It is a paradigm of dramatic structure outlining the seven key steps in successful storytelling: exposition, inciting incident, rising action, climax, falling action, resolution, and denouement.
Exposition= The setting is fixed in a particular place and time, the mood is set, and characters are introduced. A backstory may be alluded to. Exposition can be conveyed through dialogues, flashbacks, characters’ asides, background details, in-universe media, or the narrator telling a back-story
2. Rising Action= An exciting force or inciting event begins immediately after the exposition (introduction), building the rising action in one or several stages toward the point of greatest interest. These events are generally the most important parts of the story since the entire plot depends on them to set up the climax and ultimately the satisfactory resolution of the story itself.
3. Climax= The climax is the turning point, which changes the protagonist’s fate. If things were going well for the protagonist, the plot will turn against them, often revealing the protagonist’s hidden weaknesses. If the story is a comedy, the opposite state of affairs will ensue, with things going from bad to good for the protagonist, often requiring the protagonist to draw on hidden inner strengths.
4.Falling Action= During the falling action, the hostility of the counter-party beats upon the soul of the hero. Freytag lays out two rules for this stage: the number of characters be limited as much as possible, and the number of scenes through which the hero falls should be fewer than in the rising movement. The falling action may contain a moment of final suspense: Although the catastrophe must be foreshadowed so as not to appear as a non sequitur, there could be for the doomed hero a prospect of relief, where the final outcome is in doubt
Polly – The dispatcher/ false hero. He wants Richard to have a better life so he leaves him for both of their benefit. He also acts like a hero as he shows himself working however he never provides for Richard.
PROPP, presents the idea of STOCK CHARACTERS, inc ‘hero’, ‘false hero’, ‘princess’, ‘father figure’, ‘despatcher’
THEMES
LEVI-STRAUSS the use of key themes to structure stories and characters around familiar themes: family, community, law and order, justice. Often set up as binary oppostions: right/wrong urban/rural, young/old, good/bad
PROPP, presents the idea of STOCK CHARACTERS, inc ‘hero’, ‘false hero’, ‘princess’, ‘father figure’, ‘despatcher’
THEMES
LEVI-STRAUSS the use of key themes to structure stories and characters around familiar themes: family, community, law and order, justice. Often set up as binary oppostions: right/wrong urban/rural, young/old, good/bad
Propp
Levi-Strausse
Characters
Mum – false hero Richard – protagonist Polly – Father figure Annabelle – Princess/hero Chicken – hero