Artist Research: John Baldessari

Here is a short, fresh and insightful video on Baldessari’s biography. I think it perfectly describes his way of working an shows his transition throughout the photography world. He made a very bold statement which stated: “I will not make any more boring art”. This became his theory for the rest of his life.

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Not only do I think that his work with abstract spots amazing, but I believe his earlier pictures are very creative. Examples include:

jbalessarri1 John_Baldessari_1w_artist

I really like the both of these. The top one shows a picture which is more based on designs and colour pop. Whilst the image below shows a performance aspect. He actually threw several orange balls into the air to create this image, therefore I’m guessing that this picture was edited to place all the three balls in a row. They sort of look like oranges drifting in mid air.

Eadweard Muybridge: Response

untitled I would like to respond to his work. I’ll be looking at people. My inspiration is the picture above. The man pictured is doing ‘the walk cycle’. Walk cycles are created frame by frame. Essentially they continue forever if you keep going back to the beginning of the cycle. Only six frames were used for Muybridge’s one above, therefore the full walking strides aren’t completed. Having said that, walk cycles are really difficult to capture. You must have precise and advanced knowledge to create one. V0048616 A man walking. Collotype after Eadweard Muybridge, 1887. in 1872, Eadweard Muybridge first started to weight out the skills needed to create one of these. His most famous investigation was the horse, as I mentioned in a previous post. After his massive success, he decided to try the same on humans, and therefore he produced many outcomes. He needed to put into account the force, mass shape, rhythm and others when photographing. By breaking down the images into various shots, he was able to put them back together again. This created clever animations, which is what I’ll be trying out. s2u_05_man-walk I’ll be taking a picture of a man against a plain background. He’ll be instructed to slowly walk whilst I snap some images, to capture the precise movements and motions whilst he walks. Just like Muybridge has done I’ll set them up in a sequence. During the editing process, I’ll experiment with black and white, to achieve the ‘olden’ effect that’s present in his images.

Artist Reference: Eadweard Muybridge

Eadweard Muybridge was a famous performance artist. He was born in 1830 at Kingston upon Thames near London. His most interesting creation in my opinion, is the Horse In Motion:

Horse in Motion, Eadweard Muybridge - 1886.
Horse in Motion, Eadweard Muybridge – 1886.

Produced in 1886, this photograph consisted of 16 still images all constructed together in a typology grid of 4 by 4. At that time, the way in which objects moved was still being discovered. Muybridge’s motion images helped to educate people on exactly how these movements worked.

Eadweard was hired by the professional photographer that he worked for, to take pictures of horses. Stanford, the University that hired him had some speculation about the racehorse’s at the time and most people betted on a statement. It was that ‘all four of a racehorse’ hooves are off the ground simultaneously’. It was Muybridge’s job to prove this, which he certainly did, as shown in the top row of the image above.

Since at the time, the camera equipment was less advanced, he found it very difficult to produce photographs without blur. Two years later he gained some experience, whilst abroad and came back with something quite special. He set up a row of cameras but this time using tripwires. Geniusly, they would take a picture in the split second the speedy horses went past.

Mood board of his work:

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Emu
Cat
Cat
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Horse in Carriage
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Elephant
Elk
Elk