Shoot – Durham

For the next couple of days I am over in Durham for my brother’s graduation. In this time I want to use the opportunity to put together my practise of subversion and performance photography into practise by taking photographs around the Durham area. I have no particular objective that I want to achieve but instead will see what I find as a go along. I am looking forward to this task I have set myself because it is something new and different. The problem with Jersey in many cases is that it is very repetitive and can be tedious to photograph the same sort of places over and over again. I have only been to Durham once before so it will be quite interesting to photograph somewhere unusual and unknown to me. I will enjoy exploring a more ‘outsider’ perspective, in a community which is alien to me. I have considered going at some point in the early morning because I want to see what the city is like when it is less busy. I find the community of Durham is connected very richly associated with tradition and heritage. Therefore I think that it will be a good idea, using my newly found knowledge of how an archive works, to take pictures of major monuments within Durham and compare them with historical photographs that I find on the internet. I will also combine this study with a more comtemporary task, taking candid photographs around the city, attempting to capture images that are most striking and interesting, perhaps the publics reaction to a stern busker or even a homeless person. I want to capture realistic, but nevertheless surprising aspects of life. I WIll attempt to remain objective however if present with the right opportunity, I will not hesitate to take a more direct approach.

Durham, Willington Rail Station, Train arriving to a crowded platform 1280-1

 

durham, hunwick, lane ends old photo

Durham, Byers Green, Booths Stores - 1280pix

Situationism / tom pope:

Konsum3

Whilst Tom Pope was here, he enlightened us about his personal influences. He stated that he was guided by the situationism movement and used it in his photography. He allows himself to be lead by his surroundings and let that guide him.

Definition:

This psycological theory suggests that our behavioral changes depend on the situation  that we’re in. Therefore, it implies that the environment may have control over our feelings and emotions. It isn’t concerned with personal opinions, personalities and ideologies. It also disregards any sort of innate thoughts.

For example, if you visit a park, you may be drawn to the aesthetically beautiful qualities in it. This is because, as a photographer, you may have trained yourself to only photograph the best things. Whereas, situationism allows you to expand this view and help you to try and explore something less ordinary. Likewise if you are in an unknown scenario and you feel uncomfortable, your behavior may be impacted.

Situationism comic art.
Situationism comic art.

Experiment:

The Stanford Prison Experiment was conducted, to test the theory of Situationism. In this study, everyday people where selected to participate in hopes of proving the theory. They were instructed to act like ‘guards’. The remaining participants were assigned the ‘prisoners’ role. It was noted that the ‘guards’ began to adopt a stereotypical behavior. They were acting in a more aggressive and disciplinary fashion towards the ‘prisoners’. This shows that they may have based their mood on their roles and the fact that their in a prison building. Therefore, this experiment supports Situationism, as it indicates that people change their demeanor, depending on the situation.

Birth of the Concept:

This concept started in the late 1950’s and kept going until the early 1970’s and was influenced by Surrealism, Dadaism  and also Lettrism. in 1957,’Situationiste Internationale’, a very famous magazine was founded, which included various artistic things inside it. This movement began with many traditional artists. However, as time went on, the group started to include look at different ways of creating art, by looking at the theme of Anarchy.

Anarchy Photography

Situationism included two main concepts. The first was ‘The Spectaceand it’s society’ and the second ‘Détournement’. The Spectacle is used a lot in Situationism; It looks at how society is ruled by certain commands by people with more power than them. Whereas, Détournement signifies hijacking. it’s all about changing expressions against themselves. This influentual movement was used for political pranks.

My Views:

Personally, I think that Situationism is a very interesting subject. It’s something new and exciting to challenge. The fact that you must hold back on your personal feelings and almost become aligned with external features. I think that this allows humans to explore the world from a different perspective.

Situationist International 

[no title] 1975-6 Constant (Constant A. Nieuwenhuys) 1920-2005 Presented by the Asger Jorn Foundation 1978 http://www.tate.org.uk/art/work/P03245
1975-6 Constant-1920-2005.

Chance, Change and Challenge

When starting our first topic for the A2 course we were given the title ‘Chance, Change and Challenge’. I think that this is a very fitting title for this section of our course work. I think this because we are being encouraged to change from our usual photographing way’s and to experiment with the use of film, and the interaction with the public. This is very different from our work from our AS photography work- as we were doing more traditional photography in a studio.

We are challenging ourselves to take part in different activities in the middle of a public place to gain a reaction from the public. These activities were encourages to be outside of the box and against social norm. An example of this was whilst we were in St Malo, we bought a large rug that we laid out in the middle of the main square of restaurants and sat on it and meditated. Doing something which is very different in a public space can be seen as a scary experience because of the fear of what other people will think.

The chance from ‘Chance, Change and challenge’ means to me that we should give changing our way of photography a chance, whether that is changing the manual functions of the camera, or what we decide to photograph, or what format we decide to capture our photography in (Film, photographs ect). By giving the element of ‘change’ a change, may befit out work and produce something amazing. Or it may produce something rubbish yet help us develop as a photographer.