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the sims freeplay

links to post modernism – everything superficial and hyperrealistic

parody – copying real life – remaking friends, celebrities etc

strategic life simulation

developed by EA Mobile and later with Firemonkeys Studios

free version of The Sims for mobile devices

released for iOS on December 15, 2011

released for Android on February 15, 2012

released for BlackBerry 10 on July 31, 2013

released for Windows Phone 8 on September 12, 2013

released for Fire OS in October 2012

game features four types of currency: Simoleons, Lifestyle Points, Social Points, and Simcash, the latter being obtainable by spending real currency

Sims Freeplay received “Generally favorable reviews” from critics, holding an aggregated Metacritic score of 80/100

The video game was banned due to the possibility of establishing a homosexual relationship in: China, Saudi Arabia, United Arab Emirates, Oman, Kuwait, Qatar and Egypt

create people of alls sorts of gender style – creative thing

the representative for ea told fans on an online forum that sims mobile game the sims freeplay will no longer be available in 7 countries – spokesperson said “in light of regional standard” the game will no longer be updated. -it was banned due to games explicit LGBT CONTENT.

immerses people to be able to escape their real life and give people control over peoples hyperreality life

Open system -any body can play it – however due to the ban it is now considered as a closed system, as countries like china and saudi arab cannot play the game

Active involvement- play game. and transferring money

CSP 17 New media

Ok this is it!!! Our last topic for this A level course – hope you have had some fun, learned some things and generally developed as a human being!!

This last topic actually includes 5 SEPARATE CSP’s and is organised under the umbrella term: ON-LINE, SOCIAL AND PARTICIPATORY MEDIA.

For this course, the study of Online, Social and Participatory media and Video Games is linked. You will study some Online Social and Participatory media products (Teen Vogue and The Voice) and you will study some video games (Metroid and Tomb Raider Anniversary). You will also study SIMs Freeplay. For this product you will study both the game and its online, social and participatory media products. This will help you develop your understanding of the digitally convergent nature of media products. The list below makes it clear what you need to study.

  1. TEEN VOGUE (which we covered in the AS course – link here)
  2. TOMB RAIDER (which we covered in the AS course – link here)
  3. THE VOICE WEBSITE (link here)
  4. SIMS FREEPLAY (the game, Facebook page, twitter feed)
  5. METROID: PRIME 2 ECHOES (game cover, the game)

These CSP’s need to be studied in terms of ALL 4 CONCEPTUAL AREAS:

  1. > MEDIA LANGUAGE
  2. > REPRESENTATION
  3. > INDUSTRY
  4. > AUDIENCE

For many the rise of a new media society is closely linked to the theoretical position of POSTMODERNISM, so a basic grasp of some of the ideas behind this key concept would also help

As this is quite a lot to refer to I will use this post for general ideas and approaches, so PLEASE REFER TO THE STUDENT CSP BOOKLET for SPECIFIC GUIDANCE.

ESSAY PLAN

Argument = how new technologies has shaped the way audiences consume media.

Paragraph 1:

– Introduce the CSPs briefly

– Historical context

– Technological Advancements

– WOTW was very serious broadcast whereas LH is more casual, shift in society

– WOTW has very iconic sounds, whereas LH has more symbolic for entertainment purposes

– LH tagret audience of teens/young people

– WOTW target of more adults

WOTW overdramtises such as how they say 40 minutes in: I am obsessed with the thought I am the last living man on Earth. people believed this as they couldnt check on google

Paragraph 2:

– PSB

– Mentioning how BBC has a subscription service and its been increased this year

– How the target audience of LH and WOTW has changed

– Social changes

– Clay Shirky end of audience theory

– Henry Jenkins and participatory culture/fandoms

– Hesmondhalgh and how the media is a risky business

– Laswells communciation model and how theres been a shift in audience participation and people now are more media literate. LH includes audience participation such as texting in whereas WOTW doesn’t

Paragraph 3:

– Start to wrap up

– Talk about Stanley Cohen and Folk Devils and Moral Panics and how WOTW links to this

– Cultivation theory and how Gerbners theory links to the spreading of fake news in WOTW

– WOTW spreads propaganda and was provately funded through ads whereas BBC LH is funded by peoples subscriptions

– New media makes users sign into BBC and they can see analytics on what users click on and how long theyre on pages for

– Stuart Hall and theory of preferred reading based on how the BBC LH does shows based on social situations and people can text in with questions

Paragraph 4:

– Conclusion

– both CSPs differ

– Technological advancements

essay

war of the worlds – laswell hypodermic 1920 – 30 – more passive audience – all a one way system

life hacks – theorist more currently – clay shirky – the end of audience – more collaborative and interactive as audience can speak in

theorist

1920/30 – lasswell hypodermic shannon

1940 – shannon + weaver – lazarfield 2 step flow

1960 – uses and grats

1970 – gerbner – skinner v chomksy

1980 – stuart hall – preferred reading

2000 – clay shirky

2019 – zuboff surrillane capitalism

War of the worlds:

War of the Worlds radio drama had left listeners into suspended disbelief and became famous because it tricked people into believing aliens were invading Earth due to the “breaking news” style of the broadcast. Plot contains Martians invading new Jersey.                                                                                                                                                                                                                              People in the 1900’s had less knowledge and were more naïve when it came to media/news –Passive audience/targets a niche audience. The science fiction drama was broadcasted from CBS, which is the Columbia Broadcasting System.  It is a radio podcast of a science fiction novel that was written by H.G Wells.  All in all CBS radio’s ultimate goal was to create publicity.  On it’s opening evening, it was estimated that around 30 million people were tuning into the broadcast and around 80% of Americans owned a radio then. The New York Times headlined a quote that stated ‘Radio listeners in panic, taking war drama as fact’.                                                                                                                                                      The idea of a ‘risky business’ and being hard to meet everyone’s needs. Not being able to predict if an audience will enjoy what is being created. – Hesmondhalgh.                                                                   Clay Shirky- Audience behavior has changed due to the internet and the ability for audiences to create their own content at home thanks to the lower cost of technology. This new audience doesn’t just consume media, but also produces it – creating the term ‘presumer’.                                      Influence of new technology – New media reaches a different and wider network of people/viewers.

War of the worlds/LIFE HACKS (CSP)

War of the Worlds

Narrative and background

War of the Worlds, a science-fiction novel by author HG Wells, was first published in 1898. It is a story of alien invasion and war between mankind and an extra-terrestrial race from Mars.

In terms of historical context, War of the Worlds was broadcasted a year before the beginning of World War 2, In the same year, Nazi Germany invaded both Austria and Czechoslovakia sparking fear of Invasion and war. The majority of the public recieved information on current affairs through radio. At

At the time War of the Worlds was broadcasted, the public didn’t know much about the idea of hybrid genres and was unfamiliar with it especially with radio.

Columbia Broadcasting Company (CBC) , An American broadcasting television and radio company, still around in the present day.

Shirky, The public audience is changing over time, passive to act on areas as technology changes more people can participate.

Hesmondhalgh, the idea of a risky business within media, “the cultural industries constitute a particularly risky business

LIFE HACKS

Audiences: Life hacksradio 1 product has a public service status as part of BBC

Industries: Life Hacks shows how industry targets niche audiences

Life Hacks reflects acceptance of diversity and degree of openness in contemporary culture around personal, social and identity issues

Identification of funding for Radio 1 through license fee, concept of hypothecated tax

How are the programmes constructed to appeal to a youth audience?

The content that is presented within the show is mainly focused on topics that are conflicted within a younger generation- such as: depression, anxiety, stress with exams as well as university and student life. Also, the presenters would allow the audience to gain a personal relationship with them due to the fact that the audience has an insight on their personal life which would allow them to respond in a positive and relatable  way.

AUDIENCE:

1) What is the target audience for BBC Radio 1?The target audience is 15-29 year olds.

2) Who is the actual audience for BBC Radio 1?

Only 41% are in the target audience age range

their median age is 32.90% are white.

58% ABC1

Population average 55%

3) What audience pleasures are offered by Life Hacks? Apply Blumler and Katz’s Uses and Gratifications theory

Diversion: listening to different podcasts( reflecting what you are going through)- able to escape from what you are going through by seeking help and allowing yourself to listen to other people’s stories etc.

Personal identity: Being able to relate to stories being told and seeing your character reflected in the different topics mentioned.

Personal relationships: the feeling of support that is experienced as a result of knowing that there is an area/space for advice and help- knowing that people are going through the same thing as you. 

war of the worlds

Follows the story of an alien attack on New Jersey in 1938,

In terms of historical context, War of the Worlds was broadcasted a year before the beginning of World War 2, In the same year, Nazi Germany invaded both Austria and Czechoslovakia sparking fear of Invasion and war. The majority of the public recieved information on current affairs through radio. At

At the time War of the Worlds was broadcasted, the public didn’t know much about the idea of hybrid genres and was unfamiliar with it especially with radio.

Columbia Broadcasting Company (CBC) , An American broadcasting television and radio company, still around in the present day.

Shirky, The public audience is changing over time, passive to act on areas as technology changes more people can participate.

Hesmondhalgh, the idea of a risky business within media, “the cultural industries constitute a particularly risky business