Pop Art: Andy Warhol

Illustrator Andy Warhol was one of the most prolific and popular artists of his time, using both Avant-Garde and highly commercial sensibilities.

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Born on August 6, 1928, in Pittsburgh, Pennsylvania, Andy Warhol was a successful magazine and advertisement illustrator who became a leading artist of the 1960’s Pop art movements. He ventured into a wide variety of art forms, including performance art, film making, video installations and writing, and controversially blurred the lines between fine art and mainstream aesthetics.

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Micheal Jackson

Andy is very clever at challenging the subverted roles of famous and well known people. He sets them in a role through the technique of pop-art and recent art culture, to signify their characteristics and bring out their personality through colour and vivid lines and geometry.

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A collection of Andy Warhol’s Polaroids which he captured in the late 1900’s.

Some of Andy Warhol’s work includes that of Polaroids. Andy captures many of the risen stars of the late 1900’s through Polaroids in a technique of challenging their fame and why they are at the top. Warhol worked with the likes of Mick Jagger, in a way he wanted to show society what life is like in fame. Using a Polaroid also suppresses the normality and mundane surrounding regarding the characters chancing their role through a normal and reflective stance.

The images below are mine that I took during my time in Idaho Springs, Colorado. I thought this rustic and classic composition can work alongside his work in a comparative and subversive way. The edits I made of these images show how I’ve used colour and sharp edges to receive an outcome like Warhol.

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Below, I have created a grid in the style of Andy. I did this in Photoshop using a ‘web’ format to create this grid.I also used a layer mask in order to bring out the colours and vivid lines within the photograph.  Overall, I am very happy with the success of this interpretation, as I feel I have grasped his ideologies in society and how he uses art to encounter everyday life and its events. I feel as if my interpretations have really challenged and changed my approach when it comes to working with the public’s reactions and ideologies and how its chanced me to venture outside my comfort zone when approaching these interpretations.

 

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John Baldessari

“I will not make any boring art”

John Baldessari is an artist that radicalizes ideas such as psycho-geography  and situationism. His approach to society and the public sphere radiate through his playful and symbolic works. His ideas suppress many aspects of chance, challenge, and change as John Baldesssari tests reactions of people who are put in the vulnerable position of interpreting his art.

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John Baldessari’s most early project was him self-erecting a fake $100,000 Bill At The High Line. His objective was to challenge the views of the public after the attitudes towards 100,000 dollar bills in the early Great Depression, that hit the united states in the 1930’s. It was recorded that only around 42,000 dollar bills were printed, ensuring that John’s work suggests severe importance and rarity which dates back to the time dollar bills where seen as such as a idyllic characteristic in society.  Johns expansion of this piece of art sticks out to the public as a figure of historic significance, regarding that money is a valuable and suggestive object which is precious to any growing economy.

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“Bill Board”

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Other works of John show strategic and abundant ideas. John chances his own ideas by showing his thoughts in a more modern, developing society. Here, John’s work ‘Brain Cloud’  shows how society looms over paradisaical and ideal aspirations.

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“Brain Cloud”

Dadism

Dadaism, is an art movement of the European Avant-Garde in the early 20th century.  Dada, in Zurich, Switzerland began in 1916 and was reaction against the horror and futility of WW1.

“Freedom. Dada, Dada, Dada, crying open the constricted pains, swallowing the contrasts and all the contradictions, the grotesqueries and the illogicalities of life” – Tristan Tzara, 1918

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Dadaism focused primarily against an art subversive to any traditional values and morals. This meant abolishing all logic and wanting to destroy the deceptions of reason. This meant that Chance and spontaneity:  what ever came along would be considered art in every form. This  was then considered a anarchical and irrational action and event which sparked emotions such as shock, surprise and scandal. This was all result on a wanted audience reaction, testing their taste and level of tolerance.

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Dada has influenced most of the 20th century art movements: Surrealism, Russian Constructivism,   Situationism, Fluxus, Pop Art, Conceptual Art, Minimalism and Performance Art.

Dada was used as a model of revolt for these movements, including influence from the ‘Sex Pistols’ and Punk rock.