



Media Organisations can target audiences through the content/ familiarity of genre for example “the killing”, one theorist to keep in mind when building audiences for that show would be Steve Neale’s theory of Repetition and differences for audiences. In Steve Neale theory he explains that genres all contain repetition and difference, differences are essential to build and grab the attention of an audience. From having shows too similar to things that have already been made in the genre, the audiences would lose interest very quickly and get bored. On the other hand if the show was too different to the categorized genre, the direction of what audience the product is for, would not be as accurate or would be misdirected and in the process lose viewers.
With “the killing” the way the organisation desired or constructed audience would be fitting the stereotype viewer of crime genres. So by the company follow the similar narratives associated with crime shows and have an ideal audience who love shows with a sense of mystery or involving a genus cop or investigator as the protagonist of the show.having cases only solved at the last minute for suspense, and finally having the subliminal narrative of good vs evil. These all are key elements of the constructed audience desired for the company
The processes of production, distribution and circulation uses the method of transreprestentation, examples of this would be if the show the killing was a big hit to UK audiences who love the crime genre. By having another company collaborate with their show from another country would wider spread the amount of audiences the show is exposed to which would lower cost of making the show since the companies are splitting the costs and overall increase profit from the wider exposure.
Lonnie Lynn Jr. (born March 13, 1972), better known by his stage name Common (formerly Common Sense), is an American rapper, actor, writer, philanthropist, and activist.
Making his album debut with “Can I Borrow a Dollar?” An artist known for often thoughtful, verbose lyricism and exploring varied sounds, his later albums included Like Water for Chocolate, Electric Circus, and Be, among others.A Grammy winner, Common has also turned to acting, as seen with roles in projects like” Just Wright”, “The Odd Life of Timothy Green” and “Selma”. For the latter film, he and vocalist/musician John Legend have won a Golden Globe and an Oscar for the song “Glory.” he’s also worth 47million.
Bilal Sayeed Oliver (born August 23, 1979), better known as Bilal, is an American singer, songwriter, and record producer. He is currently an independent artist residing in New York City. Bilal is noted for his wide vocal range, his work across multiple genres, and his live performances.
Common has always been one to incorporate activism into his music, but perhaps one of his most moving works is the haunting “Letter to the Free” from his 2016 album Black America Again. He turned that song into an affecting visual, which he debuted a longer version of at Tribeca Film Festival Sunday night (April 23).
The black-and-white piece which was filmed in a jail just outside of Queens, New York features Common’s song presented by the rapper himself, along with singer Andra Day, their collaborator Bilal and other musicians playing everything from flute to xylophone to bongos. The clip also features a symbolic black box, which Common explained in a conversation with filmmaker Nelson George after the premiere: “It represents the infinite thing about blackness and blackness can’t be defined in time or space.”
Hidden figures was a underbudge movie created with a budget of $25 million, and was sent out for a test run to the public in December 25, 2016 and then was released worldwide in january 2017 where it tripled its starting profit. Hidden figures was also co-produced between to companies of a major hollywood conglomerates through their film subdivision known as “Fox 2000”. The movie used traditional methods of distribution and exhibition for targeting audiences. The leading company, Fox 2000 gave the hidden figures movie a low budget from its contemporary subject matter and its targeted audience, since hollywood usually ignores that kind of targeting due to the age, gender, race aspects of the movie but an advantage for producing this movie can be a good test run for audiences constant changing preferences. Finally if the movie didn’t sell well the company wouldn’t be at a big loss since the budget for the movie wasn’t big to begin with. The movie after its world wide release racked up $236 million with lots of positive reviews on its contemporary subject matter bringing up topics of women of colours empowerment, and was a perfect example of positive risk taking for the conglomerates Fox 2000. This gave the business company FOX 2000, research knowledge and feedback to be able to produce even more big hit movies with similar topics and higher budgets.
Hidden Figures is a 2016 American biographical drama film directed by Theodore Melfi and written by Melfi and Allison Schroeder. It is loosely based on the non-fiction book of the same name by Margot Lee Shetterly about black female mathematicians who worked at the National Aeronautics and Space Administration during the Space Race.
Hidden Figures had a limited release on December 25, 2016, by 20th Century Fox, before going wide in the United States on January 6, 2017. The film received positive reviews from critics and grossed $236 million worldwide. It was chosen by National Board of Review as one of the top ten films of 2016 and was nominated for numerous awards, including three Oscar nominations (Best Picture, Best Adapted Screenplay and Best Supporting Actress for Spencer), and two Golden Globes (Best Supporting Actress for Spencer and Best Original Score). It also won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.
1.) What do you think was the appeal of this film to Fox studios?
I understand that the appeal for this movie was to use the theory known as Uses and Gratifications to educate and shine a light to viewers about the past discrimination at such big event in history, the space race.
2.) What was the appeal of this film to audiences?
I think the appeal was to make viewers more aware of events that would have transpired when the space race was happening and that was overlooked. This can link to the uses and gratification theory by Katz, Gurevitch and Haas by tending to the social needs and educating about the worlds history, or it can tend to the needs in the category of personal needs by helping viewers understand them selves more and there place in society, and how different life was back then.
3.) Do you think this film was a success?
the films budget started at $25 million and almost tripled in profit after being released so on the more corporate side of things I would say the movie was successful. however I would say that the movie in itself could have been more truthfully deciding on how accurate the film was going to be instead of adding in inaccurate scenes for the should purpose of drama.
CHARACTERS
NARRATIVE
THEMES
REPRESENTATION
TECHNICAL CODES / LANGUAGE OF MOVING IMAGE (music, setting, props, lighting, use of camera, editing etc)
The detective who has a ‘natural’ instinct for law and order
One of the detectives is of course a genius and has heightened knowledge and instincts to solve the case
The first episode often introduces a lot of different characters
Everything starts off equilibrium
The use of binary oppositions around familiar themes: family, community, law and order, justice.
have elements of urban and rural landscapes
reactionary representations of police, family, law and order, urban/rural
the killers were all outsiders who you wouldn’t have suspected to be the killer from first interaction
opening montage sequence that often gives clues as to the whole series – themes, locations, characters, events etc.
The Killing, The missing has the main detective as female (radical ideology)
PROPP
TODOROV
LEVI-STRAUSS
SEMIOTICS
pathetic fallacy
Background about the show
The Killing (Danish: Forbrydelsen, “The Crime”) is a Danish police drama television series created by Søren Sveistrup and produced by DR in co-production with ZDF Enterprises. It was first broadcast on the Danish national television channel DR1 on 7 January 2007, and has since been transmitted in many other countries worldwide.
The series is set in Copenhagen and revolves around Detective Inspector Sarah Lund (Sofie Gråbøl). Each series follows a murder case day-by-day. Each fifty-minute episode covers twenty-four hours of the investigation. The series is noted for its plot twists, season long story lines, dark tone and for giving equal emphasis to the stories of the murdered victim’s family and the effect in political circles alongside the police investigation. It has also been singled out for the photography of its Danish setting, and for the acting ability of its cast.
According to Vulture, the show is based on the true story of former FBI agent John E. Douglas, who pioneered criminal profiling at the FBI. The Netflix series follows the fictional agent Holden Ford, played by Jonathan Groff, as he interviews serial killers who are based on real-life murderers.
In 2011, a US remake was produced by the American cable network ACM.
Who is the primary, secondary and tertiary audience for this product?
the primary audience would be crime drama show lovers with the age bracket of 16 and up
Theorist | What does it mean (in your own words) | How does it apply to the advert (in your own words) |
Equilibrium | is the balance in the story of 2 oppositions then disupted equilibrium is when the story becomes unbalanced which is considered more interesting | equilibrium is when the set is bland and normal before they get bossed up |
Binary Opposition | binary opposites helps to thicken the plot and further the narrative since its 2 oppositions agains each other eg good and evil | this is displayed when th story has the further narrative of getting bossed up |
Character Types | character types is the theory that every story needs 8 types of characters. villain, hero, sidekick, victim…etc | the protagonists of the advert are the heroes and the bell boy is the victim of being saved from his boring job by getting bossed up |