Planning St Malo

After listening to Tom Pope talk about his work at the Jersey Societe we were faced with the challenge of coming up with our own idea’s to create a piece of film in St Malo. I gathered into a small group where we brainstormed ideas of what we would like todo in St Malo. We agree’ed that we didn’t want to over plan as we needed it to have some spontaneity however we did decide on some ideas;

Buying a bunch on roses from a local supermarket and walking through the middle of town and handing out these roses to people as a kind gesture. I am looking forward to seeing the public’s reaction to this gesture, as it is something that we have no control over. I also really like the idea of getting the public to interact with our work as it creates excitement.

Another idea was to bring along the prop of an inflatable ball. With this prop a number of idea’s branched off of it. We would stand in the middle of a public space, for example out side of all of the restaurants and we would play catch with this ball. However we would pretend that the ball is really heavy. This game needs to include improvisation. I think some of the best work comes from improvisation as it creates something unexpected. From this game, action pictures can be captured of the people playing the game, and also picture’s of the public walking around us- and how they react to us playing this game in the middle of the street. Another idea from the ‘ball prop’ was the idea of letting the ball roll down the hill whilst someone runs after it, this is a very simple idea but in St Malo the flooring is all cobbled stones and the walls are man made, therefor the shot will be very rich in detail.

One other idea from our brainstorm was to bring a large blanket and lay it out in the middle of the street. On this blanket a couple of us would sit down and meditate. We would film the whole  setting up of the meditation area and the mediation. The camera would stay in the same position throughout the whole performance so it can capture the audience walking past an the audience’s reaction.

In our time in St Malo, whilst doing our original ideas I would also like to do the ideas that we think of spontaneously in St Malo, these ideas could include found objects or a scenery. My main interest in this project, is seeing the public’s reaction to our performances as I think this is a very naturalistic thing.

CHANCE/ CHALLENGE/ CHANGE

After meeting Tom Pope for the first time, he challenged us with the theme ‘Chance, Challenge, Change’ to see how we could interrupt this concept into our photography. He talked to us at the societe jersiaise where he spoke this how his brain works in his photography and gave us an idea on what new type of photography we should try. Taking a chance in photography is risky as you have to cover aspects of what the meaning behind the photo is and how your audience with react to it, positively or negatively. The challenge aspect is ultimately challenging yourself as a photographer and seeing how you cope with the work you are producing by trying something new and perhaps something you’re not comfortable with. I view the change aspect as manipulating your ideas and environment to capture the best outcome that you possibly could.

Tom gave me Clarence L Ouless to research on the archive to see what I thought of his work. His work mainly focuses on  individual, family and group photographs from the late 1800’s and the early 1900’s. His photographs are good quality for the time period that these were taken, and would have been a popular photographer. However, these images don’t appeal to me as they aren’t the style that I would usually be interested in. I like the vintage look to them though and I do like black and white pictures, even though there were no options for coloured photographs until much later on I like the set up and imagery. They are staged photographs but I can still the emotional relationships between the people in the photographs which is what I want to express in my photographs. In my opinion, his photographs are successful in meeting the demands for family and individual portraits but not for anything more.

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Studio portrait of Madame Borlisco(?) and Mrs Cowell of 2 Upper Kings Cliff, St Helier
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Studio group portrait of three women seated and two men standing, screen to left. Captain Linpam and family?
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Group portrait of the Le Breton family: Mrs Le Breton, unidentified son, Emilie (Lillie Langtry) and Reverend William Corbet Le Breton (Dean of Jersey) infront of a brick arched gateway under a thatched roof

TOM POPE STUDY

Born in Bristol, UK in 1986 Tom Pope’s artistic practice is primarily based within performed photography. Pope’s playful and whimsical approach orchestrates situations and performed gestures of social interaction. Within these settings the public become willing participators and collaborators where the act of taking photographs is a social event. Spontaneity is embraced and chance encouraged.

HERE IS SOME OF TOMS WORK –

Over The Edge-Tom Pope
Over The Edge-Tom Pope

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Tom Pope studied Photography in the Arts at Swansea Metropolitan University and received his Masters in Photography from the Royal College of Art in 2011 where he was also the recipient of a Deutsche Bank Award. His works are in the National Museum of Wales and National Portrait Gallery. Pope won the Night Contact/Photoworks commission 2014. The resulting filmSilent Fore to Aft made in collaboration with Terry Smith premiered at Brighton Photo Biennial 2014.

TOM POPE

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Tom Pope is a performance photographer that lives and works in London and he produces guess work as he never know what hes taking as he uses old fashioned cameras and or uses tripods with a trigger release cable which he won’t know the outcome until after he performs. What I like about Tom pope is that his work is very spontaneous and even though his pictures aren’t perfect, they still tell a story. I do find some of his work a bit bland, as in some of his videos don’t interest me but then again some of his videos are very clever and creative and I like how he thinks outside the box and is more unique compared to other photographers. The reason Tom produces more videos rather than photographs is because he feels like you can’t capture a whole performance in one photograph.

Tom Pope Mood Board

On our French Trip in June, he was very helpful in developing our ideas and helping us try something new, he isn’t scared to try something different and get negative reactions from it, he seems to enjoy bouncing off the negatives and make them into positives in his films and photographs. I was defiantly inspired by his work and was happy to have him help me in my development as a photographer. His work reflects his personality which is quite difficult to portray, but that is my new aim, to make my work unique and I want my work to reflect my personality and aspirations. I want my photographs to have public in them because usually I would just do one or two people and i would direct them a lot more, but for my videos I want them to be more spontaneous.