St. Malo Outcomes

Tom Pope - Whatcha Peeping Tommy?
Tom Pope – Whatcha Peeping Tommy?

Above is a photograph from Tom Pope’s series entitled ‘Weak Anarchy’. Pope is hiding behind a tree. All that can be seen is a glimpse of his face and body, however it’s very blurred and he looks unidentifiable. The picture seems to have been taken during the night as there is a lot of bright white light reflecting from the leaves. Also, the light looks artificial. There are many leading lines which are very opposite to each other. First of all, the bricks are horizontal and therefore my attention goes to the edges of the photograph. The leaves from the tree are pointed in all directions and direct me to look further up. Since the brightest place of the image is Pope’s head, that’s the first place that I’m drawn to.

For my response, I’ve emulated his picture in a very similar manner. Whilst in France, my group and I, spontaneously decided to recreate this image. A girl can be seen hiding behind a large tree. Amazingly, there was also a high wall under the girl, which was very similar to Pope’s one. In my responses I have edited by doing several processes and have kept one in colour and one in black and white.

tree

Above, is my first response to Tom’s Weak Anarchy image. I did some general edits to brighten and saturate it. I think that it has a very interesting rule of thirds. The shrubbery leaves the whole bottom third of the picture clear and occupies the top. Much like in his picture, my one exhibits very strong and bright sections of white light. The natural sunlight shining on the green leaves draw my eyes to those places and I think it adds intrigue to the photograph.

bw dd

As my second response, I have shown a very similar outcome. This one, however I cropped this one in a farther away fashion, to show the whole environment around it. I made this one black and white to vary my edits. I think it brings out the shadows better and shows the highlights and contrasts more clearly. At first it’s hard to spot the person, which is why I believe it’s more interesting to look at. I like how the spaces in the tree’s create pockets of light on the floor. It almost looks like fallen blossom. The rule of thirds is quite unbalanced. This is because the main focus isn’t placed on the key lines of the rule of thirds. Therefore this is even more interesting and for me, the ambiguity of not fitting into the perfect grids, is great.

John Baldessari Responses: Spots

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Above is a photograph that i took whilst i was in Portugal. It shows a young man, alongside his grandma and a middle-aged woman. The old woman, who lives in a small shed has a very intriguing habitat. The poorly clothed, but richly wise lady is sitting the single wooden bench which she has outside. She is holding onto some wooden sticks which are used as walking sticks. In all, this photograph portrays a lot of meaning and has a vintage effect to it. I only placed a dot onto the boy’s face because he was smiling whilst showing his teeth. This displays less of his raw emotions. Also, i wanted it to be mysterious.

edit 21a

Again, in the same location but further down, I found these sheds. Since Baldessari’s work includes portraiture and uses other people, i decided this one of a man would work well. The rustic and hand-built sheds add a country feel to this photograph. I used a white dot again to simply cover his face and hide his facial expression. All that can be seen is his head shape and hairline, whilst leaving the most important features to the imagination.

dm

This is the last picture that i have included from my trip to Portugal. I found that there was a very weird but interesting compositions in this one. Particularly because the dogs are on the edges of the photograph. They almost go out of the shot. I think that the depth is very good here because of the sizes of the dogs. In reality they’re very similar in size, however the way that they are positioned, one looks larger than the other. Thee one on the right is closer to the stone wall, and the black and gold one is more in the center. I covered both of these dogs faces to emulate Baldessari’s work.

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Above, is a picture which i took in France. Within it, there are five students from my photography class, which chose to disturb the normal conventions of society with a performance. They laid out a towel and crossed their legs. They then started to meditate. I like how the people in background seem astounded and astonished. I blocked out everyone’s faces to keep the theme of secrecy and disguise going through.

Artist Research: John Baldessari

Here is a short, fresh and insightful video on Baldessari’s biography. I think it perfectly describes his way of working an shows his transition throughout the photography world. He made a very bold statement which stated: “I will not make any more boring art”. This became his theory for the rest of his life.

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Not only do I think that his work with abstract spots amazing, but I believe his earlier pictures are very creative. Examples include:

jbalessarri1 John_Baldessari_1w_artist

I really like the both of these. The top one shows a picture which is more based on designs and colour pop. Whilst the image below shows a performance aspect. He actually threw several orange balls into the air to create this image, therefore I’m guessing that this picture was edited to place all the three balls in a row. They sort of look like oranges drifting in mid air.

Eadweard Muybridge: Response

untitled I would like to respond to his work. I’ll be looking at people. My inspiration is the picture above. The man pictured is doing ‘the walk cycle’. Walk cycles are created frame by frame. Essentially they continue forever if you keep going back to the beginning of the cycle. Only six frames were used for Muybridge’s one above, therefore the full walking strides aren’t completed. Having said that, walk cycles are really difficult to capture. You must have precise and advanced knowledge to create one. V0048616 A man walking. Collotype after Eadweard Muybridge, 1887. in 1872, Eadweard Muybridge first started to weight out the skills needed to create one of these. His most famous investigation was the horse, as I mentioned in a previous post. After his massive success, he decided to try the same on humans, and therefore he produced many outcomes. He needed to put into account the force, mass shape, rhythm and others when photographing. By breaking down the images into various shots, he was able to put them back together again. This created clever animations, which is what I’ll be trying out. s2u_05_man-walk I’ll be taking a picture of a man against a plain background. He’ll be instructed to slowly walk whilst I snap some images, to capture the precise movements and motions whilst he walks. Just like Muybridge has done I’ll set them up in a sequence. During the editing process, I’ll experiment with black and white, to achieve the ‘olden’ effect that’s present in his images.

Artist Reference: Eadweard Muybridge

Eadweard Muybridge was a famous performance artist. He was born in 1830 at Kingston upon Thames near London. His most interesting creation in my opinion, is the Horse In Motion:

Horse in Motion, Eadweard Muybridge - 1886.
Horse in Motion, Eadweard Muybridge – 1886.

Produced in 1886, this photograph consisted of 16 still images all constructed together in a typology grid of 4 by 4. At that time, the way in which objects moved was still being discovered. Muybridge’s motion images helped to educate people on exactly how these movements worked.

Eadweard was hired by the professional photographer that he worked for, to take pictures of horses. Stanford, the University that hired him had some speculation about the racehorse’s at the time and most people betted on a statement. It was that ‘all four of a racehorse’ hooves are off the ground simultaneously’. It was Muybridge’s job to prove this, which he certainly did, as shown in the top row of the image above.

Since at the time, the camera equipment was less advanced, he found it very difficult to produce photographs without blur. Two years later he gained some experience, whilst abroad and came back with something quite special. He set up a row of cameras but this time using tripwires. Geniusly, they would take a picture in the split second the speedy horses went past.

Mood board of his work:

eadweard_muybridge_gehender_strauc39f_001
Emu
Cat
Cat
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Horse in Carriage
imagesKWLW0T27
Elephant
Elk
Elk

Bruce Nauman and Response:

Above is a YouTube link to Bruce Nauman’s piece of work. During this video, he applies gold make-up to his face and body. It was created in 1967. The 11 minute long video is very simple, yet the process in which he applies the product is quite interesting.

Bruce Nauman is greatly associated which performance photography and that’s exactly why I chose him as a reference. Also his ideas are simples, but efficient in conveying meaning. He would often record or shoot himself doing particular, repetitive things. His work was inspired by many movements such as Post-Minimalism, Conceptualism, Minimalism, performance art, and video art.

Bruce Nauman - A Rose Has No Teeth.
Bruce Nauman – A Rose Has No Teeth.

I have gotten my inspiration from the piece of performance photography he created above. He is simply pulling at his face and creating wrinkles and bulging in the skin.

For my study I’ll incorporate some makeup just like Nauman uses and show the different stages of which I cover my face with it. I will also only shoot in a close-up range, making sure that I don’t smile, so that my expressions are raw.

This is my response to Bruce Nauman. I shot various straight- on self-portraits in which I included the process in which I applied golden liner. Much like his performance in the ‘make-up’ video, I’ve used a similar concept of ‘covering my face’, however I captured my moments with still images. I’ve tried 3 different looks, here are the results of my first experiment:

g2       g3

g4       g5

Second experiment: For this one I used a pink lipstick and started off by only placing it on my lips. Then I began to smear it on my face as if I was trying to disguise my face.

p1       p3

p4       p5

p6       p9

p10       p7

Third experiment: Using a red liner I created scratch marks and lines on my face. Again they would get more detailed by time.

r1       r2

r3       r4

Salvador-artist reference

Salvador Dali is one of the most celebrated artists of all time. His fiercely technical yet highly unusual paintings, sculptures and visionary explorations in film and life-size interactive art ushered in a new generation of imaginative expression. From his personal life to his professional endeavors, he always took great risks and proved how rich the world can be when you dare to embrace pure, boundless creativity.

 

Tableaux Photography:

Tableaux photography involves people in a staged manner. The word is defined as a style where people are photographed in a formal and prepared environment. Therefore they are shown in a very particular manner, in a single shot. Here are some examples:

Jeff Wall, Knife Throw - 2008.
Jeff Wall, Knife Throw – 2008.
Jeff Wall, Volunteer - 1996.
Jeff Wall, Volunteer – 1996.

Jeff Wall took both of these great Tableaux images.

Pop art:

Pop art began in the year of 1955 and ended in the year 1974. During this 19 year period, the evolution of art has changed majorly and optimistically created a fresh begging in the world of visual arts.

Nowadays, pop art’s most important figures date back to the 1960’s. These New York artists revolutionised pop art. Some include: Andy Warhol, Roy Lichtenstein, James Rosenquist and Claes Oldenburg. It became very popular to draw over well known imagery. The artists that did this became part of an international craze.  Shortly after the Abstract Expressionists popularity, which modernised visual arts by reaching out on worldwide levels. The Abstract Expressionists mainly focused depicting on spontaneous and action filled scenes. Examples of their early work includes:

Mask – Jackson Pollock, 1941.
Head - Jason Pollock, 1940-1.
Head – Jason Pollock, 1940-1.