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oh

The first issue of Oh (previously known as oh commonly) was published in 2010 by an independent comapny called sdeline media, Iceberg Press purchased Oh Comely from Adeline Media in 2016.

OH Comely focuses on representation of femininity with its focus on creativity and quirkiness, women as artists, entrepreneurs, athletes and musicians and female empowerment is a major theme.

Oh Comely 35 by oh comely magazine - issuu
OH Magazine by Listín Diario - issuu

After the sale to iceberg press oh comely was changed to oh and became a lot more mainstream than the previous look of the magazine. this may be to keep the magazine popular and relevant.

INSTITUTIONS

Murdoch- Rupert Murdoch owns a large percentage of the British, Australian and american media including the times, fox news the sun, etc.

David Hesmondhalgh- he analysis’s the relationship between the media work and the media industry.

‘the distinctive organisational form of the cultural industries has considerable implications for the conditions under which symbolic creativity is carried out’The Culture Industries (Sage, 2019, p.99)

media power and control

The Murdoch dynasty controls the UK government by bribing potential prime ministers with the support of the times and the sun. For example the new labor Parliament This links to Althusser theory because he talks about the state controlling the public through isa

post modernism

Postmodernism is a philosophy, and is an approach to understand knowledge, life, politics, culture, etc.

key words

  • New iterations
  • Fragmentary
  • decentered
  • Re-imagining
  • interseualtity

Surface signs– must know the original film in order to understand the parodies ‘their preoccupation with visual style, and associated with this, their status as key exemplars of ‘postmodern’ texts.’ (2001:167). shuker. ‘no longer able to distinguish ‘fiction’ from ‘reality’, part of the postmodern condition’ (ibid)

Bricolage – ‘involves the rearrangment and juxtaposition of previously unconnected signs to produce new codes of meaning’ (Barker & Jane, 2016:237).

style over substance– ‘in a postmodern world, surfaces and style become the most important defining features of the mass media and popular culture‘ (Strinati: 234)

Richard Hoggart – noted the shift between people living local lives ‘neighborhood lives’ to cities becoming ‘high-consuming energy centres’. Which means we have shifted from production to consumption.

Fragmentary consumption = Fragmentary identities. We construct, our (multiple) digital identities, visable and varying across different digital platforms – work identity, social identity, family identity etc. The development of fragmented, alienated individuals living (precariously) in fragmented societies.

 Jean Baudrillard – theres an implosion from the loss of the metanarative. ‘From a societal perspective the ‘real’ seems to be imploding in on itself, a ‘process leading to the collapse of boundaries between the real and simulations’

post colonialism

Orientalism– Edward said, the link between culture, imperial power and colonialism ‘the power to narrate, or to block other narratives from forming or emerging, is very important to culture and imperialism’ ,‘an accepted grid for filtering through the Orient into Western consciousness‘. Media is not neutral, western culture defines the orient as a lesser culture sue to stereotypes. ‘an economic system like a nation or a religion, lives not by bread alone, but by beliefs, visions, daydreams as well, and these may be no less vital to it for being erroneous’

The orient as the ‘Other’-the recognition of the ‘Other’ is mainly attributed the French philosopher and psychoanalyst Jacques Lacan’

Louis Althusser: ISA’s & the notion of ‘Interpellation’– ‘all ideology hails or interpellates concrete individuals as concrete subjects, through the functioning of the category of the subject’.Ideological state apparatus (ISA), which is used to describe the way in which structures of civic society which keeps people in there place. ‘the ruling ideology, which is the ideology of ‘the ruling class’.

Frantz Fanon–  ‘mechanics of colonialism and its effects of those it ensnared‘, articulating the way he was constructed as ‘other’ specifically through the way he was hailed, called, perceived and understood. ‘colonialised’ people to reclaim their own past by finding a voice and an identity.

  1. Assimilation of colonial culture corresponding to the ‘mother country’ Chinua Achebe talks of the colonial writer as a ‘somewhat unfinished European who with patience guidance will grow up one day and write like every other European.’ (1988:46)
  2. Immersion into an ‘authentic’ culture ‘brought up out of the depths of his memory; old legends will be reinterpreted’
  3. Fighting, revolutionary, national literature, ‘the mouthpiece of a new reality in action’.

Antonio Gramsci – Hegemony is a tug of war for power, and that balance can be changed, how certain cultural forms predominate over others, which means that certain ideas are more influential than other, post colonialism articulates a desire to reclaim, re-write and re-establish cultural identity and thus maintain power of The Empire

Syncretism, double consciousness & hybridisation, mechanisms for understanding cross-cultural identities. Paul Gilroy  –  W. E. B. Dubois –  ‘cross-cultural’ interactions is indeed a characteristic of postcolonial criticism. ‘cultural polyvalency’. Two tone movement-eclectic mix of stylistic influences 

equal justice initiative- “narrative of white supremacy created” “slavery did not end it simply evolved”

Black British history- David Olusoga

Questions, letter to the free;

  • Q1:How can you apply the concept of Orientalism to Common’s Letter to the Free?
  • This could be applied to letter of the free as common tried to reverse the stereoytypes given to black americans similar to those with orientalism.
  • Q2: Can you apply Fanon’s 3 phase plan of action to this music video?
  • Fanon’s 3 phase plan could be applied as the music video is inspiring people to become more educated on their own culture and heritage in order to start the 3 phase plan.
  • Q3: How is the audience called / addressed / hailed (interpellated)? Use examples from both the lyrics and the visual grammar (shot, edit, mise-en-scene) to show how audiences are drawn into a specific subject position / ideological framework?
  • The audience is called to address the systematic racism in the USA caused by the constitution and the 13th amendment, they used emotive language to demonstrate what has been happening for years. ‘The caged birds sings for freedom to bring, Black bodies being lost in the American dream’. The language used makes the audience sympathetic and inspired to make a change.

Questions, Ghost town;

  • Q1: Where can you identify ‘hybridity’, ‘ambiguity’ and ‘cultural polyvalency’ in this music video?
  • Hybridity, ambiguity and cultural polyvalency can be show in this video due to cross of cultures between white people and black and Jamaican culture. The two tone movement mixes these cultures in order to educate the society on other cultures by making it more accessible.
  • Q2: How does this text apply to Fanon’s 3 phase plan of action?
  • This text applies to Fanon’s 3 phase plan as alike with commons, letter to the free it it hopes to aspire people to begin to educate themselves. The specials used this to bring cultures together but to also educate on the problems within the uk at the time.
  • Q3: How is the audience called / addressed / hailed (interpellation)? Use examples from both the lyrics and the visual grammar (shot, edit, mise-en-scene) to show how audiences are drawn into a specific subject position / ideological framework?
  • In ghost town the audience is called to address the problems in the uk at the time. Unemployment rates were high, violence had risen since the riots and the video helped to call responsibility to these problems. ‘Government leaving the youth on the shelf’ they are acknowledging the problems that need to be changed and they use this to get the audience to engage and fight for change.

post modernism definitions

  • Pastiche – Artistic work that imitates the work of a previous art work/ media text.
  • Bricolage – the creation of something new through from a diverse media texts.
  • Intertextuality – the meaning of a text being shaped by an other text
  • Implosion– The collapse of a system/ the collapse of a message in a text.
  • Cultural appropriation– the adoption of minority groups culture and used in dominant culture
  • Parody– work that that imitates other work with ridicule or irony.
  • Metanarrative– overarching ideas, attitudes, values and beliefs that have held us together in a shared belief.
  • Hyperreality– a world based on simulation, making it difficult to distinguish reality from a simulation.
  • Simulacrum – simulations are more real that the actual reality.
  • Conumerist Society– a society in which consuming is the main objective.
  • Fragmentary Identities– is that we construct multiple identities for different platforms.
  • Reflexivity – the evaluation of our own beliefs and opinions.

Style models

In this video I would say it features many stock characters in individual stories that are all some how connected in some way. For example The black man being arrested would be seen as the victim and the police man the villain in this scenario. I would also so say that the majority of the characters are victims of the society we live in. I would also say the running in the video (3:07) is the climax of the story.

In this video I think binary oppositions are used, the video shows a disagreement between two groups (white & orange) which represent a male & female in a relationship. It could also be seen as a fight between peace and unrest (white seen as pure where as orange seen criminalised)

In this video stock characters can also be seen, the one girl who is seen to be distressed and commit sucide can be seen as the victim/princess that needed saving and Lana del Rey can be seen as the hero for trying to save her however not being able to save her. the victim is also seen in red which could represent blood/death where as Lana’s in white representing her being pure/ angle like.

Post Colonialism

  1. COLONIALISM– the policy that gain control of people of territory in order to have economic control.
  2. POST COLONIALISM– the after effects of colonialism on a country.
  3. DIASPORA– an ethnic people outside their original country.
  4. BAME– a term to describe ethnic minorities (black, asian, etc) in the uk.
  5. DOUBLE CONSCIOUSNESS (GILROY)– internal conflicts caused by ethnic minorities in a oppressive society.
  6. CULTURAL ABSOLUTISM / RACIAL ESSENTIALISM – the idea that biological characteristics do not differ from different cultures.
  7. CULTURAL SYNCRETISM– aspects of different cultures being blended to create a new culture.
  8. ORIENTALISM (SAID)– the western worlds view of the Middle East.
  9. APPROPRIATION– is the acquiring of aspects from another culture and using it in a different culture.
  10. CULTURAL HEGEMONY– a diverse culture being controlled and owned by the upper class.
  11. THE PUBLIC SPHERE (HABERMAS)– a place in society where opinions can be freely expressed to each other.
  12. THE ROLE OF PUBLIC SERVICE BROADCASTING IN TERMS OF FAIR REPRESENTATION OF MINORITY GROUPS / INTERESTS– PSB have a duty to represent minority groups fairly, if they are not it can lead to minorities experiencing discrimination by a more dominant cultural group.