Photography\Students\Resources\Documentary & Narrative\Research\GPF Open Call Submissions\FAMILY

Here are a few videos:

In this clip Sam Harris talking about his new book In the Middle of Somewhere which are following his family life over a 12 year period

http://samharrisphoto.com/610218/video-at-home-with-sam/

For the last 12 years, American photographer LaToya Ruby Frazier has photographed friends, neighbors and family in Braddock, Pennsylvania. But though the steel town has lately been hailed as a posterchild of “rustbelt revitalization,” Frazier’s pictures tell a different story, of the real impact of inequality and environmental toxicity. In this short, powerful talk, the TED Fellow shares a deeply personal glimpse of an often-unseen world.

Here Yury Toroptsov talks about the 3 storylines that are interweaved in his new work and book Deleted Scene. Link to his website

Link to his website

YU: the lost country by Dragana Jurisic https://www.youtube.com/watch?v=saArOK8bZEo

Link to the story on her website:

Review of her book by Sean O’Hagan, Photography Critic at the Guardian

Mateusz Sarello book about a broken relationship and lost love  https://www.youtube.com/watch?v=83dlkxmoBoM 

link to Cyril Costilhes website http://sikost-photography.com/index.php?/123451234/

https://vimeo.com/112548100

Richard Billingham interviewed about his  seminal work Ray’s A Laugh

Interview with Richard Billingham in the Telegraph Newspaper 

3. Photo-Assignment 1: Explore the theme of Family and make a set of 5 images/ or a 3 min film

You can explore your own family as an insiders point of view, or you can choose to photograph someone else’s family as an outsider. This could include extended family such as grandparents, uncle & aunties etc. Your photographs can show an everyday family event e.g. breakfast, dinner, watching TV, playing games, private moments, social interaction etc. You can also choose to follow one person and record their life in private and how they interact with other family members. Or, make a set of portraits of each member of your family. The rules are that you must make images within the confines of your family home, this can both inside and outside,. Think about making a number of different shots, portraits (formal/informal, environmental), still-life (interiors, personal objects), landscape (house, garden etc) Explore different ways of framing shots using wide-angle and standard lens, explore different angles and points of view (low, high, canted, straight on). Remember to adjust camera settings and exposure for different lighting conditions.

4. Editing/evaluation: Upload pictures from photo-shoot and process in Lightroom. Put contact sheets and edited best prints in your blog. Annotate and evaluate pictures.

  1. Presentation: Print out your set of 5 images and present in class for a group crit (Mon 14th Sept)

Autumn Planner

“If your pictures aren’t good enough, you’re not close enough.”

Robert Capa, photojournalist. Hungarian (1913-54)

Welcome back after Summer Break!

In the A2 coursework module this term you are going to explore Documentary and Narrative in photography. The aim of this module is to combine your knowledge and skills of portraiture and landscape to produce pictures which are telling a story of people in the environment based around your chosen theme of FAITH, FAMILY & COMMUNITY

Click here to get full overview of the module and what you are required to do this term. Read first 22 slides:

Planner Autumn 2015

This module will explore different approaches to story-telling across different genres such as contemporary documentary, tableaux photography, photojournalism and street photography,

This unit requires you to produce a workbook with research, analysis, photographic responses, experimentation and make a number of final outcomes, such as designing a photo book, newspaper/magazine double-page spread, podcast/ film and final prints, .