Television

THE KILLING

OWNERSHIP

  • Danish
  • Speak swedish
  • Created by Søren Sveistrup
  • Produced by DR (Dutch) and ZDF Enterprises (German)
  • DR = CEO Maria Rorbye Ronn, Public service radio and television broadcasting, founded 1925 Denmark
  • ZDF Enterprises = German, founded 1993, child company to ZDF (independent non profit, public service broadcaster), THOMAS BELLUT (general director)
  • First American
  • APPEALS TO INTERNATIONAL AUDIENCE
  • Who is the primary, secondary and tertiary audience for this product?
  • What audience theories can you apply to which help you to develop a better understanding of the potential target audience?
  • What organisations (rather than individuals) are involved in the production, distribution & exhibition of this product?
  • DISTRIBUTED on Amazon Prime
  • Female protagonist – radical
  • Crime drama – stephe neale genre theory – repertoire of elements (repeated features, specific to crime drama so it’s recognisable to the audience)
  • Narratology – TODOROV – beginning, middle, end, equilibrium then balances out again at the end, can happen more than once, has to be resolved to end a story
  • Feminist critical thinking BELL HOOKS, VAN ZOONEN
  • Audience theory – Hall – theory of preferred reading

Primary audience – Directly receive communication (Viewers of the TV show), crime drama show lovers aged 16 upwards, swedish people

Secondary audience – Indirectly receive communication (People who analyse it, critics), netflix watchers

Tertiary audience – People are familiar with someone conveying the communication, focus group (friends / family of the producers / actors)

Audience theories: Reception theory / preferred reading

Organisations involved :

Production – Søren Sveistrup (screenwrite) (has also been remade by Turkish and US TV (AMC)

Distribution – (How it’s shown to an audience) , Amazon, BBC4 and Netflix

Exhibition – TV show, moving image

NO OFFENCE

OWNERSHIP

  • Anna Ferguson Simon Meyers Philip Leach
  • m=Manchester

  • Mainstream TV series using code and conventions of the police crime drama intertwined with aspects of social realism
  • THEORY OF GRATIFICATION
  • TODOROV
  • STEPHE NEALE GENRE THEORY – hybrid – combination of more than one genre to create one sub genre (drama, social realism, crime)
  • Negtative and positive representation of stereotypes (female police)
  • RADICAL – dominance of female characters (counter-type)
  • REPRESENTATION THEORIES – HALL
  • Streamed on Channel4, All4 and in France – public service broadcasting DISTRIBUTION
  • PRODUCTION
  • Audience positioning
  • Niche audience

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