theorists

SEMIOTICS

barthes

SEMIOTICS:

  • signification = the representation or conveying of meaning
  • denotation = the literal or primary meaning of a word
  • myth = helps to naturalize particular world-views.

pierces

SIGNS:

  • symbolic = random link
  • indexical = ink
  • iconic = looks like object

Ferdinand de saussure

LANGUAGE: linguistics

  • connection between a thing and the meaning, where we become attached to
  • symbolic interactionism
  • signifier =
  • signified =

GENRE

neale

GENRE:

  • conventions and rules
  • sub – genre
  • hybridisation
  • genres of order and integration
  • genre as cultural category

NARRATIVE

todorov and prop

NARRATOLOGY:

  • narrative structure =
  • equilibrium =
  • disruption =
  • new equilibrium =

levi strauss

STRUCTURALISM:

  • binary oppositions =
  • cultural codes =
  • ideological reading =
  • deconstruction =

prop

CHARACTER TYPES:

  • hero, dispatcher, princess, false hero

chatman

NARRATIVE

  • satellites = less important, add “fluff” can remove
  • kerners = important, moves story, cant remove

freytag

PYRAMID STORY TELLING:

  • exposition =
  • rising action =
  • climax =
  • falling action =

POST COLONAILISM

gilroy

ENTHNICITY AND POST MODERNISM:

  • diaspora =
  • double consciousness =

said

  • ORIENTALISM: study of the Orient or the Eastern world.
  • reviews the effect of this belief system on the connections of Eastern and Western nations.
  • reviews the history of this idea and how it’s still prevalent today.
  • the orient could not represent itself.
  • we are socially constructed and what socially constructs us is ‘despite its diversity and contradictions . . . the ruling ideology, which is the ideology of ‘the ruling class

fanon

  • Wretch of the Earth –  ‘mechanics of colonialism and its effects of those it ensnared‘ – racial stereotyping, derogatory abuse – as acceptable social interaction due to society ideas

REPRESENTTION – FEMINIST CRITICAL THINKING

judith bulter

  • gender as a performance – multiple identities that are performed to different people, in different social settings, under different social conditions

laura mulvey

  • male gaze
  • female gaze
  •  Idea of scopophilia (pleasure of looking) and fetishism (cuts of different parts) – 1st Wave

van zoonen

  • woman are not fixed as one thing but are intersected with other thing such as race. They are permanently being reconstructed.

hooks

  • multicultural – multiple identities including racism, gender, sexuality such as female and gay

LIBERAL FREE PRESS

habermas

  • transformation of public sphere

PSB

curran and seaton

  • Diverse landscapes

livingstone and lunt

  • regulation
  • cultural health vs consumer

hesmondhalgh

  • risky business

AUDIENCE THEORIES

gerbner

CULTIVATION THEORY: ‘television cultivates from infancy the very predispositions and preferences that used to be acquired from other primary sources‘ – media (mainly tv) shapes the way people think

  • socialisation =
  • standardisation =
  • enculturation =

hall

REPRESENTATION:

  • encoding/decoding = Preferred Reading Theory – different views such as hegemonic/negotiated/oppositional depending on different people – audiences are active in making opinions

lasswell

  • heiracrhy of needs
  • hypodermic – passive

lazarfield

  • 2 step flow – active

clay shirk

  • End of Audience – the more ideas there are in circulation, the more ideas there are for any individual to disagree with.

zuboff

  • Service Capitalism as the media monitors us

giddens

GAUNTLETT

IDENTITY:

  • fluidity of identity =
  • constructed identity =
  • negotiated identity =
  • collective identity =

mcdougall / fenton

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