Michelle Sank 2013 Photographer in Residence

http://www.michellesank.com

Michelle Sank is a South African photographer who moved to England in 1987. Sank is a social documentary photographer, with her work illuminating issues around social and cultural diversity. Sank was in Jersey for six months working on a project called ‘Insula’.

These set of images follow the Archives of the past with photographers such as Henry Mullins who recorded his photographs in rows of four in large photo albums. This set of images shows the people of today living in Jersey and how different cultures and social classes live rather than just the higher social classes which were recorded in the past. I like these images as they can show the different personalities of the people of Jersey as well as letting the spectator in on the environment surrounding the subject.

One image which I find really interesting is the one below of Liberation Square on Liberation Day 2013. It interests me because of the Union Jack in the background because I would have actually expected to see the Jersey flag and not the British. One reason being that the Prime Mister at the time of World War II, Churchill, chose not to defend Jersey against Nazi invasion and also failed to announce that the Channel Islands were unarmed resulting in 47 innocent Jersey farmers to be shot and killed when the Germans arrived. Although, I realise that the reason the Channel Islands were liberated the day after Britain was because of the great effort the British and the Americans put into defending the rest of the world against the German Nazis.
I like this image because it shows how the people of Jersey will come together on this one day, 9th May, to celebrate the freedom and liberation of its past people and its ancestors.

Dais, Liberation Square, St Helier, Liberation Day 2013
Dais, Liberation Square, St Helier, Liberation Day 2013

Societe Jersiase Photo Archive 2015

On Tuesday 9th June 2015 all the year 12 photography students were invited down to the Societe Jersiaise Archives to learn more about the photo archive we have on the island and as an introduction to the 2015 Resident Photographer Tom Pope.
Throughout this workshop we were put into groups to work with. At first we watched a presentation made my one of the people who work at the Archisle Jersey. In his presentation  he taught us that photography is a tool for questioning what art is and what it can be. This can be developed in art history and the sciences.

http://societe-jersiaise.org/photographic-archive

Photography is used for many things, such as; advertising/criminal/passport/travel/family/marketing etc.
The archives can tell a story about you, for example the photos you take and choose to save. The photos that you keep can tell a lot about your personality and what interests you. I like to print out my photographs so that I have a physical copy of them to look at as memories as I grow. I also have a huge archive of photographs on my old laptop and my new laptop. This is where I store the bulk load of photos that I have accumulated over my life and am still gaining more and more each day. I prefer to have physical copies of my favourite photographs so that I can access them and look at them without having to search through my laptops for a load of photos from years ago. I think this is because my family have so many photo albums filled with memories and good times. I like the idea of using photo archives as a way to reconnect with my past and to show how much I have changed and developed to the present day.

A man called Henry Mullins [1848-1873] had the first ever photography studio in Jersey! He was very successful as most people in Jersey came to him for their photographs to be taken. He took photos of the most wealthy who lived on the island, which has now become a large archive for the Jersey people of today. Mullins would put all of his images in rows of four with the persons title below so that he would know who was who which has proved very helpful today as we are able to look at these photo albums and see who was around this island many years ago.

mullins-1865

The man from the Jersey Archives also said that the Archives can show how portraits have changed and developed over the centuries. This allows us to see who was around in Jersey in the past. It also shows the difference in social classes from the past and now. It shows how the only people who were ever photographed in the past were of a higher social class whereas nowadays pretty much anyone is able to take photographs.

– photography is always contradicting itself
– Michelle Sank is one of the photographers in resident in Jersey a few years ago [2013].
http://www.michellesank.com

– Yury Toroptsov was the photographer in resident in Jersey last year and was very much influenced by the Battle of Flowers as part of his 6 month project in Jersey [2014].
http://www.toroptsov.com

In photography we need to learn to look beyond just what we can physically see in front of us and instead look at the connotation of an image or set of images. We need to understand what the subject can make you feel and how it influences you as an individual. We as photographers need to anticipate what our audiences’ are going to think and feel about our work.

Chance, Change and Challenge

‘Chance, Change and challenge’ is the title of our 6 week project, this title is closely linked with the work we will be doing with the archive at the Societe Jersiaise and the photographer in residence Tom Pope. Chance is the possibility of something happening. Change is to make or become something different and challenge is to dispute the truth or validity of something. I think that this title will allow us to explore, think deeper into the subject and learn about the history as well as engage with the community that we live in. The photographs and videos that we will be taking will have a deeper meaning and context behind them rather than just taking a photograph because it’s appealing to the eye. I think that this project will be interesting because it’s almost as if we are ‘discovering’ new things and changing the way at which we look at photography.

Chace Change Challenge

Tom Pope

On Tuesday we had a workshop with a photographer called Tom Pope. He was accepted at the Swansea Metropolitan University where he got a 1st Class Ba(Hons) for Photography of the Arts in 2008, and then got a Ma at The Royal College of Arts in 2011.

tompope

He has his own website where you can view all his work. We had had a look at a few of his videos and photos in class on Monday but I personally didn’t quite understand all of his work. He showed us a fair amount of his work within his presentation and it was then, when he was explaining the process and reasoning behind his work that I started to understand what he was trying to achieve through his work.

One of these photo shoots which I now really like is titled Weak Anarchy. His intentions behind this set was looking at social norms and unofficial ‘rules’ society has seefountain (1)mingly put in place, and seeing how far you can push them, going from simply wearing socks on the wrong feet, to making a fountain in a public space with a lemonade bottle and mentos. Pushing societies rules is a fairly common theme among his work.

tompopeweakanarchy

He mentioned a lot of things which he tries to incorporate in his work, like Time, Play, Situationism, Humour, Repetition, Psycho-geography, differences between public and private, Failure, collaboration and more.

 

Workshop: Gareth Syvret

Occupation

German troops march through the streets of St Helier during the Nazi occupation of Jersey 1940-1945

9.30 am – 10.45 am:  We arrived the Jersey Archives Building, and made our way to a large conference room.  When we arrived we were greeted by Gareth Syvret, the event organizer and a researcher for the Archives. As an introduction to the day, Gareth tackled the question of what an archive actually is and spoke of the great importance that photographic archives play as both a cultural and historical research tool, as Gareth says himself, “we must understand the past in order to understand the future” Gareth then spoke of the role that the Jersey Archives as the official Archive Center in the Island.. He showed as a series of early studio portraits from the mid-late 19th Century. Gareth explained the historical role of photographs and how the Archive can be used as a research tool to show the cultural trends and behaviors of people throughout the different decades, as well as a means of highlighting the dramatic change in photography over the last 170 Years. Gareth spoke also about his own influences which include Kessel Kramer, a creative digital communications company, and William T Collin’s, a 19th Century photographer from the Channel Islands, who made an extensive collection of portrait of different Channel Islanders during the Victorian Period.

st(before1884)helier_old13

 

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11.00 am – 11.30 am – The focus of the talk began to concentrate more on the role of the archives in contemporary photography. Gareth explained how the Arshilse Photographers in Residence Michelle Sank (2013) and Yury Toropstov (2014) used to archives to inspire their own work, showing us Yury’s video documenting his journey with the archives to. I found Yury’s video documenting his journey during his 6 Month Residency to be very fascinating, as this work was very much as progressive journey he undertook to greatly explore to Island despite his ‘outsider’ perspective with little knowledge of the Island. As well as this, we also undertook a mini challenge which involved us having to guess the dates of 17 different photographs, ranging from 1840 – 2010. I found it challenging and difficult but also fun. I got most of them wrong but it was interesting to see what I was lacking when it came to evaluating the photos. Also some of the photographs were quite deceptive, which does show the extent of overlap of photographic techniques in the 20th Century.

socjersiaise14

Here are 7 interesting facts that have I learned from Gareth’s talk.

1. The Archive stores over 80,000 Photographs, dating back to 1840
2. Archives are split into categories of specific topics
3. Archives have shown us exactly how important photography has been as a source of evidence in the last 150 Years.
4. The earliest cameras were known as plate camera, it took up to 15-60 minutes to record an image
5. An archive relates to anything which can store information
6. Archives are an important as a social documentation.
7. Photographs can be used to reflect the photographers relationship with the community

 

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Here are the links to Michelle’s and Yury’s blogs and the Archilse Project

www.archilse.org.je
Yury – www.archilse.org.je/catergory/yury-toropstov-blog/
Michelle – www.archilsse.org.je/michelle-sank-insula/

 

 

 

 

 

Workshop: Tom Pope

12:00 pm – 1:15 pm: After a quick 15 minute break Tom began his section of the workshop, which lasted for approximately 90 minutes. Tom began the talk by informing us of the style of photography that he took part in, being ‘performance photography’, as well as his influences and inspirations as he went through the beginnings of his artistic development from studying at university. Tom spoke of how he likes to be very subversive with his photography. This means that Tom likes to create situations and act in a manner which is considered socially ab-normal, strange and non-conformist. Tom uses subversion as a device to create satire as a means of testing social boundaries and limits. Tom is a contemporary photographer and he spoke of his desire to move away from traditional methods of photography which he remarks as “valid and respectable but limited in it’s artistic direction”. Tom described the influences he draws from his photography including Dadaism and The Situationist International Movement

Tom then spoke more specifically about some of his projects in which he has complete. These include, going from London to Belgium with a Grandfather Clock, riding a tandem bike with his friend across English in complete silence, and pedaling a stationary bicycle in the middle of a busy London Street. I find Tom’s work to be very appealing because his ideas are very original, philosophical and creative. As a working example Tom got us to play a game that involved us all throwing a scrunch up piece of paper at him whilst he took an picture. Tom explained how this ‘performance’ relates to the theme of chance within photography, because there was know way of knowing how the picture would end up like.

2 pm – 3 pm: After a 45 minute lunch break we ventured down to Liberation Square with Tom to play a series of games related to performance photography. We played 3 games in total.

1- Orange Throw and Catch –  The first game was an activity that required us to throw a orange ball in mid-air to a partner. The other person was then required to take a picture of the on-coming orange just before catching it. It was a very fun game to play because there was a element of difficultly which you had to work hard to master to game. Also it was something that I had never really considered playing before and so it was interesting to try something completely new and different.

jonas's mum

2 – Selfie battle – The second game was a more physical game that again required two players. You had to point your cameras to each other and have you finger on each other shutter releases. The objective of this was to attempt to take as many selfies as possible in your opponents camera whilst prevented your opponent from taking any in your camera. I found this to be an extremely fun game because it was very entertaining both to play and watch. The ‘competitive’ nature of the game made everyone more keen to win, but in an enjoyable sort of way.

biggie smalls

3 – The third game that we played consisted of working in groups of 4 or 5. In our groups we had to take it in turns to each decide an activity that everyone else in the group was doing. We then took photos of one another whilst we were partaking in the activities. This was interesting because people interpretations of and motivations to carry out different instruction varied greatly.

tupac

Overall a enjoyed the day greatly. It was very interesting to learn about the work of the Societe Jersai as well as the work of Tom Pope. The biggest lesson that I learned from the day is that photography is far more varied and complex in its meaning than simply taking visually good photos. It also has a great deal to do with intent (artistic value and meaning), which helps to give photography as an art form, an actual purpose and relevance within society.

A Day at the Archives – Overview

As an introduction to the project, ‘Chance, Challenge and Change’, we went on a day long school trip to the Jersey Archive Research Center (The Societe Jersiaise). The Societe belongs to part of the organisation Jersey Archive, who are collectively under the historical preservation group Jersey Heritage. The Jersey Archive hold all the official documents of archives relating to all aspects of Jersey’s historical and cultural past. Subsequently, Jersey Archive hold a considerable quantitiy of photographic archives, with up to 80,000 of them dating right back to 1840.

moodboard

The day was hosted by ‘The Archilse Project’, a local organisation who aim to promote contemporary photography within Jersey, and who use the Archives themselves as a key research tool. The event was split up into three sections, the first part being a introduction to the archives and what they do led by, Graham Syvret who works alongside the Arshilse Project on behalf of Jersey Archive. The second part of the day was led by Tom Pope, an extremely talented young photogrpher who specialises in the experimental performance photography and is the Archisle Project’s Photographer in Residence 2015. Then in the latter part of the day, Tom put into practise on the style of photography he was informing us of, and worked outsidde with us for just under an hour, getting us to play a variety of games involving capturing perofrmacne with our camera. This was very fun, especially the orange throwing game which required you to catch a ball thrown at you after taking a picture of a fast approaching orange.

 

Artist Research: Tom Pope

Tom Pope is the Photographer in residence 2015 at the Jersey Archive. Pope was asked to do a masters in photography in the Royal Academy of Art, after graduating from his first University at Swansea Metropolitan University where he studied Photography in the Arts.

http://www.tompope.co.uk/index.html

http://www.archisle.org.je/tom-pope-appointed-archisle-international-photographer-in-residence-2015/

Pope is an experienced photographer and has won many awards over the years, such as;

2013: Public Arts Grant, Royal Borough of Kensington and Chelsea
Tempting Failure Bursary recipient

2011
Deutsche Bank Award Winner of the £10,000 Bursary
Prix Leica Photography Prize, Finalist
http://www.tompope.co.uk/timebound.html

2010
Photograph of the month, National Portrait Gallery London

2009
Bursary Winner, Royal West of England Academy
Sir Leslie Joseph Young Artist Award, Shortlisted

Below are some of Tom Pope’s recorded performances which are displayed on his official website;
http://www.tompope.co.uk/films.html

Chance, Challenge, Change

As a title of ‘Chance, Challenge, Change’ many ideas came to mind. On our workshop visit to Archisle, Jersey, we were given a talk by Gareth Syvret who’s a photo archivist in the Societe Jersiaise. He influenced me into thinking further when thinking about archiving photographs. Syvret mention that being an archivist allows you to test and question what the definition of art and what it is, as a photo library represents a cannon of personal history and time.  Gareth was particularly influenced by Kessel Kramer where his collection ‘In almost every photograph represents this understanding of history to anticipate the future.  Below are some examples of Kessle’s work.

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“Visual History – Knowledge – Power”

Another influence of Gareth’s was William T. Collings, an Artist whom captured many of his photographs in neighboring Channel Islands. This then came relatable for Syvret as much of the photographs archived where found in the Societe Jersiaise. Much of William’s work was captured in the 1860’s all of working class men and woman. Syvret added that this  “Anthropological  representation may be deceiving” as the straight faces in Collings’ photographs can be seen as ‘ambiguous.  Also, plate cameras which where used made the  colour red deficient, resulting the eye to question the photographs profanity and truth. Below is an image William captured during his time shooting in Sark.

 

worthingtoncapt

 

 

Chance, Challenge and Change

Chance, Challenge and Change – What exactly does this mean?

The theme of our first A2 photography module is entitled ‘Chance, Challenge and Change’.

After being told about this title, I decided to take some time to really consider the meaning behind this. The exact meaning of this title is a vague, open-ended question and therefore very difficult to define. However I am drawn to it as a concept relating to how as a photographer, it is important to ‘push the boundaries’ in order to develop an deeper and more meaningful understanding of the the purpose of photography

In response, I have come up with the idea that  the three sections of this theme serve as a guidance to this developing process.

Chance – Relating to idea that a successful photographic outcome relies partly on luck, capturing to right moment at the right time.

Challenge – Meaning that you must be willing to take risks, push out of your ‘comfort zone’ and be willing to tackle difficult and unfamiliar tasks in order to become a better photographer in the process.

Change – Meaning that as a photographer and an artist in general, it is important to try to be as unique and original as possible. You must always question that definition of photography and search for your own original responses.