Surrealism Photographer: Christopher Mckenney

A photographer that I came across and really like is Christopher Mckenney. He is a photographer from Pennsylvania who specialises in horror surrealist photography, he is also known for his live concert photography. Mckenney makes very interesting photographs and I chose him as I think that he pushed the limitations of what makes people comfortable and can challenge the way people think, making them re-evaluate and re-think what they know to be right and wrong.

Mckenney’s social media and website:
Website: http://www.christophermckenney.com/work
Instagram: https://instagram.com/mcalister_/?hl=en
Twitter: https://twitter.com/_mcalister
Flickr: https://www.flickr.com/photos/mcalister570/

Mckenney used a lot of religion in his work. I think this is because it intensifies the aspect of horror to his images with the Angel of Death and the cross being a prop in a lot of his images. I think that a lot of his images are also linked together and can create a story even though they are in different places around his blog in his show real of images.

There were a few images that caught my attention when scrolling through Mckenney’s work which I found fascinating.

These are all individual images but they all seem to connect. The same woman is seen in different places wearing what looks like a funeral gown, adjacent to tradition her clothing is completely white. This makes me think that she is possibly a widow, as white reminds me of purity and weddings. The images tell a story of how this woman seems to be sacrificing her loved ones to the sea as she is drowning the man [her husband] and giving her baby to the hand which could represent the ocean. I also see the photograph of giving her baby to the ocean a reference to the biblical story of Moses and how his real mother sent him down the river in a basket in the hopes he would have a chance of a better life, in contrast to this photograph where she seems to be sacrificing her own child to possibly protect him/her from the horrors that live in our modern day world. The image of that same woman drowning her husband could possibly show how she is killing her family in the hopes for a better life, possibly associated with the after life. She doesn’t want to see them suffer in the modern world and so believes that by sacrificing them she is saving them from the horrors of the world. The image of the woman surrounded by children’s coffins whilst holding a baby doll is strange to me and makes me think that possibly she actually sacrifices a lot of people or it could possibly represent the amount of children she couldn’t have. This woman may possibly not be able to have children of her own and the coffin’s represent all of the times she has tried to have children or the amount of children she has lost over the years. Contrary to everything I have stated, this woman could just be a psycho spinster who is angry at the world and has taken it all out on her family and the man who tried to leave her at the alter. I like that within these images you can generate many different meanings and interpret it in any way that you see as there is no set meaning behind it. These images are all just open to interpretation which is something I really like about the work of surrealism and Christopher Mckenney.

Screen Shot 2015-07-08 at 19.56.43This image makes me think of the Angel of Death and that it is guiding a small boy down the path of evil. Possibly like the film Chuckie or any horror film where children are possessed by the devil or a dark spirit. I think the dark/black clothing represents evil and badness which is being passed on to the small child making him change the way he things and creates a new mindset where all he wants to do is destroy things and people to bring the darkness to the rest of the world. I think that this image is very intense and can be quite heavy for some spectators. I also think it has a link to religion as the man in the black clothing has a cross necklace which you would associate with religion. This is why I think of the Angel of Death.

These two images make me think of monks. At first I did think about the Angel of Death again but I know that there is only one Angel of Death and not multiple ones. The clothing that the subjects are wearing is something that you would often expect monks to wear as well as having the crosses round their necks which backs up the fact that these people are religious. They also look very serious in the way they are standing and almost as if they are doing some sort of ritual. I think these images are risks for the photography world as you just don’t know how people are going to react with such heavy images, especially the one where the subject model in the middle is holding the head of a wolf. This makes me think that they are possibly spiritual/religious men who are carrying out a ritual in order to gain something but you just don’t know what. However, these images could link to the image above these ones of the Angel of Death holding the shoulder of a small boy, they could have possibly be doing a ritual so that the boy would come across the knife or even so that he would turn evil.

I really like Mckenney’s take on surrealism photography and adding a horror element to it and could be seen as more nightmares rather than dreams. I find his images very interesting and unique to most photographs that I have seen. To me they are uncommon and I haven’t seen anything like them before which what makes them that much more interesting to me. I think that I will take a lot of inspiration from his work into my own work as I do find it more interesting and unique.

 

PSYCHO-GEOGRAPHY

Psychogeography is used as a name for an approach which plays on the idea of ‘drifting’ around different locations/environments. 

Tom Pope said that he used psychogeography when taking his images. When Pope was going to different places wherever he was he would always bring his camera, and there so if he was inspired to take a set of images he was always ready to. As Tom had a film camera he usually only had 12 chances to take the image that he wanted, which would be completely up to chance. The environment which Pope was in would inspire him and give him an idea for a photograph and this is what Psychogeography is, it is being inspired by the urban landscape that you are in. When Pope would think of an idea he would set up his camera and then he will just start taking the images. Screen Shot 2016-01-09 at 17.10.50 Screen Shot 2016-01-09 at 17.11.54

These photographs show at different times in Pope’s photography how he was inspired by a location and took an image, to take these images he would use a button which he could hold in his hand so he could press the button when he wanted the photograph to be taken, this was to test whether the idea of chance worked and if the image turned out good or not. 

CHANCE, CHALLANGE AND CHANGE

The themes of chance, challenge and change are the title of which our current work is upon. The main photographer which we are looking at is Tom Pope, who uses these concepts within his photography. I think that the them of chance relies of the idea that when taking a photograph you are taking a chance with it, you have no idea whether the image is going to turn out how you want it to, or whether the image is not going to work. This is why in some of Tom Pope’s photography he uses a film camera which only has 12 takes, which means that when Tom is taking his images he has 12 chances to make the images that he wants, and if in those 12 chances he does not make the image, then he does not make the image. And i think by using this idea of chance it makes taking photographs quite exiting and can make a photographer become more adventurous with how they take their images. The idea of challenge i think is to do with when Tom is taking his images he like to challenge what people in society believe to be the norm in everyday life, he challenges this by doing things out of the ordinary and that are strange, not things that are illegal, however some people would believe it to be because they have never seen someone do such a thing before. By showing other people how Tom is challenging everyday norms in his photographs or videos that he makes he shows the people that are in the background to see their view on what he is doing, in this videos tom is completely silent and lets the viewer focus on what is happening in the images, and makes the focus on the people in the background who are either looking over or even some are asking questions. The idea of change in photography i think relates to the idea of challenge as it photographs or everyday people who are trying to change the opinions of viewers who are looking at the images/videos and questioning them and it is getting people to change and stop being so rigid on their views between what is right and what is wrong in society. 

Screen Shot 2016-01-09 at 17.02.51

specification st. malo:

This week we were given the opportunity to travel to France with Tom Pope.

I think that this will be a great way to experiment with new ideas. This will give me an insight into the different methods which I can use to photograph. I will be using concepts/ theories such as situationism,

First Idea/ The Disposable Camera:

In my group, we will be placing a disposable camera on a specific area of the town. It’s essential that we place it on an easily seen area, so that the public can easily see it.

In groups, we will place a disposable camera on a certain area of the town. We will use some string to tie it on and write a notice asking the foreigners to take a picture. It will be interesting to see how many people actually take pictures and the amount of people that are hesitant. The outcomes will also be very unique and will have varied angles and expressions.

Second Idea:

This idea arose when we got to France. We found a lost blanket, which we decided to carry with us to wherever we went and create a story. We placed in on several locations and displayed the name that was sown into it. At the end of this shoot, we threw it into the air and saw where it landed.

Third Idea:

This idea was spontaneous. We spotted a very long balcony leading up to a school and decided to have a member from our group slide down it. It took several minutes to slide down on. We also shot some video of the performance.

ENGAGING WITH THE PHOTO-ARCHIVE

Screen Shot 2016-01-09 at 16.48.08

When learning about how to engage with the Photo-Archive it was clear that a lot of pride had to be taken in the work that you had produced. This was made clear when going on our trip to the Jersey Archisle when we saw some of the photographs that had been placed in the archive over the years. I think that some of the images that have been placed in at the time the people who took the images did not realise the significance of them documenting that specific time in history, but for photographers and even for everyday people it is interesting to use the archive to look back at portraits and landscapes of people in the island and of the island to see the differences in how Jersey has changed. I think that by looking at different portraits over the years, which was one of the tasks that we had to do, it was clear that the style that photographers use to take portraits has changed over the years, as back in time there were very classic portraits of families all together looking all happy, maybe doing an everyday task. Whereas nowadays the portrait images that are taken are usually taken in a studio with professional studio lighting and it would of taken a lot of time and effort to get the image exactly how the family imagined it, and good enough for the photographer to be proud of the image. I think that it brings up the question as to whether in the olden days when portrait images were taken where they more realistic of the true person and their identity?  

Yury Toroptsov

 

Some of the work which is in the Archisle is of projects which different photographs, some of which have been the photographer in residence at the time,  have taken of the island to show the islands true beauty, but usually the photographers try to show this in a different light. For example Yury Toroptsov who was the photographer in residence in 2014, when he was going through the images he found some images from the Jersey Battle of Flowers and he was inspired by the name of one of the floats which was called Fairyland and this helped him understand the island more. Yury found this nation of ‘fairy’ was very present in Jersey, as because he came across some documents of cows where most were named after fairies. Yury believed that Jersey was a very ‘discrete’ and ‘mysterious place’. http://toroptsov.com/en/projects/fairyland.htm

Screen Shot 2016-01-09 at 16.45.05Screen Shot 2016-01-09 at 16.47.13

 

Final Outcomes Inspiration

For my final outcomes I have decided to focus on Dadaism and Surrealism. I find these two movements the most interesting and I think that I will be able to create some good final outcomes following these movements. I like the idea of photo montage within Dadaism as it is something that isn’t supposed to make sense, which actually tied into the movement of surrealism as it too isn’t supposed to make sense as it is based on your dreams or creating something that isn’t supposed to be realistic or a reflection on reality. To me, both these movements are a new form of reality.

Surrealism Photography

Surrealism Photography

I find this particular photograph very interesting as it isn’t something you would ever expect to see, especially because it is a human being fished from the ocean. To me this represents how fishing is going too far and that we are taking too much from the ocean. I think that Brian Oldham wanted to send out a message to fisherman and that we shouldn’t be constantly fishing. On the other hand, as it is a surrealist photograph I think that maybe the subject could actually be a mermaid and has been caught by fisherman. This could also be a role reversal with a fish possibly being on the other side of the fishing pole. This image is very simple, with the blue of the ocean being the brightest part of the image. I think what draws you in is the subjects mouth and the hook on a piece of string, which seems to be pulling him out of the ocean.

http://www.partfaliaz.com/photographers/surreal-twisted-photographs-by-brian-oldham/

Dadaism Photography

I think that a lot of Dada is art based and many consists of montaging. This is why I think that Dada is so interesting as it doesn’t really make any sense. I have looked at quite a few different Dada photographs and I have found that most of them us the actual word ‘dada’ within their work, which is interesting. I think that this is stating the obvious and kind of marking the photographs like a painter would mark each of their paintings but in this case the photographers are marking the movement of Dada rather than their own titles.

Final Outcomes

My first final outcome is from the disposable camera from St. Malo.

I like this set of images because it shows the progression of what happened from both angles, behind them, where we were sat, and the camera from which they took the photo themselves. disposablecamera3Scan-36-679x1024disposablecamera4

 

My second final outcome is also from this shoot. This includes the central image showing our setup, with photos taken by the people all around it. I really like that the quality of the photo in the centre is different to the other images because it shows the disposable camera in the picture and so people can figure out what is happening and what relevance the images all have without words being needed.

finaloutcome2

Dadaism: My Experimentation

Here I have just put a few photo montages together in an attempt to practice and see what my outcomes could look like. Over the week I think that I am also going to print off some images which I have made and cut them out and put them back together in a different way to try and create a brand new image. I am going to use photos from my old family archive and my Great Uncle Archie’s photographs to make a montage of a load of his old war photos and to create one image as a memory of him and the time in which he fought during World War II.

For this image on top of itself and rotated it each time. I think this worked well as it looks odd and possibly like something from a dream where you have no idea what is going on and there are just so many faces everywhere making you confused. Workshop with Tom Pope experimentation
IMG_662476656
This image is similar to the one above and is the same photograph but has been edited in a slightly different way. Workshop day experimentation

I am going to experiment more with this as well and make more images and try different ways to montage them all together as I find this an interesting concept and want to explore it further.

Performance Photography: Final Outcomes

#1
My first set of final outcomes are going to be put together on one window mount. This is where I edited a few photographs of mine and was heavily inspired by John Baldessari. I think that you cant really take away too much inspiration from him without somehow copying a part of his iconic images, especially with the dots in front of peoples faces.

#2
The next set of images that I am going to use for one of my final outcomes is two photographs from St. Malo. These photographs were inspired by Tom Pope and his set of images entitled Weak Anarchy. Here I decided to challenge what is morally right in society and see what the public’s reaction was to this. I did get a few weird looks when doing these performances and people also took some photographs. I will be putting these images together on a window mount.

#3
For this final outcome I took inspiration from Dadaism and photo montage. These photos are made up of one image each which I have just layered on top of one another and rotated them round to make an interesting photograph. Both photos come from the workshop day that we had with Tom Pope. IMG_662476656IMG_662476656

 

SITUATIONSIM

situattiosnist
Guy Debord, Michèle Bernstein and Asger Jorn.

The Situationists are Guy Debord, Michèle Bernstein and Asger Jorn. “The Situationists rediscovered the history of the anarchist movement, particularly during the period of the First International, and drew inspiration from Spain, Kronstadt, and the Makhnovists.”

1
THE NAKED CITY

One of the main concepts of situationism is psychogeorgraphy , to Tom Pope this means that when he is in a location, the location inspires him to take his images. For example in one of Tom’s pieces of work he was walking down the street and say a set of balloons on the floor, Tom videoed him running after the balloon and popping them, and then the alarm went off on the motorbike. Tom also told us about how you can go to a country and bring a map of a different country to guide you round. When we went on our St Malo trip we used the map of Jersey to guide us round St Malo to test this theory.

Situationism is a theory in psychology, it began in 1968. Situationism is ‘widely held model for understanding human thinking and behaviour- on which our laws and institutions are based is largely wrong’ https://thesituationist.wordpress.com/about-situationism/. Situationists establish the human animal thinking which is as realistic as possible before turning to policy or legal theory, when situationists do this they use the knowledge of scientific research which has been used for scientists to understand how humans make sense of their world, this includes, social cognition and social psychology.